Mari Collingwood | |
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The Last House on the Left character | |
First appearance | The Last House on the Left (1972) |
Created by | Wes Craven |
Portrayed by |
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In-universe information | |
Occupation | Competitive swimmer (2009 film) |
Mari Collingwood is a fictional character in The Last House on the Left films. She first appears in The Last House on the Left (1972) as a hippie girl abducted on her seventeenth birthday by a fugitive family. Conceptualized by Wes Craven, she was portrayed by a twenty-two-year-old Sandra Peabody in one of her early film appearances. Director Dennis Iliadis brings the character back in the 2009 reimagining, this time portrayed by Sara Paxton.
Craven conceptualized Mari with the basis of her being the 1970s version of the virginal Karin (Birgitta Pettersson) from Ingmar Bergman's medieval Sweden set The Virgin Spring (1960)—symbolizing innocence during an era of apprehension caused by the Vietnam War. Iliadis' vision of Mari was to make her proactive and set forth to humanize her through her depiction as a competitive swimmer and the subplot of her late brother. Due to this characterization, critics have called Iliadis' version of the character as following aspects of the "final girl" archetype, contrasting with her original depiction.
The character made her cinematic debut in The Last House on the Left (1972) on August 30, 1972. In this film, Mari is an upper-class sheltered teenaged girl going to a rock concert in a city with her friend Phyllis to celebrate her seventeenth birthday. While looking for marijuana dealers, escaped convicts lure them into their hideout and abduct them. In the woods near Mari's home, she is humiliated and raped before being shot to near death in a nearby lake and later found by her parents. She later appears in the nightmares of one of the film's villains. [1]
In the 2009 film, Mari is a competitive swimmer who goes on vacation with her parents John and Emma to their lake house. Mari takes the family car and drives into town to hang out with her friend Paige. While Paige is finishing her shift as a cashier, they meet a teenager named Justin, who invites them both back to his motel room to smoke marijuana. While there, Justin's family members return: Krug, Justin's father; Francis, Justin's uncle; and Sadie, Krug's girlfriend. Due to the widespread media coverage of Krug's recent escape from police custody, the criminals decide to kidnap them and steal Mari's car to leave town. Mari convinces Krug to take a road that is in the direction of her parents' lake house; in an attempt to escape, Mari burns Sadie's face with a cigarette lighter and attempts to jump out of the vehicle, but is unable to when the car crashes. After being raped by Krug, Mari manages to escape the criminals and make it to the lake so she can swim to safety. However, Krug shoots her in the back and she is left for dead, but she is later revealed to have survived. Mari manages to reach her parents' porch and with them seeks revenge; Mari, John, Emma, and Justin then take a boat to the hospital. [1]
Returning to New York after a cross-country road trip, Peabody was originally asked by the film makers to audition for the role of Phyllis after responding to casting notice in the trade publication Backstage. After meeting the producer Sean S. Cunningham she was cast as Mari. [2] Craven stated, "I liked Sandra Peabody a lot; I thought she was very pretty, and very plucky... because she was a very young actress, she wasn't nearly as confident and easy going as Lucy was, and she had become involved in something very, very rough. And she hung in there. When the character was raped, she was treated very roughly, and I know Sandra said to me afterwards, 'My God... I had the feeling they really hated me.'" [3] Jacob Knight interpreted that Wes Craven created Mari with the intention of her being a metaphor of peace and innocence during an era of apprehension, "He wants us to see her as a sexual object, the peace sign necklace her parents gift to her before she heads into the city no match for the angry, depraved, aggressors who tear her and Phyllis’ clothes off. In this way, Craven has molded Mari to be something of an avatar for how he views the “Love Generation”; inexperienced balls of flesh who think their hippie posturing will save them from society's wolves." [4]
Various cast and crew of the original film have stated that Sandra Peabody was genuinely unnerved during the entire making of the film and at one point walked off set. [5] [6] In an interview for David A. Szulkin's non-fiction book Wes Craven's Last House on the Left , Peabody confirmed the discomfort that she felt throughout the making of the film and the difficulty of working with Method actor David Hess, who threatened to assault her to get a genuine reaction from her. [7] [ page needed ]
Sara Paxton revealed that she only auditioned for the film as an acting exercise and was not expecting to obtain the role. [8] In an interview, Paxton stated, "In the audition, Dennis was like, 'So how’s your swimming ability?' And I was like, 'I played a mermaid. I’m an amazing swimmer. You have no idea. I’m great.' And they were like, 'Oh wow, she’s a great… Hey, she’s a good swimmer.' Then I actually got on set and I just remember submerging under water and hearing, 'Cut! Oh my God, she is drowning! She is drowning right now. Somebody get her some floaties, something!' I guess I wasn’t that good. I was more talk." [9]
Despite the intense subject matter, Paxton described her experience on set as a positive one and when asked about what it was like to work with the producers Wes Craven and Jonathan Craven, she stated:
Dennis Iliadis, the director of the 2009 film, wanted to add more characterization and depth to the character of Mari and revealed that the writers decided to make her a competitive swimmer which attributes to her character development and survival later on in the film. In an interview, Iliadis stated:
Film critic Ann Hornaday likened her to horror genre heroines Sally Hardesty (Marilyn Burns) of The Texas Chainsaw Massacre (1974) and Laurie Strode (Jamie Lee Curtis) of Halloween (1978). Writing that they "personified the qualities and character beats of the quintessential final girl at her most admirable and frustrating." [11] Film critic John Kenneth Muir described Mari as a "well-developed character." [12]
In a detailed analysis, Alexandra Heller-Nicholas notes that the 2009 version of the character, unlike the original incarnation, exhibits traits of the "final girl" trope. Heller-Nicholas attributes this to her disinterest in drugs and her proactive nature during her abduction, highlighting that she purposefully lures the villains to her house as means of getting her parents to save her. She notes that the Iliadis version of the film "celebrates Mari's determination to survive," and as such condemns the 1972's passive version. Although, she notes a drastic shift in the character in the second half of the film. Writing that "This depiction of her as a vacant monster continues throughout the rest of the film. Mari is not so much a rape survivor as she is the walking dead, whose only function is to provide her parents (specifically her father) with a motivation for violent and spectacular vengeance." [13] Hess (who portrayed Krug Stillo in 1972 film) stated that the audience holds a connection to the character due to there being an emotional attachment to Peabody's portrayal. [14]
The Last House on the Left is a 1972 rape and revenge film written and directed by Wes Craven in his directorial debut, and produced by Sean S. Cunningham. The film stars Sandra Peabody, Lucy Grantham, David Hess, Fred J. Lincoln, Jeramie Rain, and Marc Sheffler. Additionally, Martin Kove appears in a supporting role. The plot follows Mari Collingwood (Peabody), a teenager who is abducted, raped, and tortured by a family of violent fugitives led by Krug Stillo (Hess) on her seventeenth birthday. When her parents discover what happened to her, they seek vengeance against the family, who have taken shelter at their home.
Music of the Heart is a 1999 American biographical musical drama film directed by Wes Craven and written by Pamela Gray, based on the 1995 documentary Small Wonders. A dramatization of the true story of Roberta Guaspari, portrayed by Meryl Streep, who co-founded the Opus 118 Harlem School of Music and fought for music education funding in New York City public schools, the film also stars Aidan Quinn, Angela Bassett, Gloria Estefan in her film debut, Jane Leeves, Kieran Culkin and Jay O. Sanders. It was Craven's sole mainstream cinematic film not in the horror or thriller genre, and also his only film to receive Oscar nominations.
David Alexander Hess was an American actor, singer, songwriter, and director. He came to prominence for his portrayals of murderous villains and gruff characters in several films in the 1970s and 1980s.
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Sara Paxton is an American actress and singer. She began acting at an early age, appearing in minor roles in both films and television shows before rising to fame in early October 2002. She played Sarah Tobin from Greetings from Tucson (2002-2003), the title role in the television series Darcy's Wild Life (2004-2006) and Sarah Borden in Summerland (2004). Her other films include Aquamarine (2006), Return to Halloweentown (2006), Sydney White (2007), Superhero Movie (2008), The Last House on the Left (2009), The Innkeepers (2011), and The Front Runner (2018).
A Nightmare on Elm Street is a 1984 American supernatural slasher film written and directed by Wes Craven and produced by Robert Shaye. It is the first installment in the A Nightmare on Elm Street franchise and stars Heather Langenkamp, John Saxon, Ronee Blakley, Robert Englund as Freddy Krueger, and Johnny Depp in his film debut. The film's plot concerns a group of teenagers who are targeted by Krueger, an undead child killer who can murder people through their dreams, as retribution against their parents who burned him alive.
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The Breed is a 2006 natural horror film that is directed by Nicholas Mastandrea. Having marked Mastandrea's directorial debut, the film features two brothers and their friends who travel to an island cabin the brothers inherited from their recently deceased uncle for a relaxing weekend getaway. However, the group is besieged by ravenous genetically enhanced dogs bred to kill via an abandoned training facility on the island. Critic reviews were generally negative.
Jeramie Rain is an American screenwriter, producer, philanthropist and former actress. Rain began her career with starring roles in several local stage productions in Charleston before moving to New York City in the early 1970s. After appearing in a string of commercials, she made her film debut in the crime film The Abductors (1972), then became known for roles as Sadie in Wes Craven's controversial horror film The Last House on the Left (1972) and Willie Mae in Albert T. Viola's comedy film Preacherman Meets Widderwoman (1973).
Rape and revenge, or rape-revenge, is a horror film subgenre characterized by an individual enacting revenge for rape or other sexual acts committed against them. Rape and revenge films are commonly thrillers or vigilante films.
Night Train Murders, also released in English-speaking countries as Last Stop on the Night Train and Late Night Trains, is a 1975 Italian revenge horror film directed by Aldo Lado and starring Flavio Bucci, Macha Méril, and Irene Miracle.
The Last House on the Left is a 2009 rape and revenge film directed by Dennis Iliadis and written by Adam Alleca and Carl Ellsworth. A remake of the 1972 film of the same name, it stars Tony Goldwyn, Monica Potter, Garret Dillahunt, Aaron Paul, Spencer Treat Clark, Riki Lindhome, Martha MacIsaac, and Sara Paxton. The film follows Mari Collingwood, a teenager who is abducted, raped, and left for dead by a family of violent fugitives. When her parents learn what was done to her, they seek vengeance against the family, who have taken shelter at their summer home during a thunderstorm.
Sandra Peabody is an American producer, writer, acting coach, talent agent, and retired actress. Peabody is best known for her role as Mari Collingwood in Wes Craven's directorial debut horror film The Last House on the Left (1972), as well as her subsequent career as a producer of children's programming on cable television, which earned her accolades including an Emmy Award and a CableACE Award.
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The Filthiest Show in Town is a 1973 satirical exploitation comedy film directed by Richard Endelson and Robert A. Endelson. It stars Sandra Peabody, Tina Russell, and Harry Reems. The story follows the owners of the National Genital Television Network who go on trial over backlash of one of their highest rated shows: the adult dating show entitled The Maiden Game. The story follows several other vignettes in the form of disjointed commercial segments. Initially, the film was promoted by the extensive media coverage of adult film stars Russell and Reems, the latter having just starred in the mainstream adult film Deep Throat (1972). Subsequently, it was promoted by the notability of Peabody who had just starred in Wes Craven's critically acclaimed horror film The Last House on the Left (1972).
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