A wide variety of costumes (called "mas") depicting traditional Trinidadian Carnival characters are seen throughout the Trinidad and Tobago Carnival. After emancipation in 1838, freed slaves combined African masking culture with French colonial influence [1] to create characters that parodied the upper-class customs and costumes of Carnival. The costumes made by recently free people "poke fun at the original French plantocracy..." [2] [3] [4] [5] During slavery on the islands, French and English colonists did not allow enslaved and mixed-race people to partake in carnival, resulting in people of color to have carnivals in their communities. [6]
In its early history, carnival in Trinidad and Tobago was a form of resistance to the slaveholding class and a way for enslaved and free people to continue to practice African customs. The enslaved combined cultural elements from the Indigenous peoples of the Caribbean and fused it with their cultures from West Africa and other West Indian practices that created carnival traditions in the islands. [7] [8] Over the years, characters would rise and drop in popularity, and by the late 20th century many became overshadowed by more modern, "bikini and bead," costumes. [4] Carnival for Trinidadians and Tobagonians is a time for rebirth, healing, and transformation. [9]
The following is a list of some of the traditional characters, which symbolize the origins of the Trinidad and Tobago Carnival, and their costumes. [10]
When this masquerade first came about, the costume was composed of rags and the masqueraders would hold spears as props in order to create the image of an "uncivilized Africa" [11] However, a Carnival bandleader, George Bailey, created decorative costumes that portrayed a much brighter depiction of African beauty. [11]
This mas is no longer common in Trinidad Carnival. [11]
This character is meant to be a parody of a mother who has a bastard child. [12] The main components of this costume are a pleated dress, a bonnet, and most importantly, a doll. [13] Masqueraders would walk up to men on the streets and accuse them of being the father of the child. [12] Usually, the masquerader will continue to embarrass said man until they give her or him some money. [12] Although this costume is mostly portrayed by young women, men will sometimes combine this costume with a high-pitched voice for comedic effect. [12]
During carnival, "They roam the streets during Carnival, accusing male spectators of being their child’s father and demanding immediate child support. Often, the masquerader refuses to leave, becoming louder and more insistent until the alleged father responds with a few dollars." The Baby Doll characters’ performance depicts the sexual exploitation and struggles faced by women. Overseers coerced women into sexual acts, and the law offered them no protection. [14]
Most bat costumes are black or brown, but white bats are also fairly common. The mask usually covers the entire head of the masquerader and the wings can span up to 15 feet wide. [15] The movements of a masquerader would try and mimic the flapping of bats' wings, but a masquerader will also crawl or dance on their toes (typically called the "Bat Dance"). [15] [16]
The typical costume is made to look as if the masquerader is riding a donkey, which is usually made out of papier-mâché. [17] The "rider" will also wear a large sombrero and clothes with multiple embellishments, especially flowers. [13] The Burrokeet also comes from East Indian descent and has another, female variation called Soumayree. [16]
The original carnival character costume was made out of rice bags and covered in the leaves of the plantain tree. [18] The mask, like most character masks was made out of some sort of papier-mâché. [18] Now, most cow costumes consist of a cream-coloured loose shirt with tight pants that have gold accents. [18] The full papier-mâché mask was also replaced by a hat or headband with cow horns. [18] Since this is a costume that is meant to be done in a group, matadors and picadors can also join the group and "challenge" the cows. [13] Other members of the group would dress up as a Mad Bull and charge at the matadors, picadors, and bystanders. [16] The Mad Bull of the group would stop charging at certain bystanders if they hand money to a member of the group. [16]
Clowns are dressed in baggy clothing with big red noses, wild hair, big shoes, and sometimes a white face. [19] The bandleader of the costume group would wear a crown to show that he is the King Clown. [16] Older costumes would also have an exaggerated paper mask instead of face paint. [16]
This character originally came about to be a parodied version of a rich planter's wife. [20] The typical costume consists of exaggerated breasts and backside, which were made by stuffing pillows or other fillers into the dress or undergarments of the costume. [13] Over the years, the costume shifted from being worn comedically by mostly men to being worn almost exclusively by women. [13]
There are multiple variations of the Devil, or devil-like creatures, in carnival costumes. In modern day, the devil costumes all look very similar, but there was once a time when every devil costume was very distinct. [13] The most traditional one is called The Bookman. [13] This character is known for his giant paper mask and the possessions he always has handy: a book and a pencil to write down prospective souls. [13]
Variations of the Devil include: [21]
The Devil is also usually part of a band that has a diverse group of beasts. [21] Other costumes or characters that would accompany the devil are: [21]
Many of the Dragon characters or costumes are categorized with the Devil. [21] The most common exception to this categorization is the Red Dragon, which is also a very old and traditional Trinidadian character. The origins of this character come from the Bible and other religious texts. [16] The dragon character may also be referred as the King Beast if the dragon is a part of a devil band. [24] He cannot cross through water, especially not holy water, so a Key Man is a vital companion for the Dragon. [24]
The Indian character is one of the most common costume depictions in Carnival because of its versatility in terms of design, price, and band size. [25] [13] [26] [27] American Indian characters in carnivals pay tribute to the Maroon communities that formed during slavery and to the African Indigenous marriages in North America under Spanish colonial rule. During slavery, enslaved Africans escaped and established independent Maroon settlements. Some of these Maroon communities mixed with the local Indigenous population. [28] [29] [30] [31] Two Indian Mas characters the Fancy and Wild Indians, are based on depictions of Native Americans in popular culture and Hollywood. [32]
There are multiple variations of the Indian costume:
In the context of Carnival, especially traditional Carnival characters, the name "Jamèt" comes from the French word diametre which is meant to describe the "other half" (i.e. the underworld). Over the years the context of the name has changed. Jamèt people are retired prostitutes that are always masked. The outfits are very decorated with flowers, feathers, silk fabrics, jewellery, gold chains, and colourful ribbons. [16] Jamèt men are sometimes also named "sweet men"; the male costume is known for having pants with a very low waist-line. Masqueraders would talk to bystanders in sultry voices in order to collect money, and under certain circumstances, the women would expose their breasts by opening their bodices.Because of the obscenity of this character, it became less common after the 1920s.
One of, if not, the most popular characters of the Trinidad Carnival is the Midnight Robber. [39] This braggadocious character is mostly known for using his "robber voice" for vivid storytelling, which is said to mimic a griot or West-African storyteller. [13] Although his stories are mostly meant to show his own bravery and valor, [39] the Midnight Robber's speeches can also be commentary or parody of current events. [39] The Midnight Robber desires to become the King of the Robbers by out-talking or outwitting all of his rivals. [39] His aspirations come from a history of wrongdoing in his family, which is meant to mimic the emancipation and history that influenced the celebrations of the Trinidad and Tobago carnival. [39] The Midnight Robber does not have one official story; every masquerader or storyteller can give their own version of his story. [39] One version of this story is Nalo Hopkinson's 2000 novel Midnight Robber , which actually depicts a female "Robber Queen" named Tan-Tan.
The costume consists of black pants, an enormous hat, a blouse, and a cape. [39] The black costume, especially the cape, is usually decorated with skulls and tombstones. [39] The hat may sometimes have decorative tassels or skulls hanging from the brim. Although some sources say that The Midnight Robber's hat is influenced by American Cowboy culture, it is more likely that his hat is meant to mimic a chief's hat from the coastal regions of Nigeria. [39] The Midnight Robber also carries a gun and coffin in either hand. [13] The gun, which would be fake, is used to scare bystanders into placing money into the coffin. [39]
The Midnight Robber may sometimes be a part of a raiders band, but he is mostly a sole masquerader. [39] When two robbers encounter each other at Carnival, they may duel through the use of words to prove who has the most "villainous bravado". [39]
Similar to the Sailor mas, the military mas is meant to mimic actual American military. [16] The costume for this character could vary between the more elegant and formal military suits to the camouflage-coloured suits worn in battle. [16] Military costumes could also imitate the military of other countries, especially those that had influence in the Caribbean, such as France, Venezuela, and Great Britain. [16] Military costumes have ranged from modern American Soldiers and British Palace Guards to Confederates and Nazis. [16] One of the reasons this mas became popular is because it can later be used for formal events and will not be discarded, so the higher expense is justified. [16]
The minstrel character is a decorative depiction of a European minstrel. [40] A group masquerading as minstrels would carry instruments such as a banjo, maracas, or rattlers. [40] Some costumes have a resemblance to the style of Uncle Sam with pin-striped shirts and a top hat. [40] Some masqueraders also choose to paint their face white as a parody of real American minstrels that would sometimes dress up with Blackface. [40]
The two-part name of this character means God of retribution (Moko) spirit, particularly an evil one (Jumbie). The typical costume of this character is known for its tall stature, more specifically: the masquerader walks on giant stilts that can be up to ten feet tall. [41] The character is of African origin. Originally the character wore a hat made of dried wild cucumbers, and the stilts were striped. [42] Moko Jumbie is sometimes accompanied by a dwarf to accentuate his height. [41]
The name Negue Jadin means "Field Slave" and this character dates back to times when only plantation owners and aristocrats could participate in Carnival. [43] They would imitate the dress and customs of their own slaves. [43] After slaves were freed, they adopted this as a costume. [43] Over time, the mas also included sticks for characters to fight each other. [16] However, this costume remains as a representation of the evolution of Carnival and its history because it is now extinct. [43] Other variations of the name are "Negre Jardin" and "Batonnier". [16]
This character has a similar costume to the original Cattle or Bull costumes; the body is covered in plantain leaves and the masquerader wears some sort of full head mask. [16] Instead of a papier-mâché cow mask, the headpiece consists of a small, white knitted hat with two long antennae sticking out of it. [16] The meaning of the character's name, "Banana trash," is evidently caused by the body of the costume. [16]
Pierrot Grenade is the parody of another character called Pierrot. [44] The "Grenade" at the end of his name is meant to show his connection to Grenada, which is what makes him/her a character more specific to the Caribbean as opposed to Pierrot, who is also recognized by the French. [13] His costume consists of rags and a white mask that may cover the masquerader's entire face or just the outer-most parts of his head. [44] Pierrot Grenade prides himself on his intelligence; more specifically, his ability to spell any word. [13]
The Sailor mas was introduced into Carnival when naval ships from America and France came into Trinidad in the 1880s. [45] Similar to the Indian mas, this masquerade is noted for its versatility. The costume can be as costly, decorative, or historically accurate as the masquerader wishes. [45] This mas is also easy for groups since the characters are not as specific or singular.
There are multiple variations of the sailor costume: [45]
Some warrior characters are a variation of the Indian costume, and even depict actual historical Indian warriors such as the Aztecs, Mayans, or Incas. [16] The most traditional of the masque is the Juju Warrior. [16] These warriors were said to practice witchcraft. [16]
Carnival or Shrovetide is a festive season that occurs at the close of the Christian pre-Lenten period, consisting of Quinquagesima or Shrove Sunday, Shrove Monday, and Shrove Tuesday or Mardi Gras.
J'ouvert is a traditional Carnival celebration in many countries throughout the Caribbean. The parade is believed to have its foundation in Trinidad & Tobago, with roots steeped in French Afro-Creole traditions such as Canboulay. J'ouvert typically begins in the early morning, before dawn, and peaks by mid-morning. The celebration involves calypso or soca bands, DJs, and their followers dancing through the streets. In many countries, revelers cover their bodies in paint, mud, or pitch oil. Today J'ouvert is also a part of Carnival celebrations outside of the Caribbean, with the biggest celebrations happening in cities with large Caribbean ex-pat communities.
The Toronto Caribbean Carnival, formerly and affectionately known as Caribana, is a festival of Caribbean culture and traditions held each summer in the city of Toronto, Ontario, Canada. It is a pan-Caribbean Carnival event and has been billed as North America's largest Festival, frequented by over 1.3 million tourists each year for the festival's Grand Parade and an overall attendance of 2.3 million.
Rapso is a form of Trinidadian music that grew out of the social unrest of the 1970s. Black Power and unions grew in the 1970s, and rapso grew along with them. The first recording was Blow Away by Lancelot Layne in 1970. Six years later, Cheryl Byron was scorned when she sang rapso at a calypso tent; she is now called the "Mother of Rapso".
The Trinidad and Tobago Carnival is an annual event held on the Monday and Tuesday before Ash Wednesday in Trinidad and Tobago. This event is well known for participants' colorful costumes and exuberant celebrations. There are numerous cultural events such as "band launch" fetes running in the lead up to the street parade on Carnival Monday and Tuesday. Traditionally, the festival is associated with calypso music, developed by enslaved West and Central Africans in 17th century Trinidad; however, Soca music has begun to replace calypso as the more popular musical genre for Carnival. Costume, stick-fighting, limbo, and steelpan competitions are important components of the festival.
The Burrokeet is a "donkey-man" character traditionally portrayed in Trinidad and Tobago Carnival. The name derives from the Spanish word burroquito, the character's costume being constructed so as to give the illusion of a dancer riding a small burro or donkey. This masquerade was brought to Trinidad by Venezuelan settlers.
The Canboulay riots were a series of disturbances in the British colony of Trinidad in 1881 and 1884. The riots came about in response to efforts by the colonial police to restrict aspects of the island's annual Carnival festival. In Port of Spain, San Fernando, and Princes Town, angered Trinidadians rioted in response to the actions of police. The violence of the Canboulay Riots resulted in many injuries, as well as fatalities. As a result of the riots, new government restrictions placed on Canboulay traditions. New musical instruments and styles were created in reaction to these prohibitions, which influenced the development of calypso and later soca. Additionally, the pre-carnival tradition of J'ouvert originates with Canboulay and the Canboulay Riots.
The culture of Trinidad and Tobago reflects the influence of Indian-South Asian, African, Indigenous, European, Chinese, North American, Latino, and Arab cultures. The histories of Trinidad and Tobago are different. There are differences in the cultural influences which have shaped each island. Trinidad and Tobago is an English-speaking country with strong links to the United Kingdom.
Peter Minshall is a Trinidadian carnival artist.
As early as the 1780s, the word kaiso was used to describe a French creole song and, in Trinidad, kaiso seems to have been perfected by the chantwells during the first half of the 19th century. The chantwells, assisted by alternating in call-and-response style with a chorus, were a central component of the practice called Calinda (stick-fighting).
The Antiguan Carnival is a celebration of emancipation from slavery, held annually on the island of Antigua. It is a thirteen-day festival of colorful costumes, beauty pageants, talent shows, and music. The festival begins in late July and ends the first Tuesday in August, known as Carnival Tuesday. Both Carnival Monday and Carnival Tuesday are public holidays on the island. Antiguan Carnival replaced the Old Time Christmas Festival in 1957, with hopes of inspiring tourism in Antigua and Barbuda. Some elements of the Old Time Christmas Festival remain in the modern Carnival celebrations.
Batabano is the name of the Caribbean Carnival held in the Cayman Islands. The festival takes place annually during the first week of May in George Town. Batabano is a time for people of all different descents to gather with a common interest and celebrate community spirit. The Cayman Islands are home to over 100 different nationalities, all brought together and embraced by the festival. It is a cultural celebration filled with music, dance, and elaborate costumes that reflect the landscapes, heritage, and culture. International interest is growing in the Batabano celebrations, despite only having existed for about 30 years.
Chanté mas and Lapo kabrit is a form of Carnival music of Dominica. It is performed by masquerading partygoers in a two-day parade, with a lead vocalist (chantwèl), who is followed by the responsorial chorus (lavwa), with drummers and dancers dancing backwards in front of the drummer on a tambou lélé. The Carnival has African and French roots and is otherwise known as Mas Dominik, the most original Carnival in the Caribbean.
A Moko Jumbie is a traditional stilt walker or spirit dancer ingrained in the cultural heritage of the U.S. Virgin Islands for over 200 years. Originating from West African traditions, these cultural practices were introduced to the Caribbean islands by enslaved individuals during the 19th century.
A masquerade ceremony is a cultural or religious event involving the wearing of masks. The practice has been seen throughout history from the prehistoric era to present day. They have a variety of themes. Their meanings can range from anything including life, death, and fertility. In the Dogon religion, the traditional beliefs of the Dogon people of Mali, there are several mask dances, including the Sigi festival. The Sigi entered the Guinness Book of Records as the "Longest religious ceremony".
Midnight Robber is a science fiction bildungsroman by Jamaican-Canadian writer Nalo Hopkinson. Warner Aspect published the novel in 2000.
Dame Lorraine or Dame Lorine Trinidad, is a historical Trinidadian Carnival character.
Carnival in French Guiana is a major event. Its style is described as Afro-Caribbean. A moveable holiday, it takes place between Epiphany and Ash Wednesday, ending on Mardi Gras. Known internationally for its Paré-masqué balls and its emblematic character, the Touloulou, it is considered the longest carnival in the world.
Leslie Stephen "Teacher" Palmer,, is a Trinidadian community activist, writer and teacher, who migrated in the 1960s to the UK, where he became involved in music and the arts in West London. He is credited with developing a successful template for the Notting Hill Carnival, of which he was director from 1973 to 1975, during which time he "completely revolutionised the event and transformed its structure and content almost beyond recognition." He is also known by the name of "The Wounded Soldier" as a kaisonian.