Hiyangthang Lairembi Temple | |
---|---|
(Meitei: Hiyangthang Lairembi Laishang) | |
Religion | |
Affiliation | Sanamahism (Meitei religion) |
District | Imphal West |
Region | Hiyangthang |
Deity | Hiyangthang Lairembi |
Festival | Lai Haraoba of Sanamahism, Panthoibi Iratpa, Durga Puja of Hinduism (Hindu festival is also celebrated since the reign of King Garib Niwaj in 18th century AD) |
Patron | King Senbi Kiyamba (1467-1508 AD) of Ningthouja dynasty |
Location | |
Location | Hiyangthang |
State | Manipur |
Country | India |
Architecture | |
Type | Meitei architecture (Manipuri architecture) |
Style | Meitei architecture (Manipuri architecture) |
Creator | Sarangthem Luwangba |
Date established | 15th century AD |
Temple(s) | 1 |
The Hiyangthang Lairembi Temple (Meitei : Hiyangthang Lairembi Laishang) is an ancient temple of Goddess Hiyangthang Lairembi (also known as Irai Leima) of Meitei religion (Sanamahism). [1] [2] The sacred building is situated on the hilltop of Heibok Ching in the Hiyangthang, Manipur. [1] [2] [3] [4] Thousands of devotees thronged at the holy site during the festival time of Lai Haraoba of Sanamahism as well as Durga Puja of Hinduism. [3] [5]
The worship of Goddess Hiyangthang Lairembi (alias Irai Leima) was started by the reign of King Senbi Kiyamba (1467-1508 AD) in Manipur. Right from his era, Sarangthem family members hold grand feasts (Chaklen Katpa) every year in honor of the goddess. [6] [7]
In the 18th century AD, during the reign of King Garib Niwaj (alias Pamheiba), Goddess Hiyangthang Lairembi (alias Irai Leima) was converted to Hindu goddess Kamakhya (a form of Durga). The 3rd day of Durga Puja is celebrated as the "Bor Numit" (literally, Boon Day) in the temple. [7] [8]
On 22 March 1979, an association was formed to worship Hiyangthang Lairembi (Ireima), the traditional goddess. [8]
Irai Leima (later known as Hiyangthang Lairembi) was an exceptionally beautiful princess of Heibok Ching. King Heibok Ningthou, her father was a wizard and black magician. One day, King Kwakpa (Kokpa) of Khuman dynasty saw Irai Leima fishing in the Liwa river. He fell in love with her. He proposed her. Her answer was that her parents' wish will be her wish. So, King Kwakpa and his subjects presented Heibok Ningthou many gifts. [2] King Kwakpa was about to marry Irai Leima if her father didn't reject or to bring her by force if her father rejected. Seeing the immodesty of Khuman Kwakpa, Heibok Ningthou turned all the presents into stone. Kwakpa returned home disappointed. [6]
One day, King Kwakpa got drunk with a juice of the roots of Tera plant ( Bombax malabaricum ). He went to meet Irai Leima, riding on a Hiyang boat. Seeing him coming, she fled to Pakhra Ching. Kwakpa followed her. Seeing all these, Heibok Ningthou turned the Hiyang boat into stone and the oar into a growing tree. [6] Getting furious, Kwakpa turned on Heibok Ningthou to kill him. Then, Heibok Ningthou turned Khuman Kwakpa also into a stone. Irai Leima saw all this and was frightened. She ran away from her own father. She passed the Pakhra Ching, crossed the Liwa river and hid herself inside the grain storehouse of Sarangthem Luwangba. When Luwangba and his good lady Thoidingjam Chanu Amurei left the house for paddy field, Irai Leima came out from her hideout. Meanwhile, she did all the household works for them. When they returned home, she also returned to her hideout again. [6] They were amazed at this but it happened daily. So, one day, the man returned home earlier than normal timing. He found out what was really going on. But when he came near Irai Leima, she was gone below the grain storehouse. He saw nothing under the granary. He was astonished at this. So, he discussed the matter with his clan members. They searched her everywhere but didn't find her anymore. [6]
Irai Leima came to the dream of Sarangthem Luwangba. She told him that she was merged into his clan and became his daughter. The story was told to King Senbi Kiyamba of Ningthouja dynasty. The King sent maibas and maibis to inspect the case. The maibas and the maibis concluded the strange lady to be a goddess and the deity to be worshipped. King Kiyaamba told Luwangba to worship her. From that year onwards, Irai Leima was worshipped as a goddess. [7]
The first day on which Luwangba saw Irai Leima was the first Monday of the Meitei lunar month of Lamta (Lamda). And the day on which the maibas and maibis examine the case was the first Tuesday of Lamta (Lamda). Even today, right from the era of King Senbi Kiyamba (1467-1508 AD), the Sarangthem family members organise a grand feast (Chaklen Katpa) in honor of the goddess every year. Later, Irai Leima came to be known as Hiyangthang Lairembi. [7]
Devotees believe that Goddess Hiyangthang Lairembi (alias Irai Leima) fulfills one's wish if asked for a blessing on the "boon day" at the right time. The boon day (Bor Numit) coincides with the third day of Hindu festival Durga Puja. [2]
Manipuri Vaishnavism, also known as Meitei Vaishnavism is a regional variant of Gaudiya Vaishnavism with a culture-forming role in the north-eastern Indian state of Manipur.
Manipur is home to a population playing many different sports.
Senbi Kiyamba (1467–1508) was a Meitei monarch and a ruler of Kangleipak kingdom. He was the son of Medingu Ningthou Khomba and his warrior queen Leima Linthoingambi. Born Thangwai Ningthouba, he succeeded his father at the age of 24. He took the name Kiyamba meaning "Conqueror of Kyang", after conquering the Shan kingdom in the Kabaw Valley in alliance with King Choupha Khe Khomba of Pong in 1470.
Hiyangthang is a town in Indian state of Manipur. It is best known for the Hiyangthang Lairembi Temple, a Meitei shrine dedicated to ancient Meitei goddess Irai Leima. It is located in Imphal West district.
Panthoibi, also known as Nongpok Leima, is a goddess associated with civilization, courage, fertility, handicraft, love, victory, warfare and wisdom in the mythology and religion of Ancient Kangleipak. She is a consort of the God Nongpok Ningthou. She is considered to be one of the divine incarnations of Leimarel Sidabi and is also identified as a form of Goddess Nongthang Leima. She is worshipped mainly by the Meitei people in Manipur, Assam, Tripura, Bangladesh and Myanmar.
Panthoibi Iratpa or Panthoibi Iraat Thouni or Panthoibi Eratpa is a religious festival of the Meitei people dedicated to Panthoibi, the ancient Meitei goddess of civilization, courage, fertility, handicraft, love, victory, warfare and wisdom of Sanamahism. It is celebrated on the first day of the Meitei lunar month of Mera, based on the traditional Meitei calendar. It usually, though not always, coincides with the day of the Hindu festival of Durga Puja, which is based on the Hindu calendar. So, both the festival are often celebrated together in Manipur, despite their religious differences. Goddess Panthoibi is syncretised with Hindu goddess Durga since 1714 AD during the reign of emperor Pamheiba when he made Hinduism as the official religion of the Kingdom of Manipur.
Irai Leima is a goddess in Sanamahism, the indigenous religion of Manipur. She is the goddess and the divine female personification of water and aquatic life. She is the consort of Irai Ningthou. Both are regarded as the divine spirits of water bodies. She is also considered to be in charge of diseases.
Nongpok Ningthou, also known as the Sovereign of the East or King of the East, is a deity in Sanamahism, the indigenous religion of Manipur. He is the ruling guardian deity of the eastern direction. Legend says Nongpok Ningthou and his consort Panthoibi were united in the Nongmaiching Ching mountains. Later, they were worshipped as the civilization giving deities in Meitei religion.
Khoriphaba is a God in Sanamahism, the indigenous religion of Manipur. He is the son of Sky God Salailen and the Goddess Konthoujam Tampha Lairembi. He came down from heaven to earth to search for his mother and then for a bride. He is best known for wrestling with Loyalakpa in the Lai Haraoba festival. He is also a Sagol Kangjei(polo)-playing God.
Dragons play a significant role in the legendary accounts of Meitei folklore, Meitei literature, Meitei mythology and Meitei religion (Sanamahism) of Ancient Kangleipak, Medieval Kangleipak and Modern Kangleipak.
Yumjao Leima or Yumjao Lairembi or Yumjao Lairemma is the mother goddess of house, household, royalty, rule and power in Meitei mythology and religion. She is designated as the all time ruling Queen Mother. Legend says she assumes a human form in white clothes and blesses kings. She is one of the divine incarnations of Leimarel Sidabi.
Khamlangba is a deity in Sanamahism, the indigenous religion of Manipur. He is the God of iron, mining, metallurgy, steel manufacturing, hunting and war. His occupation is the extraction of the iron ores and the manufacture of steel. The Khamlangba Thenlon text mentions about his skills of iron metallurgy and blacksmith in ancient Kakching kingdom.
Panam Ningthou is a God in Sanamahism, the indigenous religion of Manipur. He is the protector of crops, especially rice, from hailstorms and thunder. According to legends, He ignited the first fire with flint. He is one of the Umang Lai deities.
Thongak Lairembi, is a divine female personification of the death who guards the door of the entrance to the underworld.
Ichum Lairembi is a goddess in Sanamahism, the indigenous religion of Manipur. Her major cult centre of worship is located in Khurkhul.
In Meitei mythology and Sanamahism, the indigenous religion of Manipur, Kanglā shā is a sacred guardian beast with a lion's body and a two-horned dragon's head. It is a royal symbol of the Meitei royalties . The most remarkable statues dedicated to "Kangla Sa" stand inside the Kangla.
Ningthou Kangba was a ruler of Ancient Kangleipak. He is traditionally seen as having invented Sagol Kangjei, the earliest form of the modern day polo sports. He was the son of King Tangja Leela Pakhangba (1445 BC-1405 BC) and Queen Sinbee Leima. He was the consort of Queen Leima Taritnu, daughter of a king named Nongpok Ningthou of the Nongmaiching Hill in the east of Imphal.
Jagoi refers to the arts of dance in Meitei culture.