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This is a list of women photographers who were born in Australia or whose works are closely associated with that country.
Carol Jerrems was an Australian photographer/filmmaker whose work emerged just as her medium was beginning to regain the acceptance as an art form that it had in the Pictorial era, and in which she newly synthesizes complicity performed, documentary and autobiographical image-making of the human subject, as exemplified in her Vale Street.
Olive Cotton was a pioneering Australian modernist photographer of the 1930s and 1940s working in Sydney. Cotton became a national "name" with a retrospective and touring exhibition 50 years later in 1985. A book of her life and work, published by the National Library of Australia, came out in 1995. Cotton captured her childhood friend Max Dupain from the sidelines at photoshoots, e.g. "Fashion shot, Cronulla Sandhills, circa 1937" and made several portraits of him. Dupain was Cotton's first husband.
Trent Parke is an Australian photographer. He is the husband of Narelle Autio, with whom he often collaborates. He has created a number of photography books; won numerous national and international awards including four World Press Photo awards; and his photographs are held in numerous public and private collections. He is a member of Magnum Photos.
Anne Zahalka is an Australian artist and photographer. Her work is held in the collections of the Art Gallery of New South Wales, National Gallery of Victoria, State Library of New South Wales and the National Gallery of Australia. In 2005, she was the recipient of the Leopold Godowsky Award at the Photographic Resource Centre in Boston.
Henry Talbot, born Heinz Tichauer was a German-Australian fashion photographer noted for his long association with the Australian fashion industry, particularly the Australian Wool Board.
Tracey Moffatt is an Indigenous Australian artist who primarily uses photography and video.
Reynolds Mark Ellis was an Australian social and social documentary photographer. He also worked, at various stages of his life, as an advertising copywriter, seaman, lecturer, television presenter and founder of Brummels Gallery of Photography, Australia's first dedicated photography gallery, where he established both a photographic studio and an agency dedicated to his work, published 17 photographic books, and held numerous exhibitions in Australia and overseas.
Narelle Autio is an Australian photographer. Autio is a member of the In-Public street photography collective and is a founding member of the Oculi photographic agency. She is married to the photographer Trent Parke, with whom she often collaborates.
John Cyril "Jack" Cato, F.R.P.S. was a significant Australian portrait photographer in the pictorialist style, operating in the first half of the twentieth century. He was the author of the first history of Australian photography; The Story of the Camera in Australia (1955)
Anne Ferran is an Australian photographer.
Hans Hasenpflug (1907–1977) was born in Germany and migrated to Australia where he became a portrait and fashion photographer and was naturalised.
Destiny Deacon HonFRPS was an Australian photographer and media artist. She exhibited photographs and films across Australia and also internationally, focusing on politics and exposing the disparagement around Indigenous Australian cultures. She was credited with introducing the term "Blak" to refer to Indigenous Australians' contemporary art, culture and history.
Ponch Hawkes is an Australian photographer whose work explores intergenerational relationships, queer identity and LGBTQI+ rights, the female body, masculinity, and women at work, capturing key moments in Australia's cultural and social histories.
The Australian Centre for Photography (ACP) was a not-for-profit photography gallery in Darlinghurst, Sydney, Australia that was established in 1973 and which also provided part-time courses and community programs.
Louisa Elizabeth How (1821–1893) was the first woman photographer in Australia whose works survive.
Robert Ashton (1950) is an Australian photographer and photojournalist.
WOPOP: Working Papers on Photography was a short-lived non-profit academic photography journal irregularly published in nine issues between 1978 and 1983, which developed from a 1977 conference in Sydney and incorporated the proceedings of a later conference in Melbourne. It contributed research to the emerging field of photography history and historiography in Australia and exposed readers to significant international experts in the field.
Douglas Thomas Kilburn was an English-born watercolour painter and professional daguerreotypist who operated in Melbourne 1847–49, producing some of the earliest portrait photographs of indigenous Australians.