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Roberto Gastone Zeffiro Rossellini was an Italian film director, producer, and screenwriter. He was one of the most prominent directors of the Italian neorealist cinema, contributing to the movement with films such as Rome, Open City (1945), Paisan (1946), and Germany, Year Zero (1948).
Amedeo Nazzari was an Italian actor. Nazzari was one of the leading figures of Italian classic cinema, often considered a local variant of the Australian-American star Errol Flynn. Although he emerged as a star during the Fascist era, Nazzari's popularity continued well into the post-war years.
Assia Noris was a Russian-Italian film actress.
Women and Brigands is a 1950 French-Italian historical melodrama film directed by Mario Soldati and starring Amedeo Nazzari, Maria Mauban and Jean Chevrier. It is based on the story of the legendary guerilla fighter Fra Diavolo, who led a major uprising against French forces in Naples during the Napoleonic Wars. In 1953 it was released in a dubbed version in the United States under the alternative title The King's Guerrillas.
Germana Paolieri was an Italian actress. During the 1930s she became a leading lady of Italian cinema appearing in major films such as the 1938 biopic Giuseppe Verdi.
The Great Appeal is a 1936 Italian war film directed by Mario Camerini and starring Camillo Pilotto, Roberto Villa and Lina d'Acosta. It is sometimes known by the alternative title The Last Roll-Call.
Unjustified Absence is a 1939 Italian "white-telephones" comedy film directed by Max Neufeld and starring Alida Valli, Amedeo Nazzari and Lilia Silvi. A girl leaves school to marry a doctor, but becomes annoyed by his constant absences and decides to secretly resume her studies.
Cavalry is a 1936 Italian drama film directed by Goffredo Alessandrini and starring Amedeo Nazzari, Elisa Cegani and Luigi Carini. The film marked Nazzari's first role as a lead actor, after making his film debut the previous year. It was a box office success and established some of his personal traits that would be brought out even more clearly in his breakthrough role Luciano Serra, Pilot (1938).
The Castiglioni Brothers is a 1937 Italian "white-telephones" comedy film directed by Corrado D'Errico and starring Camillo Pilotto, Ugo Ceseri and Amedeo Nazzari. It was based on a play of the same title by Alberto Colantuoni. The film's sets were designed by the art director Guido Fiorini.
Ginevra degli Almieri is a 1935 Italian historical drama film directed by Guido Brignone and starring Elsa Merlini, Amedeo Nazzari and Uberto Palmarini. Merlini had spotted Nazzari during a stage play, and lobbied for his casting in his film debut. Nazzari went on to be a leading star of Italian cinema. It is set in Florence in the fifteenth century.
Caravaggio, il pittore maledetto is a 1941 Italian historical drama film directed by Goffredo Alessandrini and starring Amedeo Nazzari, Clara Calamai and Lamberto Picasso. Nazzari portrays the painter Caravaggio as a wayward genius. It was one of his favourite screen roles.
Lilia Silvi was an Italian film actress. Silvi was one of several young actresses presented as an Italian equivalent to the Canadian-born Hollywood star Deanna Durbin. She appeared opposite Amedeo Nazzari, the most popular Italian star of the era, in five films.
The Jester's Supper is a 1942 Italian historical film directed by Alessandro Blasetti and starring Amedeo Nazzari, Osvaldo Valenti and Clara Calamai. It was based on a play of the same title by Sem Benelli, which had later been turned into an opera by Umberto Giordano. Like the play, the film is set in the 15th century Florence of Lorenzo the Magnificent and portrays a rivalry that leads to a series of increasingly violent practical jokes.
The Ten Commandments is a 1945 Italian drama film directed by Giorgio Walter Chili. It features an ensemble of Italian actors in episodes based on the Ten Commandments.
Wedding Day is a 1942 Italian "white-telephones" comedy film directed by Raffaello Matarazzo and starring Armando Falconi, Amelia Chellini and Anna Proclemer.
Then We'll Get a Divorce is a 1940 Italian "white-telephones" comedy film directed by Nunzio Malasomma and starring Amedeo Nazzari, Vivi Gioi and Lia Orlandini.
The Taming of the Shrew is a 1942 Italian comedy film directed by Ferdinando Maria Poggioli and starring Amedeo Nazzari, Lilia Silvi and Lauro Gazzolo. It is based on William Shakespeare's play The Taming of the Shrew, with the setting updated to modern-day Rome.
Tomb of the Angels is a 1937 Italian drama film directed by Carlo Ludovico Bragaglia and starring Amedeo Nazzari, Luisa Ferida, and Antonio Gradoli. Roberto Rossellini co-wrote the screenplay and served as assistant director. It was shot on location in the Apuan Alps in Liguria, and is set amidst the marble quarries of the area. It marked an early attempt at realism in Italian cinema, anticipating neorealism of the postwar era. It is similar in style to Walter Ruttmann's Steel of 1933, in it celebrated Italy's industrial strength in line with the propaganda of the Mussolini regime.
One Hundred Thousand Dollars is a 1940 Italian "white-telephones" comedy film directed by Mario Camerini and starring Assia Noris, Amedeo Nazzari and Lauro Gazzolo.
"Luciano Serra Pilota" is a song by the Italian Italo disco duo Righeira, included on their debut studio album, Righeira (1983). Johnson Righeira, the writer of the song, was inspired to write the song after an Italian war drama film of the same name.
