Manhattan Cocktail | |
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Directed by | Dorothy Arzner |
Written by | Ethel Doherty (script) George Marion Jr. (titles) Ernest Vajda (story) |
Produced by | Jesse L. Lasky Adolph Zukor |
Starring | Nancy Carroll Richard Arlen Lilyan Tashman Paul Lukas |
Music by | Victor Schertzinger (songs "Gotta Be Good" and "Another Kiss") |
Production company | |
Distributed by | Paramount Pictures |
Release date |
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Running time | 72 minutes |
Country | United States |
Languages | Sound (Part-Talkie) English |
Manhattan Cocktail (1928) was a part-talkie film, directed by Dorothy Arzner, and starring Nancy Carroll, Richard Arlen, and Lilyan Tashman. At the time this movie was made, Hollywood was already making the transition of silent to sound, either making all talking movies, part talking movies, or silent movies with their own soundtrack and sound effects.
Manhattan Cocktail is a lost film except for a one-minute montage sequence, "Skyline Dance" by Slavko Vorkapich, which was released in October 2005 on the DVD Unseen Cinema: Early American Avant Garde Film 1894–1941 . [1]
The film featured a theme song entitled "Another Kiss" that was composed by Victor L. Schertzinger. Victor Schertzinger also composed a song called "Gotta Be Good" that was also featured in the film.
A silent film is a film without synchronized recorded sound. Though silent films convey narrative and emotion visually, various plot elements or key lines of dialogue may, when necessary, be conveyed by the use of inter-title cards.
One Night of Love is a 1934 American Columbia Pictures romantic musical film set in the opera world, starring Grace Moore and Tullio Carminati. The film was directed by Victor Schertzinger and adapted from the story Don't Fall in Love, by Charles Beahan and Dorothy Speare.
Vsevolod Illarionovich Pudovkin was a Soviet film director, screenwriter and actor who developed influential theories of montage. Pudovkin's masterpieces are often contrasted with those of his contemporary Sergei Eisenstein, but whereas Eisenstein utilized montage to glorify the power of the masses, Pudovkin preferred to concentrate on the courage and resilience of individuals. He was granted the title of People's Artist of the USSR in 1948.
Show Boat is a 1929 American pre-Code sound part-talkie romantic drama film based on the 1926 novel Show Boat by Edna Ferber. The film initially did not use the 1927 stage musical of the same name as a source, but scenes were later added into the film incorporating two of the songs from the musical as well as other songs. Many of these songs from the stage show were featured in a special prologue that was added to the picture before it was released. This film was produced and released by Universal. Like the majority of films during the early sound era, a silent version was made for movie theatres that had not yet converted to sound.
The Godless Girl is a 1928 American sound part-talkie dramatic directed by Cecil B. DeMille. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the RCA Photophone sound-on-film system. The cast features Lina Basquette, Marie Prevost, Tom Keene, and Noah Beery.
Victor L. Schertzinger was an American composer, film director, film producer, and screenwriter. His films include Paramount on Parade, Something to Sing About (1937) with James Cagney, and the first two "Road" pictures Road to Singapore (1940) and Road to Zanzibar (1941). His two best-known songs are "I Remember You" and "Tangerine", both with lyrics by Johnny Mercer and both featured in Schertzinger's final film, The Fleet's In (1942).
Abie's Irish Rose is a 1928 early sound (part-talkie) film directed by Victor Fleming and starring Charles "Buddy" Rogers, Nancy Carroll, Jean Hersholt, and J. Farrell MacDonald. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The film based on the 1922 play Abie's Irish Rose by Anne Nichols. The film was later remade in 1946. In the 1930s, author Nichols revealed that her deal with Paramount brought her $300,000 plus half the film's profits.
Redskin is a 1929 American sound film with a synchronized musical score and sound effects, filmed partially in Technicolor. Its final six minutes were shown in Magnascope, an enlarged-screen projection novelty. The film, directed by Victor Schertzinger, stars Richard Dix and was produced and released by Paramount Famous Lasky Corp. Though not well remembered among the general public, the film is regarded highly by film historians for presenting sympathetic portrayals of Native Americans in the silent film era.
A part-talkie is a sound film that includes at least some "talking sequences" or sections with audible dialogue. The remainder of the film is provided with a synchronized musical score with sound effects. These films more often than not contain a main theme song that is played during key scenes in the film and is often sung offscreen on the musical soundtrack. During the portion without audible dialogue, speaking parts are presented as intertitles—printed text briefly filling the screen—and the soundtrack is used only to supply musical accompaniment and sound effects.
Alias Jimmy Valentine is a 1928 American sound part-talkie crime drama film directed by Jack Conway and starring William Haines, Leila Hyams, Lionel Barrymore, and Karl Dane. The film features talking sequences along with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film is based on the 1909 play Alias Jimmy Valentine by Paul Armstrong, which itself was based on an O. Henry short story. The play toured in travelling production companies making it extremely popular. It was revived on Broadway in 1921. Two previous film adaptations had been produced at the old Metro Studios. A 1915 film version was directed by Maurice Tourneur and a 1920 version starring Bert Lytell was directed by Edmund Mortimer and Arthur Ripley.
A film —also called a movie, motion picture, moving picture, picture, photoplay, or flick—is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally accompanied by sound and other sensory stimulations. The word "cinema" is a shortening of the word "cinematography" and is used to refer to either filmmaking, the film industry, the overall art form, or a movie theater.
My Man is a 1928 black and white sound part-talkie American comedy-drama musical film directed by Archie Mayo starring Fanny Brice and featuring Guinn "Big Boy" Williams. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system.
Hardboiled Rose is a 1929 American sound part-talkie romantic drama film directed by F. Harmon Weight and released by Warner Bros. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film starred Myrna Loy, William Collier, Jr., and John Miljan.
Dangerous Nan McGrew is a 1930 Pre-Code American musical comedy film starring Helen Kane, Victor Moore and James Hall and directed by Malcolm St. Clair.
Peggy is a 1916 American silent comedy film produced and directed by Thomas Ince and stars Billie Burke in her motion picture debut.
The Air Circus is a 1928 American sound part-talkie drama film directed by Howard Hawks and starring Arthur Lake, Sue Carol, David Rollins, and Louise Dresser. It is the first of Hawks's aviation films. The film is notable as the first aviation oriented film with dialogue.
The Man I Love (1929) is a part-talking sound film from Paramount Pictures produced in parallel silent and sound versions. This film survives in a copy sold to television in the 1950s. The film stars Richard Arlen. Some sources refer to this as Arlen's first sound film, but he co-starred Nancy Carroll in Dorothy Arzner's Manhattan Cocktail (1928), another part-talking picture released by Paramount.
Outcast is a 1928 American synchronized sound drama film produced and distributed by First National Pictures. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. It was directed by William A. Seiter and stars Corinne Griffith, often considered one of the most beautiful women in film. This story had been filmed in 1917 as The World and the Woman with Jeanne Eagels. In 1922 a Paramount film of the same name with Elsie Ferguson reprising her stage role was released. Both films were based on a 1914 play, Outcast, by Hubert Henry Davies which starred Ferguson. The Seiter/Griffith film was an all silent with Vitaphone music and sound effects. In the sound era the story was filmed once again as The Girl from 10th Avenue starring Bette Davis. According to the Library of Congress database shows a print surviving complete at Cineteca Italiana in Milan.
The Wheel of Life is a 1929 American pre-Code romantic drama sound film directed by Victor Schertzinger and starring Richard Dix and Esther Ralston. It was produced and distributed by Paramount Pictures.
The Return of Peter Grimm is a 1926 American silent fantasy film directed by Victor Schertzinger based on the 1911 play of the same name by David Belasco. It was produced and distributed by the Fox Film Corporation.