Frank Humphrey Sinkler Jennings was an English documentary filmmaker and one of the founders of the Mass Observation organisation. Jennings was described by film critic and director Lindsay Anderson in 1954 as "the only real poet that British cinema has yet produced".
Titanic is a 1943 German propaganda film made during World War II in Berlin by Tobis Productions for UFA, depicting the catastrophic sinking of RMS Titanic in 1912. This was the third German language dramatization of the event, following a silent film released in 1912 just four months after the sinking and a British produced German film about the disaster in 1929.
Air Force is a 1943 American World War II aviation film directed by Howard Hawks and starring John Garfield, John Ridgely, Gig Young, Arthur Kennedy, and Harry Carey. The film was distributed by Warner Bros. and produced by Hal B. Wallis and Jack L. Warner. Conceived by then - Lieutenant General “Hap” Arnold in the aftermath of the Pearl Harbor attack, it was originally scheduled for release on December 7, 1942, on the first anniversary. It became impossible to meet that deadline, and it premiered in New York City on February 3, 1943 and was released on March 20. The film's storyline revolves around an actual event that occurred on December 7, 1941. An aircrew ferries an unarmed 1940 series Boeing B-17D Flying Fortress heavy bomber, named the Mary-Ann, across the Pacific to the United States Army Air Forces base at Hickam Field. They fly right into the middle of the Japanese air attack on Pearl Harbor and the beginning of America's major involvement in the Second World War. An uncredited William Faulkner wrote the emotional deathbed scene for Ridgely, who played the commander and pilot of the Mary-Ann.
The Lion Has Wings is a 1939 British, black-and-white, documentary-style, propaganda war film that was directed by Adrian Brunel, Brian Desmond Hurst, Alexander Korda and Michael Powell. The film was produced by London Film Productions and Alexander Korda Film Productions and 'was preparing the nation [for war] and shining a light on the power of the RAF'.
Ian Dalrymple was a British screenwriter, film director, film editor and film producer.
Target for Tonight is a 1941 British World War II documentary film billed as filmed and acted by the Royal Air Force, all during wartime operations. It was directed by Harry Watt for the Crown Film Unit. The film is about the crew of a Wellington bomber taking part in a bombing mission over Nazi Germany. The film won an honorary Academy Award in 1942 as Best Documentary by the National Board of Review. Despite purporting to be a documentary there are multiple indicators that it is not quite as such: film shots include studio shots taken from the exterior of the aircraft looking into the cockpit whilst "in flight"; several stilted sections of dialogue are clearly scripted; on the ground shots of bombing are done using model trains; and several actors appear. The film does give a unique insight into the confined nature of the Wellington's interior and some of the nuances of day to day operation such as ground crew holding a blanket over the engine while it starts to regulate oxygen intake.
Blitz Wolf is a 1942 American animated propaganda short film produced and distributed by Metro-Goldwyn-Mayer. A parody of the Three Little Pigs told via a World War II perspective, the short was directed by Tex Avery and produced by Fred Quimby. It was nominated for the Academy Award for Best Short Subject: Cartoons but lost to Der Fuehrer's Face, another anti-Nazi World War II parody featuring Donald Duck.
Britain re-created the World War I Ministry of Information for the duration of World War II to generate propaganda to influence the population towards support for the war effort. A wide range of media was employed aimed at local and overseas audiences. Traditional forms such as newspapers and posters were joined by new media including cinema (film), newsreels and radio. A wide range of themes were addressed, fostering hostility to the enemy, support for allies, and specific pro war projects such as conserving metal and growing vegetables.
Beyond the Line of Duty is a 1942 American short propaganda film, directed by Lewis Seiler. The documentary film reenacted the life and career of United States Army Air Corps Captain Hewitt T. "Shorty" Wheless.
Listen to Britain is a 1942 British propaganda short film by Humphrey Jennings and Stewart McAllister. The film was produced during World War II by the Crown Film Unit, an organisation within the British Government's Ministry of Information to support the Allied war effort. The film was nominated for the inaugural Academy Award for Best Documentary Feature in 1943, but lost against four other Allied propaganda films. It is noted for its nonlinear structure and its use of sound.
Bacall to Arms is a 1946 Warner Bros. Merrie Melodies series short planned by Bob Clampett and finished by Arthur Davis, in his second-to-last cartoon at Warner Bros. The short was released on August 3, 1946.
Christmas Under Fire is a 1941 British short documentary film directed by Harry Watt for the Crown Film Unit of the Ministry of Information. It was conceived as propaganda primarily for an American audience, to raise support for the Allied cause during the Second World War. Produced in the context of German bombings of British cities, it depicts the resilience of British civilians despite the hardships they suffered during Christmas 1940, by showing the continuation of Christmas traditions in the face of the disruptions caused by war. The film is a sequel to London Can Take It!, with the same narrator, Quentin Reynolds. It was nominated for an Academy Award for Best Documentary Short, which was won by Churchill's Island.
Vickers Wellington LN514 was a Vickers Wellington bomber built in 1943 in record time, as part of a British propaganda effort during the Second World War.
Words for Battle is a British propaganda film produced by the Ministry of Information's Crown Film Unit in 1941. It was written and directed by Humphrey Jennings, and features seven sequences, each containing images of rural and urban Britain at war overlaid with audio commentary by Laurence Olivier, reciting passages from different English literary works and speeches.
World War II changed the possibilities for animation. Prior to the war, animation was mostly seen as a form of family entertainment. The attack on Pearl Harbor was a turning point in its utility. On December 8, 1941, the United States Army began working with Walt Disney at his studio, stationing Military personnel there for the duration of the war. The Army and Disney set about making various types of films for several different audiences. Most films meant for the public included some type of propaganda, while films for the troops included training and education about a given topic.
Men of the Lightship is a short propaganda film produced by the Crown Film Unit for the British Ministry of Information in 1940, the year after the beginning of the Second World War. It dramatises the bombing of the East Dudgeon lightship by the Luftwaffe on 29 January 1940 and was designed to portray Germany as a barbaric enemy. An opening narration explains the traditional understanding of lightships as neutral vessels during war.
Britain at Bay is a 1940 British propaganda film produced by the General Post Office GPO Film Unit of the British Ministry of Information and distributed by the National Film Board of Canada. The film was written and narrated by noted author and political commentator J. B. Priestley.
Food Will Win the War is an American short animated film produced by Walt Disney Studios and released on July 21, 1942, seven months and two weeks after the December 7, 1941 attack on Pearl Harbor. The 6-minute short was one of a series of animated films produced by Disney during the war as part of a propaganda campaign. The animation was produced on order of the Department of Agriculture, first and foremost to educate about the importance of American agriculture in the war effort and also, to offset fears and panic of Americans who thought too many supplies were being sent overseas. The film was a morale boosting production, in the hope of improving public mood and opinion about sacrifice for the war effort.
Propaganda in World War II had the goals of influencing morale, indoctrinating soldiers and military personnel, and influencing civilians of enemy countries.
Large numbers of British civilians engaged in trekking during the Blitz. This involved leaving cities at night to sleep in nearby towns and rural areas. The practice was most prevalent in provincial cities during early 1941. While the British Government was concerned that trekking indicated that civilian morale was under strain, the practice was generally motivated by a desire to avoid the risk of death or injury and to be able to sleep.
