Maria Muldaur | ||||
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Studio album by Maria Muldaur | ||||
Released | August 1973 | |||
Studio | Warner Bros. Studios, North Hollywood, California | |||
Genre | Folk, blues, rock | |||
Length | 36:38 | |||
Label | Reprise | |||
Producer | Joe Boyd, Lenny Waronker | |||
Maria Muldaur chronology | ||||
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Maria Muldaur is the 1973 debut studio album of musician Maria Muldaur. The album includes "Midnight at the Oasis", her best-known single, which charted at #6 on the Billboard Hot 100 [1] and "Three Dollar Bill", which charted at #7 on the Billboard Adult Contemporary charts. [2] The album, which peaked at #3 on the Billboard 200, [3] was certified gold by the RIAA on May 13, 1974. [4] The album is heavily influenced by country and blues. [5]
Review scores | |
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Source | Rating |
AllMusic | [5] |
Robert Christgau | B+ [6] |
The album was positively reviewed, and very positively in at least one case. Writing in October 1973, Rolling Stone's reviewer Jon Landau described the album as "one of the half-dozen best" of the year, "the kind of glorious breakthrough that reminds me why I fell in love with rock & roll." [7]
Side One
Side Two
Chart (1974) | Peak position |
---|---|
Australia (Kent Music Report) [8] | 30 |
United States (Billboard 200) | 3 |
Familiar to Millions is a live album by English rock band Oasis. It was released on 13 November 2000 by Big Brother Recordings. The album was recorded at Wembley Stadium on 21 July 2000. It debuted at No. 5 in the UK charts with 57,000 copies sold in the first week. To date Familiar to Millions has sold around 310,000 copies in Britain alone (Platinum), about 70,000 copies in the United States and an estimated 1 million copies worldwide. The album was initially released simultaneously on six formats: DVD, VHS, double CD, double cassette, triple vinyl, and double MiniDisc.
The Jordanaires were an American vocal quartet that formed as a gospel group in 1948. Over the years, they recorded both sacred and secular music for recording companies such as Capitol Records, RCA Victor, Columbia Records, Decca Records, Vocalion Records, Stop Records, and many other smaller independent labels.
Maria Muldaur is an American folk and blues singer who was part of the American folk music revival in the early 1960s. She recorded the 1973 hit song "Midnight at the Oasis" and has recorded albums in the folk, blues, early jazz, gospel, country, and R&B traditions.
Compliments, also known as Garcia, is the second solo album by the Grateful Dead's guitarist Jerry Garcia, released in June 1974. It includes one newly written song by John Kahn and Robert Hunter but is otherwise composed of cover versions. The album peaked at number 49 on the Billboard albums chart.
The Fairest of Them All is the fifth solo studio album by American singer-songwriter Dolly Parton. It was released on February 2, 1970, by RCA Victor. The album was produced by Bob Ferguson. It was the first of Parton's albums on which she wrote the majority of the songs without a co-writer. The Fairest of Them All peaked at number 13 on the Billboard Top Country Albums chart. The album's only single, "Daddy Come and Get Me", peaked at number 40 on the Billboard Hot Country Songs chart.
"Walkin' After Midnight" is a song written by Alan Block and Don Hecht and recorded by American country music artist Patsy Cline. The song was originally given to pop singer Kay Starr; however, her label rejected it. The song was left unused until Hecht rediscovered it when writing for Four Star Records. Originally Cline was not fond of "Walkin' After Midnight", but after making a compromise with her label she recorded it. However, the first released recording was by Lynn Howard with The Accents, released in August 1956.
Don't Rock the Jukebox is the second studio album by American country music artist Alan Jackson. It was released on May 14, 1991, and produced five singles on the Hot Country Songs charts; the title track, "Someday", "Dallas", and "Love's Got a Hold on You", which all reached number 1, and "Midnight in Montgomery" which peaked at number 3. Fellow country music artist George Jones makes a cameo on the album, singing the last line on "Just Playin' Possum".
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"Midnight at the Oasis" is a song by the American singer Maria Muldaur from her 1973 debut album, Maria Muldaur. Written by David Nichtern, it is her best-known recording.
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Amos Garrett is an American-Canadian blues and blues-rock musician, guitarist, singer, composer, and musical arranger. He has written instructional books about music and guitar. Garrett holds dual citizenship and was raised in Toronto and Montreal. He is best known for his guitar solos on Maria Muldaur's recording "Midnight at the Oasis", and on Paul Butterfield's Better Days recording of "Please Send Me Someone to Love." He has written books about music, such as "Amos Garrett—Stringbending: A Master Class".
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My Second Album is the second studio album released by American country artist Donna Fargo. The album was released in February 1973 on Dot Records and was produced by Fargo's husband and manager Stan Silver. The album spawned two number one singles on the Billboard country chart and was one of two albums Donna Fargo would release in 1973.
Let's Love While We Can is the thirty-seventh studio album by American pop singer Andy Williams, released in the U.K. in 1980 by CBS Records. For this project Williams eschews covering well-known pop hits and standards and relies mostly on original or lesser-known country songs.
Dust Yourself Off is the debut album by Portland, Oregon-based R&B group Pleasure, released in 1975 and produced by Wayne Henderson of The Crusaders. It also includes a funked-up cover of Maria Muldaur's hit "Midnight at the Oasis". The song "Bouncy Lady" appeared in the video game Grand Theft Auto V, on The Lowdown 91.1, an in-game soul music radio station.
"I Can't Stay Mad at You" is a song written by Gerry Goffin and Carole King. It was originally recorded by American country artist Skeeter Davis, becoming her second top-ten hit on the Billboard Hot 100 in 1963. "I Can't Stay Mad at You" followed on the popular success of Davis' earlier 1963 crossover hit "The End of the World". The song was one of the first Goffin-King compositions to be recorded by a country music performer.
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