"Lead, Kindly Light, Amid the encircling gloom" is a hymn with words written in 1833 by John Henry Newman as a poem titled "the Pillar of the Cloud", which was first published in the British Magazine in 1834, and republished in Lyra Apostolica in 1836.
"Let there be light" is an English translation of the Hebrew יְהִי אוֹר found in Genesis 1:3 of the Torah, the first part of the Hebrew Bible. In Old Testament translations of the phrase, translations include the Greek phrase γενηθήτω φῶς and the Latin phrases fiat lux and lux sit. It is part of the Genesis creation narrative.
Dulce et decorum est pro patria mori is a line from the Odes (III.2.13) by the Roman lyric poet Horace. The line translates: "It is sweet and proper to die for one's country." The Latin word patria (homeland), literally meaning the country of one's fathers or ancestors, is the source of the French word for a country, patrie, and of the English word "patriot".
John 1 is the first chapter in the Gospel of John in the New Testament of the Holy Bible.
John 8 is the eighth chapter in the Gospel of John in the New Testament of the Christian Bible. It continues the account of Jesus' debate with the Pharisees after the Feast of Tabernacles, which began in the previous chapter.
Baal was the first full-length play written by the German modernist playwright Bertolt Brecht. It concerns a wastrel youth who becomes involved in several sexual affairs and at least one murder. It was written in 1918, when Brecht was a 20-year-old student at Munich University, in response to the expressionist drama The Loner by the soon-to-become-Nazi dramatist Hanns Johst.
Karl Valentin was a Bavarian comedian. He had significant influence on German Weimar culture. Valentin starred in many silent films in the 1920s, and was sometimes called the "Charlie Chaplin of Germany". His work has an essential influence on artists like Bertolt Brecht, Samuel Beckett, Loriot and Helge Schneider.
The Elephant Calf, also known as The Baby Elephant, is an early one-act surrealistic prose farce written by the German modernist playwright Bertolt Brecht. It originally formed the penultimate scene of Brecht's full-length play Man Equals Man, but by 1926 Brecht had separated it to an appendix to the published text. It was performed as part of Man Equals Man that same year. It is an interlude form of play within a play and in a later note Brecht suggests that it is "to be played in the foyer". He has also given it the subtitle "or The provability of any and every contention".
Post tenebras lux is a Latin phrase translated as Light After Darkness. It appears as Post tenebras spero lucem in the Vulgate version of Job 17:12.
The Decision, frequently translated as The Measures Taken, is a Lehrstück and agitprop cantata by the twentieth-century German dramatist Bertolt Brecht. Created in collaboration with composer Hanns Eisler and director Slatan Dudow, it consists of eight sections in prose and unrhymed, free verse, with six major songs. A note to the text by all three collaborators describes it as an "attempt to use a didactic piece to make familiar an attitude of positive intervention."
In the Jungle of Cities is a play by the German modernist playwright Bertolt Brecht. Written between 1921 and 1924, it received its first theatrical production under the title Im Dickicht at the Residenztheater in Munich, opening on 9 May 1923. This production was directed by Erich Engel, with set design by Caspar Neher. The cast included Otto Wernicke as Shlink the lumber dealer, Erwin Faber as George Garga, and Maria Koppenhöfer as his sister Mary. Im Dickicht was produced at Max Reinhardt's Deutsches Theater in Berlin, where Brecht had been employed as a dramaturg. The production opened on 29 October 1924, with the same director and scenographer, but in a cut version with a new prologue and the title Dickicht: Untergang einer Familie. Fritz Kortner played Shlink and Walter Frank played George, with Franziska Kinz, Paul Bildt, Mathias Wieman, and Gerda Müller also in the cast. Willett and Manheim report that this production "was not a success".
Round Heads and Pointed Heads is an epic parable play written by the German dramatist Bertolt Brecht, in collaboration with Margarete Steffin, Emil Burri, Elisabeth Hauptmann, and the composer Hanns Eisler. The play's subtitle is Money Calls to Money and its authors describe it as "a tale of horror." The play is a satirical anti-Nazi parable about a fictitious country called Yahoo in which the rulers maintain their control by setting the people with round heads against those with pointed heads, thereby substituting racial relations for their antagonistic class relations. The play is composed of 11 scenes in prose and blank verse and 13 songs. Unlike another of Brecht's plays from this period, The Mother, Round Heads and Pointed Heads was addressed to a wide audience, Brecht suggested, and took account of "purely entertainment considerations." Brecht's notes on the play, written in 1936, contain the earliest theoretical application of his "defamiliarization" principle to his own "non-Aristotelian" drama.
The Life of Edward II of England, also known as Edward II, is an adaptation by the German modernist playwright Bertolt Brecht of the 16th-century historical tragedy by Marlowe, The Troublesome Reign and Lamentable Death of Edward the Second, King of England, with the Tragical Fall of Proud Mortimer (c.1592). The play is set in England between 1307 and 1326. A prefatory note to the play reads:
Driving Out a Devil is an early one-act farce by the 20th-century German dramatist Bertolt Brecht. It was written in prose, probably in 1919, and was first published in volume 13 of Brecht's Stücke. The play charts the attempts of a self-confident and manipulative Bavarian peasant boy to outwit the vigilant parents of a girl of his village. Ronald Hayman suggests that this play dramatises most clearly Brecht's own ability to influence people.
Turandot or the Whitewashers' Congress is an epic comedy by the German modernist playwright Bertolt Brecht. It was written during the summer of 1953 in Buckow and substantially revised in light of a brief period of rehearsals in 1954, though it was still incomplete at the time of Brecht's death in 1956 and did not receive its first production until several years later. It premièred on 5 February 1969 at the Zürich Schauspielhaus, in a production directed by Benno Besson and Horst Sagert, with music by Yehoshua Lakner.
"Light of the World" is a phrase Jesus used to describe himself and his disciples in the New Testament. The phrase is recorded in the Gospels of Matthew (5:14–16) and John (8:12). It is closely related to the parables of salt and light and lamp under a bushel, which also appear in Jesus' Sermon on the Mount.
Via et veritas et vita is a Latin phrase meaning "the way and the truth and the life". The words are taken from Vulgate version of John 14, and were spoken by Jesus in reference to himself.
"Precious Angel" is a song written by Bob Dylan that first appeared on his 1979 album Slow Train Coming. It was also released as a single in the Netherlands. "Precious Angel'" is a religious love song, released during his "born-again Christian" period. Music critic Michael Gray considers it one of the standout tracks on Slow Train Coming.
Eugen Berthold Friedrich Brecht, known as Bertolt Brecht and Bert Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote The Threepenny Opera with Elisabeth Hauptmann and Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, he wrote didactic Lehrstücke and became a leading theoretician of epic theatre and the Verfremdungseffekt.
Yılmaz Onay was a Turkish author, theatre director and translator.