Make Way for the Indian | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | 1995 | |||
Genre | Reggae, bhangra | |||
Label | Island [1] | |||
Apache Indian chronology | ||||
|
Make Way for the Indian is an album by the English musician Apache Indian, released in 1995. [2] [3]
The title track peaked at No. 29 on the UK Singles Chart. [4] "Boomshackalak" was a hit in the United States. [5]
The album was produced in part by Mafia & Fluxy. [6] "Armagideon Time" is a cover of the Willie Williams song; "Born for a Purpose" was originally by Dr Alimantado. [7] [8] Frankie Paul, Sly and Robbie, and Tim Dog contributed to the album. [9] [10] Apache Indian chose to produce a sound more rooted in reggae than in bhangra. [11]
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
MusicHound World: The Essential Album Guide | ![]() ![]() ![]() ![]() ![]() |
Trouser Press wrote that "Apache uses a more folkloric bhangra sound with his dancehall and adds elements of roots reggae, jungle, hip-hop, R&B, rock steady and rock." [15] The Independent called the album "a more diversely accessible set than his debut [that] finds Apache coming close to jungle on 'Who Say?'" [8] The Times considered it to be "fresh, strong and entirely credible... Indian's gruff growl really comes into its own on 'Born for a Purpose', a rumbling reggae groove freighted with a hard-hitting declamation of self-belief that gradually mutates into a wickedly soulful chorus." [16]
The Guardian determined that "accessibility remains paramount ... and clearly contributed to the muddled musical identity evident here." [10] The Washington Informer thought that "this Indian West Indian brother has a smooth dancehall sound that is as refreshing as a cool Ginger Beer." [17] The Orange County Register deemed the album "a stylish mix of reggae, hip-hop and Indian lyrical consciousness, especially on the title track and 'Ansa Dat'." [6]
AllMusic wrote that "'Boba' is one of the most explicitly bhangra-based songs he has recorded, and it's one of the best things on the album." [12]
No. | Title | Length |
---|---|---|
1. | "Make Way for the Indian" | |
2. | "Armagideon Time" | |
3. | "Boba" | |
4. | "Raggamuffin Girl" | |
5. | "I Pray" | |
6. | "Ansa Dat" | |
7. | "Born for a Purpose" | |
8. | "Back Up" | |
9. | "Right There" | |
10. | "Who Say?" | |
11. | "Boomshackalak" |
Bhangra is a type of non-traditional music of Punjab originating in Britain, specifically Southall and Birmingham. It is a type of upbeat popular music associated with the Punjabi diaspora in Britain. The style has its origins in the folk music of Punjab as well as western pop music of the 1970s and 1980s. Prior to this musical fusion, Bhangra existed only as a dance form in the native Punjab. This Punjabi music was unique in that it was not traditional nor did it seek any authenticity. While the traditional folk music of Punjab has a set of melodies that are used by various singers, Bhangra was a form of strict "band culture" in that new melodies were composed for each song. Therefore, the musicians were as important as the singers.
Drum and bass is a genre of electronic dance music characterised by fast breakbeats with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's jungle scene in the 1990s.
Raggamuffin music is a subgenre of dancehall and reggae music. The instrumentals primarily consist of electronic music with heavy use of sampling.
Popular music of the United Kingdom in the 1980s built on the post-punk and new wave movements, incorporating different sources of inspiration from subgenres and what is now classed as world music in the shape of Jamaican and Indian music. It also explored the consequences of new technology and social change in the electronic music of synthpop. In the early years of the decade, while subgenres like heavy metal music continued to develop separately, there was a considerable crossover between rock and more commercial popular music, with a large number of more "serious" bands, like The Police and UB40, enjoying considerable single chart success.
Steven Kapur, known by the stage name Apache Indian, is a British singer-songwriter and reggae DJ. He had a series of hits during the 1990s. He is best known in the UK for the song "Boom Shack-A-Lak", which reached the top ten during August 1993.
William Anthony Maragh, also known as Super Cat, is a Jamaican deejay who achieved widespread popularity during the late 1980s and early 1990s dancehall movement. His nickname, "Wild Apache", was given to him by his mentor Early B. Super Cat is considered one of the greatest deejays in the history of the Jamaican dancehall scene.
There are several subgenres of reggae music including various predecessors to the form.
Asian underground is a term associated with various British Asian and South Asian Canadian musicians who blend elements of Western underground dance music and the traditional Asian music of their home countries in South Asia. The sound has roots in the South Asian Diaspora, and many notable musicians within the genre are immigrants or children of immigrants. The first well-known mention was the compilation album Anokha - Soundz of the Asian Underground released in 1997 and masterminded by Talvin Singh and Sweety Kapoor. It is not a strict musical genre per se, since the specific sounds can vary wildly.
Von Wayne Charles, better known by his stage name Wayne Wonder, is a Jamaican reggae artist. While his early recordings were dancehall and reggae, he later moved towards hip hop and rap. His most popular single is the 2003 hit "No Letting Go".
Popular music of the United Kingdom in the 1990s continued to develop and diversify. While the singles charts were dominated by boy bands and girl groups, British soul and Indian-based music also enjoyed their greatest level of mainstream success to date, and the rise of World music helped revitalise the popularity of folk music. Electronic rock bands like The Prodigy and Chemical Brothers began to achieve a high profile. Alternative rock reached the mainstream, emerging from the Madchester scene to produce dream pop, shoegazing, post rock and indie pop, which led to the commercial success of Britpop bands like Blur and Oasis; followed by a stream of post-Britpop bands like Radiohead and The Verve.
No Reservations is the debut studio album by British-Asian musician Apache Indian, released in January 1993 by Island Records and their subsidiary Mango. The musician and singer recorded the album primarily in Jamaica's Tuff Gong studios with producers including Simon and Diamond, Bobby Digital, Phil Chill and Sly Dunbar. It follows, and includes, Apache Indian's 1990–91 singles – "Move Over India", "Chok There" and "Don Raja" – which saw him pioneer a fusion of Jamaican ragga and Indian bhangra later known as bhangramuffin.
Reggae fusion is a fusion genre of reggae that mixes reggae and/or dancehall with other genres, such as pop, rock, hip-hop/rap, R&B, jazz, funk, soul, disco, electronic, and Latin music, amongst others.
Tyrone Thompson, better known as Papa San, is a Jamaican reggae, dancehall and gospel singer.
Subatomic Sound System, founded in 1999 by Emch and Noah Shachtman, is an American record label and collective hosting musicians, producers, DJs, and visual artists from a variety of backgrounds and traditions. In late 2008, Subatomic Sound System garnered international attention for a limited edition vinyl 12" featuring their collaboration with Vienna's Dubblestandart and dub inventor Lee "Scratch" Perry, releasing the first songs from Perry in the dubstep genre, one of the first recorded examples of a tangible connection between the popular UK-based electronic genre that emerged in the early 2000s and the Jamaican dub from the 1970s, where dubstep's origins were rooted and which had been primarily originated by Perry himself.
"Anything for You" is a song by Canadian reggae recording artist Snow, released as the first single from his second album, Murder Love (1995). While becoming a club favorite and a grassroots hit on The Box in the United States and Canada, the single only peaked at number 74 on the Canadian Singles Chart. The All-Star Remix, however, reached number one in Jamaica and became the country's top-selling single of 1995.
Rhythm Killers is an album by Jamaican musical duo Sly and Robbie, released in May 1987 by Island Records. By the time of the album's recording, Sly and Robbie had transitioned away from their prolific work in the reggae genre. They spent the 1980s experimenting with electronic sounds and contemporary recording technology on international, cross-genre endeavors, which influenced their direction for Rhythm Killers.
Reggae Owes Me Money is the debut album by British duo The Ragga Twins, produced by hardcore duo Shut Up and Dance and released on the latter's record label of the same name. After establishing themselves as dancehall artists from the Unity soundsystem in the 1980s, the Ragga Twins switched direction in the early 1990s, combining into a duo after signing to Shut Up & Dance's label. The production duo stirred the Ragga Twins' change in direction, fusing their previous reggae and dancehall style into the Shut Up & Dance rave dance music.
Silent Assassin is an album by the Jamaican musicians Sly and Robbie, released in 1989 via Island Records.
"Original Nuttah" is a 1994 jungle song that was produced by Shy FX with lyrics and vocals by UK Apache. The track's lyrics were written by UK Apache in the late 1980s and were dubbed over a Shy FX track titled "Gangsta Kid". After receiving approval from his peers for his version, UK Apache contacted producer Shy FX and the head of Sour Records to record an official version. The track is one of the earliest in the genre to become a top 40 chart hit in the United Kingdom.
Lyrical Gangsta is an album by the Jamaican musician Ini Kamoze, released in 1995. "Listen Me Tic" was the first single.