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This is a list of women photographers who were born in Australia or whose works are closely associated with that country.
Mervyn Bishop is an Australian news and documentary photographer. Joining The Sydney Morning Herald as a cadet in 1962, he was the first Aboriginal Australian to work on a metropolitan daily newspaper and one of the first to become a professional photographer. In 1971, four years after completing his cadetship, he was named Australian Press Photographer of the Year. He has continued to work as a photographer and lecturer.
Carol Jerrems was an Australian photographer/filmmaker whose work emerged just as her medium was beginning to regain the acceptance as an art form that it had in the Pictorial era, and in which she newly synthesizes complicity performed, documentary and autobiographical image-making of the human subject, as exemplified in her Vale Street.
Trent Parke is an Australian photographer. He is the husband of Narelle Autio, with whom he often collaborates. He has created a number of photography books; won numerous national and international awards including four World Press Photo awards; and his photographs are held in numerous public and private collections. He is a member of Magnum Photos.
Anne Zahalka is an Australian artist and photographer. Her work is held in the collections of the Art Gallery of New South Wales, National Gallery of Victoria, State Library of New South Wales and the National Gallery of Australia. In 2005, she was the recipient of the Leopold Godowsky Award at the Photographic Resource Centre in Boston.
Henry Talbot, born Heinz Tichauer was a German-Australian fashion photographer noted for his long association with the Australian fashion industry, particularly the Australian Wool Board.
Narelle Autio is an Australian photographer. She is a member of the In-Public street photography collective and is a founding member of the Oculi photographic agency. She is married to the photographer Trent Parke, with whom she often collaborates. She has won two Walkley Awards for photojournalism, two first prize World Press Photo awards, and the Oskar Barnack Award.
John Cyril "Jack" Cato, F.R.P.S. was a significant Australian portrait photographer in the pictorialist style, operating in the first half of the twentieth century. He was the author of the first history of Australian photography; The Story of the Camera in Australia (1955)
May and Mina Moore were New Zealand-born photographers who made careers as professional photographers, first in Wellington, New Zealand, and later in Sydney and Melbourne, Australia. They are known for their Rembrandt-style portrait photography, and their subjects included famous artists, musicians, and writers of the era.
Destiny Deacon HonFRPS was an Australian photographer, broadcaster, political activist and media artist. She exhibited photographs and films across Australia and also internationally, focusing on politics and exposing the disparagement around Indigenous Australian cultures. She was credited with introducing the term "Blak" to refer to Indigenous Australians' contemporary art, culture and history.
Ponch Hawkes is an Australian photographer whose work explores intergenerational relationships, queer identity and LGBTQI+ rights, the female body, masculinity, and women at work, capturing key moments in Australia's cultural and social histories.
Brummels Gallery in South Yarra, Melbourne, Australia, was a commercial gallery established by David Yencken in 1956 to exhibit contemporary Modernist Australian painting, sculpture and prints, but after a period of dormancy became best known in the 1970s, under the directorship of Rennie Ellis, as the first in Australia to specialise in photography at a time when the medium was being revived as an art form. The gallery closed in 1980.
Ruth Miriam Hollick was an Australian portrait and fashion photographer who was one of Melbourne's leading Pictorialist photographers during the 1920s.
WOPOP: Working Papers on Photography was a short-lived non-profit academic photography journal irregularly published in nine issues between 1978 and 1983, which developed from a 1977 conference in Sydney and incorporated the proceedings of a later conference in Melbourne. It contributed research to the emerging field of photography history and historiography in Australia and exposed readers to significant international experts in the field.
Pegg Clarke was an Australian professional fashion, portrait, architectural and society photographer whose work, published frequently in magazines, was referred to by historian Jack Cato as being of "the highest standard."