Live at Cafe Montmartre 1966 | |
---|---|
Live album by | |
Released | 2007, 2008, and 2009 |
Recorded | March 1966 |
Venue | Cafe Montmartre, Copenhagen, Denmark |
Genre | Free jazz |
Label | ESP-Disk ESP 4032 ESP 4043 ESP 4051 |
Live at Cafe Montmartre 1966, Volumes 1, 2, and 3, is a trio of live albums by trumpeter Don Cherry. The albums were recorded in March 1966 at the Cafe Montmartre in Copenhagen, Denmark, and were released by ESP-Disk in 2007 (Volume 1), 2008 (Volume 2), and 2009 (Volume 3). On the recordings, Cherry is joined by saxophonist Gato Barbieri, vibraphonist Karl Berger, bassist Bo Stief, and drummer Aldo Romano. Volume 1 is accompanied by a bonus DVD sampler featuring a variety of the label's artists. [1] [2] [3] [4] [5] [6]
Barbieri, Berger, Romano, and bassist Jean-François Jenny-Clark were members of Cherry's first quintet, founded in Paris in 1964. [7] Berger recalled: "For the first time in my experience there was a kind of music with absolutely no problems; there was no need to talk about style... since we spoke different languages, it was hardly possible to communicate verbally... Everything we later played evolved collectively." [7] In early 1965, they recorded the live album Togetherness , later reissued as Gato Barbieri & Don Cherry. [8] At the end of that year, Cherry and Barbieri traveled to New York, where they recorded Complete Communion with bassist Henry Grimes and drummer Ed Blackwell. [9] Cherry and Barbieri then returned to Europe, where they reunited with the other members of the group. Live at Cafe Montmartre 1966 was recorded during a month-long engagement at Copenhagen's Cafe Montmartre, with house bassist Bo Stief substituting for Jenny-Clark, who was unavailable. [10]
All three volumes feature performances of Cherry's composition "Complete Communion", previously recorded on the album of the same name. The tracks titled "Free Improvisation: Music Now" and "Remembrance" contain some themes that would be incorporated into Cherry's 1967 album Symphony for Improvisers , recorded in September 1966. [11] [12]
Review scores | |
---|---|
Source | Rating |
AllMusic: Volume 1 | [11] |
AllMusic: Volume 2 | [13] |
The Penguin Guide to Jazz : Volume 1 | [14] |
The Penguin Guide to Jazz: Volume 2 | [14] |
DownBeat : Volume 2 | [12] |
Tom Hull – on the Web: Volume 1 | B+ [15] |
Tom Hull – on the Web: Volume 2 | B [15] |
All About Jazz : Volume 1 | [16] |
All About Jazz: Volume 2 | [17] |
All About Jazz: Volume 2 | [18] |
In a review of Volume 1 for AllMusic, Ken Dryden wrote: "Although there are plenty of wild moments, much of the music proves rather accessible to those not usually enamored with avant-garde jazz." [11] Arwulf arwulf, reviewing Volume 2, stated: "This joyously free yet well organized modern music is to some extent an outgrowth of Cherry's early experiences with Ornette Coleman but is much more directly inspired by the imaginative principles and grandly expressive behavior of Albert Ayler... Live at Cafe Montmartre 1966, Vol. 2 qualifies as essential listening for all who love and revere the legacies of Albert Ayler and his good friend Don Cherry." [13]
The authors of the Penguin Guide to Jazz Recordings called Volume 1 "a valuable documentation of how the touring group sounded after Complete Communion," and noted that "it's Barbieri who steals the honours." [19]
Chris Kelsey of Jazz Times commented: "this is proof enough that by 1966 free-jazz was certainly a worldwide phenomenon... The playing is consistently exquisite, with Cherry in top form and Barbieri reminding us just how burning a free player he once was. This is music that matters, and is highly recommended." [20]
Writing for All About Jazz , Clifford Allen remarked: "this music is but one snapshot of a continually evolving group music, and one which did not end after the dissolution of this quintet. Cherry's music affirms unity among cultures and their art, and gets to the heart of music's ability to communicate the most basic of human feelings." [21] In a separate review for AAJ, Jeff Stockton called the album "just one marvelous, essential stop in the musical journey of this one-of-a-kind jazz griot," and noted that "the band is tight and well-rehearsed." [16] AAJ's Henry Smith stated: "The unit plays with the rare ease afforded them by their lengthy booking, making the album one of great importance in Cherry's catalog. That the recordings sound as lively today as they did when they were made is testament to the strength of Cherry's musical character and his accomplices' sympathetic musicianship." [17] Jerry D'Souza noted: "Cherry was an adventurer and his band serves him well... It has been over 40 years since the performance and it has not lost its impact. [18]
Composed by Don Cherry.
Albert Ayler was an American avant-garde jazz saxophonist, singer and composer.
Donald Eugene Cherry was an American jazz trumpeter. Beginning in the late 1950s, Cherry had a long tenure performing in the bands of saxophonist Ornette Coleman, as on the pioneering free jazz albums The Shape of Jazz to Come (1959) and Free Jazz: A Collective Improvisation (1960). He also collaborated separately with musicians such as John Coltrane, Charlie Haden, Sun Ra, Ed Blackwell, the New York Contemporary Five, and Albert Ayler.
James Marcellus Arthur "Sunny" Murray was an American musician, and was one of the pioneers of the free jazz style of drumming.
Henry Grimes was an American jazz double bassist and violinist.
Karl Hans Berger was a German-American jazz pianist, vibraphonist, composer, and educator. He was a leading figure in jazz improvisation from the 1960s when he settled in the United States for life. He founded the educational Creative Music Studio in Woodstock, New York, in 1972 with his wife and Ornette Coleman, to encourage international students to pursue their own ideas about music.
Bo Stief is a Danish jazz and rock bassist, composer, and arranger born in Copenhagen.
Roswell Hopkins Rudd Jr. was an American jazz trombonist and composer.
Leandro "Gato" Barbieri was an Argentine jazz tenor saxophonist who rose to fame during the free jazz movement in the 1960s and is known for his Latin jazz recordings of the 1970s. His nickname, Gato, is Spanish for "cat".
Nefertiti, the Beautiful One Has Come is an album by the Cecil Taylor Unit, recorded live at the Café Montmartre in Copenhagen, Denmark on November 23, 1962. This concert is nearly all he recorded from 1962 to 1966.
Spiritual Unity is a studio album by American free jazz saxophonist Albert Ayler. It was recorded on July 10, 1964 in New York City, and features bassist Gary Peacock and drummer Sunny Murray. It was the first album recorded for Bernard Stollman's ESP-Disk label, and it brought Ayler to international attention as it was so "shockingly different". At the same time, it transformed ESP-DISK into "a major source for avant-garde jazz". A 5-star review in AllMusic called it a "landmark recording that's essential to any basic understanding of free jazz", "the album that pushed Albert Ayler to the forefront of jazz's avant-garde... really the first available document of Ayler's music that matched him with a group of truly sympathetic musicians", and stated that "the results are a magnificently pure distillation of his aesthetic."
New York Eye and Ear Control is an album of group improvisations recorded in July 1964 by an augmented version of Albert Ayler's group to provide the soundtrack for Michael Snow's film of the same name.
Norris Jones, better known as Sirone was an American jazz bassist, trombonist, and composer.
Complete Communion is a 1966 album by American jazz composer Don Cherry, his debut as a bandleader and his first release on Blue Note Records.
Symphony for Improvisers is an album by American jazz trumpeter Don Cherry, released by Blue Note Records in August 1967. It features Gato Barbieri, Henry Grimes, and Ed Blackwell, all of whom appeared on Cherry's previous album Complete Communion, along with Karl Berger, Jean-François Jenny-Clark, and Pharoah Sanders. Symphony for Improvisers was recorded in 1966. The front cover photograph was taken at New York Public Library for the Performing Arts, Upper West Side, New York City.
This is the discography of the American ESP-Disk record label, ordered by ID number of each musical album.
The Hilversum Session is an album by American free jazz saxophonist Albert Ayler recorded at a radio studio in Hilversum, The Netherlands on November 9, 1964 and first released in 1980 on the now-defunct Dutch Osmosis label. It was later re-released on DIW, Coppens, ESP, and Modern Silence. In 2016, the tracks that appeared on The Hilversum Session were re-released by hatOLOGY on the European Radio Studio Recordings 1964.
The Copenhagen Tapes is an album by American free jazz saxophonist Albert Ayler consisting of six tracks recorded live at the Club Montmartre in Copenhagen, Denmark on September 3, 1964 plus three tracks recorded in a studio by Danish Radio in Copenhagen on September 10 of the same year. The album was released in 2002 by Ayler Records. The live tracks were also included on disc two of the 2004 compilation album Holy Ghost released by Revenant Records, and were also reissued in 2017 on Copenhagen Live 1964, released by hatOLOGY. In 2016, the three studio tracks were included in the album European Radio Studio Recordings 1964 released by hatOLOGY.
Togetherness is a live album by trumpeter Don Cherry. It was recorded in the spring and summer of 1965 in Paris, France, and was released on LP in 1966 by Durium Records. On the album, which features a five-movement composition titled "Togetherness," Cherry is joined by saxophonist Gato Barbieri, vibraphonist Karl Berger, bassist Jean-François Jenny-Clark, and drummer Aldo Romano. In 1976, the album was reissued by Inner City Records with the title Gato Barbieri & Don Cherry.
In Search of the Mystery is the debut album by saxophonist Gato Barbieri. It was recorded in New York City on March 15, 1967, and was released later that year by ESP-Disk. On the album, Barbieri is joined by cellist Calo Scott, bassist Norris Jones, and drummer Bobby Kapp.
Norman Howard is a free jazz trumpeter best known for his association with saxophonist Albert Ayler.