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| Live at the International, Las Vegas | ||||
|---|---|---|---|---|
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| Live album by | ||||
| Released | 1970 | |||
| Venue | International Hotel Lounge, Las Vegas, Nevada | |||
| Genre | Country, rock | |||
| Label | Mercury | |||
| Producer | Jerry Kennedy | |||
| Jerry Lee Lewis chronology | ||||
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| Review scores | |
|---|---|
| Source | Rating |
| Christgau's Record Guide | B [1] |
Live at the International, Las Vegas is a live album by Jerry Lee Lewis that was released on Mercury Records in 1970.
After a full decade in a commercial abyss, by 1970 Jerry Lee Lewis was one of the hottest country stars in the business after hit singles like "What's Made Milwaukee Famous (Has Made a Loser Out of Me)" and "She Still Comes Around (To Love What's Left of Me)" had rocketed up the charts. With his albums selling again, he appeared in front of 25,000 fans at the Toronto Peace Festival in 1969 and later that year performed on his own television special called The Many Sounds of Jerry Lee Lewis. In early 1970, he appeared on The Johnny Cash Show and, with his profile higher than it had been since his Sun Records days, was invited to play the International Hotel in Las Vegas. Befitting his new role as a honky-tonk balladeer, Lewis kept it mostly country, performing his recent hits and other songs made famous by Bob Wills, Hank Williams, and Tom T. Hall. The album would be another hit for Lewis, rising to number 5 on the Billboard country albums chart.
Lewis played Vegas at the same time as Elvis Presley, who was enjoying his own comeback around this time. According to Rick Bragg's authorized biography Jerry Lee Lewis: His Own Story, in 1969 Presley tracked Jerry Lee down at a hotel in Columbus, Ohio and invited him to see his show at the International, an invitation Lewis accepted. According to Lewis guitarist Kenny Lovelace, when Presley introduced Lewis during the show, the audience gave him a standing ovation. The next year, Lewis would be playing the International with his own band while Elvis played in the main room. "I was playin' in the lounge," he recounts to Bragg. "I mean, the lounge was as big...It was as large as this whole house. Just the lounge. I mean, the main room would seat, like, three thousand people. And the room I was in would seat, like, twenty-five hundred. I was hittin' Elvis tit for tat on that." Lewis added that he was largely unimpressed by Presley's show: "He had an enlarged band, with horns and violins, stuff like that, and I don't think it ever come off that good. He was tryin' to prove somethin' that really didn't need provin'." In the 1982 book Hellfire , biographer Nick Tosches reports of an alleged exchange between the two at the time, with Lewis telling Elvis, "You don't know what you're doin'. You're just Colonel Parker's puppet." "Well," Elvis replied, "if I'm so dumb and you're so smart, how is it that I'm playin' the main room and you're playin' the lounge?" [2]
Elvis Aaron Presley, often referred to mononymously as Elvis, was an American singer and actor. Known as the "King of Rock and Roll", he is regarded as one of the most significant cultural figures of the 20th century. Presley's energized interpretations of songs and sexually provocative performance style, combined with a singularly potent mix of influences across color lines during a transformative era in race relations, led him to both great success and initial controversy.
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The King of Rock 'n' Roll: The Complete 50's Masters is a five-disc box set compilation of the complete known studio master recordings by American singer and musician Elvis Presley during the decade of the 1950s. Issued in 1992 by RCA Records, catalog number 66050-2, it was soon followed by similar box sets covering Presley's musical output in the 1960s and 1970s. This set's initial long-box release included a set of collectible stamps duplicating the record jackets from every Presley LP on RCA Victor, every single that had a picture sleeve, and most of his EP releases. The set includes a booklet with an extensive session list and discography, and a lengthy essay by Peter Guralnick. It peaked at #159 on the album chart and was certified a gold record on August 7, 1992, by the RIAA. Further certifications were for platinum on November 20, 1992, and for double platinum on July 30, 2002.
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