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Fictional espionage organizations with fancy-sounding acronyms are a common theme in spy fiction. Such acronyms are similarly also common in superhero fiction and science fiction.
During the 1960s trend for action-adventure spy thrillers, it was a common practice for fictional spy organizations or their nemeses to employ names that were contrived acronyms. Sometimes these acronyms' expanded meanings made sense, but most of the time they were words incongruously crammed together for the mere purpose of obtaining a catchy acronym, traditionally a heroic sounding one for the good guys and an appropriately menacing one for the bad guys. This has become one of the most commonly parodied clichés of the spy thriller genre. They were presumably inspired by SMERSH, which appeared in the James Bond stories and sounded fictional, but really was a branch of Soviet intelligence. These acronyms are often spelled with periods/points/stops to make it clear that they stand for longer terms and are not simply the usual English words that they resemble, even though the punctuation would otherwise seem to indicate that the abbreviations should be pronounced as the names of the individual letters.
Among the most popular:
Various fiction invent British spy agencies with "MI numbers" other than the well-known MI5 or MI6. Examples include MI7 in Johnny English , M.I.9 in M.I. High , and MI-13 in Marvel Comics. These agencies generally have no relation to the real but defunct branches of the Directorate of Military Intelligence that previously used these designations.
Espionage, spying, or intelligence gathering is the act of obtaining secret or confidential information (intelligence). A person who commits espionage is called an espionage agent or spy. Any individual or spy ring, in the service of a government, company, criminal organization, or independent operation, can commit espionage. The practice is clandestine, as it is by definition unwelcome. In some circumstances, it may be a legal tool of law enforcement and in others, it may be illegal and punishable by law.
Spy fiction is a genre of literature involving espionage as an important context or plot device. It emerged in the early twentieth century, inspired by rivalries and intrigues between the major powers, and the establishment of modern intelligence agencies. It was given new impetus by the development of fascism and communism in the lead-up to World War II, continued to develop during the Cold War, and received a fresh impetus from the emergence of rogue states, international criminal organizations, global terrorist networks, maritime piracy and technological sabotage and espionage as potent threats to Western societies. As a genre, spy fiction is thematically related to the novel of adventure, the thriller and the politico-military thriller.
SPECTRE is a fictional organisation featured in the James Bond novels by Ian Fleming, as well as films and video games based in the same universe. Led by criminal mastermind Ernst Stavro Blofeld, SPECTRE first formally appeared in the novel Thunderball (1961) and in the film Dr. No (1962). The international organisation is not aligned with any nation or political ideology, enabling the later Bond books and Bond films to be regarded as somewhat apolitical. The presence of former Gestapo members in the organization can be considered as a sign of Fleming's warnings about Nazi fugitives after the Second World War, as first detailed in the novel Moonraker (1954). In the novels, SPECTRE begins as a small group of criminals, but in the films it is depicted as a vast international organisation with its own SPECTRE Island training base capable of replacing the Soviet SMERSH.
Darkwing Duck is an American animated superhero comedy television series produced by Disney Television Animation that first ran from 1991 to 1992 on both the syndicated programming block The Disney Afternoon and Saturday mornings on ABC. A total of ninety-one episodes were aired. It features the adventures of Darkwing Duck, who is the superheroic alter-ego of ordinary suburban duck Drake Mallard.
The Ministry of State Security, abbreviated as MGB, was a ministry of the Soviet Union from 1946 to 1953 which functioned as the country's secret police. The ministry inherited the intelligence and state security responsibilities of the People's Commissariat for Internal Affairs (NKVD) and People's Commissariat for State Security (NKGB). The MGB was led by Viktor Abakumov from 1946 to 1951, then by Semyon Ignatiev until Stalin's death in 1953, upon which it was merged into an enlarged Ministry of Internal Affairs (MVD).
Spy-fi is a subgenre of spy fiction that includes elements of science fiction, and is often associated with the Cold War. Features of spy-fi include the effects of technology on the espionage trade and the technological gadgets used by the characters, even though the technologies and gadgets portrayed are well beyond contemporary scientific reality.
S.W.O.R.D. is a fictional counterterrorism and intelligence agency appearing in American comic books published by Marvel Comics. Its purpose is to deal with extraterrestrial threats to world security and is the space-based counterpart of S.H.I.E.L.D., which deals with local threats to the world.
Gabriel "Gabe" Jones is a fictional character appearing in American comic books published by Marvel Comics. Created by writer-editor Stan Lee and artist and co-plotter Jack Kirby, he made his first appearance in World War II war comics series Sgt. Fury and his Howling Commandos #1.
Clay Quartermain is a fictional character, a secret agent appearing in American comic books published by Marvel Comics.
Jasper Sitwell is a fictional character, an espionage agent appearing in American comic books published by Marvel Comics.
S.T.R.I.K.E., an acronym for Special Tactical Reserve for International Key Emergencies, is a fictional counter-terrorism and intelligence agency appearing in American comic books published by Marvel Comics. The organization often deals with superhuman threats, and was introduced in Captain Britain Weekly #17 as the United Kingdom's counterpart to the United States' anti-terrorism agency S.H.I.E.L.D.
MI-13, sometimes written MI13 or MI: 13, is a fictional British intelligence agency appearing in American comic books published by Marvel Comics. MI-13 is depicted as operating out of Portwell House in Whitehall. It was introduced in Excalibur #101, by Warren Ellis under the call sign "The Department" for ten years until New Excalibur #1 explicitly mentioned the term "MI13"; although invariably referred to as such, the agency's official name is the Extraordinary Intelligence Service (EIS).
S.H.I.E.L.D. is a fictional espionage, special law enforcement, and counter-terrorism government agency appearing in American comic books published by Marvel Comics. Created by Stan Lee and Jack Kirby, this agency first appeared in Strange Tales #135, and often deals with paranormal activity and superhuman threats to international security.
Nicholas Joseph "Nick" Fury Jr. is a fictional character appearing in American comic books published by Marvel Comics. He is a son and successor of former U.S. Army hero/super-spy and the intelligence agency S.H.I.E.L.D. director Nick Fury. The character first appeared in Battle Scars #1, which was written by Matt Fraction, Chris Yost, and Cullen Bunn, and penciled by Scot Eaton.
"Nick Fury, Agent of S.H.I.E.L.D." is a feature that was in the comics anthology Strange Tales which began in 1965 and lasted until 1968. It introduced the fictional spy agency S.H.I.E.L.D. into the Marvel Comics world and reintroduced the character of Nick Fury as an older character from his concurrently-running series Sgt. Fury and his Howling Commandos, which was a series set during World War II. The feature replaced the previously running Human Torch feature in the book and ran alongside the Doctor Strange feature. After the feature ended, a comic book series was published which has had several volumes as well as a comic strip. The feature was originally created by the duo of Stan Lee and Jack Kirby who also created the original Sgt. Fury series but it was later taken over by artist and writer Jim Steranko. The feature was often censored by the Comics Code Authority due to Jim Steranko's provocative art; this art helped change the landscape of comics which Steranko continued with in the 1968 ongoing series. Much of Nick Fury's supporting cast originated in the feature and many of the devices used by these characters were often used in other comics published by Marvel.