The Magnificat Baroque Ensemble, or Magnificat, is an early music ensemble of voices and instruments specializing in the Baroque music of the 17th century under the artistic direction of Baroque cellist Warren Stewart. Stewart founded the ensemble in San Francisco in 1989 with Baroque harpsichordist Susan Harvey. Harvey resigned in 2000, and the group has remained under the sole musical direction of Stewart since then. The group derives its name from the first word of the Latin translation of the Canticle of Mary in the Gospel of Luke ( Luke 1:46-55 ), Magnificat anima mea, "My soul magnifies the Lord", which is sung during the Roman Catholic evening prayer or vespers service.
The ensemble's repertoire covers the sweep of religious, stage, and chamber music of the 17th Century by such giants as Claudio Monteverdi, Giacomo Carissimi, Alessandro Stradella, Marc-Antoine Charpentier, Heinrich Schütz, Dieterich Buxtehude, Henry Purcell, and lesser-known and infrequently performed composers of the era.
Magnificat has particularly championed and performed music by women composers Francesca Caccini, Isabella Leonarda, Barbara Strozzi and Chiara Margarita Cozzolani and has hosted a conference on Women and Music in Seventeenth Century Italy. Magnificat's annual concerts, recordings, and participation in music festivals have won audience and critical acclaim, and engaged the collaboration of respected scholars and musicologists.
In addition to their own concerts in the San Francisco Bay Area, Magnificat has been presented by The Berkeley Early Music Festival, The Seattle Early Music Guild, The Carmel Bach Festival, Music Before 1800, The Tropical Baroque Festival, and The Society for Seventeenth Century Music. They have recorded for the Koch International and Music Omnia labels.
Since 1989 Magnificat has provided period instrument ensembles to San Francisco Bay Area choral groups desiring to bring historically-informed performance practice to their concerts through its affiliate, the Jubilate Orchestra, which has now collaborated in over 300 performances with a variety of groups.
Magnificat's repertoire includes the genres of sacred music motets, masses, vespers, cantatas and oratorios, as well as vocal chamber music, opera, pastorales and other works for the stage. It is particularly noted for its musical reconstruction of religious works in the liturgical context in which they were first performed. Religious works are performed with all the music a 17th-century audience would have heard in church including liturgical chants and prayers. Audiences are invited to join in singing congregational hymns and chorales that form part of the reconstruction.
Outstanding among its reconstructions is the performance of all the music performed at the rededication of the chapel of St. Gertrude in Hamburg in 1607. A premier musical establishment severely damaged by fire, its rededication drew the collaboration of major composers of North Germany. Following the composer's suggestion Magnificat performed Heinrich Schütz’ Musikalische Exequien as a paraphrase for the Kyrie and Gloria in a Lutheran mass for the Feast of the Purification at the Berkeley Early Music Festival in 1996 and again in their own series in 2009.
Magnificat's signature work is Monteverdi's great Vespro della Beata Vergine 1610 (Vespers of the Blessed Virgin of 1610) written to win the prestigious musical directorship of St. Mark's in Venice and which Magnificat performed in 1994 and 1999. It was again performed in 2010 to mark the work's 400th anniversary.
Magnificat has performed the first opera buffa featuring a basso buffo in the title role, Stradella's Il Trespolo tutore , and will perform the first opera written by a woman, Francesca Caccini's La Liberazione di Ruggiero in October 2009. It has also staged performances of Charpentier's rarely performed music for Jean-Baptiste Molière's comedy Le Malade Imaginaire .
Notable among its opera productions have been its performances with the Carter Family Marionettes of the puppet opera La Grandmère amoureuse by Fuzelier and Dorneval from the Parisian Théâtre de la foire "theaters of the fair" tradition and Jacopo Melani’s Il Girello. The October 2009 presentations of Caccini's La Liberazione di Ruggiero will be performed with the Carters according to the Sicilian puppet tradition.
Emerging from the early music revival Magnificat was originally conceived as a collective of equal parts - a "chamber music" esthetic grounded in the talent and individual inspiration of Magnificat's musicians that is reflected in its interpretations and recognized by its audiences. Over the years, Magnificat has been guided by the spirit of the period in its emphasis on dramatic narrative and sensitive emotional expression. The ensemble has given numerous contemporary premieres of music not heard for the last 200 – 300 years. Because much music of the 17th century still remains unavailable, performing editions have been prepared from original manuscript sources by Stewart and musicologists on Magnificat's Artistic Advisory Board.
Magnificat is a California 501(c)(3) non-profit organization governed by a Board of Directors whose current president is Nicholas Elsishans. Stewart serves as its Musical Director and Dominque Pelletey as its Managing Director. Nina Korniyenko serves as Creative Director and Boby Borisov as Audio Engineer. The group's agent is Robert Friedman Presents.
An Advisory Board of scholars and musicologists contribute advice, performing editions, and scholarly essays for programs, websites, and CD notes which are posted on Magnificat's website. Advisory Board members are Alan Curtis of the ensemble Il Complesso Barocco; Robert Kendrick (University of Chicago); Jeffrey Kurtzman (Washington University in St. Louis); John Powell, (University of Tulsa); Elanor Selfridge-Field (Stanford University); and Kate van Orden (University of California, Berkeley).
Musical reconstruction of the 1607 Re-Dedication of St. Gertrude's Chapel in Hamburg
CD's and downloads of these recordings are available at Magnificat's website as are selections of individual pieces from its performances.
Pietro Alessandro Gaspare Scarlatti was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera. He was the father of two other composers, Domenico Scarlatti and Pietro Filippo Scarlatti.
Vespro della Beata Vergine, SV 206, is a musical setting by Claudio Monteverdi of the evening vespers on Marian feasts, scored for soloists, choirs, and orchestra. It is an ambitious work in scope and in its variety of style and scoring, and has a duration of around 90 minutes. Published in Venice as Sanctissimae Virgini Missa senis vocibus ac Vesperae pluribus decantandae, cum nonnullis sacris concentibus, ad Sacella sive Principum Cubicula accommodata, it is sometimes called Monteverdi's Vespers of 1610.
René Jacobs is a Belgian musician. He came to fame as a countertenor, but later in his career he became known as a conductor of baroque and classical opera.
Antonio Alessandro Boncompagno Stradella was an Italian composer of the middle Baroque period. He enjoyed a dazzling career as a freelance composer, writing on commission, and collaborating with distinguished poets, producing over three hundred works in a variety of genres.
Francesca Caccini was an Italian composer, singer, lutenist, poet, and music teacher of the early Baroque era. She was also known by the nickname "La Cecchina" [la tʃekˈkiːna], given to her by the Florentines and probably a diminutive of "Francesca". She was the daughter of Giulio Caccini. Her only surviving stage work, La liberazione di Ruggiero, is widely considered the oldest opera by a woman composer. As a female composer she helped to solidify the agency and the cultural and political programs of her female patron.
The Monteverdi Choir was founded in 1964 by Sir John Eliot Gardiner for a performance of the Vespro della Beata Vergine in King's College Chapel, Cambridge. A specialist Baroque ensemble, the Choir has become famous for its stylistic conviction and extensive repertoire, encompassing music from the Renaissance period to Classical music of the 20th century. They often appear with John Eliot Gardiner's orchestras, the English Baroque Soloists and Orchestre Révolutionnaire et Romantique.
La liberazione di Ruggiero dall'isola d'Alcina is a comic opera in four scenes by Francesca Caccini, first performed 3 February 1625 at the Villa di Poggio Imperiale in Florence, with a libretto by Ferdinando Saracinelli based on Ludovico Ariosto's Orlando Furioso. It is the first opera written by a woman and was long considered to be the first Italian opera to be performed outside of Italy. It was performed to celebrate the visit of Prince Władysław of Poland during Carnival 1625, and it was revived in Warsaw in 1628. The work was commissioned by her employer Regent Archduchess Maria Maddalena of Austria, wife of Cosimo II de' Medici. Ruggiero was printed under the protection of Maria Magdalena in 1625, only five years after the first printed opera in Italy. It is the only opera by Francesca Caccini to survive.
The Boston Early Music Festival (BEMF) is a non-profit organization founded in 1980 in Boston, Massachusetts, U.S. to promote historical music performance. It presents an annual concert series in Boston and New York City, produces opera recordings, and organizes a weeklong Festival and Exhibition every two years in Boston. A centerpiece of these festivals has been a fully staged Baroque opera production. One of BEMF's main goals is to unearth lesser-known Baroque operas, which are then performed by the world's leading musicians armed with the latest information on period singing, orchestral performance, costuming, dance, and staging at each biennial Festival. BEMF operas are led by the BEMF Artistic Directors Paul O’Dette and Stephen Stubbs, BEMF Orchestra Director Robert Mealy, and BEMF Opera Director Gilbert Blin. In 2008, BEMF introduced its Chamber Opera Series as part of its annual concert season. The series presents semi-staged productions of chamber operas composed during the Baroque period. In 2011, BEMF took its chamber production of Handel's Acis and Galatea on a four-city North-American tour. In 2004, BEMF initiated a project to record some of its work in the field of Baroque opera on the CPO recording label. The series has since earned five Grammy Award nominations, including a 2015 Grammy Award for Best Opera Recording.
Agnès Mellon is a French soprano who specializes in baroque music.
Gabriel Garrido is an Argentinian conductor specialising in Italian baroque and the recovery of the baroque musical heritage of Latin America.
Pascal Bertin is a French countertenor.
His Majestys Sagbutts & Cornetts (HMSC) is a British early music group founded in 1982. The ensemble presently consists of three cornetts and four sackbuts, with chamber organ or harpsichord. The group frequently collaborates with other instrumentalists and singers, and has an extensive discography on Hyperion Records and other labels.
Emily Van Evera is an American soprano who specializes in early music and Baroque music in historically informed performance.
Concerto Vocale is a Belgian musical ensemble for baroque music.
Jill Feldman is an American soprano who has acquired an international reputation for her interpretation of medieval, baroque and classical repertoires.
Tenet, currently known as TENET Vocal Artists, is an early music vocal and instrumental ensemble based in New York City. They perform on period instruments, and specialize in one-voice-per-part singing. Called “a major force in the New York early music world", TENET maintains a flexible roster of professional musicians from across the US and the world. Their singers have garnered praise for performing with "an uncanny degree of precision”.
Bruno Boterf is a contemporary French tenor, specialising in Baroque and early music.
Jeffrey Kurtzman is an American pianist, musicologist and editor. A professor of musicology at the Washington University in St. Louis, he is known for his research on Italian sacred music of the 17th century, especially Monteverdi's Vespro della Beata Vergine.
Fabian Kelly is a German tenor and choral conductor. As a singer, he is most active in concert, including historically informed performances in works such as Monteverdi's Vespro della Beata Vergine and Handel's Messiah. He recorded a revival of Franz Ignaz Beck's opera L'isle déserte and Mozart's Requiem.