The following is a list of notable film production companies from Mainland China before the communist revolution in 1949.
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The following is a list of notable film production companies from Mainland China before the communist revolution in 1949.
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Lai Man-wai, also romanised as Lay Min-wei or M.W. Ray, considered the "Father of Hong Kong Cinema", was the director of the first Hong Kong film Zhuangzi Tests His Wife in 1913. In the film, Lai played the role of the wife, partly due to the reluctance of women to participate in show business at the time.
Mandopop or Mandapop refers to Mandarin popular music. The genre has its origin in the jazz-influenced popular music of 1930s Shanghai known as Shidaiqu; later influences came from Japanese enka, Hong Kong's Cantopop, Taiwan's Hokkien pop, and in particular the Campus Song folk movement of the 1970s. 'Mandopop' may be used as a general term to describe popular songs performed in Mandarin. Though Mandopop predates Cantopop, the English term was coined around 1980 after "Cantopop" became a popular term for describing popular songs in Cantonese. "Mandopop" was used to describe Mandarin-language popular songs of that time, some of which were versions of Cantopop songs sung by the same singers with different lyrics to suit the different rhyme and tonal patterns of Mandarin.
Fei Mu, also romanised as Fey Mou, was a Chinese film director of the pre-Communist era. His Spring in a Small Town (1948) was declared the greatest Chinese film ever made by the Hong Kong Film Critics Society.
Cai Chusheng was a Chinese film director of the pre-Communist era, and was the first Chinese director to win an international film award at the Moscow International Film Festival. Best known for his progressive output in the 1930s, Cai Chusheng was later severely persecuted and died during the Cultural Revolution. His ashes are kept at the Babaoshan Revolutionary Cemetery in Beijing.
The United Photoplay Service Company was one of the three dominant production companies based in Shanghai, China during the 1930s, the other two being the Mingxing Film Company and the Tianyi Film Company, the forerunner of the Hong Kong-based Shaw Brothers Studio.
Mingxing Film Company, also known as the Star Motion Picture Company, was one of the largest production companies during the 1920s, and 1930s in the Republican era. Founded in Shanghai, the company lasted from 1922 until 1937 when it was closed permanently by the Second Sino-Japanese War.
Minxin Film Company, also known as China Sun Motion Picture Company Ltd. (1923–1930), was one of the earliest movie studios in the history of Chinese cinema and Hong Kong cinema.
The Xinhua or New China Film Company, was one of the film studios to capitalize on the popularity of the leftist film movement in 1930s Shanghai, that had begun with the Mingxing and Lianhua studios. It is not related to the modern-day Xinhua News Agency. The production company lasted from 1934 until 1942, when it was absorbed into a Japanese-controlled conglomerate, Zhonglian.
Sun Yu was a major leftist film director active in the 1930s in Shanghai. One of the core directors of the Lianhua Film Company, Sun Yu made a name for himself with a series of socially conscious dramas in the early to mid-1930s. After the Japanese invasion of China in 1937, Sun Yu made his way to the interior, where he continued to make films glorifying the war effort against the Japanese.
Runje Shaw (1896–1975), also known as Shao Zuiweng and Shao Renjie, was a Chinese film entrepreneur, producer and director. The eldest of the Shaw brothers, in 1925 he founded Tianyi Film Company in Shanghai, which became one of the top three film production companies in pre-WWII Republic of China, and the beginning of the Shaw Brothers media empire.
Bu Wancang, also known by his English name Richard Poh, was a prolific Chinese film director and screenwriter active between the 1920s and the 1960s. He was born in Anhui.
Diantong Film Company was a short-lived but important film studio and production company during the 1930s in Shanghai, China. Though it produced only four films during its existence between 1934-1935, all four films became important examples of the left-leaning Chinese cinema of the 1930s. Of all the film studios of the period, Diantong had the closest connection to the Chinese Communist Party.
Shi Dongshan, born Shi Kuangshao, was one of the most prominent film directors and screenwriters in pre-Communist China, together with Chen Liting, Cai Chusheng, and Zheng Junli. His most notable film was Eight Thousand Li of Cloud and Moon, released in 1947. He served in the Communist government after 1949, but was later persecuted and committed suicide in 1955.
Hu Die, also known by her English name Butterfly Wu, was a popular Chinese actress during the 1920s and 1930s. She was voted China's first "Movie Queen" in 1933, and won the Best Actress Award at the 1960 Asian Film Festival for her performance in Rear Door.
Tianyi Film Company, also called Unique Film Productions, was one of the "big three" film production companies in pre-Second World War Republic of China. Founded in Shanghai in 1925 by the Shaw (Shao) brothers led by Runje Shaw, the company also established operations in Malaya and Hong Kong. Although the company's Shanghai studio was destroyed in 1937 during the Japanese invasion, its offshoot in Hong Kong, later called Shaw Brothers Studio, blossomed into a media empire under the leadership of the youngest brother, Sir Run Run Shaw.
Situ Huimin, was a Chinese film director, screenwriter and actor, born in Kaiping, Guangdong.
Chen Yanyan, born Chen Jianyan, was a Chinese actress and film producer in the cinema of Republic of China (1912–1949), British Hong Kong and Taiwan.
Florence Lim, better known as Lim Cho-cho, was a Chinese Canadian actress in the cinema of the Republic of China and British Hong Kong from 1925 to 1954. She was the second wife of filmmaker Lai Man-Wai and the mother of actors Lai Hang and Lai Suen. Gigi Lai is her granddaughter.
Wang Yin is a former Chinese actor and director from Hong Kong. Wang won the Golden Horse Award for Best Leading Actor twice, in 1962 and 1971.