Billboard published a weekly chart in 1982 ranking the top-performing singles in the United States in African American-oriented genres; the chart has undergone various name changes over the decades to reflect the evolution of black music and, since 2005, has been published as Hot R&B/Hip-Hop Songs. [1] In 1982, the chart was published under the title Hot Soul Singles through the issue of Billboard dated June 19, and Black Singles thereafter, [2] with an article in the June 26 issue of the magazine stating that the name change was based on the fact that "blacks [ sic ] have been making and buying pop music of greater stylistic variety than the soul sound since the early 1970s". [3] During the year, 14 different singles topped the chart.
In the issue of Billboard dated January 2, the number-one position was occupied by "Let's Groove" by Earth, Wind & Fire, the song's sixth week in the top spot. [4] The track remained at number one for two further weeks before being replaced by "Turn Your Love Around" by George Benson. During the year, six acts reached number one on the listing for the first time, beginning with two consecutive chart-toppers in January and February, "I Can't Go For That (No Can Do)" by Daryl Hall & John Oates and "Call Me" by Skyy. [5] Richard "Dimples" Fields, Dazz Band, Jennifer Holliday, and Zapp also reached the top position for the first time. [6] Of the six acts who debuted atop the listing in 1982, only Skyy would achieve a second number one on the listing. [7] "I Can't Go For That (No Can Do)" also topped Billboard's pop chart, the Hot 100, [8] the only one of the year's soul/black chart-toppers to do so. [9] In contrast, Fields' "If It Ain't One Thing, It's Another" only reached number 47 on the Hot 100, and "Dance Floor, Part 1" by Zapp did not enter the pop listing at all. [10]
Aretha Franklin, known as the "Queen of Soul", [11] surpassed the record previously held by James Brown for the most number ones since black music sales and airplay were combined into one chart in 1958 when her single "Jump to It" reached the peak position in September, giving Franklin her 18th number one on the listing. [12] The longest reign at the top during 1982 was nine weeks, achieved by "That Girl" by Stevie Wonder; it was Wonder's 14th number one on the chart and the longest-running of his career. [13] "Sexual Healing" by Marvin Gaye spent eight weeks at number one during the year but extended its run to ten in early 1983, making it the longest-running number one on the chart since 1962. [14] It was Gaye's first number one on the chart since 1977 and would prove to be his last before he was killed in 1984. [15] [16]
† | Indicates number 1 on Billboard's year-end soul/black chart [17] |
"I Heard It Through the Grapevine" is a song written by Norman Whitfield and Barrett Strong for Motown Records in 1966. The first recording of the song to be released was produced by Whitfield for Gladys Knight & the Pips and released as a single in September 1967. It went to number one on the Billboard R&B Singles chart and number two on the Billboard Pop Singles chart and shortly became the biggest selling Motown single up to that time.
"Ain't No Mountain High Enough" is a song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, and became a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross's first solo number-one hit on the Billboard Hot 100 chart and was nominated for the Grammy Award for Best Female Pop Vocal Performance.
"You're All I Need to Get By" is a song recorded by the American R&B/soul duo Marvin Gaye and Tammi Terrell and released on Motown Records' Tamla label in 1968. It was the basis for the 1995 single "I'll Be There for You/You're All I Need to Get By" from Method Man and Mary J. Blige.
"Ain't Nothing Like the Real Thing" is a 1968 single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968. The B-side of the single is "Little Ole Boy, Little Ole Girl" from the duo's United LP. The first release off the duo's second album: You're All I Need, the song—written and produced by regular Gaye/Terrell collaborators Ashford & Simpson—became a hit within weeks of release eventually peaking at number eight on the US Billboard Hot 100 and number one on the Hot Soul Singles chart, the first of the duo's two number-one R&B hits. In the UK "Ain't Nothing Like the Real Thing" reached number 34.
"Ain't That Peculiar" is a 1965 song recorded by American soul musician Marvin Gaye for the Tamla (Motown) label.
"It Takes Two" is a hit single recorded in late 1965 by Marvin Gaye and Kim Weston for Motown's Tamla label.
"Praise" is a 1981 gospel-inspired disco number released by American soul singer Marvin Gaye. The song, written by Gaye, is a tribute to not only his church upbringing but also to the sound of then-label mate Stevie Wonder, who is given a shout out on the song by Gaye. In the song, he persuades a lady to be positive in difficult times and let her "love come shining through". He then moves forward to praise God, similar to how a preacher would recite such passages from The Bible.
"The Bells" is a 1970 single recorded by The Originals for Motown's Soul label, produced by Marvin Gaye and co-written by Gaye, his wife Anna Gordy Gaye, Iris Gordy, and Elgie Stover.
"How Sweet It Is (To Be Loved by You)" is a song recorded by American soul singer Marvin Gaye from his fifth studio album of the same name (1965). It was written in 1964 by the Motown songwriting team of Holland–Dozier–Holland, and produced by Brian Holland and Lamont Dozier. The song title was inspired by one of the actor and comedian Jackie Gleason's signature phrases, "How Sweet It Is!"