Queen of Blood | |
---|---|
Directed by | Curtis Harrington |
Screenplay by | Curtis Harrington |
Based on | story A Dream Come True by Mikhail Karyukov Otar Koberidze |
Produced by | |
Starring | |
Cinematography | Vilis Lapenieks |
Edited by | Leo H. Shreve |
Music by | Leonard Moran |
Production company | Cinema West Productions |
Distributed by | American International Pictures |
Release date |
|
Running time | 81 minutes |
Country | United States |
Language | English |
Budget | $65,000 [1] |
Box office | $17.3 million (as at 1 Oct 1966) [2] |
Queen of Blood (also known as Planet of Blood) is a 1966 American science fiction horror film produced by George Edwards and Samuel Z. Arkoff, directed by Curtis Harrington, that stars John Saxon, Basil Rathbone, Dennis Hopper, and Judi Meredith. The film is based on the screenplay for the earlier Soviet feature film Mechte Navstrechu (A Dream Come True). Director Harrington also reused special effects footage from that film, as well as footage from the Soviet science fiction film Nebo Zovyot ( Battle Beyond the Sun ). [1]
Queen of Blood was released by American International Pictures as a double feature with Blood Bath . Director Curtis Harrington felt that Ridley Scott's Alien (1979) must have received some inspiration from his earlier feature, saying "Ridley's film is like a greatly enhanced, expensive and elaborate version of Queen of Blood". [3]
An alien species contacts Earth saying that they are journeying across the galaxy to make formal contact with humanity. Their interstellar starship crashes on Mars and an Earthship is dispatched to attempt a rescue. On Mars, they locate the downed spacecraft, but only a single dead alien humanoid is found aboard. They determine that an alien rescue shuttle left the Red Planet but crashed on nearby Phobos. A strange, green-skinned woman is found alive aboard the shuttle's wreck. As they head back to Earth, the crew begins to die, drained of their blood.
The year is 1990. Space travel is well-established since humans first landed on the Moon twenty years earlier. At the International Institute of Space Technology, communications expert and astronaut Laura James monitors strange signals being received from outer space. Laura's superior, Dr. Farraday, translates the signal and discovers that it is from an alien race, who are sending an ambassador to Earth. Soon after, however, Laura receives a video log showing that the aliens' starship has crash-landed on Mars.
The Institute launches a rescue mission aboard the spaceship Oceano, which includes Laura and astronauts Anders Brockman and Paul Grant. Oceano travels through a sunburst, suffering some damage, before completing the journey to Mars and locating the downed alien craft. Anders and Paul investigate and discover a single dead alien aboard. Faraday deduces that the surviving crew may have been rescued, so an observation satellite will be needed to locate the alien rescue ship. Laura's fiancé Allan and fellow astronaut Tony volunteer. They travel on the spaceship Meteor to Phobos, one of the two moons of Mars, where they launch the observation satellite. Tony finds an alien spaceship on Phobos. He and Allan are able to enter, finding an unconscious but still-living female alien. As their rescue ship holds only two, one of them must stay behind, so they toss a coin and Tony stays.
Allan and the female alien arrive on Oceano, joining Laura, Paul and Anders. The alien regains consciousness and smiles at the three men, but not Laura. The alien refuses to eat all food offered and will not let Anders take a blood sample. That night, as Paul is guarding the alien, she attacks and kills him, draining his blood after first hypnotizing him. The surviving astronauts decide to keep her alive by feeding her blood from the ship's plasma supply. When this supply runs out, she kills Anders and feeds on him, leaving Laura and Allan the only humans aboard.
The alien then attacks Allan, but Laura interrupts her before she can kill again. Laura scratches her in the struggle, and the alien screams in terror, quickly bleeding to death. Laura and Allen then find alien eggs hidden aboard. Allan hypothesizes that she was royalty, likely a queen (assuming human-like inbreeding among royalty, hence her hemophilia), and was being sent to Earth in order to breed. Their spaceship lands safely, but Earth authorities decide to study the alien eggs rather than destroying them outright, as Allan has urged.
Harrington had made his name with the feature Night Tide , which impressed Roger Corman enough to offer the director a film project. "Of course, I would like to do a more individual film than Queen of Blood", said Harrington at the time, "but I can't get the financing. However, the film is entertaining, and I feel I was able to say something within the context of the genre". [4]
Queen of Blood was made using special effects from the Soviet films Mechte Navstrechu (A Dream Come True) and Nebo Zovyot (Battle Beyond the Sun). Harrington made Queen of Blood back-to-back with Voyage to the Prehistoric Planet , which also incorporated footage from the Soviet films. Both Harrington films starred Basil Rathbone. [5]
Harrington says Corman "wanted me to write a completely new framing story to use all the technical footage of a rocket flying through outer space, landing on another planet and all that. I then proceeded to write a script and created the idea of an outer space vampire-like creature.” [6] Harrington estimated that 70% of the film was his; [5] many years later he said it was 90%. [7]
Harrington hired George Edwards to act as line producer. The director met Edwards when the latter produced a stage production of Tennessee Williams' The Garden District. They collaborated well together and would go on to have a long professional relationship. [8] Harrington called Edwards "the kind of producer who had an un- canny ability to anticipate the needs of a director. He had a wonderful sense of humor, which enabled him to deal equally with the temperament of stars and the vagaries of writers." [9]
Corman's name does not appear on the final film. Harrington says this is because Queen of Blood was made with a non-union crew, and Corman had signed a contract to work with the unions. [5]
Harrington says A Dream Come True was about a queen from another planet. He wanted to do a film about a vampire in outer space and had to make her female to match the Russian footage. [1]
Czech actor Florence Marly was a personal friend of Harrington. He later said that he had to fight with Roger Corman in order to hire her "because she was an older woman. I'm sure he had some bimbo in mind, you know? So I fought for Marley because I felt she had the required exotic quality that would work in the role." [3] Harrington wrote if he had cast "a sexy young floozy in the part... it would have become just another run-of-the- mill sci-fi exploitation film. Fortunately, I won Roger over to my cause, perhaps because I was so determined and enthusiastic. I turned out to be right in my hunch. Florence was wonderful in the nonspeaking part—eerie, intense, and otherworldly." [10]
Harrington also said Dennis Hopper "was like a part of my little team by then", so he also agreed to appear. [3] He said John Saxon "Saxon conveyed sincerity and kindness." [11]
The film was shot at Major Studios in downtown Los Angeles, shortly before they were bought by Robert Aldrich. [8]
John Saxon later claimed that Gene Corman had more to do with Queen of Blood than Roger. Saxon estimated that his scenes were shot in seven to eight days and that Dennis Hopper "was trying very hard to keep a straight face throughout" during the making of the film. [12] He added in another interview, "I took it seriously, at least while on camera; Dennis had a hard time doing even that." [13]
Harrington said the film was shot in six days. [5] He was able to do this because the shoot was non-union and meant the crew would work long hours, sometimes until two in the morning. [1] He says two set designers recommended by Roger Corman failed to prepare the set properly in time. [14]
"Basil Rathbone had one day (on the set)", added Saxon. "He came on and he was a very, very distinguished gentleman. He did his scene. But he got annoyed, because they didn't get the sound right on his first take, and they asked him to come back. He dressed down the director." [15]
Basil Rathbone was paid $1,500 to act for a day and a half on Queen of Blood, and $1,500 for half a day on Voyage to the Prehistoric Planet (1965), another film that incorporated Russian film footage. [16]
Rathbone ended up working overtime and missed a meal. The Screen Actors Guild demanded overtime pay, plus a fine for the meal violation, but producer George Edwards produced footage that showed the delay was because Rathbone had not memorized all his lines and insisted on skipping lunch. [2] Harrington recalled Rathbone as "a great pro who regaled me of stories of Hollywood in the few minutes here and there between set ups." [16]
Harrington says the sets were not ready on the first day of filming because "Roger had hired a bunch of hippies as set decorators and they were stoned all the time". [16]
In the film the space vampire paralyzes her victims with her glowing eyes, and late in the film she appears to direct a kind of "heat vision" from her eyes to burn through a rope that has been used to confine her. The effect of the vampire's glowing eyes was one of the most striking elements of the film; Harrington told an interviewer that they achieved the effect on set by directing pencil-thin beams of light into Florence Marly's eyes.
Stephanie Rothman assisted on the film; she had also worked with Corman and Harrington on Voyage to the Prehistoric Planet . "Curtis was very cordial, and I enjoyed watching him work and, you know, I learned something from watching how he functioned on the set, and how the production went along," said Rothman. "He was comfortable having me there and I was grateful to be there to learn from him." [17]
According to one account, the budget for this and Voyage to the Prehistoric Planet came to $33,052. [18] Another said the films cost $65,000. [19] Harrington has said they cost $60,000, [1] then $50,000, [16] though he admits to not being sure.
Queen of Blood was released in the United States in March 1966. Even before the release, its quality was sufficient for Universal to hire Harrington and producer George Edwards to make the feature film Games. [20] Harrington says Queen of Blood had particularly impressed Ned Tanen. [21]
Harrington says Roger Corman promised him a $1,000 bonus if the film went into profit and the producer honored this, albeit after some prompting. [22]
A novelization of Harrington's original screenplay was written by pulp writer Charles Nuetzel. The biography about Forrest J. Ackerman erroneously suggests that Harrington based his original screenplay on a book by Nuetzel. [23] The novel is back in print as an ebook available online.
On December 1, 2003, Queen of Blood was featured at the Sitges Film Festival in Spain.
In her review of a double bill with the feature Three in the Attic , Renata Adler of The New York Times called Queen of Blood the livelier of the two films. [24]
Harrington later wrote, "Some years later, it was very flattering to realize that I had created the prototype for a whole series of science-fiction movies dealing with monstrous creatures from outer space." [25]
Alien queen actor Florence Marly made a 16 mm sequel to Queen of Blood titled Space Boy! Night, Neal and Ness in 1973. [26]
Philip St. John Basil Rathbone MC was an Anglo-South African actor. He rose to prominence in the United Kingdom as a Shakespearean stage actor and went on to appear in more than 70 films, primarily costume dramas, swashbucklers, and, occasionally, horror films.
Roger William Corman was an American film director, producer and actor. Known under various monikers such as "The Pope of Pop Cinema", "The Spiritual Godfather of the New Hollywood", and "The King of Cult", he was known as a trailblazer in the world of independent film.
John Saxon was an American actor who worked on more than 200 film and television projects during a span of 60 years. He was known for his work in Westerns and horror films, often playing police officers and detectives.
The Raven is a 1963 American comedy gothic horror film produced and directed by Roger Corman. The film stars Vincent Price, Peter Lorre, and Boris Karloff as a trio of rival sorcerers. The supporting cast includes Jack Nicholson as the son of Lorre's character.
Battle Beyond the Stars is a 1980 American space opera film produced by Roger Corman, directed by Jimmy T. Murakami, and starring Richard Thomas, Robert Vaughn, George Peppard, John Saxon, Sybil Danning and Darlanne Fluegel. Intended as a futuristic "Magnificent Seven in outer space", the screenplay was written by John Sayles with the score by James Horner and special effects designed by filmmaker James Cameron. The film was theatrically released by Corman's New World Pictures and was a moderate box office success, despite receiving mixed reviews from critics.
It Conquered the World is an independently made 1956 American science fiction film produced and directed by Roger Corman, and starring Peter Graves, Lee Van Cleef, Beverly Garland, and Sally Fraser. Shot in black-and-white, It Conquered the World was released theatrically by American International Pictures (AIP) as a double feature with The She-Creature.
Tales of Terror is a 1962 American International Pictures Gothic horror anthology film in colour and Panavision, produced by Samuel Z. Arkoff, James H. Nicholson, and Roger Corman, who also directed. The screenplay was written by Richard Matheson, and the film stars Vincent Price, Peter Lorre, and Basil Rathbone. It is the fourth in the so-called Corman-Poe cycle of eight films, largely featuring adaptations of Edgar Allan Poe stories and directed by Corman for AIP. The film was released in 1962 as a double feature with Panic in Year Zero!.
Forbidden World, originally titled Mutant, is a 1982 American science fiction erotic horror film. The screenplay was written by Tim Curnen, from a screenstory by R.J. Robertson and Jim Wynorski. It was co-edited and directed by Allan Holzman, who had edited Battle Beyond the Stars two years earlier. The cast includes Jesse Vint, Dawn Dunlap, June Chadwick, Linden Chiles, Fox Harris and Michael Bowen. Forbidden World has also been released under the titles Mutant and Subject 20.
Gene Curtis Harrington was an American film and television director whose work included experimental films and horror films. He is considered one of the forerunners of New Queer Cinema.
Voyage to the Planet of Prehistoric Women is a 1968 American science fiction film, one of two films whose footage was taken from the 1962 Soviet SF film Planeta Bur for producer Roger Corman. The original film was scripted by Alexander Kazantsev from his novel and directed by Pavel Klushantsev. This adaptation, made by Peter Bogdanovich, who chose not to have his name credited on the film, included new scenes added that starred Mamie Van Doren. The film apparently had at least a limited U.S. release through American International Pictures, but became better known via subsequent cable TV showings and home video sales. The film contains no footage from Planeta Bur that was not used in the earlier Voyage to the Prehistoric Planet (1965).
Blood Bath is a 1966 American horror film directed by Jack Hill and Stephanie Rothman and starring William Campbell, Linda Saunders, Marissa Mathes, and Sid Haig. The film concerns a mad painter of weird art who turns into a vampire-like man by night, apparently as a result of a family curse, and believes that he has found his reincarnated mistress in the person of an avant-garde ballerina.
Luana Anders was an American actress and screenwriter.
Voyage to the Prehistoric Planet is a 1965 science fiction film, one of two versions adapted for Roger Corman from the Soviet science fiction film Planeta Bur, scripted by Aleksandr Kazantsev and directed by Pavel Klushantsev. Curtis Harrington oversaw the editing and dubbing of principal portions of the source film, and directed new principal scenes featuring Basil Rathbone and Faith Domergue. The resulting new film was syndicated directly to television by American International Television.
Stephanie Rothman is an American film director, producer, and screenwriter, known for her low-budget independent exploitation films made in the 1960s and 1970s, especially The Student Nurses (1970) and Terminal Island (1974).
Tower of London is a 1962 historical drama and gothic horror film directed by Roger Corman and starring Vincent Price and Michael Pate. The film was produced by Edward Small Productions.
Space Raiders, also known as Star Child, is a 1983 space Western film written and directed by Howard R. Cohen and produced by Roger Corman. The film was made during the time when many studios were releasing space opera films following the success of Star Wars. However, the film was panned by critics, especially for its reuse of special effects footage and music taken from Corman's 1980 film Battle Beyond the Stars.
Night Tide is a 1961 American independent fantasy film sometimes considered to be a horror film, written and directed by Curtis Harrington and featuring Dennis Hopper in his first starring role. It was filmed in 1960, premiered in 1961, but was held up from general release until 1963. The film's title was inspired by some lines from Edgar Allan Poe's poem "Annabel Lee". The film was released by American International Pictures as a double feature with The Raven.
New Concorde (NC) is an American Los Angeles, California based film distribution company founded by Roger Corman. NC got its start in 1983 when Corman formed the production and distribution Concorde-New Horizons (CNH) as one of the first production companies to develop and take advantage of video as a distribution tool.
Planeta Bur is a 1962 Sovcolor Soviet science fiction adventure film scripted by Alexander Kazantsev from his novel, and co-scripted and directed by Pavel Klushantsev.
The Filmgroup was a production and distribution company founded by filmmakers Roger Corman and Gene Corman in 1959. Corman used it to make and distribute his own movies, as opposed to ones he was making for American International Pictures. The company ultimately folded, however, lessons from running the company helped Corman make a success later of New World Pictures. Filmgroup also produced early feature work of Francis Ford Coppola, Peter Bogdanovich, Charles B. Griffith, Curtis Harrington, Jack Hill, Monte Hellman, Robert Towne and Jack Nicholson.