| Losers Weepers | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1971 | |||
| Genre | Funk, soul | |||
| Label | Cadet [1] | |||
| Producer | Ralph Bass | |||
| Etta James chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| Christgau's Record Guide | B+ [3] |
| The Encyclopedia of Popular Music | [4] |
Losers Weepers is the ninth studio album by the American blues artist Etta James, released in 1971. [4]
The title track peaked at No. 94 on the Billboard Hot 100. [5]
Music Week wrote that "although [James] was in a bad way with narcotics addiction at the time, she turns in some formidable genre-defying vocals encompassing blues, R&B, jazz and deep soul." [6]
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Take Out Some Insurance" | Leon David Bonds | 2:58 |
| 2. | "I Got It Bad and That Ain't Good" | Duke Ellington, Paul Webster | 4:30 |
| 3. | "I Think It's You" | Gene Barge | 3:56 |
| 4. | "Someone" | George Soule, Richard Cherry | 3:50 |
| 5. | "Losers Weepers" | Bonds | 2:33 |
| 6. | "Weepers" | Bonds, Barge | 2:33 |
| 7. | "You're the Fool" | Sharon McMahan | 2:40 |
| 8. | "Hold Back My Tears" | Alfonzo Thompson, Jimmy Cobb | 6:07 |
| 9. | "For All We Know" | J. Fred Coots, Sam M. Lewis | 3:28 |
| 10. | "Look at the Rain" | Jackie Edward | 3:04 |
| 11. | "Ease Away a Little Bit at a Time" | Clyde Otis, Rose Marie McCoy, Sampson Horton | 3:40 |
Mathis James Reed was an American blues musician and songwriter. His particular style of electric blues was popular with a wide variety of audiences. Reed's songs such as "Honest I Do" (1957), "Baby What You Want Me to Do" (1960), "Big Boss Man" (1961), and "Bright Lights, Big City" (1961) appeared on both Billboard magazine's R&B and Hot 100 singles charts.
Johnny Otis ; December 28, 1921 – January 17, 2012) was a Greek American singer, musician, composer, bandleader, record producer, and talent scout. He was a seminal influence on American R&B and rock and roll. He discovered numerous artists early in their careers who went on to become highly successful in their own right, including Little Esther Phillips, Etta James, Alan O'Day, Big Mama Thornton, Johnny Ace, Jackie Wilson, Little Willie John, Hank Ballard, and The Robins, Sugar Pie Desanto, among many others. Otis has been called the "Godfather of Rhythm and Blues".
Tapestry is the second studio album by the American singer-songwriter Carole King. Produced by Lou Adler, it was released on February 10, 1971, by Ode Records. The album's lead singles, "It's Too Late" and "I Feel the Earth Move", spent five weeks at number one on both the Billboard Hot 100 and Easy Listening charts.
"Prisoner of Love" is a 1931 popular song, with music by Russ Columbo and Clarence Gaskill and lyrics by Leo Robin.
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"Deacon Blues" is a song written by Walter Becker and Donald Fagen in 1976 and recorded by their group Steely Dan on their 1977 album Aja. It peaked at number 19 on the Billboard charts and number 17 on the U.S. Cash Box Top 100 in June 1978. It also reached number 40 on the Easy Listening chart. In Canada, it peaked at number 14, a position it occupied for two weeks, and number 20 Adult Contemporary. In 2021, it was ranked No. 214 on Rolling Stone magazine's list of the "500 Greatest Songs of All Time".
"Don't Get Around Much Anymore" is a jazz standard written by composer Duke Ellington. The song was originally entitled "Never No Lament" and was first recorded by Duke Ellington and his orchestra on May 4, 1940. "Don't Get Around Much Anymore" quickly became a hit after Bob Russell wrote its lyrics in 1942.
"I Just Want to Make Love to You" is a blues song written by Willie Dixon. In 1954, it was recorded by Muddy Waters, and released as a single with the title "Just Make Love to Me". The song reached number four on Billboard magazine's R&B Best Sellers chart.
"Willow Weep for Me" is a popular song composed in 1932 by Ann Ronell, who also wrote the lyrics. The song form is AABA, written in 4
4 time, although occasionally adapted for 3
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"All I Could Do Was Cry" is a doo-wop/rhythm and blues single recorded in 1960, and released in March that year by the singer Etta James. It was written for James by Chess songwriter Billy Davis, Berry Gordy and his sister Gwen Gordy. The song eventually peaked at number 2 on the US Billboard R&B chart and number 33 on the pop chart. James would later re-record the song in the early 1990s.
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Etta James Sings Funk is the eighth studio album by American Blues artist, Etta James. The album was released on Cadet Records in 1970.
"I Wonder" is a 1944 song written and originally performed by Pvt. Cecil Gant. The original version was released on the Bronze label, before Gant re-recorded it for the Gilt-Edge label in Los Angeles. The record made it to number one on the Juke Box Race Records chart and was Pvt. Gant's most successful release. In February 1945, pianist, Roosevelt Sykes hit number one with his version of the song. Sykes' version is notable in that it replaced Gant's version, at number one on the Juke Box Race Records chart.
Blue Gardenia is the twenty-fifth studio album by Etta James, released through the record label Private Music. It was produced by John Snyder, who had worked with James on five of her previous studio albums. Blue Gardenia contains thirteen jazz standards from the 1930s, 1940s and 1950s. All of the standards were arranged by pianist Cedar Walton, with the exception of "Love Letters", which was arranged by Josh Sklair. Between November 2000 and February 2001, Snyder and Walton assembled musicians to record tracks while James was recovering from a flu; her vocals were added following her recovery. In addition to Walton, artists appearing on the album included Red Holloway on tenor saxophone and Dorothy Hawkins, James' mother, who provided vocals on the title track. Hawkins died in May 2002, less than a year after the album's release.
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I Am Woman is the third studio album by Australian–American pop singer Helen Reddy, released on 13 November 1972, by Capitol Records. The album included her second recording of the song that gave the album its name, which was also the version that spent a week at number one on the Billboard Hot 100.
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