Plot
Johnny Drake, a sailor on shore leave in Santa Monica, meets a young woman named Mora in a local jazz club. Mora tells him that she makes her living on the pier appearing as a mermaid in a sideshow attraction under the name 'Mora the Mermaid', a 'half-woman, half-fish', on the boardwalk, operated by Captain Murdock. She lives in an apartment above the amusement park that houses the merry-go-round. He goes to see her in her mermaid costume at the pier. Mora tells Johnny that Captain Murdock is her godfather and he found her as an orphan living on the Greek island of Mykonos. Captain Murdock refers to her as his 'ward'. Johnny becomes acquainted with the merry-go-round operator and his daughter Ellen, who warns Johnny that Mora may be dangerous, as her two previous boyfriends both drowned under mysterious circumstances.
As Mora and Johnny become closer, Mora tells him that she believes she is a siren, one of the legendary creatures who lure sailors to their deaths under the influence of the moon. Johnny witnesses Mora being followed by a mysterious black-clad woman, the 'Sea Witch' whom she believes is one of the sirens, calling her to return to the sea to fulfill her destiny. However, Johnny does not believe that Mora is capable of killing anyone, and thinks she must be suffering from a delusion. During a scuba dive on the day of the full moon, Mora cuts Johnny's air hose, apparently attempting to drown him. He is forced to the surface. She swims out to sea and disappears.
Johnny is devastated, but returns to the boardwalk the following evening and goes to the sideshow, where he finds Captain Murdock at the entrance as usual. Peering into the mermaid tank, he sees Mora's corpse on display. Captain Murdock appears brandishing a gun, admitting to Johnny that he killed Mora's boyfriends because he could not bear the thought of her leaving him. Murdock fires at Johnny, but misses. The gunshots attract the attention of two policemen on the boardwalk, and Murdock and Johnny are taken into custody.
At the police station, Murdock confesses, saying he found and adopted Mora when she was a young orphan. He planted the idea that she was a mermaid, incapable of living the life of a normal woman, in her head as a way of binding her to him forever. When she matured and began to attract male attention, Murdock murdered the men she grew close to and let Mora think that she had caused their deaths. However, Murdock denies any knowledge of the strange figure Mora believed to be a siren.
As Johnny's shore leave ends, Ellen, who has taken an interest in him, visits the police station to bid him goodbye. He tells her that he will try to return in the future.
Production
Development
Harrington sold his original script, called The Girl from Beneath the Sea, to Roger Corman in 1956. [10] According to Spencer Kansa, Harrington based his script on a self-penned story titled "The Secrets of the Sea." [11] Harrington admits the film was heavily introduced by Cat People. [12] The title "Night Tide" came from the Edgar Allan Poe poem "Annabel Lee". [13]
Kansa states that prior to filming the director had turned down an offer from the Mickey Cohen gang to finance the picture. "They were very charming men but I had visions that if the film didn't do well I'd end up at the bottom of the LA river in a block of cement!" [11] [14]
Harrington estimated the final budget as between $75,000 and $80,000 although he says the cash outlay was $50,000. Harrington raised this in part from Pathe Laboratories, using a distribution guarantee from Roger Corman's Filmgroup. Corman also introduced Harrington to Aram Kantarin to invest $10,000 and Kanatarin and Harrington found the rest of the money from an entrepreneur in the construction business. Corman did not invest directly in the film, however. [15] [16]
Casting
Harrington said Hopper's casting came about when the met the actor socially and the director expressed admiration for Harrington's short films. Harrington gave Hopper a script and the actor agreed to make it. [17]
The role of Mora the Mermaid (played by Lawson) was originally to be played by Susan Harrison, who had been the lead in Sweet Smell of Success (1957). Harrison, at the time a friend of director Harrington, initially agreed to take the role, but then reneged when the person she was seeing in a relationship at the time pushed her out of doing the film. [18]
Harrington offered the role of the Captain to Peter Lorre and Marcel Dalio but both turned it down due to the low salary before casting Gavin Muir. [19]
Harrington had previously worked with actress Cameron; his 1956 short (10-minute) documentary The Wormwood Star is about Cameron and her artwork.
Filming
In order to film some of the underwater sequences in Night Tide, director Curtis Harrington gave detailed instructions to a cameraman who then shot the scenes underwater at the director's request. [18]
Filming took place on location at Santa Monica Beach. Harrington says it was mostly shot using a non-union crew but if shot one week with a union crew so that the movie could be screened in theatres by projectionists (otherwise they would refuse as a non-union movie). These scenes were all the studio built interiors such as Mora's apartment, the police station and the hotel room. [20]
The mermaid mural for the sideshow attraction in which Mora stars was painted for the film by Paul Mathison. Mathison was an associate of Cameron's, who had been part of her magical circle with Jack Parsons, starred as Pan in Kenneth Anger's film Inauguration of the Pleasure Dome and also costumed Cameron and dressed the set for Harrington's 1956 short documentary on Cameron, The Wormwood Star. According to Spencer Kansa, the mural "if you look closely hides a clue to the finale of the picture." [21] Mathison can be seen in the opening Jazz club scene, sporting a blonde buzz cut.
Another patron of the Jazz club where jazz flautist Paul Horn and his band play is Barbette, the famous trapeze artist and star of Jean Cocteau's seminal surrealist short film Blood of a Poet .
Harrington wrote the filming in general went smoothly apart from the last day. Dennis Hopper got too drunk at lunchtime to finish afternoon filming and was involved in an accident; the rest of the scene had to be shot several weeks later. [22]
Release and reception
Night Tide premiered at the Spoleto Film Festival in Spoleto, Italy in July 1961, where it was named the top American film that year. [23] The film's production company, Virgo, defaulted on their Pathé Lab loan of $33,793 and Pathé was preparing to foreclose on the picture. Roger Corman asked the lab to hold off on their legal actions to allow Filmgroup to distribute the film, guaranteeing Pathé $15,000 within 12 months of the film's release. Pathé agreed, and Filmgroup released it through American International Pictures. [24] It was given a general theatrical release in the United States two years after its initial premiere, opening in Detroit on February 13, 1963. [1] It later screened in New York City on May 25, 1964. [1]
Harrington admits the film did "Very poorly. In its defense, I will say that it was given a particularly unfortunate release pattern, because Roger double-billed it with a very poor Soviet science fiction film called Battle Beyond the Sun . It was terrible, badly dubbed, but it was in color, and it had a few special effects in it. In terms of the distribution pattern at that time, all Night Tide needed was to go out on a double-bill with, say, The Raven (1963)." [25]
Dennis Hopper stated in an interview that the film was made for $28,000 and...
It was on Time Magazine’s Ten Best Films to see the year it was distributed — or more accurately, the year it wasn’t distributed. We couldn’t get anyone to show the film, because we didn’t have the union logo on our film, which meant we didn’t have approval. We couldn’t get a theater. So that was the beginning of the independent cinema movement in this country. [26]
The entry for the film in Horror: The Aurum Film Encyclopedia states "Clearly inspired by Cat People (1942), following Val Lewton's principles by having a vividly realistic setting (the tawdry pier and funfairs) and providing a rational explanation for most of the mystery (the girl's adoptive father planted the siren story in her mind), it is both clumsy and tentative and strikingly atmospheric. More of a fantasy than a horror movie perhaps, the film does make darkly minatory use of its dream sequences (the mermaid nightmarishly metamorphosing into an octopus) and the recurrent motif of the mysterious woman in black whose appearances frighten the girl." [27]
This page is based on this
Wikipedia article Text is available under the
CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.
