Emo is a music genre characterized by emotional, often confessional lyrics. It emerged as a style of hardcore punk and post-hardcore from the mid-1980s Washington, D.C. hardcore scene, where it was known as emotional hardcore or emocore. The bands Rites of Spring and Embrace, among others, pioneered the genre. In the early-to-mid 1990s, emo was adopted and reinvented by alternative rock, indie rock, punk rock, and pop-punk bands, including Sunny Day Real Estate, Jawbreaker, Cap'n Jazz, and Jimmy Eat World. By the mid-1990s, Braid, the Promise Ring, and the Get Up Kids emerged from Midwest emo, and several independent record labels began to specialize in the genre. Meanwhile, screamo, a more aggressive style of emo using screamed vocals, also emerged, pioneered by the San Diego bands Heroin and Antioch Arrow. Screamo achieved mainstream success in the 2000s with bands like Hawthorne Heights, Silverstein, Story of the Year, Thursday, the Used, and Underoath.
Jimmy Eat World is an American rock band formed in 1993 in Mesa, Arizona. The band is composed of lead vocalist and lead guitarist Jim Adkins, rhythm guitarist and backing vocalist Tom Linton, bassist Rick Burch, and drummer Zach Lind. They have released ten studio albums, the last nine featuring the current line-up.
Drive Like Jehu was an American post-hardcore band from San Diego active from 1990 to 1995 and later from 2014 to 2016. It was formed by rhythm guitarist and vocalist Rick Froberg and lead guitarist John Reis, ex-members of Pitchfork, along with bassist Mike Kennedy and drummer Mark Trombino, both from Night Soil Man, after their two bands disbanded in 1990. Drive Like Jehu's music was characterized by passionate singing, unusual song structure, indirect melodic themes, intricate guitar playing, and calculated use of tension, resulting in a distinctive sound amongst other post-hardcore acts and helped to catalyze the evolution of hardcore punk into emo.
James Christopher Adkins is an American musician who is best known as the lead guitarist, vocalist, and songwriter of the rock band Jimmy Eat World.
Bleed American is the fourth studio album by the American rock band Jimmy Eat World, released on July 24, 2001, by DreamWorks Records. The album was re-released as Jimmy Eat World following the September 11 attacks; that name remained until 2008, when it was re-released with its original title returned.
Static Prevails is the second studio album by American rock band Jimmy Eat World, released on July 23, 1996, through Capitol Records. Following the release of the band's self-titled debut album (1994), they signed to Capitol in mid-1995 for further releases. Carrier member Rick Burch replaced bassist Mitch Porter, who left to become a Mormon missionary. Recorded at Sound City in Los Angeles, California, and at Big Fish, in Encinitas, California, Wes Kidd, Mark Trombino, and Jimmy Eat World acted as producers for the album.
The Artist in the Ambulance is the third studio album by American rock band Thrice. It was released on July 22, 2003, through Island Records, becoming their first release on a major label. The band released their second studio album The Illusion of Safety in March 2002; by July of that year, they were writing material for their next album. Recording sessions were held with producer Brian McTernan at Bearsville Studios in Bearsville, New York; Salad Days Studios in Beltsville, Maryland; and Phase Studios in College Park, Maryland.
Clarity is the third studio album by American rock band Jimmy Eat World. It was released on February 23, 1999, through Capitol Records, with which Jimmy Eat World clashed several times while recording their second studio album Static Prevails (1996). The band recorded a follow-up with producer Mark Trombino in May and June 1998, and were free to make it however they wanted without interference from Capitol. The recording sessions began at Sound City in Van Nuys, California, before moving to Clear Lake Audio in North Hollywood, California. Clarity, which is described as an emo, pop punk, and punk rock release, marked the beginning of frontman Jim Adkins' tenure as the band's main vocalist, taking over from guitarist Tom Linton.
Identity Crisis is the debut studio album by American rock band Thrice, released on Greenflag Records on June 6, 2000. Following the release of their debut EP First Impressions and a brief break in touring, frontman Dustin Kensrue became an employee at Greene Records. Owner Andy Greene was interested in funding the band's debut album; sessions were held at For the Record in Orange, California with the band and Paul Miner as producers.
Frame & Canvas is the third studio album by American rock band Braid. It was released on April 7, 1998, through Polyvinyl Record Co. After the release of the band's second studio album, The Age of Octeen (1996), drummer Damon Atkinson replaced Roy Ewing due to him being unable to commit to touring. Recording sessions took place at Inner Ear Studios in December 1997, with J. Robbins helping with production during the sessions. The album is an emo and post-hardcore release, for which the lyrics were co-written by vocalist/guitarists Chris Broach and Bob Nanna, or solely wrote by Nanna.
Singles is a compilation album of previously unreleased songs and B-sides by Jimmy Eat World. After being planned for release in July 2000, it was eventually released on August 8, 2000. After leaving Capitol Records, the compilation was released as a means of self-funding the recording sessions for their next album Bleed American.
"The Middle" is a song by American rock band Jimmy Eat World. It was released in October 2001 as the second single of their fourth album, Bleed American (2001). It was a number-five hit on the US Billboard Hot 100 in 2002 and reached the top 50 in Australia, Ireland, New Zealand and the United Kingdom. The song was a breakthrough hit for Jimmy Eat World, who had self-financed the recording of the Bleed American album after being dropped by Capitol Records in 1999. It is considered the band's signature song.
Wooden Blue Records was a Phoenix, AZ independent record label in the late 1980s to early 1990s perhaps best known for releasing Jimmy Eat World's first LP in 1994. It specialized in punk rock, indie rock and emo. It was run by Joel Leibow and Jeremy Yocum.
"Pepper" is a song by American alternative rock band Butthole Surfers from their seventh studio album, Electriclarryland (1996). Released on April 11, 1996, the track reached number one on the Billboard Modern Rock Tracks chart and number 29 on the Billboard Hot 100 Airplay chart, becoming the top-ranked song of 1996 on the former listing. In Australia, the song peaked at number 15 on the ARIA Singles Chart and was ranked number four on Triple J's Hottest 100 of 1996. It also reached number two on the Canadian RPM Alternative 30 and number 32 in New Zealand.
"Sweetness" is a song by American rock band Jimmy Eat World. It was released in June 2002 as the third single from their 2001 album, Bleed American. It was originally written soon after the band finished recording Clarity but before the label had finally decided to release the album. However, "Lucky Denver Mint" became a surprise radio hit off of Clarity before the album was even released, driving the label to release Clarity before "Sweetness" could ever be added to its tracklisting. The band also played the song live many times during the Clarity tour, and a demo recording of it was included on the 2007 re-issue of Clarity.
More… is the third studio album by American country music artist Trace Adkins. It was released on November 2, 1999, on Capitol Nashville. It features the singles "Don't Lie", "More", and "I'm Gonna Love You Anyway", which respectively reached No. 27, No. 10, and No. 36 on the Hot Country Songs charts. It was also the only album of his career not to achieve a RIAA certification – Trey Bruce produced all but two of the album's tracks. "Don't Lie" was produced by Paul Worley, while "All Hat, No Cattle" was produced by Ray Benson of Asleep at the Wheel.
The American rock band Jimmy Eat World has released ten studio albums, twenty-three singles, seven extended plays, three live albums, one compilation album, one video album, and one song on the "various artists" compilation What's Mine Is Yours.
Emo pop is a fusion genre combining emo with pop-punk, pop music, or both. Emo pop features a musical style with more concise composition and hook-filled choruses. Emo pop has its origins in the 1990s with bands like Jimmy Eat World, the Get Up Kids, Weezer and the Promise Ring. The genre entered the mainstream in the early 2000s with Jimmy Eat World's breakthrough album Bleed American, which included its song "The Middle". Other emo pop bands that achieved mainstream success throughout the decade included Fall Out Boy, the All-American Rejects, My Chemical Romance, Panic! at the Disco and Paramore. The popularity of emo pop declined in the 2010s, with some prominent artists in the genre either disbanding or abandoning the emo pop style.
Surviving is the tenth studio album by American rock band Jimmy Eat World. The album was released on October 18, 2019, through RCA and Exotic Location Recordings. After touring in support of Integrity Blues (2016) concluded in mid-2017, the band began writing new material. Following various tours throughout 2018 and early 2019, the band recorded their next album in their home studio in Arizona, with co-producer Justin Meldal-Johnsen. Described as an alternative rock, arena rock, emo, pop rock, and pop punk record, Surviving was compared to the band's earlier albums Chase This Light (2007) and Damage (2013).
"Tequila" is a song by English rock band Terrorvision, written by the band and Chuck Rio and produced by Scottish musician Edwyn Collins. The song originally appeared on the band's fourth studio album, Shaving Peaches (1998), and was released as the album's second single on 18 January 1999. For the single release, English music producer Mint Royale remixed the track. These remixes were heavily championed by BBC Radio 1 DJ Zoe Ball, allowing the song to reach number two on the UK Singles Chart, becoming Terrorvision's highest-charting song in the UK. In 1999, the song won the Kerrang! Award for Best Single.
