The Manaki brothers (Aromanian: Frats Manachia), Yanaki and Milton (Ianachia and Milton), were two Aromanianphotography and cinema pioneers within the Balkan Peninsula and the Ottoman Empire. They were the first to bring a film camera and create a motion picture in the city of Manastir (modern-day Bitola, Republic of North Macedonia), an economic and cultural center of Ottoman Rumelia.[2] Their first film, The Weavers, was a 60-second documentary of their grandmother spinning and weaving;[3] this is regarded as the first motion picture shot in the Balkans.[4] The Manaki brothers used a 35mm Urban Bioscope camera that Yanaki imported from London in 1905.[5] Yanaki and Milton filmed documentaries about various aspects of life in the city of Manastir.[6]
They made a name for themselves in their local photography studio and, in 1906, they received an invitation from King Carol I of Romania to participate in the Bucharest Jubilee Exhibition, where they won a gold medal for their collection and were asked to be the King's official photographers.[7] They became the official photographers of the Ottoman Sultan and the King of YugoslaviaAlexander Karađorđević, in 1911 and 1929, respectively.[8] In 1921 they built an outdoor cinema named Manaki and later transformed it into a movie theater, which was destroyed by a fire in 1939.[9]
The National Archive of North Macedonia preserves more than 17,000 photos and over 2,000 meters of movie film from the brothers Manaki.[10] The brothers documented a number of historical events—the Ilinden Uprising, the Balkan Wars, World War I, and the development of Manastir as a consulate and military center of the Ottoman Empire.[6] They left a rich legacy of important documentary value of the historical and cultural development of Southeast Europe. In their honor the Manaki Brothers Film Festival is held every year in North Macedonia.[11]
Biography
Early life
The brothers were born in the village of Avdella near the town of Grevena, Vilayet of Manastir, Ottoman Empire. Milton was born in 1882 and Yanaki was born in 1878.[12] Their Aromanian[13] family were wealthy land owners and their parents were livestock dealers and lenders. The area became a center of the Romanian national movement among the Aromanians in the 1860s.[14] Their father, Dimitrios, joined the movement,[15] and to some extent the brothers developed a sense of Aromanian identity.[16][17][18] They both attended Romanian primary school in Avdella. Milton studied at the Romanian high school in Yanya and Yanaki at the Romanian High School of Bitola. Yanaki was interested in painting, calligraphy, and photography, during his high school years. Milton was not engaged by high school and dropped out after completing one year; his parents sent him to Grevena to learn a craft, but he returned home and was supported by his parents. After completing high school, Yanaki worked as a teacher.
Career in photography and film
Portrait of Yanaki Manaki in his photographic studioGold medal certificate won by the Manaki brothers in Romania The Manaki Brothers studio after being bombed in 1916Poster from a Manaki brothers filmMilton Manaki filming with Bioscope Camera 300 in a valley near Manastir
Yanaki was employed as an art teacher in a Romanian school in Yanya when he opened his first photographic studio in 1898. Yanaki asked his brother to join him and learn photography. Yanaki gained interest in photography and quickly learned the craft. Yanaki, after many negotiations, purchased a plot of land on the main street of the capital of the Rumelia Eyalet within Vilayet of Manastir—Manastir. In 1904 both brothers started to work on the construction of their independent workshop, which they named Atelier for Photographic Art.[19] Yanaki permanently moved to Manastir in 1905. Milton initially worked as a cleaner in the studio, maintaining the equipment, but later he studied photography and quickly showed expertise. It is assumed that Milton began to participate in the Internal Macedonian Revolutionary Organization during this time.[citation needed] Milton took approximately fifty photographs of Aromanian revolutionaries in the organization. It is also believed that Milton helped transport arms from Albania to Macedonia for the 2nd Revolutionary Committee of Bitola.[citation needed]
The Manaki had a passion for travel. They traveled separately through many of the European capitals. When the brothers went together to Bucharest in 1905, they were told that film cameras could be purchased in London. Yanaki was interested and while traveling through Paris and Vienna, he stopped in England to buy a Bioscope 300 film camera from Charles Urban Trading Company.[20] With this camera they filmed their 114-year-old grandmother Despina; this was the first film shot in southeastern Europe. The film was made only then years after the first Lumière brothers film, which had influenced the brothers.[21]
King Carol I invited them to visit Romania for a second time to participate in the Bucharest Jubilee Exhibition, a photographic contest, held from the fifth to the twelfth of November 1906. They won a gold and silver medal for their work and were named the official photographers of the Romanian King. The brothers traveled in the region to take photographs, mostly in Aromanian-populated villages. Parallel to their photography work, the brothers started to film documentaries. During the Young Turk Revolution of 1908 and 1909, they took around 450 photographs and a short film that recorded every significant event of that period. In 1909, they filmed and made a series of photographs of the arrival of the royal Romanian delegation to Manastir. They also filmed the visit of the Turkish Sultan Mehmed V to Manastir in 1911—Milton traveled to the port of Selanik (now Thessaloniki) where he recorded the arrival of the Sultan by boat, then the Sultan's train journey on the Selanik–Manastir route, the Sultan's reception on the railway station in Manastir, as well as events held in honor of the visit of the Sultan. The same year they were honored as official photographers of the Ottoman Sultan.
The First Balkan War started on 18 October 1912 between Serbia, Montenegro, Bulgaria, and Greece. Because of the Treaty of Bucharest, the town of Manastir was occupied by the Serbian army on 6 November 1912. Milton and Yanaki took over 200 photographs of Serbian officers and soldiers and important political figures of the Kingdom of Yugoslavia.
In early 1914, Milton Manaki made a trip to Grevena and Avdella to see his parents and relatives. After returning home he was recruited by the Serbian armed forces, but he was soon released on account of his contacts with high Serbian authorities. Due to the conflicts and wars from 1914 to 1915, the brothers did not produce much work and got into financial trouble. They borrowed money from different clients. When the Serbian army withdrew from Bitola, Bulgarian officers inspected the brothers' atelier and found three shotguns, and although Milton had purchased these, Yanaki was interned in Bulgaria. Yanaki bought property in the Bulgarian village Straja and started breeding horses. Because of the bombing of Bitola in World War I, Milton constantly traveled through Korçë to Thessaloniki.
Their photography worked revived In 1916 when Bulgarian and German officers wanted their pictures taken at the atelier. Milton produced a wide range of portraits of Bulgarian, German, Serbian, French, and Italian officers and soldiers as well as Russian volunteers. But in the second half of 1916, the city of Bitola was again occupied by Serbian and French soldiers. The city was bombed by German and Bulgarian forces. Bombs struck their atelier and destroyed their camera and other equipment. Yanaki returned from internment in Bulgaria in 1919, and decided with Milton to retire the destroyed atelier.
The two brothers expanded their activity into the cinema in 1921 as a new source of revenue. They bought а film projector and made an outdoor cinema on the main street Shirok Sokak.[9] The brothers then transformed it into an indoor theater, the first movie theater in Bitola, in 1923; they named it Manaki.
The next movies the brothers made were multiple greetings of Alexander I of Yugoslavia to Bitola, a memorial to the lost French and Serbian soldiers, a 1922 explosion in Bitola, the wedding of Petar Gerass, and the wedding of the first Macedonian artist Risto Zerda in Prilep.
The Manaki brothers sent a letter to the marshal of the Serbian Royal Court in 1928. They asked to be named the official royal photographers based on their credibility as photographers of the Romanian king and Ottoman sultan. Their request was accepted in 1929 by the office of the royal court.
In 1935, Milton married fellow Aromanian Vasiliki Dauka and their son Leonid was born on 10 May of the same year. Yanaki left Bitola in 1937 and left Milton to work alone as a photographer. Milton filmed one of his most famous documentaries, The Bombing of Bitola, in 1940. During World War II the area was annexed by Kingdom of Bulgaria. Milton got a license to work as a photographer and took over 1200 photographs. The Germans retreated on 4 November 1944 and the Yugoslav Partisans took over Bitola; Milton caught this on camera. During this time, Milton took around 5,000 photographs of many themes: politics, weddings, armed forces, sports, etc. Some of his most historically important photographs are of Josip Broz Tito in Bitola.
Later life
Yanaki left the field of photography in 1935 and moved to Thessaloniki, Greece, where he remained for the rest of his life. Milton sold all of his 1500-meter film footage to the government of Socialist Republic of Macedonia for 1,000,000 dinars. Milton also worked with the Cinematique of Yugoslavia in Belgrade. The government duplicated all of the films and returned the originals to Milton in 1954. Milton continued to work as a photographer and filmmaker for the government until his death.
The Organization of Yugoslav Film Makers made Milton an honored member in 1957 for being the first filmmaker in the region. Zagreb Film made a documentary film about Milton's work and career in 1958. At this time, the National Technique of Macedonia awarded him with a memory diploma.[clarification needed] Milton remained in Bitola, Yugoslavia, until his death in 1964.
The Manaki brothers are regarded as the pioneers of cinematography in many countries, but in general—the Balkans. The films they made marked the beginning of ethnographic documentaries in the Balkans.[22] They are credited for capturing the notable historical events of the Balkan and Macedonia region in the time before, during, and in between World War I and World War II.[6] Most of their work can be found in the film archives of North Macedonia and Greece.[10][22] Some of their photographs and film footage were lost or destroyed in the 1916 bombing of their studio and the 1939 burning of their theater.
The plot of Theo Angelopoulos's film Ulysses' Gaze revolves around the fictional and metaphoric quest for a lost and undeveloped reel of film shot by the Manaki brothers before the Balkans were split by the forces of nationalism. It opens with the images of their grandmother spinning wool. The first documentary about the Manaki brothers was from Zagreb Film in 1958, and in 1988 a Greek-language documentary was released.[23]
To honor the brothers, the Manaki Brothers Film Festival, first organized on 21 May 1950, is held in Bitola (where Milton reside for 60 years until his death). The festival holds a contest in which the winner receives the Golden Camera 300 award, named for their legendary camera.[11] The festival is the main and oldest film festival in North Macedonia and former SFR Yugoslavia. In 2011 the local government announced the restoration of the Manaki Brothers Film Theater that was destroyed in a fire in 1939.[9][24][25][26] The Cinematheque of Macedonia announced in 2012 that the Manaki brothers' films would be restored and digitized.[27]
Historical photographs
Janaki Manaki in 1899
Janaki Manaki photographed vomiting due to sickness on a ship while traveling from Paris to London in order to buy a film camera (Paris, 1905)
Janaki Manaki filmed in front of the audience with King Carol I (Bucharest, 1906)
Milton Manaki on a carriage, photographed on the road between Grevena and Sorovikj (1913)
Janaki Manaki in Plovdiv (1916–1919)
Milton Manaki (first from right) with fiancée Vasilikija Dauka and other relatives (Grevena, 1928)
The construction of the Manaki cinema (Bitola, 1923)
Ruins of the Manaki Brothers cinema after the fire (Bitola, 1939)
Bitola is a city in the southwestern part of North Macedonia. It is located in the southern part of the Pelagonia valley, surrounded by the Baba, Nidže, and Kajmakčalan mountain ranges, 14 kilometres north of the Medžitlija-Níki border crossing with Greece. The city stands at an important junction connecting the south of the Adriatic Sea region with the Aegean Sea and Central Europe, and it is an administrative, cultural, industrial, commercial, and educational centre. It has been known since the Ottoman period as the "City of Consuls", since many European countries had consulates in Bitola.
The Aromanians are an ethnic group native to the southern Balkans who speak Aromanian, an Eastern Romance language. They traditionally live in central and southern Albania, south-western Bulgaria, northern and central Greece and North Macedonia, and can currently be found in central and southern Albania, south-western Bulgaria, south-western and eastern North Macedonia, northern and central Greece, southern Serbia and south-eastern Romania. An Aromanian diaspora living outside these places also exists. The Aromanians are known by several other names, such as "Vlachs" or "Macedo-Romanians".
The region of Macedonia is known to have been inhabited since Paleolithic times.
The Kruševo Republic was a short-lived political entity proclaimed in 1903 by rebels from the Secret Macedonian-Adrianople Revolutionary Organization (IMRO) in Kruševo during the anti-Ottoman Ilinden–Preobrazhenie Uprising.
The Macedonian Struggle was a series of social, political, cultural and military conflicts that were mainly fought between Greek and Bulgarian subjects who lived in Ottoman Macedonia between 1893 and 1912. The conflict was part of a wider guerilla war in which revolutionary organizations of Greeks, Bulgarians and Serbs all fought over Macedonia. Gradually the Greek and Bulgarian bands gained the upper hand. Though the conflict largely ceased by the Young Turk Revolution, it continued as a low intensity insurgency until the Balkan Wars.
The culture of North Macedonia refers the culture of the Republic of North Macedonia, a country in Southeast Europe. Macedonian culture has contributed to the culture of the Balkans, and the wider culture of the European continent.
Kruševo is a town in North Macedonia. In Macedonian the name means the 'place of pear trees'. It is the highest town in North Macedonia and one of the highest in the Balkans, situated at an altitude of over 1350 m above sea level. The town of Kruševo is the seat of Kruševo Municipality. It is located in the western part of the country, overlooking the region of Pelagonia, 33 and 53 km from the nearby cities of Prilep and Bitola, respectively.
Avdella is a village and a former municipality in Grevena regional unit, Western Macedonia, Greece. Since the 2011 local government reform, it has been a municipal unit of Grevena. It is a seasonal Aromanian (Vlach) village. Located in the Pindus mountains at 1250–1350 metres altitude, its summer population is about 3000 and in the winter there are only a few residents. The 2021 census recorded 73 inhabitants. It is notable as the birthplace of the Manakis brothers, and appears in the opening sequence of the film Ulysses' Gaze. The community of Avdella covers an area of 43.243 km2.
The Vilayet of Manastir was a first-level administrative division (vilayet) of the Ottoman Empire, created in 1874, dissolved in 1877 and re-established in 1879. The vilayet was occupied during the First Balkan War in 1912 and divided between the Kingdom of Greece and the Kingdom of Serbia, with some parts later becoming part of the newly established Principality of Albania.
The Aromanians in North Macedonia, also known as the Vlachs, are an officially recognised minority group of North Macedonia numbering some 9,695 people according to the 2002 census. They are concentrated in Kruševo, Štip, Bitola and Skopje.
Konstantin Čomu (1865–1952), often credited as Kosta Chomu or Konstantin Comu, was an Aromanian cinema operator, the first one in Bitola.
North Macedonia was part of the Ottoman Empire for over 500 years, from the late 14th century until the Treaty of Bucharest in 1913. Before its conquest, this area was divided between various Serbian feudal principalities. Later, it became part of the Ottoman province or Eyalet of Rumelia. The name Rumelia means "Land of the Romans" in Turkish, referring to the lands conquered by the Ottoman Turks from the Byzantine Empire.
The Weavers or Grandmother Despina is a short silent, black and white documentary film made in 1905 by the Balkan film pioneers the Manaki brothers in the small Aromanian village of Avdella, in the Ottoman vilayet of Monastir presently modern Greece. It is about 60 seconds long and depicts the Manakis' aunts and 114-year-old grandmother Despina spinning and weaving. It was originally called "Our 114-year-old grandmother at work weaving", but has come to be known as The Weavers.
Malovište is an Aromanian village in the municipality of Bitola, North Macedonia. It used to be part of the former municipality of Capari.
The Greek–Romanian Non-Aggression and Arbitration Pact was a non-aggression pact signed between Greece and Romania on 21 March 1928. The pact effectively ended Greece's diplomatic isolation within the Balkan peninsula, strengthening its position on the negotiating table with Bulgaria, Yugoslavia and Turkey. Romania on the other hand gained a regional ally against its Slavic neighbors.
The Aromanians in Greece are an Aromanian ethno-linguistic group native in Epirus, Thessaly and Western and Central Macedonia, in Greece.
The Aromanian question, also sometimes known as the "Vlach question", refers to the historical and current division of the ethnic identity of the Aromanians, mostly with ones being pro-Greek, pro-Romanian or self-identified purely or primarily as Aromanian.
The Ullah millet was a separate millet within the Ottoman Empire. It was established by the Ottoman authorities for the Aromanians in 1905, during the rise of nationalism in the Ottoman Empire. Although the Megleno-Romanians are also sometimes called Vlachs, the Ullah millet was not intended for them.
References
↑ Manakia Bros: Pioneers of Balkan Cinema, Claimed by Six Nations, Marian Tutui, Romanian Film Archive.
↑ Historical Dictionary of the Republic of Macedonia, Historical Dictionaries of Europe, Dimitar Bechev, Scarecrow Press, 2009, ISBN0810862956, p. 234.
↑ Christodoulou, Christos K., "The Manakis brothers, the Greek pioneers of the Balkan cinema", Organization for the Cultural Capital of Europe Thessaloniki 1997, p. 33.
↑ Cinema of flames: Balkan film, culture and the media, Dina Iordanova, British Film Institute, 2001, ISBN9780851708485, p. 213.
↑ According to Jane K. Cowan (University of Sussex) "Fixing National Subjects in 1920's Southern Balkans": "Born in the 1880s as Ottoman subjects, they were the sons of a bourgeois, multilingual Vlach family... By the 1860s, long before their birth, the boys’ father, Dimitrios, had become attracted to the Romanian national movement. As a young teacher in the early years of the new century, Yannakis also became involved in the Romanian national movement which emerged in Avdela... Both brothers allegedly supported 'Balkan Federation'. For years, they lived peripatetically between Avdela, Yannina, Bitola, Plovdiv, Bucharest, and London. But ultimately, national borders rigidified and separated them for good... Yannakis died in Salonika in 1954 a Greek citizen, while his brother Miltos died in Monastir (now Bitola) a Yugoslav citizen."
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