M. Moleiro Editor is a publishing house specialising in high-quality facsimile reproductions of codices, maps and illuminated manuscripts. Founded in Barcelona in 1991, the firm has reproduced many masterpieces from the history of illumination.
In 1976, whilst still a student, Manuel Moleiro created Ebrisa, a publishing house specialised in books on art, science and cartography which collaborated on a variety of joint enterprises with other publishers including Times Books, Encyclopædia Britannica, Macmillan, Edita, Imprimerie Nationale and Franco Maria Ricci. [1]
In 1991, Moleiro decided to create a company with his own name and brand. Since then he has specialised in identical reproductions of some of the greatest medieval and Renaissance bibliographic treasures, obtaining authorisation to do so from libraries and museums of great universal renown such as the Bibliothèque nationale de France, the British Library, the Morgan Library & Museum, the Metropolitan Museum, New York, the National Library of Russia, the Huntington Library and the Gulbenkian Foundation, Lisbon. [2]
To certify this labour of cultural diffusion, each facsimile has a companion volume of studies by manuscript experts. [3]
As a result of publishers applying the term "facsimile" to different types of reproduction of poor quality in recent decades, M. Moleiro Editor decided to label their codices "quasi-original" to reflect the accuracy of their reproductions. In 2010, the French newspaper Le Monde wrote, "The Spanish publishing house Moleiro has invented the "quasi original", a more appropriate term for describing the extremely painstaking artisan work involved in manufacturing these works which are more like clones than facsimiles". [4] Indeed, no expense is spared in any of their editions to duplicate the texture, smell, thickness and variable density of paper and parchment, the gold in the miniatures, the leather bindings, and thread used to sew them. The resulting copies are therefore deemed to be clones and not merely reproductions.
All this publisher's editions are unique, first editions, limited to 987 numbered copies authenticated by notary public.
In 2001, The Times described the work of this publishing house as "The Art of Perfection". [5] One year later in the same newspaper, Allegra Stratton wrote that "the Pope sleeps with one of Moleiro's quasi-originals by his bed". [6]
M. Moleiro Editor has reproduced several works by Beatus of Liébana – the Cardeña Beatus, the Arroyo Beatus, the Silos Beatus, the Beatus of Ferdinand I and Sancha and the Girona Beatus – and also the three volumes of the Bible of Saint Louis , deemed to be the most important bibliographic monument of all time with a total of 4887 miniatures. Their catalogue also features many books of hours such as the Isabella Breviary , the Great Hours of Anne of Brittany and the Book of Hours of Joanna I of Castile; medicinal treatises such as the Book of Simple Medicines and Tacuinum Sanitatis and cartographic masterpieces such as the Miller Atlas and the Vallard Atlas .
The Kingdom of Asturias was a kingdom in the Iberian Peninsula founded by the Visigothic nobleman Pelagius. It was the first Christian political entity established after the Umayyad conquest of Visigothic Hispania in 711. In 718 or 722, Pelagius defeated an Umayyad army at the Battle of Covadonga, in what is retroactively regarded as the beginning of the Reconquista.
A psalter is a volume containing the Book of Psalms, often with other devotional material bound in as well, such as a liturgical calendar and litany of the Saints. Until the emergence of the book of hours in the Late Middle Ages, psalters were the books most widely owned by wealthy lay persons. They were commonly used for learning to read. Many Psalters were richly illuminated, and they include some of the most spectacular surviving examples of medieval book art.
A mappa mundi is any medieval European map of the world. Such maps range in size and complexity from simple schematic maps 25 millimetres or less across to elaborate wall maps, the largest of which to survive to modern times, the Ebstorf map, was around 3.5 m in diameter. The term derives from the Medieval Latin words mappa and mundus (world).
The Saint-Sever Beatus, also known as the Apocalypse of Saint-Sever, is a Romanesque Illuminated manuscript from the 11th century. The manuscript was made at Saint-Sever Abbey, then in the Duchy of Gascony, under the direction of Gregory of Montaner, abbot between 1028 and 1072. It is believed that the primary artist-scribe who illustrated the manuscript was Stephanus Garsia, working alongside other unnamed individuals.
Taqwīm aṣ‑Ṣiḥḥa is originally an 11th-century Arab medical treatise by ibn Butlan of Baghdad. In the West, the work is known by the Latinized name taken by its translations: TacuinumSanitatis.
The Morgan Beatus is an illuminated manuscript with miniatures by the artist Magius of the Commentary on the Book of the Apocalypse by the eighth-century Spanish monk Beatus, which described the end of days and the Last Judgment. The manuscript is believed to have been produced in and around the scriptorium of the Monastery of San Miguel de Escalada in Spain. Having been created at some time in the 10th century, the Morgan Beatus is one of the oldest examples of a revived Spanish apocalypse tradition. According to the style it was created by Mozarabs. As one of the earliest works of Mozarabic art, the Morgan Beatus exemplifies the interworking connections between the Christian citizens of Spain under the Muslim Moorish leaders, especially in newly Arabicized areas such as Léon and Córdoba. The Apocalypse and the commentary on this scripture by Saint Beatus of Liébana became one of the most important religious texts of the Middle Ages, and was often illustrated very fully.
Ticonius, also spelled Tyconius or Tychonius, was a major theologian of 4th-century North African Latin Christianity. He was a Donatist writer whose conception of the City of God influenced St. Augustine of Hippo.
There exist a number of translations of the Book of Psalms into the Latin language. They are a resource used in the Liturgy of the Hours and other forms of the canonical hours in the Latin liturgical rites of the Catholic Church.
The Bible of St Louis, also called the Rich Bible of Toledo or simply the Toledo Bible, is a Bible moralisée in three volumes, made between 1226 and 1234 for King Louis IX of France at the request of his mother Blanche of Castile. It is an illuminated manuscript that contains selections of the text of the Bible, along with a commentary and illustrations. Each page pairs Old and New Testament episodes with illustrations explaining their moral significance in terms of typology. Every excerpt of the Bible is illustrated with two miniatures. The first shows a representation of the text fragment as such, the second shows a theological or an allegorical scene explaining the text fragment in the light of the teachings of the Church. The miniatures are accompanied by the Bible text and by a short comment on the typological relationship between the two images.
The Beatus map or Beatine map is one of the most significant cartographic works of the European Early Middle Ages. It was originally drawn by the Spanish monk Beatus of Liébana, based on the accounts given by Isidore of Seville, Ptolemy and the Hebrew Bible. Although the original manuscript is lost, there remain several copies extant, which retain a high fidelity with respect to the original.
Commentary on the Apocalypse is a book written in the eighth century by the Spanish monk and theologian Beatus of Liébana (730–785) and copied and illustrated in manuscript in works called "Beati" during the 10th and 11th centuries AD. It is a commentary on the New Testament Apocalypse of John or Book of Revelation. It also refers to any manuscript copy of this work, especially any of the 27 illuminated copies that have survived. It is often referred to simply as the Beatus. The historical significance of the Commentary is made even more pronounced since it included a world map, which offers a rare insight into the geographical understanding of the post-Roman world. Well-known copies include the Morgan, the Saint-Sever, the Gerona, the Osma and the Madrid Beatus codices.
The British Library is a research library in London that is the national library of the United Kingdom. It is one of the largest libraries in the world. It is estimated to contain between 170 and 200 million items from many countries. As a legal deposit library, the British Library receives copies of all books produced in the United Kingdom and Ireland, including a significant proportion of overseas titles distributed in the UK. The Library is a non-departmental public body sponsored by the Department for Culture, Media and Sport.
The Gerona Beatus is a 10th-century illuminated manuscript currently housed in the museum of Girona Cathedral, Catalonia, Spain.
The Isabella Breviary is a late 15th-century illuminated manuscript housed in the British Library, London. Queen Isabella I of Castile was given the manuscript shortly before 1497 by her ambassador Francisco de Rojas to commemorate the double marriage of her children and the children of Emperor Maximilian of Austria and Duchess Mary of Burgundy.
The Hours of Joanna I of Castile is a sixteenth-century illuminated codex housed in the British Library, London, under call number Add MS 35313.
The Apocalypse of Lorvão is an illuminated manuscript from Lorvão, Portugal containing the Commentary on the Apocalypse of Beatus of Liébana Monastery, Spain.
The Cloisters Apocalypse, MS 68.174 is a small French illuminated manuscript dated c. 1330. It is based on John the Evangelist's New Testament visions and apocalyptic revelation. According to Christian legend John was exiled c. 95 CE to the Aegean island of Patmos, where he wrote the Book of Revelation. The book evokes John's despair and isolation while exiled, and his prophecy of events and terrors of the last days.
The Abbey of Our Lady of Lorvão, known simply as Lorvão Abbey, was a monastery in the civil parish of Lorvão in the Coimbra District of Portugal. According to tradition, it was founded in the 6th century, but no documentation of the foundation exists until the late 9th century, the period of the Christian Reconquest of the lands, which had then been held by Muslim conquerors for over 150 years. It served a monastic community for a thousand years. Originally housing a community of monks, it initially prospered as a major point of trade between the Christian inhabitants to its north and the Muslim kingdoms to its south. During the 12th century, its workshops were noted for their magnificent illuminated manuscripts. Soon after that, its monks were removed and the monastery became the home of a community of nuns. They occupied the site until the abolition of religious orders in Portugal during the 19th century.
The Spanish illumination of the Early Middle Ages is the art of decorating books that developed in Spain from the 8th to the 11th. The country was marked by the Muslim occupation from 711, which tended to isolate it from the rest of Europe. In the regions that remained Christian, first in the Kingdom of Asturias and then in León, an original art was invented in monasteries, mixing Visigothic, Carolingian, and also Moorish influences.
Moleiro manuscripts are so highly regarded that when President George W. Bush visited Madrid last year, the Spanish Government presented the American First Lady, Laura Bush, with a Book of Hours. The Pope, another loyal fan, keeps his copy of Moleiro's Martyrologies by his bed... The British Library owns all three of Moleiro's maps and Oxford's Bodleian has just bought the £9,000 St Louis Bible; of which Moleiro has already sold 500.