Country | United Kingdom |
---|---|
Language | English |
Genre | World History |
Publisher | Reaktion Books |
Published | 2015 - present |
Media type | Hardback/Paperback/E-book |
No. of books | 16 |
Website | Lost Civilizations Reaktion Books |
Lost Civilizations is a series of books that have been published by Reaktion Books since 2015. The books explore the origins, development and decline of ancient civilizations and peoples, and considers the history, art, culture and legacy of these civilizations. [1]
To date, 16 titles have been published as part of the series.
The series has covered civilizations from various continents:
All titles have been published as hardback and electronic books. So far, six titles have also been published in paperback.
Except for The Sumerians, all titles were published first in hardback with the electronic versions being published later or, since 2021, simultaneously with the hardback versions.
No. | Title | Author | Publish date | Civilization | Ref. | ||
---|---|---|---|---|---|---|---|
Hardback | E-book | Paperback | |||||
1 | The Indus | Andrew Robinson | 1 October 2015 | 1 June 2016 | 15 February 2021 | Indus Valley Civilisation | [2] |
2 | The Persians | Geoffrey Parker and Brenda Parker | 1 November 2016 | 17 February 2017 | 1 February 2023 | Persia | [3] |
3 | Egypt | Christina Riggs | 1 May 2017 | 1 August 2017 | 28 February 2022 | Ancient Egypt | [4] |
4 | The Barbarians | Peter Bogucki | 1 June 2017 | 1 August 2017 | 1 October 2024 | Barbarian kingdoms | [5] |
5 | The Etruscans | Lucy Shipley | 1 October 2017 | 1 October 2017 | 13 November 2023 | Etruscan civilization | [6] |
6 | The Goths | David M. Gwynn | 11 December 2017 | 14 May 2018 | — | Goths | [7] |
7 | The Greeks | Philip Matyszak | 14 May 2018 | 1 July 2018 | — | Ancient Greece | [8] |
8 | The Sumerians | Paul Collins | 17 May 2021 | 15 March 2021 | — | Sumer | [9] |
9 | The Aztecs | Frances F. Berdan | 14 June 2021 | 14 June 2021 | — | Aztec Empire | [10] |
10 | The Phoenicians | Vadim S. Jogulov | 1 November 2021 | 1 November 2021 | 1 September 2024 | Phoenicia | [11] |
11 | The Inca | Kevin Lane | 14 February 2022 | 14 February 2022 | — | Inca Empire | [12] |
12 | The Maya | Megan E. O'Neil | 2 May 2022 | 2 May 2022 | — | Maya civilization | [13] |
13 | Nubia | Sarah M. Schellinger | 17 October 2022 | 17 October 2022 | — | Kingdom of Kush | [14] |
14 | The Hittites | Damien Stone | 1 February 2023 | 1 February 2023 | — | Hittites | [15] |
15 | The Three Kingdoms of Korea | Richard D. McBride II | 1 June 2024 | 1 June 2024 | — | Three Kingdoms of Korea | [16] |
16 | The Assyrians | Paul Collins | 1 October 2024 | 1 October 2024 | — | Assyria | [17] |
Forthcoming | |||||||
17 | The Minoans | Ellen Adams | 1 June 2025 | — | — | Minoan civilization | [18] |
World History Encyclopedia gave The Indus a score of 4 out of 5 stars, describing the book as "the perfect introduction to the Indus civilization" and written in a way that it can "explain complex processes in a direct way" to the reader. [19] Dilip Kumar Chakrabarti wrote a review of The Indus for Indian Historical Review in which he described the book as "a brief but excellent introduction to the Indus Civilisation". [20] Lionel Knight, in a review for the Royal Asiatic Society of Great Britain and Ireland , commented that Robinson "writes with an elegant clarity which comes from a masterly overview of the subject". [21] Writing for the Journal of Asian Studies , Brad Chase described The Indus as "a journalistic attempt to synthesize contemporary archaeologists' understanding of the Indus Civilization for a popular audience". [22] Chase felt that it was "commendable" that Robinson acknowledged the "social context in which archaeological knowledge is produced" because this was often omitted from popular writings on ancient civilizations. [22] However, he also felt it was unfortunate that Robinson showed a "credulous repetition of Jane McIntosh's fanciful depiction of the [Indus] as a "peaceful realm"", as no "serious scholar" of the Indus would argue for an absence of conflict. [22]
Jessica Settergren of World History Encyclopedia gave The Persians a score of 4 out of 5 stars, recommending the book as an "excellent introduction to the history of Iran". [23] Settergren described it as "a gorgeous coffee table book" and praised the "heavy, photo-quality glossy paper" with "liberally populated" pictures, maps, timelines and artwork. [23] Choice recommended the book for general readers and undergraduate students, describing it as an "elegantly written volume". [24]
Gholam Reza Vatandoust of Persian Literary Studies gave a mixed review of the book, commenting that it was "lacking in critical analysis of the historical development of Iran through its different phases", had "numerous historical gaps" and that its target audience was "unclear". [25] The Persians also had a "serious" omission in failing to "[explore] the frontiers among numerous ethnic and religious diverse communities that inhabit the region" and "[refrains] from using some of the excellent sources available in Farsi". [25] However, the reviewer did note that the book was "engaging and easy to read" and writing a narrative of 2,500 years of Persian history was "a noble undertaking". [25] Vatandoust also felt that the book could offer "an entertaining account and a reasonable perspective on the history and civilization of Persia" for travellers to Iran and had the potential to become " a favorite choice for tourist centers and hotel bookstands throughout Iran". [25] Lara Fabian wrote a mixed review of The Persians for Antiquity , in which she described the "slim and readable book" that unfortunately "[simplifies] the complex historical strands to the point of inaccuracy", with the most successful sections being those that "deal with the reception of Persian history in early modern and modern Western scholarship, rather than the discussions of Persia itself". [26]
Ancient Egypt magazine highly recommended Egypt for "the numerous consumers of 'pop' Egyptology" as "an absolutely essential antidote to the gloss and the glitz" due to its "critical assessment of the modern construction of 'ancient Egypt'". [27] Choice gave Egypt a score of 4 stars and commented that Christina Riggs "[achieved] the objectives of the publisher's Lost Civilizations series" and the book was "perfect" for those "seeking a brief introduction" as well as being "essential" for "all public and academic [...] libraries". [28] In a review on the book by The Classical Journal Matt Gibbs described it as a "erudite and illuminating work" and useful for those "working on Egypt in terms of ethnicity and reception". [29] Gibbs praised Riggs for "[considering] the rather difficult aspects of colonialism that are rife in the West's treatment of Egypt". [29] He also felt that it was "essential reading for those interested in considering ancient Egypt's importance not only in modern Egyptian culture, but also in the rest of the world". [29]
William H. Funk of World History Encyclopedia gave the book 4 out of 5 stars. [30] Funk described the book as a "beautifully illustrated volume" which provides a "short overview of mainly Northern and Central European "barbarian" cultures", written for the "general reader" and accessible for college students. [30] Funk noted that Bogucki's narrative provided a "strictly archaeological rather than anthropological perspective". [30]
Anthony Smart gave a mixed review of The Barbarians for The Classical Journal . Smart commented that a "survey incorporating different groups, and considering issues of identity and ethnicity, would satisfy a current need in the scholarship", but "Bogucki's efforts here do not fully satisfy this need". [31] Smart noted the "ambitious chronological coverage" of 2000 BC to 500 AD, though the range of different cultures "[limited] the depth of the discussion". [31] Ultimately, Smart felt the book "does not provide as useful a survey of the barbarian world as is needed" but instead "presents an enjoyable collection of sketches" and "highlights important archaeological sites and finds". [31]
Andrew Selkirk gave a positive review of The Etruscans for Current World Archaeology magazine. He described it as "a splendid little book" which manages to "strip away the mystery that surrounds this lost civilisation" and is "cleverly written". [32] Bijan Omrani wrote a positive review of Classics for All , describing the book as a "comprehensive introduction" to the Etruscan civilization, "beautifully illustrated", noting that Shipley goes "beyond the pure material legacies" to explore the "cultural impact of the Etruscans in the modern age" and that it was likely to "engage contemporary readers" due to drawing analogies "between her subject and contemporary politics". [33]
Fred S. Kleiner of Boston University reviewed the book for The Historian , describing the writing style as "engaging [and] conversational" and the book as a whole as "well-illustrated". [34] He additionally noted the author's "intimate familiarity with Etruscan archaeological sites" and the "balanced and fully formed discussion" of the origins of the Etruscans. [34] However, Kleiner was disappointed with the fact that there was only a "passing reference" to Etruscan art in the entirety of the book. [34]
In his review for Bryn Mawr Classical Review , Giovanni Alberto Cecconi noted the book's "flowing style" and its usefulness for "specialists in Romano-barbaric societies", though also noted its intended audience was the general public and it contained "no unprecedented theories or exhaustive arguments on specific problems or documents". [35] He called the book "fascinating" and praised its exploration of the "modern cultural heritage of the notion of "the Gothic"", as well as the "knowledge and accuracy" shown by the author that is evidenced by his references. [35]
William Brown of World History Encyclopedia gave The Greeks five out of five stars, praising Matyszak's "engaging historical narration" and the way he was able to "[boil] the complexities down so that [general readers] can comprehend the historical and political circumstances". [36]
Lydia was an Iron Age kingdom situated in the west of Asia Minor, in modern-day Turkey. Later, it became an important province of the Achaemenid Empire and then the Roman Empire. Its capital was Sardis.
Lapis lazuli, or lapis for short, is a deep-blue metamorphic rock used as a semi-precious stone that has been prized since antiquity for its intense color. Originating from the Persian word for the gem, lāžward, lapis lazuli is a rock composed primarily of the minerals lazurite, pyrite and calcite. As early as the 7th millennium BC, lapis lazuli was mined in the Sar-i Sang mines, in Shortugai, and in other mines in Badakhshan province in modern northeast Afghanistan. Lapis lazuli artifacts, dated to 7570 BC, have been found at Bhirrana, which is the oldest site of Indus Valley civilisation. Lapis was highly valued by the Indus Valley Civilisation. Lapis beads have been found at Neolithic burials in Mehrgarh, the Caucasus, and as far away as Mauritania. It was used in the funeral mask of Tutankhamun.
The Indus Valley Civilisation (IVC), also known as the Indus Civilisation, was a Bronze Age civilisation in the northwestern regions of South Asia, lasting from 3300 BCE to 1300 BCE, and in its mature form from 2600 BCE to 1900 BCE. Together with ancient Egypt and Mesopotamia, it was one of three early civilisations of North Africa, Southwest Asia and South Asia, and of the three, the most widespread, its sites spanning an area including much of modern-day Pakistan, northwestern India and northeast Afghanistan. The civilisation flourished both in the alluvial plain of the Indus River, which flows through the length of Pakistan, and along a system of perennial monsoon-fed rivers that once coursed in the vicinity of the Ghaggar-Hakra, a seasonal river in northwest India and eastern Pakistan.
According to Greek mythology, the Chimera, Chimaera, Chimæra, or Khimaira was a monstrous fire-breathing hybrid creature from Lycia, Asia Minor, composed of different animal parts. Typically, it is depicted as a lion with a goat's head protruding from its back and a tail ending with a snake's head. Some representations also include dragon's wings. It was an offspring of Typhon and Echidna and a sibling of monsters like Cerberus and the Lernaean Hydra.
Ancient art refers to the many types of art produced by the advanced cultures of ancient societies with different forms of writing, such as those of ancient China, India, Mesopotamia, Persia, Palestine, Egypt, Greece, and Rome. The art of pre-literate societies is normally referred to as prehistoric art and is not covered here. Although some pre-Columbian cultures developed writing during the centuries before the arrival of Europeans, on grounds of dating these are covered at pre-Columbian art and articles such as Maya art, Aztec art, and Olmec art.
Tyrrhenians or Tyrsenians was the name used by the ancient Greeks authors to refer, in a generic sense, to non-Greek people, in particular pirates.
Meluḫḫa or Melukhkha is the Sumerian name of a prominent trading partner of Sumer during the Middle Bronze Age. Its identification remains an open question, but most scholars associate it with the Indus Valley Civilisation.
Black Athena: The Afroasiatic Roots of Classical Civilization, published in 1987, 1991, and 2006, is a pseudoarchaeological trilogy by Martin Bernal proposing an alternative hypothesis on the origins of ancient Greece and classical civilisation. Bernal's thesis discusses the perception of ancient Greece in relation to Greece's North African and West Asian neighbours, especially the ancient Egyptians and Phoenicians who, he believes, colonized ancient Greece producing the bulk of Classical civilization. Bernal proposed that a change in the Western perception of Greece in the 18th century lead to the denial of any significant Egyptian and Phoenician influence on ancient Greek civilization.
During the growth of the ancient civilizations, ancient technology was the result from advances in engineering in ancient times. These advances in the history of technology stimulated societies to adopt new ways of living and governance.
William Andrew Coulthard Robinson is a British author and former newspaper editor.
Kaveh Farrokh is a Greek author of several academic books and peer-reviewed publications specializing in Iranian history, and has been a frequent lecturer on Iran-related topics at the University of British Columbia as part of the UBC Continuing Education program. Currently, he is a counselor and learning specialist at Langara College in Vancouver, British Columbia, Canada.
Hindush was an administrative division of the Achaemenid Empire in modern-day Pakistan. According to the Greek historian Herodotus, it was the "easternmost province" governed by the Achaemenid dynasty. Established through the Persian conquest of the Indus Valley in the 6th century BCE, it is believed to have continued as a province for approximately two centuries, ending when it fell to the Macedonian Empire during the Indian campaign of Alexander the Great.
A necropolis is a large, designed cemetery with elaborate tomb monuments. The name stems from the Ancient Greek νεκρόπολις nekropolis.
This timeline of ancient history lists historical events of the documented ancient past from the beginning of recorded history until the Early Middle Ages. Prior to this time period, prehistory civilizations were pre-literate and did not have written language.
The Achaemenid Empire or Achaemenian Empire, also known as the Persian Empire or First Persian Empire, was an Iranian empire founded by Cyrus the Great of the Achaemenid dynasty in 550 BC. Based in modern-day Iran, it was the largest empire by that point in history, spanning a total of 5.5 million square kilometres. The empire spanned from the Balkans and Egypt in the west, most of West Asia, the majority of Central Asia to the northeast, and the Indus Valley to the southeast.
Around 535 BCE, the Persian king Cyrus the Great initiated a protracted campaign to absorb parts of India into his nascent Achaemenid Empire. In this initial incursion, the Persian army annexed a large region to the west of the Indus River, consolidating the early eastern borders of their new realm. With a brief pause after Cyrus' death around 530 BCE, the campaign continued under Darius the Great, who began to re-conquer former provinces and further expand the Achaemenid Empire's political boundaries. Around 518 BCE, the Persian army pushed further into India to initiate a second period of conquest by annexing regions up to the Jhelum River in what is today known as Punjab. At peak, the Persians managed to take control of most of modern-day Pakistan and incorporate it into their territory.
Sybille Edith Haynes, is a British expert on Etruscology. She grew up and was educated in Germany and Austria before moving to the UK in the 1950s. She worked with Etruscan artefacts at the British Museum for many years as well as publishing numerous books, for fellow scholars and also for the general public. In the 1980s she joined the Centre for the Study of Greek and Roman Antiquity at Corpus Christi College, Oxford.
Jane R. McIntosh is a Scottish archaeologist and author.
Indus–Mesopotamia relations are thought to have developed during the second half of 3rd millennium BCE, until they came to a halt with the extinction of the Indus valley civilization after around 1900 BCE. Mesopotamia had already been an intermediary in the trade of lapis lazuli between the Indian subcontinent and Egypt since at least about 3200 BCE, in the context of Egypt-Mesopotamia relations.
Etched carnelian beads, or sometimes bleached carnelian beads, are a type of ancient decorative beads made from carnelian with an etched design in white, which were probably manufactured by the Indus Valley civilization during the 3rd millennium BCE. They were made according to a technique of alkaline-etching developed by the Harappans, and vast quantities of these beads were found in the archaeological sites of the Indus Valley civilization. They are considered as an important marker of ancient trade between the Indus Valley, Mesopotamia and even Ancient Egypt, as these precious and unique manufactured items circulated in great numbers between these geographical areas during the 3rd millennium BCE, and have been found in numerous tomb deposits.