| Lockjaw | ||||
|---|---|---|---|---|
| | ||||
| Studio album by | ||||
| Released | August 29, 1995 [1] | |||
| Recorded | 1995 Fantasy Studios (Berkeley, California) | |||
| Genre | Ska punk, pop punk | |||
| Length | 40:52 | |||
| Label | (510) Records [2] | |||
| Producer | Dance Hall Crashers, Stoker, Rob Cavallo | |||
| Dance Hall Crashers chronology | ||||
| ||||
Lockjaw is the second studio album by American rock band Dance Hall Crashers. [3] [4] Produced by the band themselves, Stoker and Rob Cavallo, the album was released on August 29, 1995, in the United States by (510) Records, an imprint of MCA Records.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
Pemberton Roach of AllMusic called Lockjaw a "wonderful reminder of the original spirit of ska-punk," elaborating that "Rather than celebrate the meathead/frat boy misogyny and overly simplistic anarchistic politics that have plagued a lot of "third-wave" ska and punk-pop, Dance Hall Crashers choose to throw a big ol' party." [5] Trouser Press considered the album "a marvelous surge of mature and catchy power pop accented with punk juice and set—almost incidentally—to a breathless bluebeat." [6] Music critic Gina Arnold referred to the dual vocals of Elyse Rogers and Karine Deniké as "...(being) in a manner reminiscent of the '80s group Bananarama." Arnold classified the album as 'utterly frothy,' and several songs were criticized for being "...fun but lacking in depth." [2] John Everson of Southtown Star (Tinley Park, IL) gave the album a 5 out of 5, claiming Lockjaw as "the funniest album I've heard so far this year." [7] An unspecified critic from Oakland Tribune highly criticized Lockjaw by giving the album a 1 out of 5 and blaming its shortcomings on Green Day's former managers who signed DHC onto (510) Records. Rogers' and Deniké's vocals were also criticized as were the song choices, notably "Queen for a Day" and "We Owe," although the latter was also praised by the critic due in part to guitarists Jason Hammon and Scott Goodell, as was "Sticky." [8]
All tracks are written by Dance Hall Crashers (Elyse Rogers, Karina Deniké, Jason Hammon, Scott Goodell, Mikey Weiss and Gavin Hammon), except where noted:
| No. | Title | Length |
|---|---|---|
| 1. | "Shelley" | 3:11 |
| 2. | "Don't Wanna Behave" | 2:24 |
| 3. | "Queen for a Day" | 2:49 |
| 4. | "Flyin" | 3:13 |
| 5. | "Good for Nothin" | 3:20 |
| 6. | "Buried Alive" | 2:24 |
| 7. | "Sticky" | 3:02 |
| 8. | "Too Late" | 2:38 |
| 9. | "Go" | 3:11 |
| 10. | "Enough" | 2:59 |
| 11. | "Pictures" (Tim Armstrong) | 2:29 |
| 12. | "Day Job" | 2:35 |
| 13. | "So Sue Us" | 3:18 |
| 14. | "We Owe" | 2:19 |
| Total length: | 40:52 | |
"Go" was previously released as a cassette single in early-1994 exclusively to Hawaii. [9]
A 2024 limited re-release of the album, referred to by the band as a '29+1⁄2th anniversary release,' includes two unreleased songs: "American Dream" and "Footsteps". The re-release also includes a previously unreleased song, "Punk Rock Boy," along with "Truly Comfortable" from their 1998 EP Blue Plate Special. [10]
Two songs from the album are featured in movies: "Enough" is featured in the 1995 film Angus , and "Don't Wanna Behave" is part of the soundtrack in the 1996 film Bio-Dome . [11]
Information adapted from liner notes. [12]
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| Chart (1995) | Peak position |
|---|---|
| US Top Heatseekers ( Billboard ) [13] | 8 |
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)