Mara Ahmed | |
|---|---|
 | |
| Born | Lahore, Pakistan |
| Nationality | American |
| Occupation(s) | Interdisciplinary artist and filmmaker |
| Known for | Neelum Films |
| Notable work | The Muslims I Know, Pakistan One on One, A Thin Wall, The Injured Body |
Mara Ahmed is an interdisciplinary artist and filmmaker based on Long Island, New York. Her production company is Neelum Films. [1]
Mara Ahmed was born in Lahore, Pakistan. She has lived and been educated in Belgium, Pakistan and the United States. She has an MBA and a second master's degree in Economics. She worked in corporate finance before launching her career in film. [2]
Ahmed's film training began at the Visual Studies Workshop and later continued at the Rochester Institute of Technology. She began to shoot her first documentary, The Muslims I Know , a response to the post-9/11 negative stereotyping of Muslims in mainstream media in 2006. The Muslims I Know premiered at the Dryden Theatre in 2008.
Ahmed's second film, Pakistan One on One, a survey of public opinion in Pakistan about issues of interest to Americans, premiered in 2011 at the Little Theatre. Both her films were broadcast on PBS.
A Thin Wall, Ahmed's third documentary, was released in 2015. It focused on personal stories from the Partition of India in 1947 and was shot on both sides of the border, in India and Pakistan. [3] The film was written and directed by Ahmed and co-produced by Indian filmmaker Surbhi Dewan. [4] [5]
A Thin Wall opened at the Bradford Literature Festival and was introduced by British poet John Siddique, whose work is featured in the film.
Ahmed was interviewed about A Thin Wall on Voice of America [6] and RCTV. [7]
She gave a Ted talk about the meaning of borders and nationalism, entitled The Edges that Blur, in 2017. [8]
That same year, Ahmed began work on a new documentary inspired by Claudia Rankine's book, Citizen: An American Lyric. The Injured Body: A Film about Racism in America will focus on micro-aggressions via interviews with a diverse group of women of color. [9]
In 2023, Ahmed was awarded a New York State Council on the Arts grant, through the Community Regrant Program administered by the Huntington Arts Council, for her art and film project Return to Sender: Women of Color in Colonial Postcards & the Politics of Representation. [10] Ahmed's films can be found on Vimeo on Demand. [11]
Mara Ahmed works in a variety of media including film, photography, collage and writing. Her work was featured in the 2005 documentary “Identity Through Art” along with five other Asian-American artists. [12]
Her artwork was exhibited at the Kinetic Gallery, at SUNY Geneseo, in 2008. “Synthesis” was a multi-media exhibition that captured Ahmed's journey from Pakistan to the US.
In 2014, “This Heirloom,” a series of analog and digital collages that connect the artist's own family history to the Partition of India, was exhibited at the Colacino Gallery, at Nazareth College in New York. [13]
It was also shown at the Oakland Asian Cultural Center in 2018 [14] and was part of Current Seen, Rochester's Small Venue Biennial in 2019. [15]
Ahmed is involved in social justice and community work. She writes and presents on topics related to Pakistan, [16] Islamophobia, [17] micro-aggressions, [18] and the idea of decolonization. [19]
In 2021, Ahmed was featured as a changemaker in Rochester Museum and Science Center's exhibit, The Changemakers: Rochester Women Who Changed the World, which showcased stories of women visionaries and trailblazers from Rochester, New York. [20]
Ahmed began work on the Warp & Weft, [21] a multilingual archive of stories that sought to capture the 2020 zeitgeist, in September of that year. [22] The archive was transformed into a multimedia installation including text, audio and animation in 2022 when it was exhibited at Rochester Contemporary Art Center. [23]
Xerox art is an art form that began in the 1960s. Prints are created by putting objects on the glass, or platen, of a photocopier and by pressing "start" to produce an image. If the object is not flat, or the cover does not totally cover the object, or the object is moved, the resulting image is distorted in some way. The curvature of the object, the amount of light that reaches the image surface, and the distance of the cover from the glass, all affect the final image. Often, with proper manipulation, rather ghostly images can be made. Basic techniques include: Direct Imaging, the copying of items placed on the platen ; Still Life Collage, a variation of direct imaging with items placed on the platen in a collage format focused on what is in the foreground/background; Overprinting, the technique of constructing layers of information, one over the previous, by printing onto the same sheet of paper more than once; Copy Overlay, a technique of working with or interfering in the color separation mechanism of a color copier; Colorizing, vary color density and hue by adjusting the exposure and color balance controls; Degeneration is a copy of a copy degrading the image as successive copies are made; Copy Motion, the creation of effects by moving an item or image on the platen during the scanning process. Each machine also creates different effects.
Ikat is a dyeing technique from Southeast Asia used to pattern textiles that employs resist dyeing on the yarns prior to dyeing and weaving the fabric. In Southeast Asia, where it is the most widespread, ikat weaving traditions can be divided into two general groups of related traditions. The first is found among Daic-speaking peoples. The second, larger group is found among the Austronesian peoples and spread via the Austronesian expansion to as far as Madagascar. It is most prominently associated with the textile traditions of Indonesia in modern times, from where the term ikat originates. Similar unrelated dyeing and weaving techniques that developed independently are also present in other regions of the world, including India, Central Asia, Japan, Africa, and the Americas.
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Julie Anne Buck is an American film producer, collage artist, photographer, experimental filmmaker, and film archivist.
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