Buddhist symbolism is the use of symbols to represent certain aspects of the Buddha's Dharma (teaching). Early Buddhist symbols which remain important today include the Dharma wheel, the Indian lotus, the three jewels and the Bodhi tree.
The Seokguram Grotto (Korean: 석굴암) is a hermitage and part of the Bulguksa temple complex in Gyeongju, South Korea. It and Bulguksa are both on the mountain Tohamsan, although the two are separated by distance of around 3 kilometres (1.9 mi). The grotto overlooks the East Sea and rests 750 meters above sea level. In 1962, it was designated the 24th National Treasure of South Korea. In 1995, Seokguram was added to the UNESCO World Heritage List together with the Bulguksa Temple. It exemplifies some of the best Buddhist sculptures in the world.
A thangka is a Tibetan Buddhist painting on cotton, silk appliqué, usually depicting a Buddhist deity, scene, or mandala. Thangkas are traditionally kept unframed and rolled up when not on display, mounted on a textile backing somewhat in the style of Chinese scroll paintings, with a further silk cover on the front. So treated, thangkas can last a long time, but because of their delicate nature, they have to be kept in dry places where moisture will not affect the quality of the silk. Most thangkas are relatively small, comparable in size to a Western half-length portrait, but some are extremely large, several metres in each dimension; these were designed to be displayed, typically for very brief periods on a monastery wall, as part of religious festivals. Most thangkas were intended for personal meditation or instruction of monastic students. They often have elaborate compositions including many very small figures. A central deity is often surrounded by other identified figures in a symmetrical composition. Narrative scenes are less common, but do appear.
Sacred lotus may refer to:
Mahākāla is a deity common to Hinduism and Buddhism.
The lotus, Nelumbo nucifera, is an aquatic plant that plays a central role in the art of Indian religions such as Hinduism, Buddhism, Jainism, and Sikhism.
Since the beginning of the serious study of the history of Buddhist art in the 1890s, the earliest phase, lasting until the 1st century CE, has been described as aniconic; the Buddha was only represented through symbols such as an empty throne, Bodhi tree, a riderless horse with a parasol floating above an empty space, Buddha's footprints, and the dharma wheel.
Buddhist art is visual art produced in the context of Buddhism. It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. Buddhist art originated in the north of the Indian subcontinent, in modern India, Pakistan and Afghanistan, with the earliest survivals dating from a few centuries after the historical life of Siddhartha Gautama from the 6th to 5th century BCE.
Sculpture in the Indian subcontinent, partly because of the climate of the Indian subcontinent makes the long-term survival of organic materials difficult, essentially consists of sculpture of stone, metal or terracotta. It is clear there was a great deal of painting, and sculpture in wood and ivory, during these periods, but there are only a few survivals. The main Indian religions had all, after hesitant starts, developed the use of religious sculpture by around the start of the Common Era, and the use of stone was becoming increasingly widespread.
Mauryan art is art produced during the period of the Mauryan Empire, the first empire to rule over most of the Indian subcontinent, between 322 and 185 BCE. It represented an important transition in Indian art from the use of wood to stone. It was a royal art patronized by Mauryan kings, most notably Ashoka. Pillars, stupas and caves are its most prominent surviving examples.
Ratnagiri is the site of a ruined mahavihara, once the major Buddhist monastery in modern Odisha, India. It is located on a hill in between the Brahmani and Birupa rivers in Jajpur district. It is close to other Buddhist sites in the area, including Lalitagiri and Udayagiri, and 100 km (62 mi) from the state capital Bhubaneswar and 70km from the former state capital Cuttack.
The Lion Capital of Ashoka is the capital, or head, of a column erected by the Mauryan emperor Ashoka in Sarnath, India, c. 250 BCE. Its crowning features are four life-sized lions set back to back on a drum-shaped abacus. The side of the abacus is adorned with wheels in relief, and interspersing them, four animals, a lion, an elephant, a bull, and a galloping horse follow each other from right to left. A bell-shaped lotus forms the lowest member of the capital, and the whole 2.1 metres (7 ft) tall, carved out of a single block of sandstone and highly polished, was secured to its monolithic column by a metal dowel. Erected after Ashoka's conversion to Buddhism, it commemorated the site of Gautama Buddha's first sermon some two centuries before.
The sculpture of Nepal is best known for small religious figures and ritual objects in bronze or copper alloy, but also has other strengths. The Newar people of Nepal had a long-lasting specialism in casting small bronze figures, mostly religious and especially Buddhist, considerable numbers of which were exported to India and Tibet over many centuries.
Abeyadana temple is a 12th century Buddhist temple in Bagan, Myanmar. The temple complex has a large central temple, which has a rectangular plan.
Gupta art is the art of the Gupta Empire, which ruled most of northern India, with its peak between about 300 and 480 CE, surviving in much reduced form until c. 550. The Gupta period is generally regarded as a classic peak and golden age of North Indian art for all the major religious groups. Gupta art is characterized by its "Classical decorum", in contrast to the subsequent Indian medieval art, which "subordinated the figure to the larger religious purpose".
Lalitasana is a pose or mudra in Indian art and the art of dharmic religions in other countries. It is often called "the royal position" or "royal ease" in English, and is a relaxed pose typical in royal portraits and those of religious figures whose "kingly" attributes are being emphasized. The figure sits on a throne with one leg tucked inwards on the seat and the other hanging down ("pendent") to touch the ground or rest on a support. Usually it is the proper right leg that dangles, but the reversed image can be found. Bare feet are normal. Asana is a general term for a seated pose, from Sanskrit: आसन āsana "sitting down", a sitting posture, a seat.
Utpala in Sanskrit is a neuter noun with two meanings, both given by Amarakoṣa. The first meaning is Nymphaea nouchali, the "blue lotus", also known as kuvalaya in Sanskrit. The second meaning of utpala is a variety of medicinal plant known as 'kooṭh' in Hindi and 'kusṭham, vyādhi, paribhavyam or pāribhavyam, vāpyam, pākalam' according to Amarkośa.
The ringstone is a distinctive type of artefact and miniature sculpture made in India during the approximate period of the Mauryan Empire and the following Sunga Empire. They are usually dated to the third or second centuries BCE. They are shaped somewhat like a doughnut, but with straighter outer edges and they are flat and plain on the obverse. They are carved out of stone, with very fine relief on the top side that includes several zones of decoration surrounding a circular opening in the centre. Many feature a four-pointed star as a repeated border motif. They measure approximately 2.5 to 4 inches across the diameter.
The Eight Great Events (aṣṭamahāpratihārya) are a set of episodes in the life of Gautama Buddha that by the time of the Pala Empire of North India around the 9th century had become established as the standard group of narrative scenes to encapsulate the Buddha's life and teachings. As such they were frequently represented in Buddhist art, either individually or as a group, and recounted and interpreted in Buddhist discourses.
Narrative images of episodes from the life of Gautama Buddha in art have been intermittently an important part of Buddhist art, often grouped into cycles, sometimes rather large ones. However, at many times and places, images of the Buddha in art have been very largely single devotional images without narrative content from his life on Earth.
