This article contains too many or overly lengthy quotations .(September 2022) |
Marchita | ||||
---|---|---|---|---|
Studio album by | ||||
Released | January 21, 2022 | |||
Recorded | 2019 | |||
Genre | ||||
Length | 37:04 | |||
Language | Spanish | |||
Label | Glassnote | |||
Producer |
| |||
Silvana Estrada chronology | ||||
| ||||
Singles from Marchita | ||||
|
Marchita (Spanish for "withered" [1] ) is the solo debut studio album by Mexican singer-songwriter Silvana Estrada, following two collaborative albums with Charlie Hunter. The album was released January 21, 2022, as her debut release with Glassnote Records. The album was recorded in Mexico City over five days in 2019 with producer Gustavo Guerrero. [2]
Estrada first announced the album October 22, 2021, alongside the release of the single "Te guardo", a rerecording of a song that first appeared on the singer's debut EP Primeras Canciones. The album was first conceived after the breakup of Estrada's first relationship, with the lyrics following her journey through first heartbreak. Estrada called the album "like a therapeutic journey ... in order to understand sadness, loneliness, and pain." [3] [4] Estrada called the writing process behind the album "really lonely", explaining that "I started it after a breakup, and it wasn't only the breakup and the dissolution of a relationship — I think I was suffering because I realized love wasn't what I thought it was. It was a kind of pain that was philosophical, so Marchita was an introspective journey that I took to find out what my truth was and my construction of love and why I was feeling so bad." [5]
In an interview with the Chicago Sun-Times 's Laura Emerick, Estrada explained why the cuatro is so central to the album, saying "It was magical that I got to know the cuatro. A regular guitar was too big, and my hands were too small. I needed something different. I started to play it, and I fell deeply in love. The tuning [of the cuatro] is so special. It sounds unique — modern but also folkloric. My mind was blown away." [6] The cuatro she plays was made by her luthier father. [7]
The album's lyrics, originally written in Spanish, received an official English translation by bilingual Mexican poet Mónica Mansour. [7] Estrada started writing some of the songs in 2018, refining them at local concerts so that she had a deep understanding of them by the time she entered the studio with producer Gustavo Guerrero. Guerrero had a goal of recreating the intimacy of those live performances, which he described as "a challenge not to take away the power and expression of Silvana's art", constantly facing the risk of "overproducing or over-polishing something that's already done" or adding excessive layers of instrumentation. [5] [8]
The album was preceded by four singles released in 2021: the title track on July 30, [9] "Tristeza" on September 23, [10] "Te guardo" on October 22, [11] and "La corriente" on December 1. [12] The first three singles also received music videos directed by Karla Read and Edwin Erazo working with director of photography Julio Llorente, all shot in black-and-white and set in the countryside of the Dominican Republic's Valle Nuevo National Park. [4]
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
The Brock Press | [1] |
Rolling Stone | [13] |
Rolling Stone called the album "gorgeously understated, guided by [Estrada's] gauzy voice and rich, acoustic arrangements" and "thrill[ing] in simplicity." [13] AllMusic's Thom Jurek describes the album's lineup as including strings, brass, reeds, guitars, keyboard, percussion, and Estrada's voice and cuatro playing, and notes the project as "mak[ing] use of her entire musical background, including indie pop, classical, jazz, and Latin American folk traditions." Jurek calls the album "rendered simply and directly, deeply influenced by the poetic tradition of women composers including Chavela Vargas, Violeta Parra, and Soledad Bravo", and goes on to highlight moments such as "Un Día Cualquie"'s "soaring promise of possibility above a Farfisa organ and percussion choir"; "Sabré Olvidar" which "is a spacy, intimate ranchera with vibraphone, upright bass, and a string quartet"; the title track on which "rage flows freely though Estrada's lyrics, though her voice remains sweet with sadness as cuatro and string quartet buoy her protagonist toward healing"; and the "vanguard sounds on "Casa" [which] recall some of Björk's more experimental moments as Estrada sums up her experiences with searing honesty." Jurek closes by saying "Marchita's songs are solid, provocative, and deeply moving. Through them all, Estrada's open, aching, vulnerable voice remains fierce and fearless. She carries her heartbreak and healing with honesty and courage and exhorts us to do the same." [2]
Per The Brock Press's Haytham Nawaz, the album "sonically channels [Estrada's] Mexican heritage into an intimate bundle of private, intense songs that meditate on heartbreak", with "stunning originality [which] enters this Hispanic artist into the pantheon of legendary singer/songwriters." Estrada's voice is at the center of the music, made "most apparent in the melismatic hooks, where the 24-year-old singer's voice subordinates every mirrored chord, yet the instrumentals sound like they could drown out her voice at any moment. Though never successfully flipping the dynamic, her voice remains dominant", with "Sabré Olvidar" last two minutes being the "most breathtaking example of this interplay" where an "explosion of chamber folk instrumentation is tailing Esrada's melodic twists and turns." The album, per Estrada's word, is "about her first love and the naivete that made (and makes) that first heartbreak so devastating", and "the way her voice is completely in command of the instrumentals is a sign of the torrential feelings that accompany every utterance that tries to explain such a shattering experience." Nawaz notes that "Ser De Ti"'s double bass "curtails the rest of the instrumentation to create a womb-like effect ... reminiscent of Kate Bush's classic song "Mother Stands for Comfort", seconds Jurek's comparison for "Casa", claiming it "could fit on Bjӧrk's Vespertine with its domestic ambience and almost painful, angelic tension, relieved finally by an almost ecclesiastical violin outro at the nearly three-minute mark", and closes by saying the album "entirely its own experience", with its "Spanish roots not "relied on to do the leg-work, rather ... woven into a series of well-established, variegated forms of popular western singer-songwriter music." [1]
Al Día's Andrew Kolba notes album closer "La enfermedad del siglo" containing an instrumental reprise of opener "Mas o menos antes" played on flugelhorn and organ, "marking a moment of coming full-circle." [4] The New York Times 's Isabelia Herrera called the album "an intimate, austere record, a tender snapshot of a young woman wrestling with the pain of lost love" on which Estrada's "rolling melismas, the warm melancholy of the cuatro and her imagistic, somber lyrics cascade into torrents of unbridled anguish. Throughout, Estrada submerges herself in misery, often leaving the listener bereft." Estrada's lyrics "unfurl with a poetic magnetism that blooms in Spanish" and "often echo the romantic textures of the Nicaraguan poet Rubén Darío, or perhaps the Uruguayan poet and critic Idea Vilariño." [8]
Year | Organization | Award | Status | Ref. |
---|---|---|---|---|
2022 | Latin Grammy Awards | Best Singer-Songwriter Album | Nominated | [14] |
2023 | Libera Awards | Best Latin Record | Nominated | [15] |
Rolling Stone en Español Awards | Album of the Year | Nominated | [16] [17] |
Publication | # | Ref. |
---|---|---|
Billboard | 24 | [18] |
The Needle Drop | 10 | [19] |
NPR Music | 13 | [20] |
Rolling Stone | 68 | [21] |
All tracks are written by Silvana Estrada
No. | Title | Length |
---|---|---|
1. | "Más o menos antes" | 2:15 |
2. | "La corriente" | 3:32 |
3. | "Te guardo" | 3:22 |
4. | "Un día cualquiera" | 2:23 |
5. | "Sabré olvidar" | 4:30 |
6. | "Marchita" | 3:47 |
7. | "Tristeza" | 3:01 |
8. | "Carta" | 3:25 |
9. | "Casa" | 4:40 |
10. | "Ser de ti" | 3:28 |
11. | "La enfermedad del siglo" | 2:41 |
Total length: | 37:04 |
Sea Change is the eighth studio album by American musician Beck, released on September 24, 2002, by Geffen Records. Recorded over a two-month period in Los Angeles with producer Nigel Godrich, the album features themes of heartbreak and desolation, solitude, and loneliness. For the album, much of Beck's trademark cryptic and ironic lyrics were replaced by simpler, more sincere lyrical content. He also eschewed the heavy sampling of his previous albums for live instrumentation. Beck cited the breakup with his longtime girlfriend as the major influence on the album.
Lucinda Gayl Williams is an American singer-songwriter and a solo guitarist. She recorded her first two albums, Ramblin' on My Mind (1979) and Happy Woman Blues (1980), in a traditional country and blues style that received critical praise but little public or radio attention. In 1988, she released her third album, Lucinda Williams, to widespread critical acclaim. Regarded as "an Americana classic", the album also features "Passionate Kisses", a song later recorded by Mary Chapin Carpenter for her 1992 album Come On Come On, which garnered Williams her first Grammy Award for Best Country Song in 1994. Known for working slowly, Williams released her fourth album, Sweet Old World, four years later in 1992. Sweet Old World was met with further critical acclaim and was voted the 11th best album of 1992 in The Village Voice's Pazz & Jop, an annual poll of prominent music critics. Robert Christgau, the poll's creator, ranked it 6th on his own year-end list, later writing that the album as well as Lucinda Williams were "gorgeous, flawless, brilliant".
Mary Chapin Carpenter is an American country and folk music singer-songwriter. Carpenter spent several years singing in Washington, D.C.-area clubs before signing in the late 1980s with Columbia Records. Carpenter's first album, 1987's Hometown Girl, did not produce any charting singles. She broke through with 1989's State of the Heart and 1990's Shooting Straight in the Dark.
Later That Day is the debut solo studio album by Lyrics Born. It was released on Quannum Projects in 2003. It peaked at number 40 on the Billboard Independent Albums chart.
“Inevitable” is a song by Colombian singer-songwriter Shakira. It was released on September 29, 1998 by Sony Music, and is included as the fifth track in her album, Dónde Están los Ladrones? (1998). The sentimental ballad is about a woman’s honesty to her former lover and how she feels her life to be subsequently monotonous. In the accompanying music video, Shakira is depicted as singing in an arena full of admirers screaming for her. Along with Luis Fernando Ochoa, Shakira wrote the lyrics and managed the production.
Invictus (Means) Unconquered is an album released by country musician David Allan Coe. It was released in 1981 on Columbia.
"Say You Will" is a song by American rapper Kanye West, released as the opening track on his fourth studio album, 808s & Heartbreak (2008). The song contains vocals from the Kadockadee Kwire featuring Glenn Jordan, Phillip Ingram, Jim Gilstrap, Romeo Johnson, Kevin Dorsey, and Will Wheaton. It also includes background vocals from Mr Hudson and Tony Williams. The song was produced by West, who co-wrote it with Jeff Bhasker, Young Jeezy, Malik Yusef, Mr Hudson, and Consequence. In 2008, the song was recorded over a time period of 15 minutes. It is a melancholy hip hop and R&B ballad, which features synth-pop production.
Glassnote Records is a record label that was launched by American music executive Daniel Glass in 2007. With a lineup of primarily indie rock and alternative rock artists, the New York-based independent label has an enviable roster, including Grammy Award winning acts Phoenix, Mumford & Sons, Childish Gambino and Silvana Estrada, and standouts AURORA, Chvrches, Grouplove, Tors, bby, Jade Bird, Patrick Martin, Talia Rae, Gracey, Two Door Cinema Club. The label is distributed by The Orchard as of 2022. and partnered with How Good for Australian representation in 2024. Glassnote also has a strong Australian connection, having released recordings from the likes of Flight Facilities, The Teskey Brothers and The Temper Trap.
"In the Shape of a Heart" is a song written and performed by American singer-songwriter Jackson Browne included on his 1986 album, Lives in the Balance. Released as the second single from the album, it reached No. 70 on Billboard's Hot 100 chart, spending seven weeks on that chart after debuting at No. 72, but was a big Adult Contemporary hit, peaking at No. 10. It was also released as a single in the United Kingdom and Japan, and as a promotional 12" in Germany. A heart-shaped red vinyl promotional single was also released by Asylum, which included two remixes. In 2002, Browne also recorded a version of the song in Spanish with the Spanish rock band Los Secretos for their album Sólo para escuchar.
Sugaring Season is the sixth studio album by English singer-songwriter Beth Orton. It was her first new work for six years. It was recorded in Portland, Oregon at the studio of producer Tucker Martine. It is her first release for the ANTI- record label with whom she signed in 2010. In 2014 it was awarded a silver certification from the Independent Music Companies Association, which indicated sales of at least 20,000 copies throughout Europe.
Hasta la Raíz is the fifth studio album by Mexican recording artist Natalia Lafourcade, released on March 17, 2015, through Sony Music Mexico. After the success of her previous album, Mujer Divina – Homenaje a Agustín Lara, a tribute to Mexican singer-songwriter Agustín Lara, Lafourcade decided to record an album with original recordings. Lafourcade spent three years writing the songs and searching for inspiration in different cities, resulting in songs that express very personal feelings regarding love. The record was produced by Lafourcade, with the assistance of Argentinian musician Cachorro López and Mexican artist Leonel García.
Ayo is the fifth studio album by Colombian band Bomba Estéreo, released on August 11, 2017. It is a cumbia album with elements of modern dance music and Spanglish lyrics. It reached number 28 on the US Top Latin Albums chart.
"Miss Americana & the Heartbreak Prince" is a song by the American singer-songwriter Taylor Swift from her seventh studio album Lover (2019). She wrote the song a few months after the 2018 U.S. midterm elections to capture her disillusionment with the American political climate. Written and produced by Swift and Joel Little, "Miss Americana & the Heartbreak Prince" is a synth-pop tune with marching band-styled percussion and background cheerleading shouts. It is a protest song that makes use of high-school imagery lyrically to depict the struggles navigating through a flawed system, with allusions to a troubled love story.
The Dirt and the Stars is the 16th studio album by American singer-songwriter Mary Chapin Carpenter, released by Lambent Light Records on August 7, 2020.
"I Drink Wine" is a song by the English singer Adele from her fourth studio album, 30 (2021). Adele co-wrote the song with its producer, Greg Kurstin. It became available as the album's seventh track on 19 November 2021, when it was released by Columbia Records. It is a ballad with gospel influences reminiscent of church music and incorporates a piano and organ in its instrumentation. It is about letting go of one's ego and addresses Adele's divorce from Simon Konecki, comprising arduous realisations about the condition of her marriage and life.
Freewheelin' Woman is the thirteenth studio album by American singer-songwriter Jewel, released on April 15, 2022, via her own label, Words Matter Media. It is Jewel's first album in seven years, following 2015's Picking Up the Pieces. The album was co-produced by Jewel and Butch Walker and was developed with the intention for Jewel to create music that she felt connected to and excited about rather than creating in order to meet expectations. Lyrically, the album touches on themes of independence, hope, womanhood, and heartbreak.
The Hardest Part is the debut studio album by American singer-songwriter Noah Cyrus. It was released on September 16, 2022, by Records, LLC and Columbia Records. It was preceded by the singles "I Burned LA Down", "Mr. Percocet", "Ready to Go" and "Every Beginning Ends".
Silvana Estrada is a Mexican musician and songwriter. She has released three albums, including two with collaboration from musician Charlie Hunter. Additionally, she has worked with artists like Natalia Lafourcade, Caloncho, Alex Cuba, and Guitarricadelafuente, among others.
De Todas las Flores is the tenth studio album by Mexican singer-songwriter Natalia Lafourcade. It was released on 28 October 2022 on Sony Music Mexico. It draws inspiration from a variety of Latin jazz and folk genres, including bolero, cumbia, bossa nova, samba, and son jarocho.
"Dile a Él" is a song recorded by Puerto Rican singer Rauw Alejandro for his debut studio album, Afrodisíaco (2020), featuring uncredited background vocals from Spanish singer Rosalía. It was written by Alejandro, while the production was handled by Eydren con el Ritmo, Alejandro, Rosalía, and Caleb Calloway. The song was released by Sony Music Latin and Duars Entertainment on February 3, 2021, as the sixth single from the album. A Spanish language mid-tempo "dark" reggaeton ballad, it addresses the singer's ex-girlfriend who has broken up with him to be with another man.