List of Australian women photographers

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This is a list of women photographers who were born in Australia or whose works are closely associated with that country.

Contents

A

B

C

D

E

F

G

H

J

K

L

M

N

P

R

S

Z

See also

Related Research Articles

<span class="mw-page-title-main">Carol Jerrems</span> Australian photographer (1949–1980)

Carol Jerrems was an Australian photographer/filmmaker whose work emerged just as her medium was beginning to regain the acceptance as an art form that it had in the Pictorial era, and in which she newly synthesizes complicity performed, documentary and autobiographical image-making of the human subject, as exemplified in her Vale Street.

<span class="mw-page-title-main">Olive Cotton</span> Australian photographer (1911–2003)

Olive Cotton was a pioneering Australian modernist photographer of the 1930s and 1940s working in Sydney. Cotton became a national "name" with a retrospective and touring exhibition 50 years later in 1985. A book of her life and work, published by the National Library of Australia, came out in 1995. Cotton captured her childhood friend Max Dupain from the sidelines at photoshoots, e.g. "Fashion shot, Cronulla Sandhills, circa 1937" and made several portraits of him. Dupain was Cotton's first husband.

Trent Parke is an Australian photographer. He is the husband of Narelle Autio, with whom he often collaborates. He has created a number of photography books; won numerous national and international awards including four World Press Photo awards; and his photographs are held in numerous public and private collections. He is a member of Magnum Photos.

Anne Zahalka is an Australian artist and photographer. Her work is held in the collections of the Art Gallery of New South Wales, National Gallery of Victoria and the National Gallery of Australia. In 2005, she was the recipient of the Leopold Godowsky Award at the Photographic Resource Centre in Boston.

Henry Talbot, born Heinz Tichauer was a German-Australian fashion photographer noted for his long association with the Australian fashion industry, particularly the Australian Wool Board.

Tracey Moffatt is an Indigenous Australian artist who primarily uses photography and video.

Narelle Autio is an Australian photographer. Autio is a member of the In-Public street photography collective and is a founding member of the Oculi photographic agency. She is married to the photographer Trent Parke, with whom she often collaborates.

<span class="mw-page-title-main">Jack Cato</span> Australian photographer and photo historian

John Cyril "Jack" Cato, F.R.P.S. was a significant Australian portrait photographer in the pictorialist style, operating in the first half of the twentieth century. He was the author of the first history of Australian photography; The Story of the Camera in Australia (1955)

Anne Ferran is an Australian photographer.

Hans Hasenpflug (1907–1977) was born in Germany and migrated to Australia where he became a portrait and fashion photographer and was naturalised.

Destiny Deacon HonFRPS is an Indigenous Australian photographer and media artist. She has exhibited photographs and films across Australia and also internationally, focusing on politics and exposing the disparagement around Indigenous Australian cultures. She is credited with introducing the term "Blak" to refer to Indigenous Australians' contemporary art, culture and history.

Charles Alfred Woolley was born in Hobart Town, Tasmania, Australia. He was an Australian photographer but also created drawings, portraits and visual art. He is best known for his photographic portraits of the five surviving Oyster Cove Aboriginal people taken in August 1866 and exhibited at the Intercolonial Exhibition of Australasia colonial exhibition in Melbourne the same year.

Ponch Hawkes is an Australian photographer whose work explores intergenerational relationships, queer identity and LGBTQI+ rights, the female body, masculinity, and women at work, capturing key moments in Australia's cultural and social histories.

Natalie King is an Australian curator and writer working in Melbourne, Australia. She specializes in Australian and international programs for contemporary art and visual culture. This includes exhibitions, publications, workshops, lectures and cultural partnerships across contemporary art and indigenous culture.

<span class="mw-page-title-main">Australian Centre for Photography</span> Photography organisation and gallery in New South Wales, Australia

The Australian Centre for Photography (ACP) was a not-for-profit photography gallery in Darlinghurst, Sydney, Australia that was established in 1973 and which also provided part-time courses and community programs.

Louisa Elizabeth How (1821–1893) was the first woman photographer in Australia whose works survive.

Robert Ashton (1950) is an Australian photographer and photojournalist.

WOPOP: Working Papers on Photography was a short-lived non-profit academic photography journal irregularly published in nine issues between 1978 and 1983, which developed from a 1977 conference in Sydney and incorporated the proceedings of a later conference in Melbourne. It contributed research to the emerging field of photography history and historiography in Australia and exposed readers to significant international experts in the field.

<span class="mw-page-title-main">Douglas Kilburn</span> Australian photographer and daguerreotypist

Douglas Thomas Kilburn was an English-born watercolour painter and professional daguerreotypist who operated in Melbourne 1847–49, producing some of the earliest portrait photographs of indigenous Australians

References

  1. Trent Parke and Narelle Autio, The Seventh Wave, Kirribilli, NSW: Hot Chilli Press, 2000; Michael Fitzgerald, Narelle Autio and Trent Parke: 'To the sea', Photofile, No. 93, spring / Summer 2013: 56-61.
  2. Jane Burton and Ingrid Periz, Jane Burton: other stories, Balaclava, Victoria: M.33, 2011.
  3. Brenda L. Croft, "Blak Lik Mi." Art and Australia 31, no. 1 (Spring 1993): 63-67; Brenda L. Croft, "Still in My Mind: An Exploration of Practice-Led Experimental Research in Progress." Cultural Studies Review 21, no. 1 (March 2015): 230-48; Larissa Behrendt, "Brenda Croft: Subalter/N/Ative Dreams." In Subalter/N/Ative Dreams, edited by Brenda Croft. Paddington: Stills Gallery, 2016.
  4. Brenda L. Croft and Destiny Deacon, In My Father’s House and Postcards from Mummy. Sydney: Australian Centre of Photography, 1998.
  5. Maggie Finch et al, Sue Ford 1943-2009, Melbourne, Vic.: National Gallery of Victoria, 2014.
  6. "PUNK GIRLS". www.manuscriptdaily.com.
  7. Australian Dictionary of Biography. National Centre of Biography, Australian National University.
  8. Tracey Moffatt and Gerald Matt, "An Interview with Tracey Moffatt." In Tracey Moffatt, edited by Paula Savage and Lara Strongman. Wellington: City Gallery Wellington, 2002; Tracey Moffatt and Brigitte Reinhardt, Tracey Moffatt: Laudanum, Ostfildern Germany: Hatje Cantz, 1999; Tracey Moffatt, Sydney: Museum of Contemporary Art, 2003.
  9. Australian Dictionary of Biography. National Centre of Biography, Australian National University.
  10. Melissa Miles, The Language of Light and Dark: Light and Place in Australian Photography, Sydney: Power Publications, 2015, pp. 66-70.
  11. Anne Zahalka, Hall of mirrors: Anne Zahalka, portraits 1987-2007, Fitzroy: Centre for Contemporary Photography, 2007.

Bibliography