Little John | |
---|---|
Birth name | John McMorris |
Born | 1970 (age 54–55) Kingston, Jamaica |
Origin | Kingston, Jamaica |
Genres | Reggae, Roots Reggae, Dub, Dancehall, Digital Reggae |
Occupation | Singer |
Years active | Late 1970s–present |
Website | www |
John McMorris (born 1970), better known as Little John, is a Jamaican dancehall musician best known for his 1980s recordings.
Born 1970 in Kingston, Jamaica, [1] Little John was so called as he began performing and recording at the age of nine. [2] He first recorded for Captain Sinbad's Youth in Progress label (including debut single "51 Storm"), and is regarded by some as the first dancehall singer, known for his ability to create lyrics over any backing track. Throughout the 1980s, he was backed by Roots Radics and Sly and Robbie, with frequent discomix vocal and dubwise production duties performed by Scientist. [2] After joining Sugar Minott's Youth Promotion organisation, he performed with sound systems such as Romantic Hi Fi, ( notably, also the name of Little John's own record label) Kilimanjaro, Gemini, and Henry "Junjo" Lawes' Volcano Hi Power. [2] [3] He recorded for many producers in the 1980s, notably for Lawes, Joseph Hoo Kim, George Phang, Jah Thomas and King Jammy, also gaining an audience amongst the followers of Jah Shaka sound system due to the popularity of the Dubplate discomix cuts of his spiritually conscious composition The More we are Together, also known as Praising his Majesty. [2]
Little John's distinctive vocal styling had a significant influence on the emerging digital reggae scene of the mid 1980s, an influence that extended into the early Ragga, Jungle Music and drum and bass scenes in London in the early to mid 1990s. He performed at Reggae Sumfest in 2010, where he paid tribute to Sugar Minott. In 2025, Little John oollected the rare digital roots reggae, ragga and dancehall discomix tunes from his own Romantic 45 record label onto a retrospective, comprehensive compilation entitled Various : In The Mood, Little John’s Romantic Label 1986-1990. The album features discomix versions of The Abyssinians' Declaration of Rights tune as well as showcase vocal performances from Frankie Paul, Early B and other foundation roots digital artists from the mid to late 1980s. [4]
Lincoln Barrington "Sugar" Minott was a Jamaican reggae and dancehall singer, record producer and sound-system operator.
Dennis Emmanuel Brown CD was a Jamaican reggae singer. During his prolific career, which began in the late 1960s when he was aged eleven, he recorded more than 75 albums and was one of the major stars of lovers rock, a subgenre of reggae. Bob Marley cited Brown as his favourite singer, dubbing him "The Crown Prince of Reggae", and Brown would prove influential on future generations of reggae singers.
Lloyd Woodrowe James, better known as Prince Jammy or King Jammy, is a Jamaican dub mixer, sound system owner and record producer. He began his musical career as a dub master at King Tubby's recording studio. His dubs are known for their clear sound and use of effects.
Heartbeat Records is an independent record label based in Burlington, Massachusetts. The label specializes in Jamaican music.
S. Frederick Small, better known as Daddy Freddy, is a Jamaican ragga vocalist.
Wayne Smith was a Jamaican reggae and dancehall musician best known for his 1985 hit "Under Me Sleng Teng", which is regarded as the track which initiated the digital era of reggae.
The Gladiators are a Jamaican roots reggae band, most popular during the 1970s. The core was Albert Griffiths, Clinton Fearon and Gallimore Sutherland. Their two most famous albums are Trenchtown Mix Up (1976) and Proverbial Reggae (1978) with songs such as "Hearsay", "Jah Works", "Dreadlocks the Time is Now". "Mix Up", "Music Makers from Jamaica", and "Soul Rebel" – a song written by The Wailers. Gladiators also cooperated with the toaster U-Roy.
Christopher MacFarlane, better known as Macka B, is a British-born Jamaican reggae artist, performer and activist with a career spanning thirty years and one of Britain's most influential dancehall DJs.
Joseph "Jo Jo" Hoo Kim was a Jamaican reggae record producer best known for his productions in the 1970s at his Channel One Studios.
Barry Brown was a Jamaican reggae singer, initially coming to prominence in the 1970s with his work with Bunny Lee, but remaining popular throughout his career.
Michael George Haynes, known professionally as Michael Prophet, was a Jamaican roots reggae singer known for his "crying" tenor vocal style, whose recording career began in 1977. Prophet was one of Jamaica’s most popular roots reggae singers and had several prominent hits during his 40-year career. After his death his family, together with Thomas Evers of Rockers Artist Agency, released the highly rated live album "live at plein les watts"
Johnny Ringo was a reggae/dancehall deejay active from the late 1970s to the early 1990s.
Patrick Andy is a reggae singer, whose stage name is a reference to his similarity to the older reggae singer Horace Andy.
Winston Anthony Morris, known professionally as Tony Tuff, was a Jamaican conscious roots reggae singer and a member of The African Brothers in the late 1960s and 1970s before embarking on a solo career.
Captain Sinbad was the deejay alter ego of Jamaican record producer Carl Dwyer.
Michael Palmer, also known as Palma Dog, is a Jamaican reggae musician who released several albums in the 1980s.
Norman Washington Jackson, better known as Tiger, is a Jamaican dancehall musician active since the late 1970s. He is known for his growling style of deejaying, often imitated by other dancehall deejays since his initial rise to fame.
Frankie Jones, also known as Jah Frankie Jones, is a Jamaican reggae singer best known for his recordings of the late 1970s and 1980s.
Maxwell Grant, better known as Ranking Trevor and sometimes as Ranking Superstar, was a Jamaican reggae deejay.
Berris Simpson, better known as Prince Hammer, is a Jamaican reggae deejay, singer, and record producer.