Maria Gough

Last updated
The Artist as Producer: Russian Constructivism in Revolution. University of California Press. 2 May 2005. ISBN   978-0-520-22618-0. [3] [4] [5]
  • Gough, Maria Elizabeth (2005). The Artist as Producer: Russian Constructivism in Revolution. University of California Press. pp. 385–387. ISBN   0-520-22618-6. ISSN   1080-6601.{{cite book}}: |journal= ignored (help)
    • Charlotte Douglas (April 2006). "The Artist As Producer: Russian Constructivism in Revolution (review)". Modernism/Modernity. 13 (2): 385–387. doi:10.1353/mod.2006.0037. S2CID   144024296.
  • Gough, Maria Elizabeth (1997). The artist as producer : Karl Ioganson, Nikolai Tarabukin and Russian constructivism, 1918-1926 (PhD thesis). Harvard University. p. 553. OCLC   41330930.
  • Anna Vallye (ed), Léger: Modern Art and the Metropolis Yale University Press, 2013, ISBN   9780300197662
  • See also

    Related Research Articles

    <span class="mw-page-title-main">Avant-garde</span> Works that are experimental or innovative

    In the arts and literature, the term avant-garde identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an advance guard identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus, the artists who created the anti-novel and Surrealism were ahead of their times.

    <span class="mw-page-title-main">Vladimir Tatlin</span> Russian artist

    Vladimir Yevgrafovich Tatlin was a Russian and Soviet painter, architect and stage-designer. Tatlin achieved fame as the architect who designed The Monument to the Third International, more commonly known as Tatlin's Tower, which he began in 1919. With Kazimir Malevich he was one of the two most important figures in the Soviet avant-garde art movement of the 1920s, and he later became an important artist in the constructivist movement.

    <span class="mw-page-title-main">Pietro Maria Bardi</span> Italian curator and writer

    Pietro Maria Bardi was an Italian writer, curator and collector, mostly known for being the Founding Director of the São Paulo Museum of Art in Brazil.

    <span class="mw-page-title-main">Antipodeans</span> Australian modern art group

    The Antipodeans were a collective of Australian modern artists, known for their advocacy of figurative art and opposition to abstract expressionism. The group, which included seven painters from Melbourne and art historian Bernard Smith, was active in the late 1950s. Despite staging only a single exhibition in Melbourne in August 1959, the Antipodeans gained international recognition.

    <span class="mw-page-title-main">Mu Shiying</span> Chinese writer

    Mu Shiying was a Chinese writer who is best known for his modernist short stories. He was active in Shanghai in the 1930s where he contributed to journals like Les Contemporains, edited by Shi Zhecun.

    <i>Adolphe 1920</i>

    Adolphe 1920 is a novella written by John Rodker and published in 1929. Set in Paris, it spans eight hours in the life of its protagonist, Dick.

    Charles Townsend Harrison was a UK art historian who taught Art History for many years and was Emeritus Professor of History and Theory of Art at the Open University. Although he denied being an artist himself, he was a full participant and catalyst in the Art and Language group.

    <i>We Have Never Been Modern</i> 1991 book by Bruno Latour

    We Have Never Been Modern is a 1991 book by Bruno Latour, originally published in French as Nous n'avons jamais été modernes: Essai d'anthropologie symétrique.

    <span class="mw-page-title-main">Aleksei Gan</span> Russian anarchist and artist (died 1942)

    Aleksei Mikhailovich Gan was a Russian anarchist and later Marxist avant-garde artist, art theorist and graphic designer. Gan was a key figure in the development of Constructivism after the Russian Revolution.

    <i>The Black Atlantic</i> 1993 book by Paul Gilroy

    The Black Atlantic: Modernity and Double Consciousness is a 1993 history book about a distinct black Atlantic culture that incorporated elements from African, American, British, and Caribbean cultures. It was written by Paul Gilroy and was published by Harvard University Press and Verso Books.

    The Institute of Artistic Culture was a theoretical and research based Russian artistic organisation founded in March Moscow in 1920 and continuing until 1924.

    <span class="mw-page-title-main">Karlis Johansons</span> Latvian-Soviet avant-garde artist

    Karlis Johansson was a Latvian-Soviet avant-garde artist.

    Rosella Hartman was an American painter, etcher, and lithographer. She studied at both the Art Institute of Chicago and the Art Students League of New York. She was awarded a Guggenheim Fellowship in 1934 and 1938 to study graphic arts abroad. Hartman married a sculptor, Paul Fiene (1899–1949) and lived in Woodstock, New York, then a leading center for the arts.

    <span class="mw-page-title-main">Australian modernism</span> Artistic style and cultural movement

    Australian modernism, similar to European and American modernism, was a social, political and cultural movement that was a reaction to rampant industrialisation, associated moral panic of modernity and the death and trauma of the World Wars.

    Nicholas Birns is a scholar of literature, including fantasy and Australian literature. As a Tolkien scholar he has written on a variety of topics including "The Scouring of the Shire" and Tolkien's biblical sources. His analysis of the writings of Anthony Powell and Roberto Bolaño has been admired by scholars.

    Faye Hammill FRSE is a professor in the University of Glasgow, specialising in North American and British modern writing in the first half of the twentieth century, what is often called 'middlebrow'. Her recent focus is ocean liners in literature. She is a Fellow of the Royal Society of Edinburgh (2021).

    <span class="mw-page-title-main">Laura Marcus</span> British literature scholar (1956–2021)

    Laura Marcus FBA was a British literature scholar. She was Goldsmiths’ Professor of English Literature at New College, Oxford and published widely on 19th- and 20th-century literature and film, with particular interests in autobiography, modernism, Virginia Woolf, and psychoanalysis.

    Revista de Occidente is a cultural magazine which has been in circulation since 1923 with some interruptions. It is based in Madrid, Spain, and is known for its founder, José Ortega y Gasset, a Spanish philosopher.

    Quosego was an avant-garde magazine which existed between 1928 and 1929 in Helsinki, Finland. Like its successor Ultra, it played a significant role in introducing the avant-garde movement to Scandinavian countries. However, Quosego was much more inflential than its successor in terms of artistic and linguistic innovation. The subtitle of Quosego was Tidskrift för ny generation.

    Matthew Sperling is a British-American novelist and academic.

    References

    1. "Maria Gough". scholar.harvard.edu. Harvard University. Archived from the original on 2 March 2017. Retrieved 1 March 2017.
    2. "Wizadora. Oxford University Press. English subtitles". YouTube . 17 November 2016. Retrieved 19 June 2021.
    3. Taylor, Brandon (2006-10-01). "Into Production!". Oxford Art Journal. 29 (3): 453–455. doi:10.1093/oxartj/kcl024. ISSN   1741-7287. Archived from the original on 2018-09-23. Retrieved 2018-09-22.
    4. Douglas, Charlotte (2006-04-25). "The Artist As Producer: Russian Constructivism in Revolution (review)". Modernism/Modernity. 13 (2): 385–387. doi:10.1353/mod.2006.0037. ISSN   1080-6601. S2CID   144024296.
    5. Railing, Patricia (Summer 2007). "The Artist as Producer: Russian Constructivism in Revolution. By Maria Gough. Berkeley: University of California Press, 2005. xii, 258 pp. Notes. Bibliography. Glossary. Index. Illustrations. Plates. Photographs. $49.95, hard bound". Slavic Review. 66 (2): 367–368. doi:10.2307/20060273. ISSN   0037-6779. JSTOR   20060273. S2CID   165123533.
    Maria Gough
    TitleJoseph Pulitzer, Jr. Professor of Modern Art
    Academic background
    Alma mater University of Melbourne
    Johns Hopkins University
    Harvard University