Billboard published a weekly chart in 1969 ranking the top-performing singles in the United States in rhythm and blues (R&B), soul, and related African American-oriented music genres; the chart has undergone various name changes over the decades to reflect the evolution of such genres and since 2005 has been published as Hot R&B/Hip-Hop Songs. [1] In 1969, it was published under the title Hot Rhythm & Blues Singles through the issue of Billboard dated August 16 and Best Selling Soul Singles thereafter. [2] During that year, 17 different singles topped the chart.
In the issue of Billboard dated January 4, Marvin Gaye was at number one with "I Heard It Through the Grapevine", the song's fourth week in the top spot. [3] Gaye returned to number one in June with "Too Busy Thinking About My Baby" and was one of three acts to have two number ones in 1969 along with James Brown and the Temptations. Gaye's cumulative total of ten weeks in the top spot was the most achieved by any artist during the year and the six weeks which "Too Busy Thinking About My Baby" spent atop the chart was the year's longest unbroken run at number one. The chart-topping singles of Brown and the Temptations showcased new developments in black music, as Brown's tracks centred on the funk style, which had been developing since the mid-1960s as a harder-edged alternative to soul music and would continue to grow in popularity in the 1970s, [4] and the Temptations brought new elements to their style leading to their identification with the psychedelic soul sub-genre. [5]
Several acts topped the R&B/soul singles chart in 1969 for the first time, beginning with Tyrone Davis, who replaced Marvin Gaye in the top spot in the issue of Billboard dated February 1 with "Can I Change My Mind". [6] The next number one was also a debut chart-topper, as Sly & the Family Stone reached the peak position for the first time with "Everyday People", [7] which also topped the all-genre Hot 100 chart. [8] [9] Sly Stone and his band would prove key in the development of the funk and psychedelic soul sounds in the early 1970s. [8] The Isley Brothers, Joe Simon, and the Originals also gained the first number ones of their careers during 1969. [10] The year's final number one was "Someday We'll Be Together" by Diana Ross & the Supremes, which reached the peak position in the issue of Billboard dated December 13 and stayed there for the remainder of the year. It was the group's last single to feature lead singer Diana Ross, who departed early in 1970 for a highly successful solo career. [11] [12]
† | Indicates number 1 on Billboard's year-end R&B/soul chart of 1969 [13] |
"I Heard It Through the Grapevine" is a song written by Norman Whitfield and Barrett Strong for Motown Records in 1966. The first recording of the song to be released was produced by Whitfield for Gladys Knight & the Pips and released as a single in September 1967. It went to number one on the Billboard R&B Singles chart and number two on the Billboard Pop Singles chart and shortly became the biggest selling Motown single up to that time.
"You're All I Need to Get By" is a song recorded by the American R&B/soul duo Marvin Gaye and Tammi Terrell and released on Motown Records' Tamla label in 1968. It was the basis for the 1995 single "I'll Be There for You/You're All I Need to Get By" from Method Man and Mary J. Blige.
"Too Busy Thinking About My Baby" is a Motown song written by Norman Whitfield, Barrett Strong, and Janie Bradford. The song was first recorded by The Temptations as a track on their 1966 album Gettin' Ready. Eddie Kendricks sings lead on the recording, which was produced by Whitfield. Jimmy Ruffin also recorded a version with The Temptations providing background vocals in 1966. It remained unreleased until 1997.
"Hot Fun in the Summertime" is a 1969 song recorded by Sly and the Family Stone. The single was released just prior to the band's high-profile performance at Woodstock, which greatly expanded their fanbase. The song peaked at number 2 on the U.S. Billboard Hot 100 pop singles chart, kept out of the number 1 spot by "I Can't Get Next to You" by The Temptations. "Hot Fun in the Summertime" also peaked at number 3 on the U.S. Billboard soul singles chart in autumn 1969. It is ranked as the seventh biggest U.S. hit of 1969, and the 65th in Canada.
"Family Affair" is a 1971 number-one hit single recorded by Sly and the Family Stone for the Epic Records label. Their first new material since the double A-sided single "Thank You "/ "Everybody Is a Star" nearly two years prior, "Family Affair" became the third and final number-one pop single for the band. In 2021, Rolling Stone magazine ranked the song 57th on their list of the 500 Greatest Songs of All Time. The cover version by John Legend, Joss Stone, and Van Hunt, won the Grammy Award for Best R&B Performance by a Duo or Group with Vocals at 49th Annual Grammy Awards.
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by Billboard. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012.
"Gonna Give Her All the Love I've Got" is a 1967 Soul song, originally recorded and made a hit by Jimmy Ruffin on Motown's Soul Label imprint. Ruffin's 1967 original version, from his album Jimmy Ruffin Sings Top Ten, reached the Pop Top 30, peaking at #29, and was a Top 20 R&B Hit as well, peaking at #14. It was also a hit in Britain, reaching #26 on the UK Singles Chart. The song has a social context: it depicts a man anticipating his release from prison on the morrow, when he'll return home on a train to "the girl that I left behind," promising himself that he will reward her steadfast love for him by "giv[ing] her all the love [he's] got." The song was written by Norman Whitfield and Barrett Strong and produced by Whitfield.
"How Sweet It Is (To Be Loved by You)" is a song recorded by American soul singer Marvin Gaye from his fifth studio album of the same name (1965). It was written in 1964 by the Motown songwriting team of Holland–Dozier–Holland, and produced by Brian Holland and Lamont Dozier. The song title was inspired by one of the actor and comedian Jackie Gleason's signature phrases, "How Sweet It Is!"