Below is a sortable list of compositions by Eric Coates . The works are categorized by genre, date of composition and title.
Genre | Date | Title | Notes |
---|---|---|---|
Stage | 1930 | Snow White and the Seven Dwarfs [1] | Incidental music; revised in 1938 as The Enchanted Garden |
Stage | 1932 | The Jester at the Wedding [1] | Ballet |
Stage | 1938 | The Enchanted Garden [2] [3] | Tone poem |
Stage | March of the Knight of Malta | Operetta | |
Orchestral | 1904 | Ballad, op 2 [4] | for string orchestra |
Orchestral | 1911 | Miniature Suite [5]
| for small orchestra |
Orchestral | 1912 | A La Gavotte [2] | |
Orchestral | 1912 | The Mermaid, A Graceful Dance | |
Orchestral | 1915 | From the Countryside, Suite [6]
| |
Orchestral | 1918 | Wood Nymphs, Valsette [7] [3] | |
Orchestral | 1919 | Springtime, Suite [2] [8]
| |
Orchestral | 1919 | Summer Days, Suite [9] [3]
| |
Orchestral | 1920 | Coquette | |
Orchestral | 1921 | Moresque, Dance Interlude [7] | |
Orchestral | 1922 | Joyous Youth, Suite [7]
| |
Orchestral | 1923 | The Merrymakers, Miniature Overture [4] | |
Orchestral | 1925 | 2 Light Syncopated Pieces [7]
| |
Orchestral | 1925 | The Selfish Giant, Phantasy [9] [3] | inspired by the story by Oscar Wilde |
Orchestral | 1926 | By the Tamarisk, Intermezzo [7] | |
Orchestral | 1926 | The Three Bears, Phantasy [7] | from the fairy story Goldilocks and the Three Bears |
Orchestral | 1928 | Four Ways, Suite [6]
| |
Orchestral | 1929 | The Unknown Singer, Interlude [10] | |
Orchestral | 1930 | By the Sleepy Lagoon , Valse Serenade [7] [4] | also for voice and piano, used as theme for the BBC radio programme Desert Island Discs |
Orchestral | 1930 | Cinderella, Phantasy [9] [11] | |
Orchestral | 1930 | With a Song in My Heart [2] | orchestral arrangement of the song from the Richard Rodgers and Lorenz Hart musical Spring Is Here |
Orchestral | 1931 | From Meadow to Mayfair, Suite [7]
| |
Orchestral | 1932 | Dancing Nights, Concert Valse [4] | |
Orchestral | 1932 | The Jester at the Wedding, Suite from the Ballet [4]
| |
Orchestral | 1933 | London Suite (aka London Everyday) [7] [4]
| |
Orchestral | 1933 | 2 Symphonic Rhapsodies [4]
| |
Orchestral | 1934 | London Bridge, March [7] [3] | |
Orchestral | 1935 | Song of Loyalty [7] | also for voice and piano |
Orchestral | 1935 | The Three Men Suite [9] [11]
| |
Orchestral | 1936 | The Forgotten Waltz | |
Orchestral | 1936 | London Again, Suite [9]
| |
Orchestral | 1936 | Saxo Rhapsody [12] | |
Orchestral | 1937 | For Your Delight, Serenade [7] [3] | |
Orchestral | 1938 | Seven Seas, March [2] | |
Orchestral | 1939 | Footlights, Concert Valse [9] | |
Orchestral | 1939 | Last Love, Romance [13] [11] | |
Orchestral | 1940 | Calling All Workers, March [7] [3] | theme for the BBC radio programme Music While You Work |
Orchestral | 1942 | The Eighth Army, March [7] | also for piano solo; used in the 1943 film Nine Men [14] |
Orchestral | 1942 | Over to You, March | |
Orchestral | 1942 | Star of God | |
Orchestral | 1943 | Four Centuries Suite [1]
| |
Orchestral | 1943 | London Calling, March [15] | |
Orchestral | 1944 | Salute the Soldier, March | |
Orchestral | 1944 | The Three Elizabeths Suite [7] [11]
| Halcyon Days was used as the opening and closing music for the 1967 BBC television series The Forsyte Saga |
Orchestral | 1945 | Youth of Britain, March | |
Orchestral | 1946 | Television March [9] [11] | Used as the daily startup music of BBC Television Service. |
Orchestral | 1949 | Music Everywhere, Rediffusion March | Used as the daily startup music of Associated-Rediffusion 1956–57. The piece pre-dates the television station and had been renamed by the Rediffusion company with Coates' permission. [16] |
Orchestral | 1950 | Holborn, March [7] | |
Orchestral | 1953 | Men of Trent, March | |
Orchestral | 1953 | Rhodesia, March | |
Orchestral | 1954 | The Dam Busters March [7] | used in the 1955 film The Dam Busters |
Orchestral | 1954 | Sweet Seventeen, Concert Valse [7] [11] | |
Orchestral | 1955 | Sound and Vision, Television March [17] | Used as the daily startup music of Associated TeleVision in London weekend programmes from 1955 to 1968 and Midlands from 1956 to 1971. |
Orchestral | 1956 | Impressions of a Princess, Intermezzo | |
Orchestral | 1957 | High Flight, March [2] | |
Orchestral | 1957 | South Wales and West, Television March [7] | Used as the daily startup music of Television Wales and the West from 1958 to 1968. |
Orchestral | The Dance of the Orange Blossoms, Valse | ||
Orchestral | I Sing to You | ||
Orchestral | Lazy Night [2] [3] | ||
Orchestral | Rustic Dance | ||
Chamber music | 1906 | Ballad in G major, Op. 13 | for viola and piano; composed under the pseudonym "Eric Glendower" |
Chamber music | 1908 | Minuetto on Old Irish Melody | for string quartet; movement IV from Suite on Londonderry Air , a collaborative work for string quartet co-composed with Frank Bridge, Hamilton Harty, J. D. Davis and York Bowen |
Chamber music | 1928 | Mirage, Romance | for violin and piano (also orchestral version) [7] |
Chamber music | 1929 | Under the Stars | for violin and piano |
Chamber music | 1941 | First Meeting, Souvenir [18] | for viola and piano; written for violist Lionel Tertis; revised for violin and piano in 1943, also as a song |
Piano | 1911 | 6 Short Pieces (without Octaves)
| |
Piano | 1914 | Idyll | |
Piano | 1930 | 3 Lyric Pieces [19]
| |
Piano | 1942 | The Eighth Army, March | also orchestrated |
Vocal | 1908 | A Damask Rose | words by Fred G. Bowles |
Vocal | 1908 | It Was a Lover and His Lass [18] | words by William Shakespeare |
Vocal | 1908 | The Outlaw's Song [18] | words by Joanna Baillie |
Vocal | 1908 | 2 Songs
| for baritone and piano 1. words by Georgia Roberts 2. words by John Galsworthy |
Vocal | 1908 | When I Am Dead [18] | words by Christina Rossetti |
Vocal | 1908 | When We Two Went A-Maying | words by Ella Brown |
Vocal | 1908 | Who Is Sylvia? [18] | words by William Shakespeare |
Vocal | 1909 | At Daybreak [20] | words by Fred G. Bowles |
Vocal | 1909 | 4 Old English Songs [20]
| words by William Shakespeare |
Vocal | 1909 | The Gates of Spring | words by Frederic Weatherly |
Vocal | 1909 | Gwenny | words by Frederic Weatherly |
Vocal | 1909 | May-Day Dance | 4-part song; words by M. Byron |
Vocal | 1909 | Stone-Cracker John [21] | words by Frederic Weatherly |
Vocal | 1909 | Sweet Phyllis | words by Frederic Weatherly |
Vocal | 1909 | Your Heart Is Like a Golden Fair | words by Ella Brown |
Vocal | 1909 | Yvette | words by Frederic Weatherly |
Vocal | 1910 | Lace and Porcelain, 3 Old World Songs
| words by Harold Simpson |
Vocal | 1910 | The Little Girl I Love | words by Frederic Weatherly |
Vocal | 1910 | Little Love | words by Georgeanne Hubi Newcombe |
Vocal | 1910 | Love among the Daffodils | words by Edward Teschemacher |
Vocal | 1910 | Waiting for the Spring | words by Frederic Weatherly |
Vocal | 1910 | When the Robin Goes A-Singing | words by Harold Simpson |
Vocal | 1911 | A Bird's Lullaby | words by the composer |
Vocal | 1911 | If You Were My Little Boy | words by Edward Teschemacher |
Vocal | 1911 | Love's Fantasy | words by Frederic Weatherly |
Vocal | 1911 | The Moon Boat | words by Frederic Weatherly |
Vocal | 1911 | Mother England's Brewing | words by Harold Simpson |
Vocal | 1911 | Reuben Ranzo [21] | words by Frederic Weatherly |
Vocal | 1912 | The Awakening | words by Edward Teschemacher |
Vocal | 1912 | A Dinder Courtship [21] | words by Frederic Weatherly |
Vocal | 1912 | Rose of Mine | words by Edward Teschemacher |
Vocal | 1912 | Sweet-and-Twenty | words by William Shakespeare |
Vocal | 1912 | Tell Me Where Is Fancy Bred [20] | words by William Shakespeare |
Vocal | 1913 | All Mine Own | words by Harold Simpson |
Vocal | 1913 | Betty and Johnny [18] | words by Frederic Weatherly |
Vocal | 1913 | Dick's Quandary | words by Frederic Weatherly |
Vocal | 1913 | The Grenadier [18] | words by Frederic Weatherly |
Vocal | 1913 | Melanie | words by Frederic Weatherly |
Vocal | 1913 | Pierrette's Song | words by Frederic Weatherly |
Vocal | 1914 | By Mendip Side | words by P. J. O'Reilly |
Vocal | 1914 | Eildon Hill | words by Frederic Weatherly; see Eildon Hill |
Vocal | 1914 | The Hour of Love | words by Harold Simpson |
Vocal | 1914 | A Japanese Farewell | words by Douglas Furber |
Vocal | 1914 | Marry Me, Nancy, Do! | words by Frederic Weatherly |
Vocal | 1914 | Moonland Dreams | words by Frederic Weatherly |
Vocal | 1914 | Rose of the World | words by Helen Taylor |
Vocal | 1915 | The Mill o' Dreams, Cycle of 4 Little Songs [20]
| words by Nancie B. Marsland; for voice and piano or orchestra |
Vocal | 1916 | The Green Hills o' Somerset [20] | words by Frederic Weatherly; for voice and piano or orchestra |
Vocal | 1916 | An Old World Garden | words by Eric Chilman |
Vocal | 1916 | The Palace of Roses | words by Harold Simpson |
Vocal | 1916 | Sigh No More, Ladies [18] | words by William Shakespeare |
Vocal | 1916 | The Widow of Penzance | words by Harold Simpson |
Vocal | 1917 | Asphodel | words by Frederic Weatherly |
Vocal | 1917 | Dreams | words by Frederic Weatherly |
Vocal | 1917 | Land of My Heart | words by Frederic Weatherly |
Vocal | 1917 | Our Little Home | words by Frederic Weatherly |
Vocal | 1917 | Your Love | words by Frederic Weatherly |
Vocal | 1918 | The Fairy Tales of Ireland [20] | words by Edward Lockton; for voice and piano or orchestra |
Vocal | 1918 | 4 Songs of the Air Service
| words by Edward Lockton |
Vocal | 1918 | The Fruits of the Earth | words by Edward Lockton |
Vocal | 1918 | The Heart You Love Is Calling | words by Edward Lockton |
Vocal | 1918 | The Maid and the Moon | words by Eileen Price-Evans |
Vocal | 1918 | My Prayers Take Wings to Find You | words by Harold Simpson |
Vocal | 1918 | Sally and I and the Daylight | words by Frederic Weatherly |
Vocal | 1918 | Yours and Mine | words by Edward Lockton |
Vocal | 1919 | By the North Sea [20] | words by Arthur Conan Doyle |
Vocal | 1919 | An Elizabethan Lullaby | words by William Akerman |
Vocal | 1919 | A Nest in Arcady | words by Edward Lockton |
Vocal | 1919 | Roses of Peace | words by E. Barker |
Vocal | 1919 | The Stars Above | words by Haydn H. Morris |
Vocal | 1919 | Through All the Ages [21] | words by Frederic Weatherly |
Vocal | 1920 | At Sunset [21] | words by Mrs Charles Hutchins |
Vocal | 1920 | At Vesper Bell [18] | words by Gunby Hadath |
Vocal | 1920 | Pepita | words by Douglas Furber |
Vocal | 1920 | Since Yesterday | words by Anne Page |
Vocal | 1920 | The White Winding Road | words by Daisy Fisher |
Vocal | 1920 | You Come No More | words by Daisy Fisher |
Vocal | 1921 | Brown Eyes beneath the Moon | words by Frederic Weatherly |
Vocal | 1921 | I'm Wanting You | words by Gunby Hadath |
Vocal | 1921 | I Pitch My Lonely Caravan at Night [21] | words by Annette Horey |
Vocal | 1921 | Moon Daisies | words by Frederic Weatherly |
Vocal | 1921 | Passion-Flower | words by Gertrude Wiskin |
Vocal | 1921 | Roses All the Way, Foxtrot | words by Ernest Butcher |
Vocal | 1922 | Blue Sky and White Road | words by Charles Roff |
Vocal | 1922 | Coloured Fields | words by Daisy Fisher |
Vocal | 1922 | June's First Rose | words by Edward Lockton |
Vocal | 1922 | Ole Dear | words by Dorothy Dickinson |
Vocal | 1922 | Thinkin' of You | words by Dorothy Dickinson |
Vocal | 1923 | I Heard You Singing [21] | words by Royden Barrie; for voice and piano or orchestra |
Vocal | 1923 | Mending Roadways | words by Dena Tempest |
Vocal | 1923 | Nobody Else But You | words by Daisy Fisher |
Vocal | 1923 | A Song of the Wind | words by Edward Lockton |
Vocal | 1924 | Diff'rent Somehow | words by Gordon McConnel |
Vocal | 1924 | 8 Nursery Rhymes
| words by anonymous |
Vocal | 1924 | Ev'ry Minute of Ev'ry Day | words by Elsie Mary Skeet |
Vocal | 1924 | In Town | words by Dorothy Dickinson |
Vocal | 1924 | Sea Rapture, an Impression [20] | words by Emeric Hulme-Beaman |
Vocal | 1924 | Yearning | words by Royden Barrie |
Vocal | 1925 | The Gates of If-Ever | words by D. Eardley-Wilmot |
Vocal | 1925 | K-Naughty Kanute | words by Elsie Mary Skeet |
Vocal | 1925 | The Little Green Balcony [18] | words by Royden Barrie |
Vocal | 1925 | Little Snoozy Coon | words by Royden Barrie |
Vocal | 1925 | Rose of Samarand | words by Royden Barrie |
Vocal | 1925 | Song of the Little Folk [20] | words by Jennie Dunbar |
Vocal | 1926 | Bird Songs at Eventide [21] | words by Royden Barrie; for voice and piano or orchestra |
Vocal | 1926 | Brown Eyes I Love [21] | words by Lillian Glanville |
Vocal | 1927 | The Dreams of London [21] | words by Almey St. John Adcock |
Vocal | 1927 | A Song Remembered | words by Royden Barrie |
Vocal | 1928 | Homeward to You [21] | words by Royden Barrie |
Vocal | 1928 | I'm Lonely, Valse Song [21] | words by Gordon McConnel |
Vocal | 1928 | Little Lady of the Moon [21] | words by Frederic Weatherly |
Vocal | 1929 | Always As I Close My Eyes [20] | words by Maud Handfield-Jones |
Vocal | 1929 | Doubt [21] | words by Florence Hedley-Stodden (né Florence Gertrude Altenborough) |
Vocal | 1930 | Because I Miss You So [18] | words by Lillian Glanville |
Vocal | 1930 | The Young Lover [18] | words by Royden Barrie |
Vocal | 1931 | Home-Along | words by Arthur L. Salmon |
Vocal | 1932 | The House Love Made for You and Me | words by Gordon Johnstone |
Vocal | 1932 | If Stars Were Tears | words by Frank Eyton |
Vocal | 1932 | Stars and a Crescent Moon [20] | words by Phyllis Black |
Vocal | 1933 | I Looked for You | words by Phyllis Black |
Vocal | 1933 | Rise Up and Reach the Stars [20] | words by Winifred May |
Vocal | 1933 | Ship of Dream [18] | words by Winifred van Noorden |
Vocal | 1934 | Beautiful Lady Moon [18] | words by Phyllis Black |
Vocal | 1934 | Music of the Night [18] | words by Phyllis Black |
Vocal | 1935 | Song of Loyalty | words by Phyllis Black |
Vocal | 1935 | Good Bye | words by Irving Caesar |
Vocal | 1938 | You Are My Rose | words by Christopher Hassell |
Vocal | 1938 | Your Name [18] | words by Christopher Hassell; for voice and piano or orchestra |
Vocal | 1939 | Princess of the Dawn [18] | words by Christopher Hassell |
Vocal | 1940 | Sleepy Lagoon [20] | words by Jack Lawrence |
Vocal | 1940 | Today is Ours [21] | words by Frank Eyton |
Vocal | 1942 | Star of God | words by Frederic Weatherly |
Vocal | 1943 | A Song of Summer [21] | words by Lady Joan Vernay; for voice and piano or orchestra |
Vocal | 1954 | The Scent of Lilac [20] | words by Winifred May |
Vocal | 1956 | The Dam Busters | words by Carlene Mair |
Choral | 1956 | God's Great Love Abiding, Hymn | for mixed chorus; words by the composer |
Choral | 1963 | Loyal Hearts | for mixed chorus and piano; arrangement of Queen Elizabeth from The three Elizabeths Suite; words by Anne C Wood |
Mieczysław Karłowicz was a Polish composer and conductor.
William Southcombe Lloyd Webber was an English organist and composer, who achieved some fame as a part of the modern classical music movement whilst commercially facing mixed opportunities. Besides his long and prestigious career, composing works ranging from choral pieces to instrumental items and more, he is known for being the father of both fellow composer Andrew Lloyd Webber and virtuoso cellist Julian Lloyd Webber. He also notably served as a teacher, instructing pupils on music theory at the Royal College of Music for many years until his death in 1982.
Charles Wood was an Irish composer and teacher; his students included Ralph Vaughan Williams at Cambridge and Herbert Howells at the Royal College of Music. He is primarily remembered and performed as an Anglican church music composer, but he also wrote songs and chamber music, particularly for string quartet.
Eric Francis Harrison Coates was an English composer of light music and, early in his career, a leading violist.
Sir Richard Rodney Bennett was an English composer of film, TV and concert music, and also a jazz pianist and occasional vocalist. He was based in New York City from 1979 until his death there in 2012.
William Alwyn, was an English composer, conductor, and music teacher.
Haydn Wood was a 20th-century English composer and concert violinist, best known for his 200 or so ballad style songs, including the popular Roses of Picardy.
Brian Easdale was a British composer of operatic, orchestral, choral and film music, best known for his ballet film score The Red Shoes of 1948.
Clifton Parker was a British composer, particularly noted for his film scores. During his career, he composed scores for over 50 feature films, as well as numerous documentary shorts, radio and television scores, over 100 songs and music for ballet and theatre.
Light music is a less-serious form of Western classical music, which originated in the 18th and 19th centuries and continues today. Its heyday was in the mid‑20th century. The style is through-composed, usually shorter orchestral pieces and suites designed to appeal to a wider context and audience than more sophisticated forms such as the concerto, the symphony and the opera.
Chandos Records is a British independent classical music recording company based in Colchester. It was founded in 1979 by Brian Couzens. Since March 2024, it has been owned by Klaus Heymann.
Patrick Arthur Sheldon Hadley was a British composer.
Thomas Frederick Dunhill was a prolific English composer in many genres, though he is best known today for his light music and educational piano works. His compositions include much chamber music, a song cycle, The Wind Among the Reeds, and an operetta, Tantivy Towers, that had a successful London run in 1931. He was also a teacher, examiner and writer on musical subjects.
John Wilson is a British conductor, arranger and musicologist, who conducts orchestras and operas, as well as big band jazz. He is the artistic director of Sinfonia of London.
Lento for Strings is an orchestral work by the Australian composer Malcolm Williamson.
Charles William Eric Fogg was an English composer, conductor and BBC broadcaster. His early works were influenced by Igor Stravinsky, though his later pieces owe more to Granville Bantock and Richard Strauss and even William Walton. Much of his music has been lost.
Dorothy Gertrude Howell was an English composer and pianist. She received the nickname of the "English Richard Strauss" in her lifetime.
Roderick Gregory Coleman Williams OBE is a British baritone and composer.
Matthew Curtis is a British classical composer.
David Morgan was a British composer.