A Maiba or an Amaiba (literally, "priest" [1] ) is a male religious leader authorised to perform the sacred rites and rituals of Sanamahism (Meitei religion), [1] especially as a mediatory agent between human beings and one or more deities. They have the authority or power to administer religious rites as well as sacrifices to gods. Their office or institution is called Maiba Loishang (Maiba Loisang), later renamed as Pandit Loisang, during Aryanisation of Meitei culture. They also served as healers, doctors, [2] magicians, [3] medicine men, [4] physicians and shamans. [1] [5] They play important roles in the ancestor worship (apokpa khurumjaba) ceremony. [6] Chief priest or chief among the maibas is called Maichou, a term formed with the amalgamation of two words ("maiba"- priest, "achouba"- big, chief, great). [7] Since their position is not hereditary, they acquire their positions through talent and skills. [3] The female counterpart of a Maiba is a Maibi.
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Gaidinliu Pamei popularly known as Rani Gaidinliu was a Naga spiritual and political leader who led a revolt against British rule in India. At the age of 13, she joined the Heraka religious movement of her cousin Haipou Jadonang. The movement later turned into a political movement seeking to drive out the British from Manipur and the surrounding Naga areas. Within the Heraka faith, she came to be considered an incarnation of the Goddess Cherachamdinliu. Gaidinliu was arrested in 1932 at the age of 16, and was sentenced to life imprisonment by the British rulers. Jawaharlal Nehru met her at Shillong Jail in 1937, and promised to pursue her release. Nehru gave her the title of "Rani" ("Queen"), and she gained local popularity as Rani Gaidinliu.
Sanamahism, Meiteism, or Lainingthouism is an ethnic religion of the Meitei people of Kangleipak in Northeast India. It is a polytheistic religion and is named after God Lainingthou Sanamahi, one of the most important deities of the Meitei faith. Sanamahi is the eldest son of the supreme god Yaibirel Sidaba and the supreme goddess Leimarel Sidabi. Traditionally every Meitei household, irrespective of the religion, worships Sanamahi and Leimarel Sidabi. The importance of Sanamahi in the religion is also emphasized in the name itself which means Liquid Gold. Sanamahism does not have a religious head but has a body, Maru Loishang that oversees the main religious activities and govern all affairs pertaining to the religion including conducts of priest and priestess. The Maru Loishang also acts a court for religious disputes. There are three main departments under the Pandit Loishang, namely, the Amaiba Loishang, the Pena Asheiba Loishang and the Amaibi Loishang. These departments have existed since the reign of King Meidingu Hongnemyoi Khunjao Naothingkhong of Manipur in 662 AD.
Naga nationalism is an ideology that supports the self-determination of the Naga people in India and Myanmar, and the furtherance of Naga culture.
Jadonang Malangmei (1905-1931), popularly known as Haipou Jadonang, was a Naga spiritual leader and political activist from Manipur, British India. He established the Heraka religious movement, which was based on the ancestral Naga religion, and declared himself to be the "messiah king" of the Nagas. His movement was widespread in the Zeliangrong territory before the conversion to Christianity. He also espoused the cause of an independent Naga kingdom, which brought him in conflict with the colonial British rulers of India. He was hanged by the British in 1931, and succeeded by his cousin Rani Gaidinliu.
Leimarel Sidabi or Leimalel Sitapi is a goddess in Meitei mythology and the religion of Ancient Kangleipak. She is the highest female divinity in the Meitei pantheon. She is the goddess of earth, of nature and the household. She is revered as the mother of every living being in the universe.
Nongshaba, also spelled as Nongsaba, is a Lion God in Meitei religion (Sanamahism) and mythology. He is also regarded as a king of the gods. He is credited with producing light in the primordial universe and is regarded as the maker of the sun. He is worshipped by the people of both the Ningthouja clans as well as the Moirang clans. God Nongshaba was worshipped by the people of Moirang clan as a lineage deity and regarded as the father of God Thangching (Thangjing). He is the greatest of the Umang Lais in Ancient Kangleipak but he made his only son Thangching (Thangjing) the chief deity of Moirang.
There are many different dance styles from Manipur, a state in northeastern India bordering with Myanmar (Burma), Assam, Nagaland and Mizoram. Manipuri dances encompasses both classical and folk dance forms. The Raas Leela is one of the major Indian classical dance forms. The folk dance forms are mainly attributed to ancient Meitei deities such as Umang Lai and performed during Lai Haraoba, and also the dances of the different tribal communities of Manipur.
Khuman Pokpa or Khuman Apokpa is the Apokpa of the Khuman clan. He is regarded as the founder of the Khuman dynasty. He is one of the three members of the Mangang Luwang Khuman in Meitei mythology and religion. He represents the time of the sunset and the night.
Konthoujam Tampha Lairembi or Chingphuron Konthousu is a goddess in Meitei mythology and religion (Sanamahism) of ancient Kangleipak. She was formerly a mortal being belonging to the Haorok Konthou clan. She is a consort of the sky god Salailen. Her only child is Khoriphaba.
Khoriphaba is a God in Meitei mythology and religion of Ancient Kangleipak. He is the son of Sky God Salailen and Goddess Konthoujam Tampha Lairembi. He came down from heaven to earth to search for his mother and then for a bride. He is best known for wrestling with Loyalakpa in the Lai Haraoba festival. He is also a polo playing God.
Phouoibi (Fouoibi) or Phouoipi (Fouoipi) or Phouleima (Fouleima) or Phoureima (Foureima) is the goddess and the female personification of the agriculture, crops, fertility, grains, harvest, paddy, rice and wealth in Meitei mythology and religion of Ancient Kangleipak (early Manipur). She is the lover of Akongjamba, a hero in ancient legends. But fate does not permit the lovers to unite. So, Phouoibi and Akongjamba reincarnated in the legends. She was sent by Thangching (Thangjing) to Kege Moirang (Keke Moilang) kingdom to prosper the human world. The legends of her love with Akongjamba were believed to be enacted by Thangching (Thangjing) as a part of the Epic cycles of incarnations (Moirang Saiyon) of the Moirang Kangleirol legends.
Loyalakpa, also spelt as Loyarakpa, is a God in Meitei mythology and religion of Ancient Kangleipak. He is best known for wrestling with Khoriphaba during the Lai Haraoba festival. He is the consort of goddess Thoudu Nungthel Leima. He is one of the ten kingly gods in Meitei religion.
A Helloi or Heloi is a female nature spirit in Meitei mythology, folklore and religion. Hellois are often depicted in the forms of beautiful young women. They are often associated with seduction of men. They are the most powerful among the female spirits. They can cause diseases. The hellois are often known for their charming beauty, ecological balance and seduction of males. Hellois are sometimes seen as evil spirits in the forms of beautiful maidens.
Marjing is the God of horses, polo, hockey, sports and war in Meitei mythology and religion of Ancient Kangleipak. The guardianship of the north eastern direction is alluded to Marjing and the other directions to Koupalu, Thangching and Wangpulen. According to the legend, he invented the game of polo and introduced it as the national game. He and his divine creature, Samadon Ayangba, reside in the top of the Heingang Ching.
Thangching or Thangjing is a primordial deity in Meitei mythology and religion of Ancient Kangleipak. He is the ruling deity of the Moirang dynasty of Ancient Moirang. He rules supreme on the banks of the landlocked sea, Loktak lake. He is one of the four cardinal Umang Lais. The guardianship of the south western direction is alluded to Thangjing and the other directions to Koubru, Marjing and Wangbren.
Wangpulen is the god of water, rain, flood, disease and sickness in Meitei mythology and religion of Ancient Kangleipak . He is the ruler of the underwater world. He is the Lord of the rivers. The guardianship of the south eastern direction is alluded to Wangbren and the other directions to Koupalu, Marjing and Thangjing. He is one of the Umang Lais.
The Ougri Hangen or the Ougri Hangken, also known as the Leiroi Nongloi Esei, is a Meitei cultural ritual song with various appellations of the sun and the mythology of creation. It is often sung in the conclusion of the Lai Haraoba festival. Its theme is closely associated with the creation myth of the earth itself. It is also regarded as the song of thanksgiving to the Almighty God. It is always sung in the chorus formed by the male singers with the maiba as the precentor and is strongly enjoined that the chains of the singers forming a circle should never be snapped. It is also known for its incantatory power, for with the alteration of a few lines, it is believed to have been able to cause either prosperity or destruction of the kingdom and the people. Many rulers performed by themselves the rites of singing it with an accompanying dance on the occasion of their conquests or coronation. According to the manuscript "Laisra Pham", a treatise on administration and social conduct, "Ougri" is referred to as being sung at the coronation of Nongta Lailen Pakhangpa in 33 AD. The Naothingkhong Phambal Kaba mentions it as being taught by the sage Luwawg king to the Meitei prince as a part of the Meitei lore, which according to the chronicle Cheitharol Kumbaba, took place just prior to 663 AD. In some cases, it is also referred to as the actual war songs of the Meitei people. It is regarded as one of the greatest works of early Meitei literature
The Phouoibi Waron or the Phouoibi Warol is a Medieval Indian Meitei text (Puya) written in a period between 13th and 14th century AD. It deals with the life story of the lovers of Phouoibi, the goddess of agricultural crops and harvest in Meitei mythology and religion (Sanamahism).
Animals have significant roles in different elements of Meitei culture, including but not limited to Meitei cuisine, Meitei dances, Meitei festivals, Meitei folklore, Meitei folktales, Meitei literature, Meitei mythology, Meitei religion, etc.