Georges Braque was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most notable contributions were in his alliance with Fauvism from 1905, and the role he played in the development of Cubism. Braque's work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso. Their respective Cubist works were indistinguishable for many years, yet the quiet nature of Braque was partially eclipsed by the fame and notoriety of Picasso.
José Victoriano González-Pérez , better known as Juan Gris, was a Spanish painter born in Madrid who lived and worked in France for most of his active period. Closely connected to the innovative artistic genre Cubism, his works are among the movement's most distinctive.
Pablo Ruiz Picasso was a Spanish painter, sculptor, printmaker, ceramicist, and theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907) and the anti-war painting Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War.
Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture. Cubist subjects are analyzed, broken up, and reassembled in an abstract form—instead of depicting objects from a single perspective, the artist depicts the subject from multiple perspectives to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term cubism is broadly associated with a variety of artworks produced in Paris or near Paris (Puteaux) during the 1910s and throughout the 1920s.
The Henie Onstad Kunstsenter is an art museum located at Høvikodden in Bærum municipality in Akershus county, Norway. It is situated on a headland jutting into the Oslofjord, approximately 10 kilometres (6.2 mi) southwest of Oslo.
The Rose Period comprises the works produced by Spanish painter Pablo Picasso between 1904 and 1906. It began when Picasso settled in Montmartre at the Bateau-Lavoir among bohemian poets and writers. Following his Blue Period – which depicted themes of poverty, loneliness, and despair in somber, blue tones – Picasso's Rose Period represents more pleasant themes of clowns, harlequins and carnival performers, depicted in cheerful vivid hues of red, orange, pink and earth tones.
Picasso's African Period, which lasted from 1906 to 1909, was the period when Pablo Picasso painted in a style which was strongly influenced by African sculpture, particularly traditional African masks and art of ancient Egypt, in addition to non-African influences including Iberian sculpture, and the art of Paul Cézanne and El Greco. This proto-Cubist period following Picasso's Blue Period and Rose Period has also been called the Negro Period, or Black Period. Picasso collected and drew inspiration from African art during this period, but also for many years after it.
John Quinn was an Irish-American cognoscente of the art world and a lawyer in New York City who fought to overturn censorship laws restricting modern literature and art from entering the United States.
Maria Bronislavovna Vorobyeva-Stebelska, also known as "Marie Vorobieff" or Marevna, was a 20th-century, Russian-born painter known for her work with Cubism and pointillism.
Wilhelm Uhde was a German art collector, dealer, author, and critic, an early collector of modernist painting, and a significant figure in the career of Henri Rousseau.
The Lille Métropole Museum of Modern, Contemporary and Outsider Art (LaM), formerly known as Villeneuve d'Ascq Museum of Modern Art, is an art museum in Villeneuve d'Ascq, France.
Paul Albert Laurens was a French painter.
Les Peintres Cubistes, Méditations Esthétiques, is a book written by Guillaume Apollinaire between 1905 and 1912, published in 1913. This was the third major text on Cubism; following Du "Cubisme" by Albert Gleizes and Jean Metzinger (1912); and André Salmon, Histoire anecdotique du cubisme (1912).
Nature morte au poron is a 1948 oil-on-canvas painting by Pablo Picasso. It is a still-life painting in a cubist style. Picasso painted three versions of the work on 26 December 1948; one is in the collection of the Welsh National Museum of Art, Cardiff, Wales. The painting measures 50.3 × 61 cm.
Still Life with Candlestick is an oil painting created in 1922 by the French artist Fernand Léger.
Pablo Picasso, 1910–11, Guitariste, La mandoliniste (Woman playing guitar or mandolin), oil on canvas [1]
Pablo Picasso, 1911, La Femme au Violon, oil on canvas, private collection, on long-term loan to Bavarian State Painting Collections, Pinakothek der Moderne, Munich [1]
Pablo Picasso, c.1911, Le Guitariste. Reproduced in Du "Cubisme" (black and white photographic reproduction)
Pablo Picasso, 1911, Woman with a Guitar by the Piano, oil on canvas, exhibited at Centre for Modern and Contemporary Art, Veletrzni (Trades Fair) Palace, Prague [1]
Pablo Picasso, 1911, Mandolin and Glass of Pernod, oil on canvas, National Gallery, Prague [1]
Pablo Picasso, 1911, Still Life with a Bottle of Rum, oil on canvas, 61.3 x 50.5 cm, Metropolitan Museum of Art, New York [1]
Pablo Picasso, 1911, The Poet (Le poète), oil on linen, 131.2 × 89.5 cm (51 5/8 × 35 1/4 in), The Solomon R. Guggenheim Foundation, Peggy Guggenheim Collection, Venice [1]
Pablo Picasso, 1911, Clarinet (Still Life with a Clarinet on a Table), oil on canvas, exhibited at Centre for Modern and Contemporary Art, Veletrzni (Trades Fair) Palace, Prague [1]
Pablo Picasso, 1911–12, L'Homme à la clarinette (Man with a Clarinette), oil on canvas, 106 x 69 cm, Museo Thyssen-Bornemisza, Madrid [1]
Pablo Picasso, 1911–12, L'homme à la mandoline (The Mandolin Player), oil on canvas, 100.5 x 69.5 cm, Beyeler Foundation, Riehen, Switzerland [1]
Pablo Picasso, 1911–12, L'Arlesienne, oil on canvas, 71.3 x 54 cm, private collection
Pablo Picasso, 1911–12, Buffalo Bill, oil on canvas, 46 x 33 cm
Pablo Picasso, 1911–12, Violon (Violin), oil on canvas, 100 x 73 cm (oval), Kröller-Müller Museum, Otterlo, Netherlands. This painting from the collection of Wilhelm Uhde was confiscated by the French state and sold at the Hôtel Drouot in 1921
Pablo Picasso, 1912, Violon, verre, pipe et encrier (Souvenir of Le Havre), oil on canvas, 81 x 54 cm, National Gallery in Prague, Czech Republic
Pablo Picasso, 1912, Violon, verre, pipe et encrier (Souvenir of Le Havre), oil on canvas, 81 x 54 cm, National Gallery in Prague, Czech Republic
Pablo Picasso, 1912, Le poète (The Poet), oil on canvas, 59.9 x 47.8 cm, Kunstmuseum Basel
Pablo Picasso, 1912, Violin and Grapes, oil on canvas, 61 x 50.8 cm, Museum of Modern Art, New York
Pablo Picasso, 1912, Le Verre d'Absinthe (Absinthe and Cards, Verre de Pernod et cartes), oil on canvas, 35 x 27 cm, National Gallery, Prague
Pablo Picasso, 1912, Les oiseaux morts (Los pájaros muertos), oil on canvas, 46 x 65 cm, Museo Nacional Centro de Arte Reina Sofía
Pablo Picasso, 1912, Le violon (Jolie Eva), oil on canvas, 60 x 81 cm, Staatsgalerie Stuttgart
Pablo Picasso, 1912–14, La bouteille de Bass (The Bass Bottle), oil on canvas, 107.5 x 65.5 cm, Museo del Novecento, Milan
Pablo Picasso, 1912–13, Guitare (Guitar), oil and charcoal on canvas, oval, 72.4 x 60 cm, National Museum of Art, Architecture and Design, Oslo
Pablo Picasso, 1913, Violon accroché au mur (Violin Hanging on the Wall), oil, spackle with sand, enamel, and charcoal on canvas, 65 x 46 cm, Museum of Fine Arts Berne
Pablo Picasso, 1913–14, Woman in a Chemise in an Armchair, Femme en chemise assise dans un fauteuil (Eva), oil on canvas, 149.9 x 99.4 cm, Leonard A. Lauder Cubist Collection, Metropolitan Museum of Art
Pablo Picasso, 1913, Bouteille, clarinette, violon, journal, verre, 55 x 45 cm. This painting from the collection of Wilhelm Uhde was confiscated by the French state and sold at the Hôtel Drouot in 1921
Pablo Picasso, 1913, L'Arlequin, Céret (Harlequin), oil on canvas, 120.1 x 77.9 cm, Gemeentemuseum Den Haag
Pablo Picasso, 1913, Compotier avec fruits, violon et verre (Bowl with Fruit, Violin, and Wineglass), charcoal, chalk, watercolor, oil paint, and coarse charcoal or pigment in binding medium on applied papers, mounted on cardboard, 64.8 x 49.5 cm (25 1/2 x 19 1/2 inches), Philadelphia Museum of Art
Pablo Picasso, 1913–14, Le guéridon (Nature morte, Guitares), oil on canvas, 130.2 x 89.1 cm, Kunstmuseum Basel
Pablo Picasso, 1913–14, Head (Tête), cut and pasted colored paper, gouache and charcoal on paperboard, 43.5 x 33 cm, Scottish National Gallery of Modern Art, Edinburgh
Pablo Picasso, 1913–14, Student with a Newspaper, plaster, oil, Conté crayon, and sand on canvas, 73 x 59.7 cm, Metropolitan Museum of Art
Pablo Picasso, 1913–14, L'Homme aux cartes (Card Player), oil on canvas, 108 x 89.5 cm, Museum of Modern Art, New York
Pablo Picasso, 1913–14, Ma Jolie, Nature Morte (Musique) , oil on canvas, 53.7 × 65.1 cm. Indianapolis Museum of Art
Pablo Picasso, 1914, Ma Jolie (Pipe, verre, as de trèfle, bouteille de Bass, guitare, dé), oil on canvas, 45 x 41 cm, private collection
Pablo Picasso, 1914, Instruments de musique et tête de mort, oil on canvas, 43.8 x 61.8 cm, Lille Métropole Museum of Modern, Contemporary and Outsider Art
Pablo Picasso, spring 1914, Pipe, Glass, Bottle of Vieux Marc (Pipe, verre, bouteille de Vieux Marc), mixed media, 73.2 x 59.4 cm, Peggy Guggenheim Collection, Venice
Pablo Picasso, 1914, Pipe, Glass, Bottle of Rum, 40 x 52.7 cm, Museum of Modern Art
Pablo Picasso, 1914, Composition à la guitare (lithograph, 47,5 x 36 cm, numbered HC I LX)
Pablo Picasso, 1914–15, Nature morte au compotier (Still Life with Compote and Glass), oil on canvas, 63.5 x 78.7 cm (25 x 31 in), Columbus Museum of Art, Ohio
Pablo Picasso, 1915, Musical Instruments (Instruments de musique), watercolor and charcoal on laid paper, 19.4 x 23.2 cm, Barnes Foundation
Pablo Picasso, 1916, Still-life with Door, Guitar and Bottles, oil on canvas, 152.4 × 205.7 cm, Statens Museum for Kunst, Copenhagen
Pablo Picasso, 1916, L'anis del mono (Bottle of Anis del Mono), oil on canvas, 46 x 54.6 cm, Detroit Institute of Arts, Michigan
Pablo Picasso, reproduced in L'Elan, Number 10, 1 December 1916
Pablo Picasso, Femme assise dans un fauteuil (Woman sitting in an armchair), reproduced in L'Elan, Number 9, 12 February 1916
Pablo Picasso, 1916, Guitare, clarinette et bouteille sur une table (Guitar, Clarinet, and Bottle on a Pedestal Table), dimensions and whereabouts unknown
Pablo Picasso, 1917, Harlequin (Arlequín), oil on canvas, 116 x 90 cm, Museo Picasso, Barcelona
Pablo Picasso, 1918, Portrait d'Olga dans un fauteuil (Olga in an Armchair), oil on canvas, 130 x 88.8 cm, Musée Picasso, Paris
Pablo Picasso, 1918, Portrait de Madame Rosenberg et sa fille, 130 x 95 cm, Musée Picasso, Paris
Pablo Picasso, 1918, Arlequin (Harlequin)
Pablo Picasso, 1918, Arlequin au violon (Harlequin with Violin), oil on canvas, 142 x 100.3 cm, The Cleveland Museum of Art, Ohio
Pablo Picasso, 1918, Pierrot, oil on canvas, 92.7 x 73 cm, Museum of Modern Art
Pablo Picasso, 1918, Arlequin jouant de la guitare (Harlequin)
Pablo Picasso, published in Klingen, Volume 1, Number 10, June 1918
Pablo Picasso, 1918, Still Life, oil on canvas, 97.2 x 130.2 cm, National Gallery of Art
Pablo Picasso, 1919, Sleeping Peasants, gouache, watercolor and pencil on paper, 31.1 x 48.9 cm, Museum of Modern Art, New York
Pablo Picasso, 1919, Paysage (Landscape with Dead and Live Trees), oil on canvas, 49.4 x 65.4 cm, Bridgestone Museum of Art, Tokyo
Pablo Picasso, c.1919, Nature morte au pichet et aux pommes (still-life with a pitcher and apples), work on paper, dimensions and whereabouts unknown
Pablo Picasso, c.1919, Ballerinas (Three Dancers), work on paper (slightly cropped), dimensions and whereabouts unknown
