Manipuri dance, also referred to as the Manipuri Raas Leela, is a jagoi and is one of the major Indian classical dance forms, originating from the state of Manipur. It is one of the greatest cultural achievements of the traditional Vaishnavism adhering Meitei people of Manipur. Owing to the Meitei civilization, the classical dance form, first formally developed by Meitei Hindu king Ching Thang Khomba of the Kingdom of Manipur, is considered to be the highest spiritual expression of the worship of Hindu deity Krishna. Owing to its huge influences on the diverse cultural heritages across the Indian subcontinent, it is recognised by the Sangeet Natak Akademi of the Ministry of Culture of the Government of India as one of the few primary classical dance forms of the Republic of India, and is honoured with the Sangeet Natak Akademi Award for Manipuri annually. It is referred to as the "national dance" during the Armenia-India joint issue of postage stamps, as a part of the Armenia-India international relations.
Charairongba - Old manipuri "Chalai-Longpa" also known as "Eningthou Ningthem Charairongba" was the Meitei king and the ruler of Kangleipak from 1697 to 1709.
Laininthou Sanamahee is the Supreme Guardian God of mankind and the supreme deity of the household in Meetei religion and mythology. He originated from the ancient kingdom of Kangleipak (Manipur). He is regarded as the most popular and significant divinity of Sanamahism. He is the brother of Pakhangba and Nongshaba. He is the eldest son of Creator God Saalailel Sitapa and Leimalel Sitapee, the protector of the Universe in Meetei mythology and philosophy and Mother Earth goddess Leimarel Sidabi.
Panthoibi, also known as Nongpok Leima, is a goddess associated with civilization, courage, fertility, handicraft, love, victory, warfare and wisdom in the mythology and religion of Ancient Kangleipak. She is a consort of the God Nongpok Ningthou. She is considered to be one of the divine incarnations of Leimarel Sidabi and is also identified as a form of Goddess Nongthang Leima. She is worshipped mainly by the Meitei people in Manipur, Assam, Tripura, Bangladesh and Myanmar.
Nongshaba is a lion god in Sanamahism and Meitei mythology. He is also regarded as a king of the gods. He is credited with producing light in the primordial universe and is regarded as the maker of the sun. He is worshipped by the people of both the Ningthouja clans as well as the Moirang clans. God Nongshaba was worshipped by the people of Moirang clan as a lineage deity and regarded as the father of God Thangching (Thangjing). He is the greatest of the Umang Lais in Ancient Kangleipak but he made his only son Thangching (Thangjing) the chief deity of Moirang.
Nongpok Ningthou, also known as the Sovereign of the East or King of the East, is a deity in Sanamahism, the indigenous religion of Manipur. He is the ruling guardian deity of the eastern direction. Legend says Nongpok Ningthou and his consort Panthoibi were united in the Nongmaiching Ching mountains. Later, they were worshipped as the civilization giving deities in Meitei religion.
There are many different dance styles from Manipur, a state in northeastern India bordering with Myanmar (Burma), Assam, Nagaland and Mizoram. Manipuri dances encompasses both classical and folk dance forms. The Raas Leela is one of the major Indian classical dance forms. The folk dance forms are mainly attributed to ancient Meitei deities such as Umang Lai and performed during Lai Haraoba, and also the dances of the different tribal communities of Manipur.
Phouoibi (Fouoibi) or Phouoipi (Fouoipi) or Phouleima (Fouleima) or Phoureima (Foureima) is the goddess and the female personification of the agriculture, crops, fertility, grains, harvest, paddy, rice and wealth in Meitei mythology and religion of Ancient Kangleipak (early Manipur). She is the lover of Akongjamba, a hero in ancient legends. But fate does not permit the lovers to unite. So, Phouoibi and Akongjamba reincarnated in the legends. She was sent by Thangching (Thangjing) to Kege Moirang (Keke Moilang) kingdom to prosper the human world. The legends of her love with Akongjamba were believed to be enacted by Thangching (Thangjing) as a part of the Epic cycles of incarnations (Moirang Saiyon) of the Moirang Kangleirol legends.
Meitei mythology is a collection of myths, belonging to the religious and cultural traditions of the Meitei people, the predominant ethnic group of Manipur. It is associated with traditional Meitei religion of Sanamahism. Meitei myths explain various natural phenomena, how human civilization developed, and the reasons of many events.
The ancient legend of Khuyol Haoba and Yaithing Konu is one of the epic cycles of incarnations of Meitei mythology and folklore, that is originated from Moirang kingdom of Ancient Kangleipak. It concerns the fateful love of Khuyol Haoba, an orphan man, for the beautiful Yaithing Konu. Khuyol Haoba was the son of late Khundouremba, a court official of Moirang. Yaithing Konu was the daughter of Luwang Huiningsumba, an influential nobleman of Moirang.
The Nongmaiching Ching, also known as the Selloi Langmai Ching, is a mountain in Imphal Valley, Manipur. It has an altitude of around 5,133 feet (1,565 m). It is a holy pilgrimage site for the Meitei people. In Meitei mythology and religion (Sanamahism), it is a sacred mountain and the abode of God Nongpok Ningthou and Goddess Panthoibi. In Meitei folklore, the Nongmaiching is described as the hill that produces "the seven days of a week".
The Panthoibi Khonggul, often misspelled as Panthoibi Khongul, is an ancient Meitei language text, narrating about the quest of deified Meitei princess Panthoibi. The text highlights the love story of Panthoibi and her ultimate lover Nongpok Ningthou, after leaving her former husband's house. It is traditionally attributed to be written by Akoijam Tombi, during the reign of Meitei King Khongtekcha Yoiremba in c. 763 AD.
The Nūngpān Ponpī Lūwāopa is an ancient Meitei language narrative text (puya), about the legendary story of the eponymous prince of the Luwang, who got back successfully the life of his wife Koubaron Namoinu, from the hands of her former consort Thongalen, the God of death and the ruler of the underworld. It is an old story of near tragic end. In the legend, there are fights between a mortal and the gods. It mentions about the dowry system of the then ancient times. It is, in a sense, the reverse of the Chothe Thangwai Pakhangba.
Thāron or the Thārol is an ancient Meitei language text (puya), about the lore of the twelve lunar months of a year. It is the foundation for the Meitei calendar. It describes the changing pattern of nature in the following months. It is one of the masterpieces of the writers of the ancient times.
Jagoi refers to the arts of dance in Meitei culture.
Many Chings play significant role in different elements of Meitei culture, including but not limited to Meitei folklore, Meitei folktales, Meitei literature, Meitei mythology and Meitei religion (Sanamahism) of Kangleipak.
Many pāmbīs play significant roles in the different elements of Meitei culture, including but not limited to Meitei cuisine, Meitei festivals, Meitei folklore, Meitei folktales, Meitei literature, Meitei mythology and Meitei religion (Sanamahism) of Kangleipak.
Ancient Meitei literature, also termed as Old Manipuri literature, is literature written in the Old Manipuri language from the earliest texts until the time of King Pamheiba. All the ancient Meitei literary works are written in the traditional Meitei script. The ancient Meitei language texts, written in Meitei script, are conventionally termed as "the puyas".
The cultural heritages of Meitei civilization has classicism in diverse traditions of cinemas, dances, language, literature, music, theatre, etc.
The intangible cultural heritage (ICH) of Meitei civilization is recognised, honoured, preserved as well as promoted by the UNESCO, the Ministry of Culture of the Union Government of India, the Government of Armenia, the State Government of Manipur, the State Government of Assam, the State Government of Tripura, among many other notable institutions.
