Miss Etta James: The Complete Modern and Kent Recordings | |
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Compilation album by | |
Released | December 6, 2005 |
Recorded | Various |
Genre | Blues, jazz, R&B, soul |
Length | 108:23 |
Label | Ace |
1960 Crown Records Cover | |
Miss Etta James: The Complete Modern and Kent Recordings is a compilation album of songs by Etta James recorded for the Modern and Kent labels. [1] This two-disc album presents all the recordings made by James prior to her signing with Chess Records. Several compilation albums of this material were released on the Crown label in the early 1960s under the titles Miss Etta James, The Best of Etta James and Twist with Etta James but this release represents the complete collection of James' recordings for the labels including several alternate takes.
Review scores | |
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Source | Rating |
Allmusic |
Allmusic awarded the album 4 stars with its review by Thom Jurek stating, "The Complete Modern and Kent Recordings, contain every side that the young powerhouse Etta James cut for Modern, Crown, and Kent between 1955 and 1961... Fans will have a lot of this material in various places, but this collection puts everything together in one slamming package... The liner essay by Tony Rounce is both authoritative and accessible, and gives a solid and revealing portrait of James' place in the pantheon and how her star rose. This is, in its way, an historic set because this is the first time all these sides have appeared in one place. Highly recommended". [2]
Disc One
Disc Two
Jamesetta Hawkins, best known as Etta James was an American singer who performed in various genres, including blues, R&B, soul, rock and roll, jazz and gospel. Starting her career in 1954, she gained fame with hits such as "The Wallflower", "At Last", "Tell Mama", "Something's Got a Hold on Me", and "I'd Rather Go Blind". She faced a number of personal problems, including heroin addiction, severe physical abuse, and incarceration, before making a musical comeback in the late 1980s with the album Seven Year Itch.
The Supremes A' Go-Go is the ninth studio album released by Motown singing group The Supremes in 1966. It was the first album by an all-female group to reach number-one on the Billboard 200 album charts in the United States. Remaining on the Billboard album chart for 60 weeks, according to Motown data, it sold worldwide 3,500,000 copies, and in the USA, it sold approximately, 1,000,000 copies.
United is a studio album by soul musicians Marvin Gaye and Tammi Terrell, released August 29, 1967 on the Motown-subsidiary label Tamla Records. Harvey Fuqua and Johnny Bristol produced all of the tracks on the album, with the exception of "You Got What It Takes" and "Oh How I'd Miss You". Fuqua and Bristol produced "Hold Me Oh My Darling" and "Two Can Have a Party" as Tammi Terrell solo tracks in 1965 and 1966, and had Gaye overdub his vocals to them in order to create duet versions of the songs.
The Soulful Moods of Marvin Gaye is the debut studio album by Marvin Gaye, released in 1961, and the second long-playing album (TM-221) released by Motown. The first was Hi... We're The Miracles (TM-220). It is most notable as the album that caused the first known struggle of Gaye's turbulent tenure with the label.
Love Child is the fifteenth studio album released by Diana Ross & the Supremes for the Motown label in 1968. The LP was the group's first studio LP not to include any songs written or produced by any member of the Holland–Dozier–Holland production team, who had previously overseen most of the Supremes' releases.
Cream of the Crop is the eighteenth studio album released by Diana Ross & the Supremes for the Motown label. It was the final regular Supremes studio album to feature lead singer Diana Ross. The album was released in November 1969, after the release and rising success of the hit single "Someday We'll Be Together."
New Juke Box Hits is the fifth studio album by rock and roll pioneer Chuck Berry, released in March 1961 on Chess Records, catalogue LP 1456. Unlike his previous four long-players, only two tracks had been previously released on 45 rpm singles, both sides of his record from the month before, "Little Star" backed with "I'm Talking About You." The album was recorded and released while Berry was in the midst of legal difficulties which led to his imprisonment in 1962. The adverse publicity from these legal problems affected sales of his records, and the aforementioned single failed to chart on the Billboard Hot 100. Berry would not release another album of songs for over three years.
At Last! is the debut studio album by American blues and soul artist Etta James. Released on Argo Records in November 1960 the album was produced by Phil and Leonard Chess. At Last! also rose to no. 12 upon the Billboard Top Catalog Albums chart.
The Second Time Around is the second studio album by the American blues artist Etta James. The album was released in 1961 on Argo Records. It was produced by Phil and Leonard Chess, who also produced her previous album. Riley Hampton was the arranger and orchestra conductor.
Meet the Supremes is the debut studio album by The Supremes, released in late 1962 on Motown. The LP includes the group's earliest singles: "I Want a Guy", "Buttered Popcorn", "Your Heart Belongs to Me" and "Let Me Go the Right Way". The earliest recordings on this album, done between fall 1960 and fall 1961, feature the Supremes as a quartet composed of teenagers Diane Ross, Mary Wilson, Florence Ballard, and Barbara Martin. Martin left the group in early 1962 to start a family, and the other three girls continued as a trio. Martin is not pictured on the album because of her departure earlier in the year, although her vocals are present on the majority of the recordings on the album. She does have a spoken interlude line on the bridge of the song "(He's) Seventeen", and also sings lead on "After All", a song recorded for but not originally included on the album. Along with these songs, Ballard and Wilson are heard out front on other songs as well. Wilson sings lead on "The Tears" and "Baby Don't Go"; Ballard has leads on a handful of songs as well, including "Buttered Popcorn" and the short intro line to "Let Me Go the Right Way".
The Bihari brothers, Lester, Jules, Saul and Joe, were American businessmen of Hungarian Jewish origins. They were the founders of Modern Records in Los Angeles and its subsidiaries, such as Meteor Records, based in Memphis. The Bihari brothers were significant figures in the process that transformed rhythm and blues into rock and roll, which appealed to white audiences in the 1950s.
Merry Christmas is the seventh studio album recorded by Motown girl group The Supremes, and released on Motown Records in November 1965. The LP, produced by Harvey Fuqua, includes recordings of familiar Christmas songs such as "White Christmas", "Santa Claus Is Coming to Town", "My Favorite Things", and "Joy to the World". Two originals, "Children's Christmas Song" and "Twinkle Twinkle Little Me", were issued as the sides of a late 1965 Supremes holiday single.
Etta James Rocks the House is the first live album by American singer Etta James and her fifth album overall. It was recorded live on the nights of September 27 and 28, 1963 at the New Era Club in Nashville, Tennessee and released on December 13, 1963.
The Complete Duets is a two-disc compilation album of duet recordings by Motown Records artists Marvin Gaye and Tammi Terrell, recorded between 1965 and 1969. The set compiles all of the tracks from the duo's three albums - United,You're All I Need and Easy - as well as several of Tammi Terrell's solo recordings and other previously unissued material.
Live at San Quentin is a 1990 live album by blues guitarist B.B. King performed at San Quentin State Prison in Marin County, California.
Now Appearing at Ole Miss is a live album by B. B. King, recorded in 1979 and released as a double album on MCA Records in 1980. The live recordings were augmented with overdubs, most notably with percussion instruments. This has been criticized by reviewers as making the album stale, and it is widely regarded as B.B. King's weakest 'live' album. One notable feature, is that the album contains the first use of the bass style of playing known as "slap" by Russell Jackson, who would go on to play in the posthumous "B.B. King Experience Band" with another B.B. King band veteran James "Boogaloo" Bolden.
"All I Could Do Was Cry" is a doo-wop/rhythm and blues single recorded in 1960 and released that same year by singer Etta James. It written for James by Chess songwriter Billy Davis, Berry Gordy and his sister Gwen Gordy. The song was said to be inspired by James' former boyfriend Harvey Fuqua dating Davis' former girlfriend, who was Gwen. Gordy and Fuqua later married the same year the song was recorded, which likely added to the tension in James' bluesy vocals. The song eventually peaked at number 2 on the R&B charts and number 33 on the pop charts. James would later re-record the song in the early nineties.
Etta James is the third studio album by American blues artist, Etta James. The album was released on Argo Records in 1962 and was produced by Ralph Bass.
Soul Deeper... Songs From the Deep South is the tenth studio album by Australian rock singer Jimmy Barnes. Following the success of his 1991 album Soul Deep, Barnes returned with another album of soul covers. A special 2CD edition was released, featuring five bonus tracks. It was certified Platinum by ARIA in Australia.
Harvey Fuqua was an American rhythm and blues singer, songwriter, record producer, and record label executive.