This is a list of motion picture films. Those films known to be no longer available have been marked "(discontinued)". This article includes color and black-and-white negative films, reversal camera films, intermediate stocks, and print stocks.
3M no longer manufactures motion picture film.
Note: 1973 is first and last appearance in American Cinematographer Manual (4th edition).
Although a very early pioneer in trichromatic color film (as early as 1908), invented by German chemists Rudolf Fischer and Benno Homolka , Agfa film was first made commercially available in 1936 (16 mm reversal and 35 mm), [2] Agfa-Gevaert has discontinued their line of motion picture camera films. Agfa Wittner-Chrome, Aviphot-Chrome or Agfachrome reversal stocks (rated at 200 ISO, made from Wittner-Chrome 35mm still film) are available in 16mm and 8mm from Wittner-Cinetec in Germany or Spectra Film and Video in the United States. The Agfa label was also used in widely produced East German film stocks based on Agfa patents before the introduction of ORWO in 1964.
Note: 1993 is the last appearance of Agfa film stocks in the American Cinematographer Manual (seventh edition).
DuPont no longer manufactures film. It first entered the 35mm motion picture market in 1926. [3] [4]
The list below is of film stocks in use in 1956; the "B" designation was for 35mm, "A" was 16mm. [5]
The list below is from 1960; "A" was 16mm, "B" was 35mm. [6]
The list below is from 1966; "A" was 16mm, "B" was 35mm. [7]
The 1969 list is identical to 1966. [8] 1969 is the last appearance of DuPont motion picture film stocks in the American Cinematographer Manual.
The list below is from 1970; "A" was 16mm, "B" was 35mm. [9] Films marked with ‡ could also be processed as a negative film stock
Filmotec/ORWO is German company in the tradition of Agfa, manufacturing black-and-white materials. The brand ORWO stands for Original Wolfen.
Fujifilm stopped production of all motion picture film stocks on March 31, 2013. [11] For negative stocks, "85" prefix designates 35 mm, "86" prefix designates 16 mm stock. Stock numbers ending in a "2" are Fuji's Super-F emulsions (1990s) and the stocks ending in "3" are the new Eterna emulsions. [12]
Also, Eterna Vivid series negatives' last second suffix as "4", and the ending suffix as different "E.I.".
For intermediate stocks, as negatives', adding "45" prefix designates 35 mm in polyester (PET) base, and "87" prefix designates 65/70 mm.
For positive and print stocks, "35" indicates 35 mm print film, and "36" indicates 16 mm print film.
Fuji also introduced their Reala film, a color stock with a fourth color emulsion layer, which is also the fastest daylight balanced color motion picture stock ever offered at 500 ISO.
As of March 2013, Fuji had ceased production of all motion picture film. [13]
Containing a fourth color layer, Reala is nominally considered a part of the Super-F series. Its analogue in the stills market is Superia Reala.
GAF/Ansco no longer manufactures film.
The list below is of 35mm film stocks in use in 1956. [18]
In films from 1950 on, the first two digits (the prefix) of the four-digit emulsion number identify the gauge and base of film: [19] | |||||||||||||||||||||||||
|
| ||||||||||||||||||||||||
A "T" suffix designates a tungsten (3200K) balanced negative and a "D" suffix designates a daylight (5600K) negative. The number preceding this is the film's exposure index as determined by Kodak (it is not ISO speed). |
Number | Name | Introduced | Discontinued |
---|---|---|---|
Cine Negative Film, Type E, orthochromatic | 1916 | 1930 | |
1201 | Cine Negative Film, Type F, orthochromatic | 1917 | 1930 |
Super Speed Cine Negative Film, orthochromatic | 1922 | 1930 | |
1203 | Kodak Panchromatic Cine Film Type I | 1922 | 1941 |
1218 | Type II Cine Negative Panchromatic Films | 1928 | 19?? |
Type III Cine Negative Panchromatic Films | 1928 | 19?? | |
1210 | Panchromatic K, infrared [20] | 1928 | 19?? |
1217 | Super-Sensitive Cine Negative Panchromatic | 1931 | 19?? |
1227 | Eastman Super-X | 1935 | 1938 |
1230 | Eastman Background-X | 1938 | 1956 (5230 Safety) |
1231 | Eastman Plus-X | 1938 | 19?? (5231 Safety) |
1232 | Eastman Super-XX | 1938 | 19?? (5323 Safety) |
Super-XX reversal film, panchromatic | 1938 | 1958 | |
Kodacolor 16 mm | 1928 | 19?? |
Introduced/Discontinued? | ||||
---|---|---|---|---|
Number | Name | Intro. | Disc.? | Notes |
1302 | Eastman Fine Grain Release Positive | 1941 | 1950 | Black-and-white, nitrate-base. Replaced by 5302. [21] |
5302/7302 | Eastman Fine Grain Release Positive | 1950 | 2015 | Replaced 1302. |
5381 | Eastman Color Print | 1950 | 1953 | Replaced by 5382. [22] Process ECP, 45 minute wet time. [23] Not the same as 1972 film. |
5382 | Eastman Color Print | 1952 | 1966 | Replaced 5381 ("Better definition"), replaced by 5385. [22] |
7282 | Eastman Color Print | 1952 | 1961 | Replaced by 7383. |
7303 | Eastman Fine Grain Release Positive | 1960 | 1962 | "16mm only. Better image structure than 7302." [24] |
5385/7385 | Eastman Color Print | 1962 | 1972 | Replaced 5382 and 7383. "Improved definition and speed". [24] Process ECP, wet time reduced to 28 min. in 1966, and 20 min. in 1967. [23] Not the same as 1993 film. |
7381 | Eastman Color Print (super 8 only) | 1970 | 19?? | Replaced 7380. [24] |
7381 | Eastman Color Print (16 mm) | 1971 | Jan. 1982 | Replaced 7385. [24] |
5381 | Eastman Color Print | 1972 | Jan. 1982 | Replaced 5385 "for 35mm end use". [24] Not the same as 1950 film. |
Number | Name | Intro. | Disc.? | Notes |
5383/7383 | Eastman Color SP Print | 1974 | 1983 | Process ECP-2. Similar quality to 5381/7381. [24] "Short Process" [25] (10-minute wet time [23] ) |
5738/7738 | Eastman Color SP Low Contrast Print | 1977 | c.1983 | Process ECP-2. [24] |
7378 | Eastman Color LF print | 1978 | 1982 | Process ECP. "Improved cyan dye dark-keeping stability" [23] [26] |
7379 | Eastman Color LFSP print | 1978 | 1983 [24] | Process ECP-2 counterpart of 7379 [23] [26] |
5384/7384 | Eastman Color Print | 1982 | 19?? | Replaced 5381/7381, 5383/7283, 7378, 7379. So-called low-fade "LPP." Brought "improved cyan dye dark-keeping" and ECP-2 from 7379, and "reduced sensitivity to process variations" introducing process ECP-2A (persulfate bleach replaced ferricyanide bleach, and bromide concentration was increased). Modified in 1998 for ECP-2B (eliminating formalin). [23] [27] |
5380/7380 | Eastman Color LC Print | 1983 | c.1993 | Replaced 5738/7738. "Low contrast for video transfers." [27] Process ECP-2A, dye stability, and reduced process sensitivity from 5384 [28] |
5385/7385 | Eastman Color LC Print | 1993 | 19?? | Replaced 5380/7380. [27] Not the same as 1962–1972 film. |
5386/7386 | Eastman EXR Color Print | 1993 | c.2002 | Replaced 5384/7384 [27] |
2386/3386 | Eastman EXR Color Print | 1994 [29] | c.1999 | ESTAR-base version of 5386, with rem-jet backing. |
SO-886 | Special Order 886 | 1997 | 1998? | ESTAR-base. Antistatic layer. [25] |
Number | Name | Intro. | Disc.? | Notes |
2383/3383 | Vision Color Print | 1998 | no | Replaced 5386. [27] ESTAR-base; processes ECP-2D and ECP-2E, no rem-jet backing. (Process ECP-2E removes soundtrack redeveloper and the "first fixer"; it is suitable for cyan-dye soundtrack prints) |
2393 | Vision Premier Color Print | 1998 | 2015 | [27] ESTAR-base; processes ECP-2D and ECP-2E. Higher density blacks than 2383. |
2395 | Vision Color Teleprint | c.1999 | 2010 | Low-contrast prints [30] |
2302 | Black-and-white Print | c.1999 | no | Complements 5302. Process D97. [31] |
Number | Name | Intro. | Disc.? | Notes |
Introduced/Discontinued? | ||||
---|---|---|---|---|
Number | Name | Intro. | Disc.? | Notes |
5234/7234 | Eastman Fine Grain Duplicating Panchromatic Negative film | 1958 | 2017 | [22] |
2234/3234 | Eastman Fine Grain Duplicating Panchromatic Negative film | 1958 | no | ESTAR-based version of 5234. |
5235 | Eastman Panchromatic film | unknown | 1998 | 35 and 70 mm only. |
7361 | Eastman Reversal BW Print Film | 1962 | unknown, but disc. | 16 mm only, Black-and White. [24] |
5249/7249 | Eastman Color Reversal Intermediate film | 1968 | unknown, but disc. | Process CRI-1. [24] |
5360/7360 | Eastman Direct MP Film | 1968 | unknown, but disc. | [24] |
Number | Name | Intro. | Disc.? | Notes |
5369 | Eastman High Contrast Panchromatic Film | unknown | 2011 | 35 and 70 mm only. |
2369/3369 | Eastman High Contrast Panchromatic Film | unknown | 2011 | ESTAR-based version of 5369. Also provided 16 mm. |
5272/7272 | Eastman Color Internegative II Film | 1980 | 2014 | Process ECN-2. Replaced 5271/7271. [27] |
5243 | Eastman Color Intermediate Film | 1976 | unknown, but disc. | Introduced in 1976, [24] improved in 1986 [27] |
5244/7244 | Eastman Color Intermediate Film | 1992 | unknown, but disc. | Replaced 5243/7243. [27] |
2244 | Eastman Color Intermediate Film | 1992 | unknown, but disc. | ESTAR-based version of 5244. |
Number | Name | Intro. | Disc.? | Notes |
5363/7363 | Eastman High Contrast Black/White Positive Film | c. 1999 | no | Used for title production |
5366/7366 | Eastman Fine Grain Duplicating Positive Film | c. 1999 | no | |
2374 | Kodak Panchromatic Sound Recording Film | c. 1999 | no | ESTAR-based and 35 mm only. For optical soundtrack recording use. |
2378E/3378E | Eastman EXR Sound Recording Film | c. 1999 | no | ESTAR-based only. For optical soundtrack recording use. |
2238 | Kodak Panchromatic Separation Film | c. 1999 | 2023 [32] | ESTAR-based version and 35 mm only too. |
5242/7242 | Kodak Vision Color Intermediate Film | c. 1998 | no | Process ECN-2. |
2242/3242 | Kodak Vision Color Intermediate Film | c. 1998 | no | ESTAR-based version of 5242. Process ECN-2. |
Number | Name | Intro. | Disc.? | Notes |
5254/2254 | Kodak Vision3 Color Digital Intermediate Film | 2010 | no | Recording film. |
2332 | Kodak Color Asset Protection Film | 2012 | 2014 | Recording film. ESTAR-based. Optimized for productions that originate or are finished digitally. |
2237 | Kodak Vision3 Digital Separation Film | 2012 | no | Black-and-white recording film. ESTAR-based. Intended for making archival separations from color digital masters. |
Ilford specialises in B&W films and, until 2003, produced motion picture versions of their photographic films for 16mm and 35mm cameras.
(As used in Hollywood, 1960s) [34] [35] [36]
Note: 1973 is last appearance in American Cinematographer Manual (fourth edition).
Slavich is a Russian film manufacturer. They no longer produce motion picture film but do still produce photographic emulsion paper.
Svema was a Soviet/Ukrainian film manufacturer.
OCH 50 and OCH 200: Products of TASMA company
Tasma is a Russian company (Russian : Тасма), located in the Russian Republic of Tatarstan
Film stock is an analog medium that is used for recording motion pictures or animation. It is recorded on by a movie camera, developed, edited, and projected onto a screen using a movie projector. It is a strip or sheet of transparent plastic film base coated on one side with a gelatin emulsion containing microscopically small light-sensitive silver halide crystals. The sizes and other characteristics of the crystals determine the sensitivity, contrast and resolution of the film. The emulsion will gradually darken if left exposed to light, but the process is too slow and incomplete to be of any practical use. Instead, a very short exposure to the image formed by a camera lens is used to produce only a very slight chemical change, proportional to the amount of light absorbed by each crystal. This creates an invisible latent image in the emulsion, which can be chemically developed into a visible photograph. In addition to visible light, all films are sensitive to X-rays and high-energy particles. Most are at least slightly sensitive to invisible ultraviolet (UV) light. Some special-purpose films are sensitive into the infrared (IR) region of the spectrum.
Keykode is an Eastman Kodak Company advancement on edge numbers, which are letters, numbers and symbols placed at regular intervals along the edge of 35 mm and 16 mm film to allow for frame-by-frame specific identification. It was introduced in 1990.
35 mm film is a film gauge used in filmmaking, and the film standard. In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips 1.377 ± 0.001 inches (34.976 ± 0.025 mm) wide. The standard image exposure length on 35 mm for movies is four perforations per frame along both edges, which results in 16 frames per foot of film.
16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film ; other common film gauges include 8 mm and 35 mm. It is generally used for non-theatrical film-making, or for low-budget motion pictures. It also existed as a popular amateur or home movie-making format for several decades, alongside 8 mm film and later Super 8 film. Eastman Kodak released the first 16 mm "outfit" in 1923, consisting of a camera, projector, tripod, screen and splicer, for US$335. RCA-Victor introduced a 16 mm sound movie projector in 1932, and developed an optical sound-on-film 16 mm camera, released in 1935.
Super 8 mm film is a motion-picture film format released in 1965 by Eastman Kodak as an improvement over the older "Double" or "Regular" 8 mm home movie format.
ORWO is a registered trademark of the company ORWO Net GmbH, based in Wolfen and is also traditionally known for black-and-white film products, made in Germany and sold under the ORWO brand.
Kodachrome is the brand name for a color reversal film introduced by Eastman Kodak in 1935. It was one of the first successful color materials and was used for both cinematography and still photography. For many years, Kodachrome was widely used for professional color photography, especially for images intended for publication in print media.
In photography, reversal film or slide film is a type of photographic film that produces a positive image on a transparent base. Instead of negatives and prints, reversal film is processed to produce transparencies or diapositives. Reversal film is produced in various sizes, from 35 mm to roll film to 8×10 inch sheet film.
In infrared photography, the photographic film or image sensor used is sensitive to infrared light. The part of the spectrum used is referred to as near-infrared to distinguish it from far-infrared, which is the domain of thermal imaging. Wavelengths used for photography range from about 700 nm to about 900 nm. Film is usually sensitive to visible light too, so an infrared-passing filter is used; this lets infrared (IR) light pass through to the camera, but blocks all or most of the visible light spectrum; these filters thus look black (opaque) or deep red.
Ektachrome is a brand name owned by Kodak for a range of transparency, still and motion picture films previously available in many formats, including 35 mm and sheet sizes to 11 × 14 inch size. Ektachrome has a distinctive look that became familiar to many readers of National Geographic, which used it extensively for color photographs for decades in settings where Kodachrome was too slow. In terms of reciprocity characteristics, Ektachrome is stable at shutter speeds between ten seconds and 1/10,000 of a second.
Color motion picture film refers both to unexposed color photographic film in a format suitable for use in a motion picture camera, and to finished motion picture film, ready for use in a projector, which bears images in color.
Eastmancolor is a trade name used by Eastman Kodak for a number of related film and processing technologies associated with color motion picture production and referring to George Eastman, founder of Kodak.
A release print is a copy of a film that is provided to a movie theater for exhibition.
Analog photography, also known as film photography, is a term usually applied to photography that uses chemical processes to capture an image, typically on paper, film or a hard plate. These processes were the only methods available to photographers for more than a century prior to the invention of digital photography, which uses electronic sensors to record images to digital media. Analog electronic photography was sometimes used in the late 20th century but soon died out.
In still photography, Kodak's Kodacolor brand has been associated with various color negative films since 1942. Kodak claims that Kodacolor was "the world's first true color negative film". More accurately, it was the first color negative film intended for making paper prints: in 1939, Agfa had introduced a 35 mm Agfacolor negative film for use by the German motion picture industry, in which the negative was used only for making positive projection prints on 35 mm film. There have been several varieties of Kodacolor negative film, including Kodacolor-X, Kodacolor VR and Kodacolor Gold.
A film chain or film island is a television – professional video camera with one or more projectors aligned into the photographic lens of the camera. With two or more projectors a system of front-surface mirrors that can pop-up are used in a multiplexer. These mirrors switch different projectors into the camera lens. The camera could be fed live to air for broadcasting through a vision mixer or recorded to a VTR for post-production or later broadcast. In most TV use this has been replaced by a telecine.
Tri-X is a black and white photographic film produced by the Eastman Kodak Company. Since 2013, it is distributed by Kodak Alaris which controls the Kodak Professional product line under which it is grouped. The combination of hand-held cameras and high-speed Tri-X film was transformative for photojournalism and for cinema.
Fujicolor Pro was a line of professional color negative films from Japanese company Fujifilm introduced in 2004 for weddings, portraits, fashion and commercial photography. It originally comprised four emulsions: Pro 160S, Pro 160C, Pro 400H and Pro 800Z. Its main competitor was Kodak Portra.
´
www.pixpast.com for samples of original 35mm agfacolor film from 1936 to 1945.