Live at the Black Musicians' Conference, 1981 | ||||
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Live album by | ||||
Released | 2018 | |||
Recorded | April 10, 1981 | |||
Venue | Black Musicians' Conference, University of Massachusetts Amherst, Massachusetts | |||
Genre | Free jazz | |||
Label | NoBusiness NBCD 109 | |||
Producer | Danas Mikailionis, Valerij Anosov | |||
Marion Brown and Dave Burrell chronology | ||||
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Live at the Black Musicians' Conference, 1981 is a live album by saxophonist Marion Brown and pianist Dave Burrell. It was recorded on April 10, 1981, at the Black Musicians' Conference at University of Massachusetts Amherst, Massachusetts, and was released in 2018 by NoBusiness Records. The album features two compositions by Brown, three by Burrell, and two by Billy Strayhorn. [1] [2] [3]
Review scores | |
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Source | Rating |
All About Jazz | [4] |
All About Jazz | [5] |
All About Jazz | [6] |
DownBeat | [7] |
The Free Jazz Collective | [8] |
Tom Hull – on the Web | A− [9] |
In a review for All About Jazz , Mark Corroto called the album "a time capsule sent to the future (now) to awaken adventurous listeners to music's rich history," and wrote: "The theme constant here is a musical gentleness... Even though both of these musicians had their sound forged in the 1960's New York free jazz fires, this reunion opted for a suspension of hostilities." [4] AAJ's John Sharpe described the album as "a jewel from the archives," and stated: "Although boasting serious fire-music credentials, you wouldn't know it from the tuneful, often swinging, blues-inflected interpretations." [5]
Kian Banihashemi of The Free Jazz Collective commented: "The interplay between them is strong, yet kind and gentle. Brown and Burrell show a definite sense of respect and restraint around each other; their decades of working together accumulate here to create something truly wholesome and gorgeous." [8]
Dusted Magazine's Derek Taylor praised the track titled "Punaluu Peter," noting that it "features them both apart and at their most telepathically synergistic," and remarking: "The divisions where one begins and the other ends effectively blur in spots to point where the overlay of active intellects feels almost seamless." [10]
Writing for The New York City Jazz Record , Pierre Crépon and Parker Fishel stated: "Having explored the outer edges of experimentation, the musicians find themselves applying lessons learned to earlier jazz forms and improvisatory structures: there is no real difference between a free piece like 'Fortunato' or a standard like 'Lush Life'." [11]
In an article for JazzWord, Ken Waxman noted Brown's "slurry, speech-like textures," commenting: "He masticates various timbres, sucking the sweetness or tartness from them." Waxman also suggested that "like a fine wine's vintage, Burrell's playing has improved and intensified as he gets older." [12]
A writer for the Morning Star remarked: "On the final track... the melody sounds as pristine as if these two masters are reinventing it, so moving and authentic does it resonate." [13]
William Thomas Strayhorn was an American jazz composer, pianist, lyricist, and arranger who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include "Take the 'A' Train," "Chelsea Bridge," "A Flower Is a Lovesome Thing," and "Lush Life".
"Take the 'A' Train" is a jazz standard by Billy Strayhorn that was the signature tune of the Duke Ellington orchestra.
Herman Davis "Dave" Burrell is an American jazz pianist. He has played with many jazz musicians including Archie Shepp, Pharoah Sanders, Marion Brown and David Murray.
Johnny O'Neal is an American neo-bop jazz pianist and vocalist. His playing ranges from the technically virtuosic to the tenderest of ballad interpretations. Though unique in style, he is influenced by many jazz elders, including Oscar Peterson and Art Tatum. He has led many recording dates with musicians such as Russell Malone and many others. He was a 1997 inductee of the Alabama Jazz Hall of Fame.
Dave Burrell Plays Ellington & Monk is a studio album released by jazz pianist Dave Burrell. It was first released by Denon Records on April 2, 1978. All of the songs on the album were originally written by Duke Ellington, Ellington's partner Billy Strayhorn, or Thelonious Monk.
Lush Life is a studio album released by jazz pianist Dave Burrell. It was first released by Denon Records on April 2, 1978.
Lush Life may refer to:
Windward Passages is a live album by jazz pianist Dave Burrell that is considered "a widely acclaimed jazz-opera." It was recorded on September 13, 1979 in Sweden and released by hatART Records in 1980 on double-LP. hatART released the album again on LP in 1986 and then on CD in 1994.
In Concert is a live album released by jazz pianist Dave Burrell. It was recorded at the Victoriaville Festival in Quebec, Canada and released that same year on October 21, 1991, by Victo Records. The album features Burrell's long-time jazz collaborator David Murray on reed instruments. According to the AllMusic review, "their influence is profound and wide-reaching" on this album.
Margy Pargy is a studio album released by jazz pianist Dave Burrell. It was released on March 9, 2005, by Splasc Records. It is a solo album and, in contrast, a week later the album After Love was released, which featured collaborations with such jazz greats as Roscoe Mitchell, Don Moye and Ron Miller. The Penguin Guide to Jazz described it as "A quality solo set [...] The best things are standards, including a long, troublous 'Lush Life'."
Lush Life: The Music of Billy Strayhorn is an album by the jazz saxophonist Joe Henderson. Composed of songs written by Billy Strayhorn, the album was a critical and commercial success, leading to the first of three Grammy Awards Henderson would receive while under contract with Verve Records. The album had sold nearly 90,000 copies at the time of Henderson's death in 2001 and has been re-released by Verve, Polygram, and in hybrid SACD format by Universal. Musicians on the album are trumpeter Wynton Marsalis, pianist Stephen Scott, bassist Christian McBride and drummer Gregory Hutchinson.
"Chelsea Bridge" (1941) is an impressionistic jazz standard composed by Billy Strayhorn.
James Williams was an American jazz pianist.
Montreux One is a live album by jazz saxophonist Archie Shepp recorded at the Montreux Jazz Festival in 1975 and released on the Arista Freedom label.
"Isfahan" is a jazz piece credited to Billy Strayhorn and Duke Ellington and released on Ellington's 1967 album The Far East Suite; Isfahan is a city in Iran. It features long-time Ellington soloist Johnny Hodges on alto saxophone. It was originally called Elf when Strayhorn composed it, months before the 1963 Ellington orchestra world tour during which the group traveled to Iran.
Something to Live For: A Billy Strayhorn Songbook is an album by the pianist John Hicks, recorded in 1997 and released on the HighNote label. The album contains ten compositions by Billy Strayhorn, along with two by Hicks.
Lover Man is an album by saxophonist Archie Shepp's Quartet with vocalist Annette Lowman which was recorded in Holland in 1988 and released on the Timeless label the following year.
Generation is a live album by guitarist Kenny Burrell and the Jazz Guitar Band recorded at the Village Vanguard in New York in 1986 and released on the relaunched Blue Note label.
Live is a live album by the cooperative jazz ensemble known as The Group, featuring saxophonist Marion Brown, trumpeter Ahmed Abdullah, violinist Billy Bang, bassists Sirone and Fred Hopkins, and drummer Andrew Cyrille. The band's sole release, it was recorded on September 13, 1986, at the Jazz Center of New York in New York City, and was issued on LP and CD by NoBusiness Records in 2012, over 25 years after the concert.
Shed Grace is the second album by the collaborative free jazz trio Sticks and Stones, featuring saxophonist Matana Roberts, double bassist Josh Abrams, and drummer Chad Taylor. It was recorded during 2003, with no overdubs or edits, at Semaphore Recording in Chicago, Illinois, and was released in 2004 by the Thrill Jockey label. The music consists of original compositions by each player, plus three covers.