Margaret Evangeline | |
---|---|
Born | 1943 |
Nationality | American |
Education | University of New Orleans |
Known for | Sculpture, Painting |
Movement | post-minimalist, performance, and installation artist |
Website | Official website |
Margaret Evangeline (born 1943 in Baton Rouge, Louisiana) is a post-minimalist painter and video, performance, and installation artist, noted for paintings riddled with bullet holes. [1]
Evangeline was born in Baton Rouge, Louisiana, and lived in New Orleans before moving to New York City in 1992. Evangeline received her M.F.A. and B.A. from the University of New Orleans. Evangeline has had more than forty solo exhibitions in the United States and abroad and has been awarded grants from the Pollock-Krasner Foundation, New York Foundation for the Arts, and the ART/OMI Foundation Artist in Residence. [2]
Evangeline’s diverse practice includes large-scale site-specific installations using mirror-like surfaces. In these installations, viewers can find their reflections moving through bullet-marked environments of woods [3] or water, [4] with outcomes sometimes documented in Evangeline’s videos. The installations became linked with environmental art, [5] as the shot mirror polished stainless steel panels she is known for begin as a performance in either the woods, the New Mexico landscape, or the sky, which are mirrored in the context of the artwork. In New Orleans, she filled a cottage with fertile dirt from the Mississippi River, which sprouted new growth from seeds she planted. [6]
As a process artist [7] her work began to evolve to include autobiographical elements, [8] which distinguishes her work from other process art. Her career-spanning monograph was published by Charta [9] in 2011. Including an essay by Edward Lucie-Smith and an interview by Dominique Nahas, it was reviewed in The Brooklyn Rail article 'Margaret Evangeline: Shooting Through the Looking Glass' [10]
Sabachthani, [11] a book of photographs, essays and poetry centered around a project Evangeline carried out in collaboration with her son's military unit in Iraq, was also published by Charta [9] in November 2012.
Baton Rouge is the capital city of the U.S. state of Louisiana. Located on the eastern bank of the Mississippi River, it had a population of 227,470 as of 2020; it is the seat of Louisiana's most populous parish (county-equivalent), East Baton Rouge Parish, and the center of Louisiana's second-largest metropolitan area and city, Greater Baton Rouge.
The Louisiana State Capitol is the seat of government for the U.S. state of Louisiana and is located in downtown Baton Rouge. The capitol houses the chambers for the Louisiana State Legislature, made up of the House of Representatives and the Senate, as well as the office of the Governor of Louisiana. At 450 feet (137 m) tall and with 34 stories, it is the tallest skyscraper in Baton Rouge, the seventh tallest building in Louisiana, and tallest capitol in the United States. It is located on a 27-acre (110,000 m2) tract, which includes the capitol gardens. The Louisiana State Capitol is often thought of as "Huey Long's monument" due to the influence of the former Governor and U.S. Senator in getting the capitol built. The building's construction was completed in 1931. It was listed on the National Register of Historic Places in 1978 and was designated a National Historic Landmark in 1982.
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"Durieux is master of her instrument. It is like an epigram delivered in a deadpan manner:the meaning sinks in casually; when all of a sudden the full impact dawns on one, it haunts one for days. Her work has that haunting quality because its roots are deep, its vision profound".
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