Minolta sold cameras and lenses with the Minolta SR-mount between 1958 and 1996.
Elements Groups [lower-alpha 1] | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | ||
---|---|---|---|---|---|---|---|---|---|---|---|---|
C | D | E | F | G | H | I | J | K | L | |||
3 | (trēs) | T | -TC (100, 135) | -TD (45, 300) | not used | |||||||
4 | (quattuor) | Q | — | -QD (135, 300) | -QE (35, 100, 200) | -QF (50, 200, 250) | not used | -QH (21) | not used | |||
5 | (penta) | P | — | -PE (200) | -PF (50, 53, 55, 58, 85, 100, 135) | -PG (18, 50, 58, 135) | not used | -PI (21) | not used | |||
6 | (hexa) | H | — | -HF (300) | -HG (35) | -HH (35) | not used | |||||
7 | (septem) | S | — | -SG (28) | not used | -SI (28) | not used | |||||
8 | (octō) | O | — | not used | -OK (16) | not used | ||||||
9 | (novem) | N | — | not used | -NL (21) |
Most Minolta lenses for SR-mount cameras are branded Rokkor ; in the United States, to combat unofficial gray market imports, lenses officially imported were engraved as Rokkor-X, with the X colored orange. Before 1975, lenses also carried a two-letter suffix indicating the construction. [1]
Because the number of groups is always equal to or less than the number of lens elements, certain combinations are not possible (for instance -QC, which would be a four-group, three-element lens). In other cases, the combination is not used, such as -QG, which would be a four-group, seven-element lens. Although the -OJ suffix was never used for a production lens, a prototype MC Rokkor-OJ 24 mm f/2.8 lens was shown at Photokina 1970. [2]
In addition to Rokkor-branded lenses, Minolta also sold a lower-cost line of lenses, designated Celtic. [3] : 66 Compared to the Rokkor lenses, Celtic lenses have less sophisticated coatings. [4] : 8
In the final series of lenses (after 1981), the "Rokkor" branding was dropped.
Minolta SR-mount lenses can be broken into three broad generations with some overlap: [5]
In general, MD lenses tend to incorporate more plastic components and are lighter than MC and pre-MC lenses. Within each of these generations, there are minor differences which are generally cosmetic changes.
Name | Generation | Years | Example | Notes |
---|---|---|---|---|
Pre-MC | SR | 1958 – 1966 | The earliest lenses had pre-set and manual aperture controls. Lens engraving included "Rokkor" branding, basic construction details, maximum aperture (1:nnn), and focal length (f=nn mm). | |
AR (I) | 1958 – 1960 | These were contemporaneous with the SR lenses, and had automatic diaphragm, as designated by the engraved "Auto Rokkor" (AR) name. | ||
AR (II) | 1961 – 1964 | These are distinguished from the earlier AR (I) lenses by the evenly spaced f-stop engravings. | ||
"Compact" | 1965 – 1967 | Encompassing both AR and SR types; most have 52 mm front filter threads using a black-colored nose, while preceding generations had 55 mm with a chrome nose. | ||
MC | MC (I) | 1966 – 1969 | These lenses have a meter coupling tab on the aperture ring to signal the aperture setting to the body. The aperture ring is colored silver, while prior generations were colored black. | |
MC (II) | 1967 – 1972 | Cosmetically similar to MC (I) with a more deeply scalloped focusing grip knurling. | ||
MC-X | 1972 – 1976 | Rubberized focusing grip with square, truncated pyramid shapes; aperture ring reverts to black. Starting in the mid-1970s, Minolta began adding two to three anti-reflection coating layers [7] to balance color and contrast across the lens lineup. [8] | ||
MC Celtic | 1972 – 1976 | Budget line. Cosmetically similar to MC-X, with a different rubber grip waffle pattern (finely-spaced rectangular) and simplified coatings. The first lens was a 135 mm f/3.5 branded MC Celtic-QD, with a metal focusing ring and silver aperture ring similar to MC (I), and the Minolta name did not appear on the lens. [9] [10] | ||
MD | MD (I) | 1977 | Additional tab added to signal the minimum aperture value (largest f-stop number, smallest diaphragm opening) has been set; aperture ring becomes plastic. | |
MD (II) | 1978 – 1980 | Cosmetic update to put focal length before maximum aperture on the front nameplate. | ||
MD Celtic | 1977 – 1980 | Update of MC Celtic, adding MD tab. | ||
MD (III) | 1981 – 1984 | Dropped "Rokkor" branding; sometimes referred to as "Plain MD". Mechanical lock added to aperture ring to secure the aperture ring at minimum value. | ||
MD (IIIa) | 1985 – 1996 | Possibly rebranded lenses built by a third-party manufacturer, lacking features compared to MD (III). |
FL (mm) | Apr. | Name | SR/ AR [lower-alpha 2] | MC [lower-alpha 3] | MD [lower-alpha 4] | Construction | Min. Focus | Dimensions | Notes | |||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Ele | Grp | Φ×L | Wgt. | Filter (mm) | ||||||||
Fisheye lenses | ||||||||||||
7.5 | f/4–22 | Fish-eye Rokkor | 12 | 8 | 0.5 m (1 ft 8 in) | 68×63 mm (2.7×2.5 in) | 345 g (12.2 oz) | built-in | circular fisheye lens [4] [12] | |||
16 | f/2.8–16 | Fish-eye Rokkor-OK | 11 | 8 | 0.3 m (1 ft 0 in) | 73×63.5 mm (2.9×2.5 in) | 445 g (15.7 oz) | built-in | "full-frame" (diagonal) fisheye lens [13] : IV-45 [4] | |||
16 | f/2.8–22 | Fish-eye Rokkor | 10 | 7 | 0.25 m (9.8 in) | 64.5×43 mm (2.5×1.7 in) | 265 g (9.3 oz) | built-in | "full-frame" (diagonal) fisheye lens [12] | |||
18 | f/9.5–22 | UW Rokkor-PG | 7 | 5 | fixed | 60×48 mm (2.4×1.9 in) | 240 g (8.5 oz) | rear | "full-frame" (diagonal) fisheye lens [14] | |||
Ultra wide angle lenses | ||||||||||||
17 | f/4–16 | W Rokkor | 12 | 9 | 0.25 m (9.8 in) | 75×53 mm (3.0×2.1 in) | 325 g (11.5 oz) | 72 | Retrofocus design [4] [12] | |||
20 | f/2.8–22 | W Rokkor | 10 | 9 | 0.25 m (9.8 in) | 64.5×43.5 mm (2.5×1.7 in) | 235 g (8.3 oz) | 55 | Retrofocus design with floating element [4] [12] | |||
21 | f/2.8–16 | W Rokkor-NL | 12 | 9 | 0.25 m (9.8 in) | 75×66.9 mm (3.0×2.6 in) | 510 g (18 oz) | 72 | Retrofocus design [13] : IV-47 | |||
21 | f/4–16 | W Rokkor-QH | 8 | 4 | 0.9 m (2 ft 11 in) | 60×20 mm (2.4×0.8 in) | 166 g (5.9 oz) | 55 | symmetric lens, requires mirror lock-up [14] | |||
21 | f/4.5–16 | W Rokkor-PI | 9 | 5 | 0.9 m (2 ft 11 in) | symmetric lens, requires mirror lock-up | ||||||
Wide angle lenses | ||||||||||||
24 | f/2.8-16 | W Rokkor | 9 | 7 | 0.3 m (1 ft 0 in) | 65×50 mm (2.6×2.0 in) | 275 g (9.7 oz) | 55 | Retrofocus design [4] | |||
24 | f/2.8-22 | MD | 8 | 8 | 0.25 m (9.8 in) | 64×39 mm (2.5×1.5 in) | 200 g (7.1 oz) | 49 | Retrofocus design [12] | |||
24 | f/2.8-16 | W Rokkor VFC | 9 | 7 | 0.3 m (1 ft 0 in) | 67×50.5 mm (2.6×2.0 in) | 340 g (12 oz) | 55 | Retrofocus design, with variable field curvature control [4] [12] | |||
28 | f/2–16 | W Rokkor | 10 | 9 | 0.3 m (1 ft 0 in) | 65.5×61 mm (2.6×2.4 in) | 345 g (12.2 oz) | 55 (49) [lower-alpha 5] | Retrofocus design [4] | |||
28 | f/2.5–16 | W Rokkor-SI | 9 | 7 | 0.5 m (1 ft 8 in) | 64×61.5 mm (2.5×2.4 in) | 364 g (12.8 oz) | 55 | Retrofocus design [13] : IV-49 [14] | |||
28 | f/2.8–16 | W Rokkor | 7 | 7 | 0.3 m (1 ft 0 in) | 64.5×43.5 mm (2.5×1.7 in) | 205 g (7.2 oz) | 55 (49) [lower-alpha 5] | Retrofocus design; [4] [12] | |||
28 | f/2.8–22 | Celtic | 7 | 7 | 0.3 m (1 ft 0 in) | 64.5×43.5 mm (2.5×1.7 in) | 240 g (8.5 oz) | 55 | Retrofocus design [4] | |||
28 | f/3.5–16 | W Rokkor-SG | 7 | 7 | 0.6 m (2 ft 0 in) | 63.5×45 mm (2.5×1.8 in) | 245 g (8.6 oz) | 55 | Retrofocus design [13] : IV-51 [14] | |||
28 | f/3.5–16 | Celtic | 7 | 7 | 0.6 m (2 ft 0 in) | 63×45 mm (2.5×1.8 in) | 260 g (9.2 oz) | 55 | Retrofocus design | |||
28 | f/3.5–16 | W Rokkor-PE | 5 | 5 | 0.3 m (1 ft 0 in) | 64×40 mm (2.5×1.6 in) | 170 g (6.0 oz) | 49 | Retrofocus design [12] | |||
35 | f/1.8–16 | W Rokkor-HH | 8 | 6 | 0.3 m (1 ft 0 in) | 66×67.6 mm (2.6×2.7 in) | 420 g (15 oz) | 55 (49) [lower-alpha 5] | Retrofocus design; [4] [13] : IV-53 [14] [12] | |||
35 | f/2.8–16 | W Rokkor-HG | 7 | 6 | 0.4 m (1 ft 4 in) | 63×45 mm (2.5×1.8 in) | 215 g (7.6 oz) | 55 | Retrofocus design [13] : IV-55 [14] | |||
35 | f/2.8–16 | W Rokkor | 5 | 5 | 0.3 m (1 ft 0 in) | 64.5×41.5 mm (2.5×1.6 in) | 200 g (7.1 oz) | 55 (49) [lower-alpha 5] | Retrofocus design [4] [12] | |||
35 | f/2.8–22 | Celtic | 5 | 5 | 0.3 m (1 ft 0 in) | 64.5×41.5 mm (2.5×1.6 in) | 220 g (7.8 oz) | 55 | Retrofocus design [4] [15] | |||
35 | f/2.8–22 | Shift CA Rokkor | 9 | 7 | 0.3 m (1 ft 0 in) | 83.5×71.5 mm (3.3×2.8 in) | 560 g (20 oz) | 55 | Retrofocus design, includes variable field curvature control (VFC) [4] [12] | |||
35 | f/4–22 | W Rokkor-QE | 5 | 4 | 0.4 m (1 ft 4 in) | 60×34 mm (2.4×1.3 in) | 182 g (6.4 oz) | 55 | Retrofocus design [14] | |||
Normal lenses | ||||||||||||
45 | f/2.8–16 | Rokkor-TD | 4 | 3 | 0.9 m (2 ft 11 in) | ?×16 mm (0.64 in) | 130 g (4.6 oz) | 46 | Tessar -type [16] | |||
50 | f/1.2–16 | Rokkor | 7 | 6 | 0.45 m (1 ft 6 in) | 65×46 mm (2.6×1.8 in) | 310 g (11 oz) | 55 | [12] | |||
50 | f/1.4–16 | Rokkor | 7 | 5 | 0.45 m (1 ft 6 in) | 64×40 mm (2.5×1.6 in) | 230 g (8.1 oz) | 55 | [4] | |||
50 | f/1.4–16 | Rokkor | 7 | 6 | 0.45 m (1 ft 6 in) | 64×40 mm (2.5×1.6 in) | 235 g (8.3 oz) | 49 | [12] | |||
50 | f/1.7–16 | Rokkor-PF | 6 | 5 | 0.5 m (1 ft 8 in) | |||||||
50 | f/1.7–16 | Rokkor | 6 | 5 | 0.45 m (1 ft 6 in) | 64×40 mm (2.5×1.6 in) | 185 g (6.5 oz) | 55 (49) [lower-alpha 5] | [4] [12] | |||
50 | f/2–16 | Rokkor | 6 | 5 | 0.45 m (1 ft 6 in) | 64×36 mm (2.5×1.4 in) | 155 g (5.5 oz) | 49 | [12] | |||
53 | f/2–16 | Rokkor-PF | 6 | 5 | 0.5 m (1 ft 8 in) | |||||||
55 | f/1.7–16/22 | Rokkor-PF | 6 | 5 | 0.5 m (1 ft 8 in) | 63×37.5 mm (2.5×1.5 in) | 225 g (7.9 oz) | 55 | multiple versions with different minimum aperture [13] : IV-59 [14] | |||
55 | f/1.9–16 | Rokkor | 6 | 5 | 0.45 m (1 ft 6 in) | 54×37.5 mm (2.1×1.5 in) | 225 g (7.9 oz) | 52 | [13] : IV-61 | |||
55 | f/1.8–16/22 | Rokkor-PF | 6 | 5 | 0.5 m (1 ft 8 in) | multiple versions with different minimum aperture | ||||||
55 | f/2–16/22 | Rokkor-PF | 6 | 5 | 0.5 m (1 ft 8 in) | ?×36 mm (1.4 in) | 210 g (7.5 oz) | 52 | multiple versions with different minimum aperture [16] | |||
58 | f/1.2–16 | Rokkor-PG | 7 | 5 | 0.6 m (2 ft 0 in) | 72×54 mm (2.8×2.1 in) | 455 g (16.0 oz) | 55 | [4] [13] : IV-63 [14] | |||
58 | f/1.4–16 | Rokkor-PF | 6 | 5 | 0.6 m (2 ft 0 in) | 65×41.5 mm (2.6×1.6 in) | 275 g (9.7 oz) | 55 | [13] : IV-65 [14] | |||
Portrait lenses | ||||||||||||
85 | f/1.7–22 | Tele Rokkor-PF | 6 | 5 | 1 m (3 ft 3 in) | 73×62 mm (2.9×2.4 in) | 460 g (16 oz) | 55 | [12] [4] [13] : IV-67 | |||
85 | f/2–22 | Rokkor | 6 | 5 | 0.85 m (2 ft 9 in) | 64×53.5 mm (2.5×2.1 in) | 285 g (10.1 oz) | 49 | [12] | |||
85 | f/2.8–16 | Varisoft Rokkor | 6 | 5 | 0.8 m (2 ft 7 in) | 70×80 mm (2.8×3.1 in) | 430 g (15 oz) | 55 | [12] | |||
100 | f/2–22 | Tele Rokkor-PF | 6 | 5 | 1.2 m (3 ft 11 in) | ?×64 mm (2.52 in) | 430 g (15 oz) | 62 | [16] | |||
100 | f/2.5–22 | Tele Rokkor-PF | 6 | 5 | 1.2 m (3 ft 11 in) | 64.5×68.5 mm (2.5×2.7 in) | 410 g (14 oz) | 55 | [13] : IV-69 [14] | |||
100 | f/2.5–22 | Tele Rokkor-PE | 5 | 5 | 1 m (3 ft 3 in) | 64.5×64.5 mm (2.5×2.5 in) | 365 g (12.9 oz) | 55 (49) [lower-alpha 5] | [4] [12] | |||
100 | f/3.5–22 | Tele Rokkor-QE | 5 | 4 | 1.2 m (3 ft 11 in) | 63×54 mm (2.5×2.1 in) | 240 g (8.5 oz) | 52 | [14] | |||
100 | f/4–22 | Tele Rokkor-TC | 3 | 3 | 1.2 m (3 ft 11 in) | 56×80 mm (2.2×3.1 in) | 240 g (8.5 oz) | 46 | preset aperture [14] | |||
135 | f/2–22 | Rokkor | 6 | 5 | 1.3 m (4 ft 3 in) | 79×96 mm (3.1×3.8 in) | 725 g (25.6 oz) | 72 | [12] | |||
135 | f/2.8–22 | Tele Rokkor-PF | 6 | 5 | 1.5 m (4 ft 11 in) | 67.5×93.5 mm (2.7×3.7 in) | 425 g (15.0 oz) | 55 | [13] : IV-75 [14] | |||
135 | f/2.8–22 | Tele Rokkor-PG | 7 | 5 | 1.2 m (3 ft 11 in) | |||||||
135 | f/2.8–22 | Tele Rokkor-QD | 4 | 4 | 1.5 m (4 ft 11 in) | 64.5×89.5 mm (2.5×3.5 in) | 510 g (18 oz) | 55 | [4] | |||
135 | f/2.8–22 | Rokkor | 5 | 5 | 1.5 m (4 ft 11 in) | 64×81 mm (2.5×3.2 in) | 385 g (13.6 oz) | 55 | [12] | |||
135 | f/2.8–22 | Celtic | 5 | 4 | 1.5 m (4 ft 11 in) | 64.2×100.5 mm (2.5×4.0 in) | 610 g (22 oz) | 55 | [15] | |||
135 | f/2.8–22 | Celtic | 4 | 4 | 1.5 m (4 ft 11 in) | 64.5×89.5 mm (2.5×3.5 in) | 535 g (18.9 oz) | 55 | [4] | |||
135 | f/3.5–22 | Tele Rokkor-QD | 4 | 4 | 1.5 m (4 ft 11 in) | 64.5×88.5 mm (2.5×3.5 in) | 400 g (14 oz) | 52 | [13] : IV-77 [14] | |||
135 | f/3.5–22 | Rokkor | 5 | 5 | 1.5 m (4 ft 11 in) | 64×72.5 mm (2.5×2.9 in) | 285 g (10.1 oz) | 49 | [12] | |||
135 | f/3.5–22 | Celtic | 4 | 4 | 1.5 m (4 ft 11 in) | 64.5×88.5 mm (2.5×3.5 in) | 410 g (14 oz) | 55 | [4] [15] | |||
135 | f/4–22 | Tele Rokkor-TC | 3 | 3 | 1.5 m (4 ft 11 in) | 56×115 mm (2.2×4.5 in) | 375 g (13.2 oz) | 46 | preset aperture [14] | |||
Telephoto lenses | ||||||||||||
180 | f/2.5–22 | Tele Rokkor-PF | 6 | 5 | 2.5 m (8 ft 2 in) | preset aperture | ||||||
200 | f/2.8–32 | Rokkor | 5 | 5 | 1.8 m (5 ft 11 in) | 78×133 mm (3.1×5.2 in) | 700 g (25 oz) | 72 | [12] | |||
200 | f/3.5–22 | Tele Rokkor-QF | 6 | 4 | 2.5 m (8 ft 2 in) | 65×137.5 mm (2.6×5.4 in) | 720 g (25 oz) | 62 | [13] : IV-79 [14] | |||
200 | f/4–22 | Tele Rokkor | 5 | 5 | 2.5 m (8 ft 2 in) | 64.5×131 mm (2.5×5.2 in) | 515 g (18.2 oz) | 55 | [4] [12] | |||
200 | f/4–32 | Celtic | 6 | 5 | 2.5 m (8 ft 2 in) | 65.6×130.5 mm (2.6×5.1 in) | 595 g (21.0 oz) | 55 | [15] | |||
200 | f/4–32 | Celtic | 5 | 5 | 2.5 m (8 ft 2 in) | 64.5×130 mm (2.5×5.1 in) | 535 g (18.9 oz) | 55 | [4] | |||
200 | f/4.5–22 | Tele Rokkor-PE | 5 | 5 | 2.5 m (8 ft 2 in) | 64.5×130 mm (2.5×5.1 in) | 500 g (18 oz) | 52 | [13] : IV-81 [14] | |||
200 | f/5–22 | Tele Rokkor-QE | 5 | 4 | 5.5 m (18 ft) | ?×151 mm (5.96 in) | 430 g (15.1 oz) | 52 | preset aperture [16] | |||
250 | f/4–22 | Tele Rokkor-QF | 6 | 4 | 3 m (9.8 ft) | preset aperture | ||||||
250 | f/5.6 | Rokkor RF | 6 | 5 | 2.5 m (8 ft 2 in) | 66.5×58 mm (2.6×2.3 in) | 250 g (8.8 oz) | rear | catadioptric [12] [17] | |||
300 | f/4.5–32 | Tele Rokkor-TD | 4 | 3 | 4.5 m (15 ft) | preset aperture | ||||||
300 | f/4.5–32 | Tele Rokkor-QD | 4 | 4 | 4.5 m (15 ft) | ?×250 mm (10 in) | 1,000 g (36 oz) | 77 | preset aperture [16] | |||
300 | f/4.5–22 | Tele Rokkor-HF | 6 | 6 | 4.5 m (15 ft) | 80×199.5 mm (3.1×7.9 in) | 1,150 g (41 oz) | 72 | [4] [13] : IV-83 [14] | |||
300 | f/4.5–32 | Rokkor | 7 | 6 | 3 m (9.8 ft) | 77.5×177.5 mm (3.1×7.0 in) | 705 g (24.9 oz) | 72 | [12] | |||
300 | f/5.6–32 | Tele Rokkor-QD | 4 | 4 | 4.5 m (15 ft) | ?×200 mm (7.88 in) | 540 g (19.2 oz) | 62 | preset aperture [16] | |||
300 | f/5.6–22 | Tele Rokkor-PE | 5 | 5 | 4.5 m (15 ft) | 65×186 mm (2.6×7.3 in) | 695 g (24.5 oz) | 55 | [4] [12] | |||
400 | f/5.6–22 | APO Tele Rokkor-PE | 7 | 6 | 5 m (16 ft) | 83×256.5 mm (3.3×10.1 in) | 1,440 g (51 oz) | 72 | includes CaF 2 element [4] [12] [17] | |||
500 | f/8 | RF Rokkor | 6 | 5 | 4 m (13 ft) | 83×98.5 mm (3.3×3.9 in) | 600 g (21 oz) | rear | catadioptric [12] [17] | |||
600 | f/5.6–45 | Tele Rokkor-TD | 4 | 3 | 10 m (33 ft) | 132×530 mm (5.2×20.9 in) | 4,700 g (170 oz) | 126 | preset aperture [14] | |||
600 | f/6.3–32 | APO Tele Rokkor | 9 | 8 | 5 m (16 ft) | 108.5×373.5 mm (4.3×14.7 in) | 2,400 g (85 oz) | built-in | includes CaF 2 element [12] [17] | |||
800 | f/8 | RF Rokkor | 8 | 7 | 8 m (26 ft) | 125×166.5 mm (4.9×6.6 in) | 1,500 g (53 oz) | built-in (rear) [lower-alpha 6] | catadioptric [4] [13] : IV-85 [12] | |||
1000 | f/6.3 | RF Rokkor | 7 | 6 | 30 m (98 ft) | 217×594.5 mm (8.5×23.4 in) | 10.6 kg (23 lb) | built-in (49) | catadioptric [13] : IV-87 [14] | |||
1600 | f/11 | RF Rokkor | 7 | 6 | 21 m (69 ft) | catadioptric | ||||||
1600 | f/11 | RF Rokkor | 6 | 5 | 20 m (66 ft) | 178×322.5 mm (7.0×12.7 in) | 6,850 g (242 oz) | built-in (rear) [lower-alpha 6] | catadioptric [4] [12] [17] | |||
Zoom lenses | ||||||||||||
24-35 | f/3.5–22 | Zoom Rokkor | 10 | 10 | 0.73 m (2 ft 5 in) | 67×50 mm (2.6×2.0 in) | 285 g (10.1 oz) | 55 | [12] | |||
24-50 | f/4–22 | Zoom Rokkor | 13 | 11 | 0.7 m (2 ft 4 in) | 75×69.5 mm (3.0×2.7 in) | 390 g (14 oz) | 72 | [12] | |||
28-70 | f/3.5(4.8)–22 | Zoom Rokkor | 8 | 8 | 0.8 m (2 ft 7 in) | In partnership with Cosina | ||||||
28-85 | f/3.5(4.5)–22 | Zoom Rokkor | 13 | 10 | 0.8 m (2 ft 7 in) | 65.5×86.5 mm (2.6×3.4 in) | 470 g (17 oz) | 55 | In partnership with Tokina [18] | |||
35-70 | f/3.5–22 | Zoom Rokkor | 8 | 7 | 1 m (3 ft 3 in) | 69×54.4 mm (2.7×2.1 in) | 355 g (12.5 oz) | 55 | [12] | |||
35-70 | f/3.5(4.8)–22 | Zoom Rokkor | 7 | 7 | 0.5 m (1 ft 8 in) | In partnership with Cosina | ||||||
35-105 | f/3.5(4.5)–22 | Zoom Rokkor | 14 | 12 | 1.5 m (4 ft 11 in) | 65×90.5 mm (2.6×3.6 in) | 480 g (17 oz) | 55 | In partnership with Tokina [12] | |||
35-135 | f/3.5(4.5)–22 | Zoom Rokkor | 14 | 12 | 1.5 m (4 ft 11 in) | 64×100 mm (2.5×3.9 in) | 510 g (18 oz) | 55 | In partnership with Tokina [18] | |||
40-80 | f/2.8–22 | Zoom Rokkor | 12 | 12 | 1 m (3 ft 3 in) | 66×93.5×98.5 mm (2.6×3.7×3.9 in) | 560 g (20 oz) | 55 | [4] | |||
50-100 | f/3.5–16 | Zoom Rokkor | 15 | 9 | 2 m (6 ft 7 in) | 82×126 mm (3.2×5.0 in) | 855 g (30.2 oz) | 77 | [14] | |||
50-135 | f/3.5–22 | Zoom Rokkor | 12 | 10 | 1.5 m (4 ft 11 in) | 68.5×118 mm (2.7×4.6 in) | 480 g (17 oz) | 55 | [12] | |||
70-210 | f/4–22 | Zoom Rokkor | 12 | 9 | 1.1 m (3 ft 7 in) | 72×153 mm (2.8×6.0 in) | 635 g (22.4 oz) | 55 | [18] | |||
70-210 | f/4.5(5.6)–22 | Zoom Rokkor | 12 | 9 | 1.2 m (3 ft 11 in) | |||||||
70-300 | f/4.5(5.8)–22 | Zoom Rokkor | 13 | 9 | 1.5 m (4 ft 11 in) | In partnership with Cosina | ||||||
75-150 | f/4–32 | Zoom Rokkor | 12 | 8 | 1.2 m (3 ft 11 in) | 64×113.5 mm (2.5×4.5 in) | 445 g (15.7 oz) | 49 | [12] | |||
75-200 | f/4.5–22 | Zoom Rokkor | 15 | 13 | 1.2 m (3 ft 11 in) | 70×155 mm (2.8×6.1 in) | 640 g (23 oz) | 55 | [12] | |||
80-160 | f/3.5–22 | Zoom Rokkor | 15 | 10 | 2.5 m (8 ft 2 in) | 84×207 mm (3.3×8.1 in) | 1,350 g (48 oz) | 77 | [14] | |||
80-200 | f/4.5–22 | Zoom Rokkor | 14 | 10 | 1.8 m (5 ft 11 in) | 74×156 mm (2.9×6.1 in) | 690 g (24 oz) | 55 | [4] | |||
100-200 | f/5.6–22 | Zoom Rokkor | 8 | 5 | 2 m (6 ft 7 in) | 58×175 mm (2.3×6.9 in) | 535 g (18.9 oz) | 52 | Early versions had manual diaphragm. [14] | |||
100-200 | f/5.6–22 | Celtic | 8 | 5 | 2.5 m (8 ft 2 in) | 63.5×173 mm (2.5×6.8 in) | 570 g (20 oz) | 55 | [4] [15] | |||
100-300 | f/5.6–32 | Zoom Rokkor | 13 | 10 | 1.5 m (4 ft 11 in) | 72×187 mm (2.8×7.4 in) | 700 g (25 oz) | 55 | In partnership with Tokina [18] | |||
100-300 | f/5.6(6.7)–22 | Zoom Rokkor | 10 | 8 | 1.5 m (4 ft 11 in) | |||||||
100-500 | f/8–32 | Zoom Rokkor | 16 | 10 | 2.5 m (8 ft 2 in) | 91×330 mm (3.6×13.0 in) | 2,030 g (72 oz) | 72 | [4] [12] | |||
100-500 | f/8–32 | APO Tele Zoom Rokkor | 16 | 11 | 2.5 m (8 ft 2 in) | 90.5×331.5 mm (3.6×13.1 in) | 2,080 g (73 oz) | 72 | [18] | |||
160-500 | f/8–22 | Zoom Rokkor | 16 | 11 | 4.5 m (15 ft) | 87×490 mm (3.4×19.3 in) | 2,750 g (97 oz) | 77 | [14] | |||
Specialty (close-up and macro) lenses | ||||||||||||
12.5 | f/2–16 | Bellows Micro Rokkor | 4 | 4 | — | 33×23.5 mm (1.3×0.9 in) | 40 g (1.4 oz) | gelatin | [12] | |||
25 | f/2.5–16 | Bellows Micro Rokkor | 6 | 4 | — | 33.5×17 mm (1.3×0.7 in) | 40 g (1.4 oz) | gelatin | [12] | |||
50 | f/3.5–32 | Auto Bellows Rokkor | 6 | 4 | — | 57×24.5 mm (2.2×1.0 in) | 110 g (3.9 oz) | 55 / gelatin | [12] | |||
50 | f/3.5–22 | Macro Rokkor-QF | 6 | 4 | 0.23 m (9.1 in) | 68.5×55.5 mm (2.7×2.2 in) | 330 g (12 oz) | 55 | [4] [13] : IV-57 [14] [12] | |||
50 | f/3.5–22 | MC Macro Celtic | 6 | 4 | 0.23 m (9.1 in) | 66.5×55.5 mm (2.6×2.2 in) | 325 g (11.5 oz) | 55 | [4] | |||
100 | f/3.5–22 | Macro Rokkor-QE | 5 | 4 | 0.45 m (1 ft 6 in) | 57×85 mm (2.2×3.3 in) | 550 g (19 oz) | 52 | [13] : IV-71 | |||
100 | f/3.5–22 | Macro Rokkor | 5 | 4 | 0.45 m (1 ft 6 in) | 74.5×88.5 mm (2.9×3.5 in) | 600 g (21 oz) | 55 | [4] | |||
100 | f/4–32 | Bellows Rokkor-TC | 3 | 3 | — | 64×35 mm (2.5×1.4 in) | 165 g (5.8 oz) | 55 | [4] [13] : IV-73 [14] | |||
100 | f/4–32 | Macro Rokkor | 5 | 4 | 0.45 m (1 ft 6 in) | 66×88.5 mm (2.6×3.5 in) | 385 g (13.6 oz) | 55 | [12] | |||
100 | f/4–32 | Auto Bellows Rokkor | 5 | 4 | — | 57×28.5 mm (2.2×1.1 in) | 145 g (5.1 oz) | 55 / gelatin | [12] | |||
135 | f/4–22 | Bellows Rokkor-TC | 3 | 3 | — | 56×55 mm (2.2×2.2 in) | 200 g (7.1 oz) | 46 | [14] |
Minolta Co., Ltd. was a Japanese manufacturer of cameras, camera accessories, photocopiers, fax machines, and laser printers. Minolta Co., Ltd., which is also known simply as Minolta, was founded in Osaka, Japan, in 1928 as Nichi-Doku Shashinki Shōten. It made the first integrated autofocus 35 mm SLR camera system. In 1931, the company adopted its final name, an acronym for "Mechanism, Instruments, Optics, and Lenses by Tashima".
TC-1 is a luxury point and shoot camera that was produced by Minolta. It is a compact 35 mm clad in titanium, equipped with a G-Rokkor 28mm f/3.5 lens. The TC-1 was equipped with a high quality lens and body, similar to other luxury compacts produced during the Japanese bubble economy era, including the Contax T line, Konica Hexar, Leica minilux, Nikon 28/35Ti, Ricoh GR series, and Rollei QZ 35W/35T. Expensive when initially released in 1996 with a suggested retail price of ¥148,000, it was produced in small numbers and since then has become collectible.
The history of the single-lens reflex camera (SLR) begins with the use of a reflex mirror in a camera obscura described in 1676, but it took a long time for the design to succeed for photographic cameras. The first patent was granted in 1861, and the first cameras were produced in 1884, but while elegantly simple in concept, they were very complex in practice. One by one these complexities were overcome as optical and mechanical technology advanced, and in the 1960s the SLR camera became the preferred design for many high-end camera formats.
The Minolta XG-M was a 35mm single-lens reflex camera introduced in 1981 by Minolta of Japan. It was also known as the X-70 on the Japanese market, in which it was not available until 1982. When released, it was the top model in Minolta's XG series of consumer-grade manual focus SLRs, replacing the XG-9. Changes from that model included a metered manual mode, and a revised body style with rearranged controls. This was also the first camera to use Minolta's new logo, which was used until the 2003 merger into Konica Minolta.
The Minolta X-700 is a 35 mm single-lens reflex film camera introduced by Minolta in 1981. It was the top model of their final manual-focus SLR series before the introduction of the auto-focus Minolta Maxxum 7000.
In photography, soft focus is a lens flaw, in which the lens forms images that are blurred due to uncorrected spherical aberration. A soft focus lens deliberately introduces spherical aberration which blurs fine texture in the image while retaining sharp edges across areas of high contrast; it is not the same as an out-of-focus image, and the effect cannot be achieved simply by defocusing a sharp lens. Soft focus is also the name of the style of photograph produced by such a lens.
The Minolta A-mount camera system was a line of photographic equipment from Minolta introduced in 1985 with the world's first integrated autofocus system in the camera body with interchangeable lenses. The system used a lens mount called A-mount, with a flange focal distance 44.50 mm, one millimeter longer, 43.5 mm, than the previous SR mount from 1958. The new mount was wider, 49.7 mm vs. 44.97 mm, than the older SR-mount and due to the longer flange focal distance, old manual lenses were incompatible with the new system. Minolta bought the autofocus technology of Leica Correfot camera which was partly used on the a-mount autofocus technology. The mount is now used by Sony, who bought the SLR camera division from Konica Minolta, Konica and Minolta having merged a few years before.
The Pentax ME F was an amateur level, interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by Asahi Optical Co., Ltd. of Japan from November 1981 to 1984. The ME F was a heavily modified version of the Pentax ME-Super, and a member of the Pentax M-series family of SLRs. It was the first mass-produced SLR camera to come with an autofocus system.
The Minolta SR-mount was the bayonet mounting system used in all 35 mm SLR cameras made by Minolta with interchangeable manual focusing lenses. Several iterations of the mounting were produced over the decades, and as a result, the mount itself was sometimes referred to by the name of the corresponding lens generation instead.
The Minolta X-1 was the professional model in the Minolta SR-mount line of single-lens reflex cameras (SLR), released in 1972 after ten years of development, which was the first X-series camera in the Minolta SLR system; prior to the X-1, specific Minolta SLR models were branded SR-T, and afterward, they included X in the name. The X-1 was the first SLR to combine an electronically-controlled shutter with interchangeable viewfinders.
The Minolta SR-2 was presented in 1958 as the first 35mm SLR camera from Chiyoda Kogaku. Popular cameras of this type at that time were mainly from Europe but a few from Japan, including the Asahi Pentax, the Miranda T and the Topcon R. The miniature SLR camera concept was conceived in the 1930s at Ihagee in Dresden, resulting in the 1936 Kine Exakta. Influential cameras designs like that of the 1939 KW Praktiflex, the 1949 ZI Contax S, and 1952 the KW Praktina marked the steady progress toward a perfected SLR. Several features of the latter seem to have influenced the design of the SR-2 although dissimilar in many respects. The obvious similarities are the stepped top plate, the carrying strap lugs, the self-timer lever and some general body features.
The E-mount is a lens mount designed by Sony for their NEX and ILCE series of camcorders and mirrorless cameras. The E-mount supplements Sony's α mount, allowing the company to develop more compact imaging devices while maintaining compatibility with 35mm sensors. E-mount achieves this by:
Biogon is the brand name of Carl Zeiss for a series of photographic camera lenses, first introduced in 1934. Biogons are typically wide-angle lenses.
Rokkor was a brand name used for all Chiyoda Kōgaku Seikō and later Minolta lenses between 1940 and 1980, including a few, which were marketed and sold by other companies like Leica. The name was derived from the name of Rokkō (六甲山), a 932 metre (3058') high mountain, which could be seen from the company's glass-making and optics factory at Mukogawa near Osaka, Japan. The company's founder Kazuo Tashima wanted the name to symbolize the high quality in optics.
The Fish-Eye Rokkor 16mm f/2.8 is a prime fisheye lens produced by Minolta for Minolta SR-mount single lens reflex cameras, introduced in 1969 to replace an earlier fisheye lens, the UW Rokkor 18mm f/9.5. It is a full-frame fisheye lens with a 180° viewing angle across the diagonal.
The UW Rokkor 18mm f/9.5 is a prime fisheye lens produced by Minolta for Minolta SR-mount single lens reflex cameras, introduced in 1966 as the system's first fisheye lens. It is a full-frame fisheye lens with a 180° viewing angle across the diagonal, and was replaced when the Minolta Fish-Eye Rokkor 16mm f/2.8 lens was released in 1969.
The W Rokkor 21mm lenses are a series of three prime wide angle lenses produced by Minolta for Minolta SR-mount single lens reflex cameras. The first 21mm lens released was the W Rokkor-PI 21mm f/4.5 (1962), which featured a symmetrical design similar to the contemporary Zeiss Biogon. This was succeeded by the W Rokkor-QH 21mm f/4 (1963), with slightly improved speed and similar symmetric construction. The third and final 21mm lens was the MC W Rokkor-NL 21mm f/2.8 (1971), which featured a retrofocus design that did not require the reflex mirror to be locked up, allowing use of the built-in viewfinder.
The Varisoft Rokkor 85mm f/2.8 is a prime portrait lens produced by Minolta for Minolta SR-mount single lens reflex cameras, introduced in 1978 as the system's first soft focus lens. In addition to the conventional focusing and aperture selection control rings, the lens has a third ring which varies the degree of spherical aberration by adjusting the air gap between the last two elements.