This is an alphabetical list of authors who published at Minerva Press , or with William Lane before he coined the name, between the founding of the press in 1790 and 1820 or so when Lane's successor, A. K. Newman, dropped "Minerva" from the company title.
Minerva Press was a publishing house notable for creating a lucrative market in sentimental and Gothic fiction in the late 18th and early 19th centuries. It was established in or about 1790 when William Lane (c. 1745–1814) moved his circulating library to No 33 Leadenhall Street, London. [1]
Minerva Press has been, and continues to be, a subject of considerable interest for scholars of print and popular cultures, women's writing, and the Romantic period. [2] There is also a market for modern reissues of novels from Minerva and other Gothic authors: Valancourt Books has reissued a number of Minerva titles and Broadview Press has produced several scholarly editions of early Gothic novels. Many of Minerva's authors remain obscure, however, as they published anonymously or under pseudonyms. Please note that many of these attributions remain uncertain and new scholarship [3] continues to emerge.
Sarah Green was an Irish-English author, one of the ten most prolific novelists of the first two decades of the nineteenth century.
Elizabeth Helme was a prolific English novelist, educational writer, and translator active in the late 18th and early 19th centuries.
Martha Harley was the successful author of six Gothic novels.
Elizabeth Thomas [née Wolferstan] (1771–1855), novelist and poet, is an ambiguous figure. Details of her early life are missing, and her authorship of some of the works attributed to her has been contested due to the use of pseudonyms.
Selina Davenport was an English novelist, briefly married to the miscellanist and biographer Richard Alfred Davenport. Her eleven published novels have been recently described as "effective if stereotyped".
Emma Parker was an Anglo-Welsh novelist of whom very little is known, although her work was generally well-reviewed during her lifetime. Her epistolary novel Self-Deception explores the cultural and religious differences between the English and the French.
Mary Ann Hanway was an eighteenth-century travel writer and novelist. She has been proposed as the anonymous author of Journey to the Highlands of Scotland (1777).
Maria Susanna Cooper was an English novelist, children's author, and poet, best known for her epistolary novels. Her writing, didactic and conservative, focused on appropriate roles for daughters, wives, and mothers.
Ann Emelinda Skinn was an English novelist.
Margaret Minifie was a "a minor eighteenth-century sentimental novelist" whose career has tended to have been overshadowed by that of her sister, Susannah Gunning. A number of Minifie's works have historically been attributed to Gunning but recently, critics have sought to disentangle their two histories.
Maria Elizabeth Robinson was an author and editor. Her mother was the celebrated writer Mary Robinson, and Maria Elizabeth edited and saw Mary's unpublished works through to publication after her death.
Amelia Beauclerc was a British Gothic novelist.
Sophia Fortnum was a British Gothic novelist, and poet.
Mary Charlton, Gothic novelist and translator, was a "leading light" at the Minerva Press.
Anna Maria Mackenzie was a prolific author of popular novels active during the late eighteenth and early nineteenth centuries. She was closely associated with the Minerva Press.
Mothers of the Novel: 100 Good Women Writers Before Jane Austen (1986), by Dale Spender, is a foundational study for the reclamation project central to feminist literary studies in English in the late 1980s and 1990s.
Medora Gordon Byron has long been accepted as the pseudonym of "Miss Byron," a Romantic-era author of either five or eight novels, though recent scholarship has complicated that identification.
Mary Julia Young was a prolific novelist, poet, translator, and biographer, active in the Romantic period, who published the bulk of her works with market-driven publishers James Fletcher Hughes and William Lane of the Minerva Press. She is of particular interest as an example of a professional woman writer in "a market of mass novel production."