Peter Weibel was an Austrian post-conceptual artist, curator, and new media theoretician. He started out in 1964 as a visual poet, then later moved from the page to the screen within the sense of post-structuralist methodology. His work includes virtual reality and other digital art forms. From 1999 he was the director of the ZKM Center for Art and Media Karlsruhe.
The Karlsruhe University of Arts and Design (HfG) is a state art college founded in 1992 in Karlsruhe, Germany. It focuses on media art, communication design, product design, exhibition design and scenography, art research, and media philosophy, with a strong interdisciplinarity between the departments. The university has about 400 students.
The ZKM | Center for Art and Media Karlsruhe, a cultural institution, was founded in 1989 and, since 1997, is located in a former munitions factory in Karlsruhe, Germany. The ZKM organizes special exhibitions and thematic events, conducts research and produces works on the effects of media, digitization, and globalization, and offers public as well as individualized communications and educational programs.
Tamás Waliczky (born in 1959, in Budapest, Hungary), is a Hungarian artist and animator, known for his new media art.
Kenneth Feingold is a contemporary American artist based in New York City. He has been exhibiting his work in video, drawing, film, sculpture, photography, and installations since 1974. He has received a Guggenheim Fellowship (2004) and a Rockefeller Foundation Media Arts Fellowship (2003) and has taught at Princeton University and Cooper Union for the Advancement of Art and Science, among others. His works have been shown at the Museum of Modern Art, NY; Centre Georges Pompidou, Paris; Tate Liverpool, the Whitney Museum of American Art, New York, among others.
Lynn Hershman Leeson is an American multimedia artist and filmmaker. Her work with technology and in media-based practices is credited with helping to legitimize digital art forms. Her interests include feminism, race, surveillance, and artificial intelligence and identity theft through algorithms and data tracking.
Mary Lucier is an American visual artist and pioneer in video art. Concentrating primarily on video and installation since 1973, she has produced numerous multiple- and single-channel pieces that have had a significant impact on the medium.
Sylvie Fleury is a Swiss contemporary pop artist known for her installations, sculpture, and mixed media. Her work generally depicts objects with sentimental and aesthetic attachments in consumer culture, as well as the paradigm of the new age, with much of her work specifically addressing issues of gendered consumption and the fetishistic relationships to consumer objects and art history.
Marc Lafia is a multidisciplinary artist, filmmaker, photographer, writer, educator, and information architect. He is known for his contributions to the intersection of art, film, and technology. Lafia’s works explore computation and the impact of network culture on media, communication, and the self.
Marie Sester born in 1955 is a French-American decades-long artist, and current PhD student studying the nature of consciousness. Her artwork involves cross-disciplinary practices and experimental systems in Interactive Art using tracking technologies, light, audio, video, and biofeedback, focusing on social awareness and the responsibility of personal commitments. Her PhD work is in Integral and Transpersonal Psychology focusing on connectedness, expansiveness, and presence.
Ruth Sacks is a South African artist who lives and works in Johannesburg. She is currently a postdoctoral researcher in the South African Research Chair Initiative (SARChI) for Social Change at Fort Hare University. Sacks holds a PhD (Arts) from the University of the Witwatersrand where she was a fellow at the Wits Institute for Social and Economic Research (WiSER). Her third artist book, Twenty Thousand Leagues Under Seas, was launched in 2013. She is a laureate of the HISK in Ghent. She was one of the facilitators of the artist-run project space the Parking Gallery, hosted by the Visual Arts Network of South Africa (VANSA) in Johannesburg. Ruth Sacks' work has been presented internationally in venues such as the African Pavilion at the 52nd Venice Biennalein 2007, the ZKM Centre for Art and Media, Karlsruhe in 2011 and the National Museums of Kenya, Nairobi in 2017.
Aïda Ruilova is an American contemporary artist.
Catherine Richards is a Canadian new media artist. Richards is known for her work with early virtual reality technologies. She was the first artist to use VR technology in a work of art in Canada, which was incorporated in her 1991 artwork Spectral Bodies.
Ulrike Rosenbach is a video artist from Germany. Rose Bach works with videotapes, installations and performances. She was one of the first artists from Germany to use video for experiments with electronic images. Her videotapes critique the traditional representation of women and help formulate the identity of women from a feminist perspective.
Bani Abidi is a Pakistani artist working with video, photography and drawing. She studied visual arts at the National College of Arts in Lahore and at the School of the Art Institute of Chicago. In 2011, she was invited for the DAAD Artists-in-Berlin program, and since then has been residing in Berlin.
Lydia Schouten is an internationally-known Dutch performance and video artist. Early in her career she critiqued traditional women's roles and the portrayal of women as sex objects. More recently, her work considers themes of loneliness, sex and violence. As of 2004, she lives in Amsterdam. Her work has been exhibited internationally and she has held artist in residencies in several countries. Schouten received the Maaskant Award from city of Rotterdam in 1975.
Rana El Nemr is a visual artist based in Cairo, Egypt. Working primarily in photography, she has undertaken explorations of contemporary Egyptian urban life, including Cairo's architectural features, public/private spaces, middle-class identity, and the larger urban environment. Her artistic practice moves from formalist explorations of photography as a medium to genre-bending visual essays of her surroundings in Egypt. Her practice is anchored in questioning what it means to live and experience place and time, through recording, describing, and reflecting on this experience via photography, film, texts and conversations. El Nemr's artistic process incorporates formal image-making techniques with contemporary artistic practices, and it strives to integrate various forms of collaborations in different constellations, such as trans-disciplinary collaborations and alternative pedagogical practices among many others. She is a co-founder of the Contemporary Image Collective (CIC), an institution founded in 2004 in Downtown Cairo, whose programming includes lectures, screenings, and workshops that explore the changing role of photography in contemporary visual culture. El Nemr remains an active board member of CiC.
Gabriele Schor, born in Vienna in 1961, is an Austrian writer, art critic and curator. She is a specialist of the feminist avantgarde of the 1970s.
Marie-Ann Yemsi is a German-Cameroonian curator, known for her efforts to promote African artists internationally.
Rita Myers is an American video installation artist. Her work is held in the collection of the Museum of Modern Art in New York.
