Live on the Queen Mary | ||||
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Live album by | ||||
Released | 1978 | |||
Recorded | March 24, 1975 | |||
Genre | New Orleans rhythm and blues | |||
Label | Harvest | |||
Producer | Tom Wilson | |||
Professor Longhair chronology | ||||
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Live on the Queen Mary is an album by the American musician Professor Longhair, released in 1978. [1] [2] He was allegedly upset about its release, as he claimed not to know that his performance was recorded. [3]
The album is a favorite of Hugh Laurie, who, in tribute, filmed a special, Live on the Queen Mary, to promote his album Didn't It Rain . [4]
The album was produced by Tom Wilson. [5] It was recorded during a 1975 party aboard the RMS Queen Mary, hosted by Paul McCartney to mark the end of the recording sessions for Venus and Mars . [6] [7] [8] "Stagger Lee" is a version of the Lloyd Price song. [9] "I'm Movin' On" is a cover of the Hank Snow tune. [10] "Cry to Me" is a version of the song made famous by Solomon Burke. [11] "Gone So Long" and "Mess Around" are performed as instrumentals. [12] The liner notes are by John Broven, taken from his book Walking to New Orleans. [13]
Review scores | |
---|---|
Source | Rating |
AllMusic | [7] |
Robert Christgau | A− [14] |
The Minneapolis Star | [15] |
MusicHound Blues: The Essential Album Guide | [16] |
Omaha World-Herald | [17] |
The Rolling Stone Album Guide | [18] |
The Virgin Encyclopedia of R&B and Soul | [19] |
The Globe and Mail wrote that Professor Longhair "gives an outstanding piano performance (about the only sound that comes through clearly) and a vocal show which hints that on a better day he could tear the joint down." [20] In a subsequent article, the paper opined that Professor Longhair's piano playing is "originality tantamount to the first time Lester Young or Charlie Parker did the first funny thing on the saxophone." [21] The Liverpool Daily Post noted Professor Longhair's "curious squeaky voice" and "rough-edged city blues." [22] The Morning Call labeled Live on the Queen Mary "a minor classic." [23]
Newsday praised his "unique syncopation and earthy vocals." [24] The Daily Breeze called Professor Longhair "unquestionably one of the greatest talents ever to play a piano." [25] Robert Christgau praised the uncredited backing musicians. [14] The Kansas City Times opined that Professor Longhair's "voice is surprisingly melodious." [26] The New York Times deemed the album "rollicking, exuberant piano blues with an undercurrent of deep feeling." [27]
No. | Title | Length |
---|---|---|
1. | "Tell Me Pretty Baby" | |
2. | "Mess Around" | |
3. | "Everyday I Have the Blues" | |
4. | "Tipitina" | |
5. | "I'm Movin' On" | |
6. | "Mardi Gras in New Orleans" | |
7. | "Cry to Me" | |
8. | "Gone So Long" | |
9. | "Stagger Lee" |
Henry Roeland "Roy" Byrd, better known as Professor Longhair or "Fess" for short, was an American singer and pianist who performed New Orleans blues. He was active in two distinct periods, first in the heyday of early rhythm and blues and later in the resurgence of interest in traditional jazz after the founding of the New Orleans Jazz and Heritage Festival in 1970. His piano style has been described as "instantly recognizable, combining rumba, mambo, and calypso".
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"Tipitina" is a song written and made famous by Professor Longhair. The song has been widely covered and the Professor Longhair version was recorded in 1953 for Atlantic Records. "Tipitina" was first released in 1953. A previously unreleased alternate take was released on the album New Orleans Piano in 1972. Although the nature of his contributions are unknown, recording engineer Cosimo Matassa is listed as the song's co-writer along with Roy Byrd, Professor Longhair's legal name.
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