Lucian Kahn

Last updated
Lucian Kahn
Lucian Kahn.jpg
Kahn's 40th birthday (2022)
OccupationGame designer, musician
GenreGames: indie role-playing games, tabletop role-playing games; music: queercore folk-punk
Notable worksgames: Visigoths vs. Mall Goths, Dead Friend, If I Were a Lich, Man; music: Schmekel

Lucian Kahn is an American role-playing game writer/designer and musician based in Brooklyn. [1] [2] His work focuses on LGBT, Jewish, and subcultural themes, typically utilizing satire and farce. His games include Visigoths vs. Mall Goths and his music includes Schmekel.

Contents

Games

Writing and Design

Kahn wrote and designed the tabletop role-playing games Dead Friend: A Game of Necromancy, [3] [4] Visigoths vs. Mall Goths, [5] [6] and the boxed trilogy If I Were a Lich, Man. [7] [8] All three games started out self-published as indie role-playing games, then were reprinted by Hit Point Press in 2023 after the Canadian publisher's kickstarter campaign for If I Were a Lich, Man raised $84,590 in two weeks. [9]

Visigoths vs. Mall Goths lets players play LGBTQ people in 1990s goth subculture [10] with a focus on bisexual people, [11] and uses both classic RPG and dating sim game mechanics. [12] The art is by Los Angeles artist Robin Eisenberg, and the game includes an adventure written by Jonaya Kemper. [13]

If I Were a Lich, Man and Kahn's thoughts about Jewish fantasy tropes were featured in a 2023 Jewish Telegraphic Agency article. [14] The trilogy's title game is about Jewish liches debating how to survive attack by paladins. The game reappropriates antisemitic tropes such as the use of tefillin as phylacteries to store a lich's soul. He sees his work as similar to tricksters fighting evil monarchs in Jewish folklore. Kahn "sees Jewish-coded monsters, and queer-coded villains, as figures of resistance." [14] He explained:

"Maybe somebody thinks they're insulting me or insulting Jews," he said. "My response is: I like vampires and liches and trolls and goblins and think they're much more interesting than bland white muscular humans running through the fields with a cross on their chest hacking at the same things with a sword over and over again." [14]

The second game in the trilogy, Same Bat Time, Same Bat Mitzvah, is about a guest who turns into a vampire at a Bat Mitzvah. In the third game, Grandma's Drinking Song, players collectively write a drinking song while acting out scenes based on Kahn's ancestors' true stories about working as bootleggers during Prohibition in New York City. [14] The trilogy was inspired by What We Do in the Shadows and Russian Doll. [7]

Jess Kung for Polygon named Dead Friend the best game they played in 2022. [15] Alex Roberts interviewed Kahn about designing Dead Friend as an episode of Backstory on One Shot Podcast Network. [4]

Kahn wrote the setting "Gaylords" for the Thirsty Sword Lesbians expansion Advanced Lovers & Lesbians (Evil Hat Productions). [16] It is about gay male warlords and was the first of 50 stretch goals unlocked for the Thirsty Sword Lesbians kickstarter, which raised a total of $298,568. [17] [18] [19]

Editorial

Kahn co-edited the LARP anthology Honey & Hot Wax (Pelgrane Press) with Sharang Biswas, [20] which includes work by nine designers, including Alex Roberts. Author Cecilia Tan called Honey & Hot Wax"a fabulous collection of 'let's pretend' games." [21] During the COVID-19 pandemic, Kahn produced Hibernation Games, a collection of one-player journaling games by five designers including Jeeyon Shim, with themes of winter and solitude. [22]

Awards and Museum Exhibitions

If I Were a Lich, Man won the Indie Game Developer Network award for "Most Innovative" in 2020. [8] Visigoths vs. Mall Goths was part of the exhibition "Game Play: Between Fantasy and Realism" at the Museum of the Moving Image. [23] Honey & Hot Wax received 2 grants from the Effing Foundation. [24]

Honey & Hot Wax was nominated for an IndieCade award in 2020 [25] and an Indie Game Developer Network award for "Game of the Year." [26] Visigoths vs. Mall Goths was nominated for the ENNIE Awards for "Best Writing" in 2020 [27] and the Indie Game Developer Network award for "Best Setting" in 2021. [28] Dead Friend was nominated for an Indie Game Developer Network award for "Most Innovative" in 2019. [29] Kahn was on the production staff for the anthology You & I: Roleplaying Games For Two, [30] which was also nominated for an Indie Game Developer Network award for "Most Innovative" in 2019. [29]

Talks

Kahn spoke on the game designer panel "Playing with Identity: Tabletop Role-Playing Games and the Queer Power Self-Definition" at Flame Con 2019, discussing the impacts of queer identity on game design and play. [31]

Music

Kahn was the singer, songwriter and electric guitar player for the Brooklyn queercore punk band Schmekel, [32] which explored his identity as a gay, Jewish, trans man through comedy. Hugh Ryan for The New York Times compared Kahn's songwriting to gay punk band Pansy Division and Jewish singer/songwriter and satirist Tom Lehrer. [33] According to the Jewish Music Research Centre at Hebrew University of Jerusalem, Kahn wrote the lyrics and punk chord progressions on the guitar for songs like "I'm Sorry, It's Yom Kippur," then electronic keyboard player Ricky Riot altered the chord progressions to make them sound cantorial. [34] Eddy Portnoy wrote that Schmekel was an unsurprising development in Jewish culture because there was evidence of transgender people in the shtetls of early 20th century Europe, and connected the band to "Queer Yiddishkeit." [35] In describing his performances with Schmekel, Kahn said, "Comedy is sacred to me, which is a pretty Jewish sentiment, isn't it?" [36]

Kahn appears as the lead singer of Schmekel in the Tales of the City novel The Days of Anna Madrigal by Armistead Maupin, being flirted with by the character Amos. [37] Kahn was interviewed with Schmekel in Original Plumbing magazine. [38]

Works

Game Design Credits

TitlePublisherCreditsDateRef.
If I Were a Lich, ManHit Point PressDesigner2023 [39] [40]
Visigoths vs. Mall Goths Hit Point PressDesigner2020, 2023 [41] [42] [43]
Dead Friend: A Game of NecromancyHit Point PressDesigner2018, 2023 [44] [45]
Advanced Lovers & Lesbians (anthology) Evil Hat Productions Scenario Writer2022 [46]
Hibernation Games (anthology)self-published (Zinequest 3)Editor, Designer2021 [22]
Critical CareZentensivist StudiosCharacter Writer2021 [47]

[48]

Honey & Hot Wax (anthology) Pelgrane Press Editor, Designer2020 [20]
Jiangshi: Blood in the Banquet Hall (scenario book)Wet Ink Games / Game and a CurryScenario Writer2020 [49]
You & I: Roleplaying Games For TwoGinger GoatProduction Staff2018 [50]

Songwriting Credits

Song TitleAlbumDate
Genderqueer Love SongThe Whale That Ate Jonah2013
Gay ShameThe Whale That Ate Jonah2013
You're Not The Only Bear I FistedThe Whale That Ate Jonah2013
The Binding of IsaacThe Whale That Ate Jonah2013
FTM at the DMVThe Whale That Ate Jonah2013
HomotaschenThe Whale That Ate Jonah2013
Dumpster DiveThe Whale That Ate Jonah2013
New Men With Old Man NamesThe Whale That Ate Jonah2013
I'm Sorry, It's Yom KippurQueers On Rye2011
Shark AttackQueers On Rye2011
I'll Be Your MaccabeeQueers On Rye2011
Pharoah / Moses SlashQueers On Rye2011
Super Transsexual Bros.Queers On Rye2011

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Schmekel was an all-transgender, Jewish folk punk band from Brooklyn, New York, known for their satirical lyrical material. Eddy Portnoy of The Forward cited Schmekel as an example of the cultural movement "Queer Yiddishkeit." Schmekel made their audiences more comfortable with transgender topics through jokes, but also often included lyrical references to obscure queer, Jewish, and punk content that only cultural insiders would recognize. Hugh Ryan for The New York Times compared Schmekel's sound to Pansy Division and compared Lucian Kahn's songwriting to Jewish singer/songwriter and satirist Tom Lehrer. The Advocate compared Schmekel to Pansy Division and Tribe 8, and the book Listen to Punk Rock! Exploring a Musical Genre compared Schmekel's song "I'll Be Your Maccabee" to Pansy Division's song "Homo Christmas." Schmekel's lyrics frequently referred to Jewish holidays, and their first album started with Kahn sounding the Yom Kippur "tekiah" and bassist Nogga Schwartz blowing a shofar before launching into a punk song. The Jewish Music Resource Centre at Hebrew University of Jerusalem noted that Schmekel's music used "direct musical quotes from traditional Jewish melodies such as Chad Gadya, Ma'oz Tzur, and Al Chet". Professor of Musicology Edwin Seroussi compared Schmekel's tongue-in-cheek allusions to prayers to similar inside jokes in Yiddish theatre and vaudeville at the turn of the 20th century.

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References

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