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This is a list of avant-garde and experimental films released between 1960 and 1964. Unless where noted, all films had sound and were in black and white.
Title | Director | Cast | Nation | Notes | ||
---|---|---|---|---|---|---|
1960 | ||||||
Actua-Tilt | Jean Herman (Jean Vautrin) | Monique Le Porrier, Claude-Jean Phillipe | France | [1] | ||
Arnulf Rainer | Peter Kubelka | Austria | ||||
Bäume in Herbst (Trees in Autumn) | Kurt Kren | Austria | ||||
The Dead | Stan Brakhage | Kenneth Anger | United States | [2] | ||
The Flower Thief | Ron Rice | Taylor Mead | United States | [3] | ||
Savage Eye | Ben Maddow, Sidney Meyers, Joseph Strick | United States | ||||
Vasarely' | Peter Kassovitz | France | Music, "NEG-ALE," by Iannis Xenakis [4] | |||
1961 | ||||||
Allures | Jordan Belson | United States | Abstract animation, color | |||
The Autumn Feast | Piero Heliczer, Jeff Keen | Piero Heliczer, Kate Heliczer | United Kingdom | Black and white/color, sound on tape [5] | ||
Critique de la séparation | Guy Debord | France | ||||
Dadascope | Hans Richter | United States | ||||
A Fire | Ebrahim Golestan | Iran | ||||
Forgotten Faces | Peter Watkins | United Kingdom | ||||
Mr Hayashi | Bruce Baillie | United States | ||||
Night Tide | Curtis Harrington | Dennis Hopper, Margaret Cameron | United States | [6] | ||
On Sundays | Bruce Baillie | Jean Wong, Roy Ferguson | United States | Begun in 1960. Baillie's first film, a hybrid of documentary and experimental narrative. [7] [8] | ||
The Sin of Jesus | Robert Frank | Roberts Blossom, Julie Bovasso | United States | Based on story by Isaac Babel, music by Morton Feldman. [9] [10] | ||
Thigh Line Lyre Triangular | Stan Brakhage | Jane Brakhage | United States | [2] | ||
1962 | ||||||
Baud'larian Capers | Ken Jacobs | United States | ||||
Blue Moses | Stan Brakhage | Robert Benson | United States | [2] | ||
Dog Star Man: Prelude | Stan Brakhage | Stan Brakhage, Jane Brakhage | United States | [2] | ||
Heaven and Earth Magic | Harry Smith | United States | [11] | |||
The House is Black | Forugh Farrokhzad | Iran | ||||
La Jetée | Chris Marker | Hélène Chatelain, Davos Hanich | France | [12] | ||
Regardez-moi, cela suffit | Ben (Ben Vautier) | France | ||||
Sonne halt! | Ferry Radax | Konrad Bayer | Austria | |||
Speak | John Latham | United Kingdom | ||||
Thanatopsis | Ed Emshwiller | United States | ||||
1963 | ||||||
Blonde Cobra | Ken Jacobs, Bob Fleischner | Jack Smith, Jerry Sims | United States | Filmed in 1959-60; completed by Jacobs in 1963 [13] | ||
By the Sea | Pat O'Neill | United States | ||||
Christmas on Earth | Barbara Rubin | Gerard Malanga | United States | Black and white | ||
Chumlum | Ron Rice | United States | ||||
The Death of P'town | Ken Jacobs | United States | ||||
Dog Star Man: Part I | Stan Brakhage | Stan Brakhage, Jane Brakhage | United States | [2] | ||
The Existentialist | Leon Prochnik | Ruth Abramson, Gilbert Archer, Edward Blair | United States | |||
Flaming Creatures | Jack Smith | Jack Smith, Mario Montez, Judith Malina | United States | Color [14] | ||
Little Stabs at Happiness | Ken Jacobs | Jack Smith, Jerry Sims | United States | Color; partly filmed in 1959-60 and often dated to 1960, but film states 1963 [15] [16] | ||
Mothlight | Stan Brakhage | United States | ||||
Normal Love | Jack Smith | Diana Baccus, Beverly Grant, Mario Montez | United States | Color [14] | ||
O necem jinem (Something Different) | Vera Chytilová | Vladimir Bosak, Eva Bosáková, Dagmar Cejnkova | Czechoslovakia | |||
The Queen of Sheba Meets the Atom Man | Ron Rice | Winifred Bryan, Taylor Mead | United States | |||
Scorpio Rising | Kenneth Anger | Bruce Byron | United States | Color | ||
Sun in Your Head | Wolf Vostell | West Germany | Early video art, captured on film; converted back to video in 1967 [17] | |||
Towers Open Fire | Antony Balch | William S. Burroughs, Brion Gysin | United Kingdom | Black and white/color, first shown in 1966; written by Burroughs [18] | ||
TV Plug | Ken Jacobs | United States | ||||
William Buys a Parrot | Antony Balch | William S. Burroughs | United Kingdom | Color [19] | ||
1964 | ||||||
Blue Rider (Godard-art) | Tomislav Gotovac | Yugoslavia | ||||
The Brig | Jonas Mekas | Jim Anderson, Warren Finnerty | United States | |||
The Cool World | Shirley Clarke | Hampton Clanton | United States | Black and white, music by Dizzy Gillespie | ||
Dog Star Man | Stan Brakhage | United States | Begun in 1961, color, silent [20] | |||
Help! My Snowman's Burning Down | Carson Davidson | Bob Larkin | United States | Independently produced surrealist comedy short, nominated for best short subject, Academy Awards 1965. Music by Gerry Mulligan. [21] [22] | ||
Hugh MacDiarmid: A Portrait | Margaret Tait | Hugh MacDiarmid | United Kingdom | |||
I Am Cuba | Mikhail Kalotozov | Sergio Corrieri, Salvador Wood | Cuba Soviet Union | |||
It Happened Here | Kevin Brownlow, Andrew Mollo | Pauline Murray, Sebastian Shaw | United Kingdom | |||
The Last Clean Shirt | Alfred Leslie | United States | Dialogue by Frank O'Hara [23] | |||
Sleep | Andy Warhol | John Giorno | United States | Filmed in July 1963; first shown in January 1964. [24] | ||
Song 1 | Stan Brakhage | Stan Brakhage, Jane Brakhage | United States | Part of Songs cycle [2] | ||
Song 2 | Stan Brakhage | United States | Part of Songs cycle [2] | |||
Song 3 | Stan Brakhage | United States | Part of Songs cycle [2] | |||
Song 4 | Stan Brakhage | United States | Part of Songs cycle [2] | |||
Song 5 | Stan Brakhage | Jane Brakhage | United States | Part of Songs cycle [2] | ||
Song 6 | Stan Brakhage | United States | Part of Songs cycle [2] | |||
Song 7 | Stan Brakhage | United States | Part of Songs cycle [2] | |||
Song 8 | Stan Brakhage | United States | Part of Songs cycle [2] | |||
An underground film is a film that is out of the mainstream either in its style, genre or financing.
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.
Structural film was an avant-garde experimental film movement prominent in the United States in the 1960s and which developed into the Structural/materialist films in the United Kingdom in the 1970s.
Wavelength is a 1967 Canadian-American short subject by experimental filmmaker and artist Michael Snow. Considered a landmark of avant-garde cinema, it was filmed over one week in December 1966 and edited in 1967, and is an example of what film theorist P. Adams Sitney describes as "structural film", calling Snow "the dean of structural filmmakers."
Gregory J. Markopoulos was a Greek-American experimental filmmaker.
P. Adams Sitney, is a historian of American avant-garde cinema. He is known as the author of Visionary Film, one of the first books on the history of experimental film in the United States.
Marie Menken was an American experimental filmmaker, painter, and socialite. She was noted for her unique filming style that incorporated collage. She was one of the first New York filmmakers to use a hand-held camera and trained Andy Warhol on its use. Her film Glimpse of the Garden was selected for preservation in the National Film Registry by the Library of Congress.
Storm de Hirsch (1912–2000) was an American poet and filmmaker. She was a key figure in the New York avant-garde film scene of the 1960s, and one of the founding members of the Film-Makers' Cooperative. Although often overlooked by historians, in recent years she has been recognized as a pioneer of underground cinema.
Jerry Jofen (1925–1993) was an American painter, collagist, and experimental filmmaker.
Andrew Noren was an American avant-garde filmmaker.
The End is a 1953 American short film directed by Christopher Maclaine. It tells the stories of six people on the last day of their lives. It premiered at the San Francisco Museum of Modern Art as part of Frank Stauffacher's Art in Cinema series. Though the film met audience disapproval at its premiere, it was praised by critics as a "masterpiece" and "a great work of art".
Anticipation of the Night is a 1958 American avant-garde film directed by Stan Brakhage. It was a breakthrough in the development of the lyrical style Brakhage used in his later films.
The Way to Shadow Garden is a 1955 American experimental film directed by Stan Brakhage.
Blue Moses is a 1962 American experimental film directed by Stan Brakhage, starring Robert Benson.