Love Stinks | ||||
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Studio album by | ||||
Released | January 28, 1980 | |||
Recorded | 1979 | |||
Studio | Long View Farm, North Brookfield, Massachusetts | |||
Genre | ||||
Length | 37:34 | |||
Label | EMI | |||
Producer | Seth Justman | |||
The J. Geils Band chronology | ||||
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Singles from Love Stinks | ||||
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Love Stinks is the ninth studio album by American rock band the J. Geils Band. The album was released on January 28, 1980, by EMI Records.
The title song, "Love Stinks", is a rant against unrequited love. It has been covered by industrial metal band Bile, by Andru Branch in the film Love Stinks , Joan Jett in the film Mr. Wrong and Adam Sandler in the film The Wedding Singer .
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
Robert Christgau | C+ [3] |
Record Mirror | [4] |
Rolling Stone | (mixed) [5] |
Cash Box said that the single "Just Can't Wait" has "earthy old wave rock guitar riffing, with a souped up synthesized farfisa organ sound." [6] Record World called it "certified boogie music with a hook that will grab summer listeners." [7]
All songs written by Peter Wolf and Seth Justman, except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Just Can't Wait" | 3:24 | |
2. | "Come Back" | 5:11 | |
3. | "Takin' You Down" | 4:05 | |
4. | "Night Time" | Bob Feldman, Jerry Goldstein, Richard Gottehrer | 4:31 |
5. | "No Anchovies, Please" | 2:41 |
No. | Title | Length |
---|---|---|
6. | "Love Stinks" | 3:44 |
7. | "Tryin' Not to Think About It" | 6:22 |
8. | "Desire (Please Don't Turn Away)" | 3:35 |
9. | "Till the Walls Come Tumblin' Down" | 4:01 |
Album
Chart (1980) | Peak position |
---|---|
US Billboard 200 [8] | 18 |
Australian (Kent Music Report) [9] | 43 |
Singles
Year | Single | Chart | Position |
---|---|---|---|
1980 | "Come Back | US Pop Singles [10] | 32 |
1980 | "Come Back" | US Club Play Singles [11] | 69 |
1980 | "Just Can't Wait" | US Pop Singles [10] | 78 |
1980 | "Love Stinks" | US Pop Singles [10] | 38 |
The J. Geils Band was an American rock band formed in 1967, in Worcester, Massachusetts, under the leadership of guitarist John "J." Geils. The original band members included vocalist Peter Wolf, harmonica and saxophone player Richard "Magic Dick" Salwitz, drummer Stephen Bladd, vocalist/keyboardist Seth Justman, and bassist Danny Klein. Wolf and Justman served as principal songwriters. The band played R&B-influenced blues rock during the 1970s and soon achieved commercial success before moving toward a more mainstream radio-friendly sound in the early 1980s, which brought the band to its commercial peak. They performed a mix of cover songs of classic blues and R&B songs, along with original compositions written primarily by Wolf and Justman, as well as some group compositions written under the pseudonymous name Juke Joint Jimmy, representing compositions credited to the entire band as a whole. After Wolf left the band in 1983 to pursue a solo career, the band released one more album in 1984 with Justman on lead vocals, before breaking up in 1985. Beginning in 1999, the band had several reunions prior to the death of its namesake, J. Geils, on April 11, 2017.
The J. Geils Band is the self-titled debut studio album by American rock band The J. Geils Band. The album was released on November 16, 1970, by Atlantic Records.
The Morning After is the second studio album by American rock band The J. Geils Band. The album was released in October 1971, by Atlantic Records. The song "Cry One More Time" was later covered by Gram Parsons on his first solo album.
Bloodshot is the third studio album by American rock band The J. Geils Band. The album was released on April 12, 1973, by Atlantic Records. It was the breakthrough release for the band, reaching #10 on the Billboard 200 album chart in the United States, a peak that the band would not surpass until their 1981 multi-platinum album Freeze Frame. The single version of "Give it to Me", which had a very different ending from the album version, reached #30 on the U.S. Billboard Hot 100 and #15 on the Cash Box Top 100.
Ladies Invited is the fourth studio album by American rock band The J. Geils Band. The album was released in November 1973, by Atlantic Records.
Nightmares...and Other Tales from the Vinyl Jungle is the fifth studio album by American rock band The J. Geils Band. The album was released on September 25, 1974, by Atlantic Records.
Hotline is the sixth studio album by American rock band The J. Geils Band. The album was released on September 9, 1975, by Atlantic Records.
Blow Your Face Out is the second live album by American rock band the J. Geils Band, released in 1976.
Monkey Island is the seventh studio album by American rock band the J. Geils Band, though it is credited with the shortened band name of "Geils", the only album in their catalog for which this was done. The album was released on June 9, 1977, by Atlantic Records.
Sanctuary is the eighth studio album by American rock band the J. Geils Band. The album was released in November 1978 and is the first released by EMI Records.
Best of the J. Geils Band is the first Best Of album by American rock band The J. Geils Band, released in 1979.
Freeze-Frame is the tenth studio album by American rock band the J. Geils Band, and the last one to feature original vocalist Peter Wolf. The album was released on October 26, 1981, by EMI Records. It reached number one on the United States Billboard 200 album chart in February 1982, and remained at the top for four weeks. The album featured the hit singles "Centerfold" and "Freeze Frame". "Angel in Blue" also reached the US Top 40.
Showtime! is the third and final live album by American rock band The J. Geils Band during their career. It was recorded at the Pine Knob Music Theater in Clarkston, Michigan on September 4, 1982. While some critics consider it to be weaker than the group's two earlier live albums "Live" Full House (1972) and Blow Your Face Out (1976), this release captures the band at its commercial peak. The tracks are drawn primarily from the four studio albums released since Blow Your Face Out:Monkey Island (1977); Sanctuary (1978); Love Stinks (1980); and Freeze Frame (1981). This was the last release by the band before frontman Peter Wolf's departure in 1983.
You're Gettin' Even While I'm Gettin' Odd is the eleventh and final studio album by American rock band the J. Geils Band and the only one recorded without singer Peter Wolf. The band's keyboardist Seth Justman produced the album, did all the song and horn arrangements, wrote all the songs with lyrical help from Paul Justman, and provided the majority of the album's lead vocals, with drummer Stephen Jo Bladd singing lead on three tracks. Compared to the band's earlier works, which leaned towards a more live rock band sound, You're Gettin' Even While I'm Gettin' Odd emphasizes overdubbing and production. The album was released on October 5, 1984, by EMI Records.
Peter Wolf is an American musician best known as the lead vocalist of The J. Geils Band from 1967 to 1983 and as a solo artist.
Information is a 1983 album by Welsh rock musician Dave Edmunds. The album was his second release for Arista Records and Columbia Records.
"Angel in Blue" is a song written by Seth Justman that was first released by the J. Geils Band on their 1981 album Freeze Frame. Cissy Houston and Luther Vandross appear on the song as back up vocalists. "Angel in Blue" was also released on a number of J. Geils Band compilation albums, including Centerfold, The Very Best J. Geils Band Album Ever and Best of The J. Geils Band, as well as several multi-artist compilation albums.
"Love Stinks" is a song written by Peter Wolf and Seth Justman that was the title track of the J. Geils Band's 1980 album Love Stinks. The song was released as a single and peaked in the US at #38, spending three weeks in the Top 40. In Canada, the song reached number 15, as it did on WLS-AM in Chicago.
Best of the J. Geils Band is a compilation album by American rock band The J. Geils Band, released in 2006.
"Come Back" is a song by the J. Geils Band, appearing on their 1980 album Love Stinks. "Come Back" was the first single from the album, and reached the US Top 40, peaking at No. 32 and remaining in the Top 40 for five weeks. It peaked at No. 19 for two weeks in Canada. It also made Billboard's Club Play Singles chart, peaking at No. 69. The song remains in the rotation of classic rock radio stations.
The Geils gang kicked down the door into the Eighties with a surprise New Wave makeover for Boston's finest blues-rock party monsters.