Mari Collingwood

Last updated
Mari Collingwood
The Last House on the Left character
Sandra Peabody as Mari Collingwood in The Last House on the Left.jpg
Sandra Peabody portraying Mari
First appearance The Last House on the Left (1972)
Created by Wes Craven
Portrayed by
In-universe information
Occupation Competitive swimmer (2009 film)

Mari Collingwood is a fictional character in The Last House on the Left films. She first appears in The Last House on the Left (1972) as a hippie girl abducted on her seventeenth birthday by a fugitive family. Conceptualized by Wes Craven, she was portrayed by a twenty-two-year-old Sandra Peabody in one of her early film appearances. Director Dennis Iliadis brings the character back in the 2009 reimagining, this time portrayed by Sara Paxton.

Contents

Craven conceptualized Mari with the basis of her being the 1970s version of the virginal Karin (Birgitta Pettersson) from Ingmar Bergman's medieval Sweden set The Virgin Spring (1960)—symbolizing innocence during an era of apprehension caused by the Vietnam War. Iliadis' vision of Mari was to make her proactive and set forth to humanize her through her depiction as a competitive swimmer and the subplot of her late brother. Due to this characterization, critics have called Iliadis' version of the character as following aspects of the "final girl" archetype, contrasting with her original depiction.

Appearances

The character made her cinematic debut in The Last House on the Left (1972) on August 30, 1972. In this film, Mari is an upper-class sheltered teenaged girl going to a rock concert in a city with her friend Phyllis to celebrate her seventeenth birthday. While looking for marijuana dealers, escaped convicts lure them into their hideout and abduct them. In the woods near Mari's home, she is humiliated and raped before being shot to near death in a nearby lake and later found by her parents. She later appears in the nightmares of one of the film's villains. [1]

In the 2009 film, Mari is a competitive swimmer who goes on vacation with her parents John and Emma to their lake house. Mari takes the family car and drives into town to hang out with her friend Paige. While Paige is finishing her shift as a cashier, they meet a teenager named Justin, who invites them both back to his motel room to smoke marijuana. While there, Justin's family members return: Krug, Justin's father; Francis, Justin's uncle; and Sadie, Krug's girlfriend. Due to the widespread media coverage of Krug's recent escape from police custody, the criminals decide to kidnap them and steal Mari's car to leave town. Mari convinces Krug to take a road that is in the direction of her parents' lake house; in an attempt to escape, Mari burns Sadie's face with a cigarette lighter and attempts to jump out of the vehicle, but is unable to when the car crashes. After being raped by Krug, Mari manages to escape the criminals and make it to the lake so she can swim to safety. However, Krug shoots her in the back and she is left for dead, but she is later revealed to have survived. Mari manages to reach her parents' porch and with them seeks revenge; Mari, John, Emma, and Justin then take a boat to the hospital. [1]

Development

Returning to New York after a cross-country road trip, Peabody was originally asked by the film makers to audition for the role of Phyllis after responding to casting notice in the trade publication Backstage. After meeting the producer Sean S. Cunningham she was cast as Mari. [2] Craven stated, "I liked Sandra Peabody a lot; I thought she was very pretty, and very plucky... because she was a very young actress, she wasn't nearly as confident and easy going as Lucy was, and she had become involved in something very, very rough. And she hung in there. When the character was raped, she was treated very roughly, and I know Sandra said to me afterwards, 'My God... I had the feeling they really hated me.'" [3] Jacob Knight interpreted that Wes Craven created Mari with the intention of her being a metaphor of peace and innocence during an era of apprehension, "He wants us to see her as a sexual object, the peace sign necklace her parents gift to her before she heads into the city no match for the angry, depraved, aggressors who tear her and Phyllis’ clothes off. In this way, Craven has molded Mari to be something of an avatar for how he views the “Love Generation”; inexperienced balls of flesh who think their hippie posturing will save them from society's wolves." [4]

Sara Paxton attending the premiere of The Last House on the Left (2009) Sara Paxton Last House 2009 LA.jpg
Sara Paxton attending the premiere of The Last House on the Left (2009)

Various cast and crew of the original film have stated that Sandra Peabody was genuinely unnerved during the entire making of the film and at one point walked off set. [5] [6] In an interview for David A. Szulkin's non-fiction book Wes Craven's Last House on the Left , Peabody confirmed the discomfort that she felt throughout the making of the film and the difficulty of working with Method actor David Hess, who threatened to assault her to get a genuine reaction from her. [7] [ page needed ]

Sara Paxton revealed that she only auditioned for the film as an acting exercise and was not expecting to obtain the role. [8] In an interview, Paxton stated, "In the audition, Dennis was like, 'So how’s your swimming ability?' And I was like, 'I played a mermaid. I’m an amazing swimmer. You have no idea. I’m great.' And they were like, 'Oh wow, she’s a great… Hey, she’s a good swimmer.' Then I actually got on set and I just remember submerging under water and hearing, 'Cut! Oh my God, she is drowning! She is drowning right now. Somebody get her some floaties, something!' I guess I wasn’t that good. I was more talk." [9]

Despite the intense subject matter, Paxton described her experience on set as a positive one and when asked about what it was like to work with the producers Wes Craven and Jonathan Craven, she stated:

"He was more like the Wizard of Oz – the man behind the curtains. He was really involved in everything, but he was manning the controls backing in the states since we filmed the movie in Africa. His son, Jonathan Craven, was an executive producer on the movie and he was amazing to work with. It was a great set to be on. They really cared about us, especially me because I was the youngest out of the group." [10]

Dennis Iliadis, the director of the 2009 film, wanted to add more characterization and depth to the character of Mari and revealed that the writers decided to make her a competitive swimmer which attributes to her character development and survival later on in the film. In an interview, Iliadis stated:

"Well, the idea was to find something where she channels all her energy. That was a big character trait, because her brother is dead. It's like she's carrying him on her back; she needs to perform for two people now. She has to compensate for him. So all her energy's in the water. The only area where she feels slightly free is when she's in the water, swimming like crazy, so it's interesting having that as a character trait, and then having that as a key element for her trying to escape."

Reception

While noted for being chaste in her original depiction — it has been argued that she is not wholly innocent. Conversely, film critic Ann Hornaday likened her to horror genre heroines Sally Hardesty (Marilyn Burns) of The Texas Chainsaw Massacre (1974) and Laurie Strode (Jamie Lee Curtis) of Halloween (1978). Writing that they "personified the qualities and character beats of the quintessential final girl at her most admirable and frustrating." [11] Film critic John Kenneth Muir described Mari as a "well-developed character." [12]

In a detailed analysis, Alexandra Heller-Nicholas notes that the 2009 version of the character, unlike the original incarnation, exhibits traits of the "final girl" trope. Heller-Nicholas attributes this to her disinterest in drugs and her proactive nature during her abduction, highlighting that she purposefully lures the villains to her house as means of getting her parents to save her. She notes that the Iliadis version of the film "celebrates Mari's determination to survive," and as such condemns the 1972's passive version. Although, she notes a drastic shift in the character in the second half of the film. Writing that "This depiction of her as a vacant monster continues throughout the rest of the film. Mari is not so much a rape survivor as she is the walking dead, whose only function is to provide her parents (specifically her father) with a motivation for violent and spectacular vengeance." [13] Hess (who portrayed Krug Stillo in 1972 film) stated that the audience holds a connection to the character due to there being an emotional attachment to Peabody's portrayal. [14]

See also

Related Research Articles

<span class="mw-page-title-main">Freddy Krueger</span> Main antagonist of the A Nightmare on Elm Street franchise

Freddy Krueger is a fictional character and the primary antagonist in the A Nightmare on Elm Street film series. He was created by Wes Craven and made his debut in Craven's A Nightmare on Elm Street (1984) as the malevolent spirit of a child killer who had been burned to death by his victims' parents after evading prison. Krueger goes on to murder his victims in their dreams, causing their deaths in the real world as well. In the dream world, he is a powerful force and seemingly invulnerable. However, whenever Freddy is pulled back into the real world, he has normal human vulnerabilities and can be destroyed. He is commonly identified by his burned, disfigured face, dirty red-and-green-striped sweater and brown fedora, and trademark metal-clawed, brown leather, right hand glove. This glove was the product of Krueger's own imagination, having welded the blades himself before using it to murder many of his victims, both in the real and dream worlds. Over the course of the film series, Freddy has battled several reoccurring survivors including Nancy Thompson and Alice Johnson. The character was consistently portrayed by Robert Englund in the original film series as well as in the television spin-off Freddy's Nightmares. Englund has stated that he feels the character represents neglect, particularly that suffered by children. The character also more broadly represents subconscious fears.

<span class="mw-page-title-main">Scream queen</span> Actress known for her work in horror films

A scream queen is an actress who is prominent and influential in horror films, either through a notable appearance or recurring roles. A scream king is the male equivalent.

<i>The Last House on the Left</i> 1972 American exploitation horror film by Wes Craven

The Last House on the Left is a 1972 American exploitation horror film written, directed and edited by Wes Craven in his directorial debut. The film follows Mari Collingwood, a hippie teenager who is abducted, raped, tortured, and killed by a fugitive gang on her seventeenth birthday. When the gang unwittingly finds refuge in her family's home, the killers face the vengeance of her parents.

<span class="mw-page-title-main">David Hess</span> American actor singer and songwriter

David Alexander Hess was an American actor, singer, songwriter, and director. He came to prominence for his portrayals of murderous villains and gruff characters in several films in the 1970s and 1980s.

<i>The Virgin Spring</i> 1960 Swedish drama film by Ingmar Bergman

The Virgin Spring is a 1960 Swedish film directed by Ingmar Bergman. Considered as a precursor of rape and revenge film; set in medieval Sweden, it is a tale about a father's merciless response to the rape and murder of his young daughter. The story was adapted by screenwriter Ulla Isaksson from a 13th-century Swedish ballad, "Töres döttrar i Wänge". Bergman researched the legend of Per Töre with an eye to an adaptation, considering an opera before deciding on a film version. Given criticism of the historical accuracy of his 1957 film The Seventh Seal, he also invited Isaksson to write the screenplay. Other influences included the 1950 Japanese film Rashomon. Max von Sydow played Töre.

<span class="mw-page-title-main">Final girl</span> Trope in slasher horror films

The final girl is a trope in horror films. It refers to the last girl(s) or woman alive to confront the killer, ostensibly the one left to tell the story. The final girl has been observed in many films, including The Texas Chain Saw Massacre, Halloween, Alien, Friday the 13th, A Nightmare on Elm Street, Scream and Train to Busan. The term was coined by Carol J. Clover in her book Men, Women, and Chainsaws: Gender in the Modern Horror Film (1992). Clover suggested that in these films, the viewer began by sharing the perspective of the killer, but experienced a shift in identification to the final girl partway through the film.

<span class="mw-page-title-main">Woody Strode</span> American athlete and actor (1914–1994)

Woodrow Wilson Woolwine Strode was an American actor, football player and author. He was a decathlete and football star who was one of the first Black American players in the National Football League in the postwar era. After football, he went on to become a film actor, where he was nominated for a Golden Globe Award for Best Supporting Actor for his role in Spartacus in 1960. Strode also served in the United States Army Air Corps during World War II.

<span class="mw-page-title-main">Sara Paxton</span> American actress (born 1988)

Sara Paxton is an American actress and singer. She began acting at an early age, appearing in minor roles in both films and television shows before rising to fame in 2004. She played the title role in the television series Darcy's Wild Life (2004-2006) and Sarah Borden in Summerland (2004). Her other films include Aquamarine (2006), Return to Halloweentown (2006), Sydney White (2007), Superhero Movie (2008), The Innkeepers (2011), and The Front Runner (2018).

<i>Chaos</i> (2005 horror film) 2005 American film

Chaos is a 2005 American horror film about the rape and murder of two adolescent girls. It is an unofficial remake of Wes Craven's The Last House on the Left, with all character names changed and a different ending. It stars Kevin Gage and was written and directed by David DeFalco. The film received negative reviews, in particular for its use of gore and the ending.

<i>A Nightmare on Elm Street</i> 1984 American supernatural slasher film by Wes Craven

A Nightmare on Elm Street is a 1984 American supernatural slasher film written and directed by Wes Craven and produced by Robert Shaye. It is the first installment in the A Nightmare on Elm Street franchise and stars Heather Langenkamp, John Saxon, Ronee Blakley, Robert Englund as Freddy Krueger, and Johnny Depp in his film debut. The film's plot concerns a group of teenagers who are targeted by Krueger, an undead former child killer who can murder people through their dreams, as retribution against their parents who burned him alive.

<span class="mw-page-title-main">Laurie Strode</span> Character in the Halloween franchise

Laurie Strode is a character from the Halloween series. She first appeared in Halloween (1978) as a high school student who becomes targeted by serial killer Michael Myers, in which she was portrayed by Jamie Lee Curtis. Created by John Carpenter and Debra Hill, Laurie appeared in nine of thirteen films in the series. The character has subsequently been represented in various other media, including novels, video games, and comic books.

<span class="mw-page-title-main">Sidney Prescott</span> Fictional character in the Scream film series

Sidney Prescott is a fictional character and original protagonist of the Scream franchise. The character was created by Kevin Williamson and is portrayed by Canadian actress Neve Campbell. She first appeared in Scream (1996) followed by four sequels: Scream 2 (1997), Scream 3 (2000), Scream 4 (2011), and Scream (2022). Until 2023's Scream VI, her character had appeared in each successive film in the series, her role initially that of the victim but growing into heroine where she personally confronts each killer and defeats them.

<span class="mw-page-title-main">Sally Hardesty</span> Fictional Character

Sally Hardesty is a fictional character in The Texas Chainsaw Massacre franchise. She made her first appearance in The Texas Chain Saw Massacre (1974) as a young woman investigating her grandfather's grave after local grave robberies—crossing paths with Leatherface and his cannibalistic family in the process. In this film and later in The Next Generation (1995), she was portrayed by Marilyn Burns. Olwen Fouéré was cast in the sequel Texas Chainsaw Massacre (2022). The character, renamed Erin Hardesty and played by Jessica Biel, also appeared in a remake of the original film in 2003.

<span class="mw-page-title-main">Jeramie Rain</span> American actress

Jeramie Rain is an American screenwriter, producer, philanthropist and former actress. Rain began her career with starring roles in several local stage productions in Charleston before moving to New York City in the early 1970s. After appearing in a string of commercials, she made her film debut in the crime film The Abductors (1972), then became known for roles as Sadie in Wes Craven's controversial horror film The Last House on the Left (1972) and Willie Mae in Albert T. Viola's comedy film Preacherman Meets Widderwoman (1973).

Rape and revenge, or revenge rape, is a film subgenre was used in black comedy, horror, thriller, and vigilante films, all of them bears great similarities to the subgenre, which is characterized by violent revenge for crimes committed in the film's premise.

<i>Last Stop on the Night Train</i> 1975 film by Aldo Lado

Night Train Murders, also released in English-speaking countries as Last Stop on the Night Train and Late Night Trains, is a 1975 Italian revenge horror film directed by Aldo Lado and starring Flavio Bucci, Macha Méril, and Irene Miracle.

<i>The Last House on the Left</i> (2009 film) 2009 film by Dennis Iliadis

The Last House on the Left is a 2009 revenge horror-thriller film directed by Dennis Iliadis and written by Adam Alleca and Carl Ellsworth. A remake of the 1972 film of the same name, it stars Tony Goldwyn, Monica Potter, Garret Dillahunt, Spencer Treat Clark, Martha MacIsaac, and Sara Paxton. The film follows Mari Collingwood, a teenager who is abducted, raped, tortured, and left for dead by a family of violent fugitives. When her parents learn what was done to her, they seek vengeance against the family, who have taken shelter at their summer home during a thunderstorm.

<span class="mw-page-title-main">Sandra Peabody</span> American talent agent, producer and former actress

Sandra Peabody is an American talent agent, acting coach, producer, and former actress and model. She is best known for her work in independent films, television soap operas, stage productions and her subsequent career in producing; earning an Emmy in 1992 for the children's television series Popcorn (1984–92).

<i>The Horse Killer</i> 1966 mystery film by Luke Moberly

The Horse Killer is a lost 1966 American mystery thriller film directed by Luke Moberly, in his directorial debut, and written by Thomas Casey. It stars Shane Erickson, Stephanie Herold, Kathleen Stanley, Julio Cesare, Bud Irwin, Sandra Peabody, and Bob Burns. The story is based on a series of real-life bizarre horse mutilations occurring in Davie, Florida in 1964. Moberly co-produced the film with Louis Wiethe on a budget of US$50,000. Filming took place from August to September 1966. The film was one of Moberly's earliest efforts to contribute to the emerging Miami and Southern Florida film industry. All of the known photographic film existing of it was stolen from him, causing the film to be unreleased.

<i>Misfit</i> (1965 film) American educational film

Misfit is a lost 1965 American faith-based educational film directed by Bob O'Donnell. It stars Steven Jones, Warren Day, and Sandra Peabody. It follows a high school drop out (Jones), a drug addict (Peabody), and a "religious dropout" (Day) that rekindles his religion and helps the titular "misfit" find himself. Produced by Empire Studios, the film was distributed through churches, schools, penal institutions, and military bases before a worldwide release by Youth Films.

References

  1. 1 2 Ebert, Roger (January 1, 1972). "LAST HOUSE ON THE LEFT". Chicago Sun-Times . Chicago, Illinois: Sun-Times Media Group . Retrieved December 14, 2017 via rogerebert.com.
  2. Szulkin 2000, p. 41.
  3. Szulkin 2000, p. 79.
  4. Knight, Jacob (September 9, 2015). "Everybody's Into Weirdness: LAST HOUSE ON THE LEFT (1972)". Birth.Movies.Death. Retrieved January 4, 2018.
  5. Snider, Eric D. (October 17, 2016). "14 Facts About The Last House on the Left". Mental Floss . London, England: Dennis Publishing. Retrieved December 14, 2017.
  6. Burns, Williams (September 3, 2015). "Ten Things You Might Not Know About … Last House on the Left!". Horror News Network. Retrieved December 14, 2017.
  7. Szulkin 2000.
  8. Weintraub, Steve (March 9, 2009). "Sara Paxton Exclusive Video Interview THE LAST HOUSE ON THE LEFT". Collider. Retrieved December 14, 2017.
  9. Topel, Fred (March 16, 2009). "Sara Paxton on The Last House on the Left". CanMag. Retrieved December 14, 2017.
  10. Martinez, Kiko (August 17, 2009). "Sara Paxton – The Last House on the Left". CineSnob. Retrieved December 14, 2017.
  11. Hornaday, Ann. "'Halloween': 40 years ago, Laurie Strode got inside my head. She's still there". The Washington Post. Retrieved 22 January 2019.
  12. Kennth Muir, John (2004). Wes Craven: The Art of Horror. McFarland. p. 47. ISBN   9780786419234.
  13. Heller-Nicholas, Alexandra (2011). Rape-Revenge Films: A Critical Study. McFarland. pp. 92–93. ISBN   9780786449613.
  14. "Mad, Bad and Dangerous to Know: An Interview with Actor/Director David Hess". The Terror Trap. February 2011. Retrieved December 14, 2017.

Bibliography