Martin Hannett's Personal Mixes | ||||
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Compilation album by | ||||
Released | June 2007 | |||
Recorded | 1978–1980 | |||
Genre | Post-punk [1] | |||
Label | Interstate | |||
Producer | Martin Hannett | |||
Joy Division compilations chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Record Collector | [2] |
Martin Hannett's Personal Mixes is a compilation album by the British post-punk band Joy Division, consisting of studio snippets and alternative mixes of Joy Division made by Martin Hannett, their producer. The tapes of these sessions by Hannett were passed to Peter Hook who considered the outtakes and alternative versions to be an important part of Joy Division's recorded history.[ citation needed ]
Joy Division were an English post-punk band formed in Salford in 1976. The group consisted of vocalist, guitarist and lyricist Ian Curtis, guitarist and keyboardist Bernard Sumner, bassist Peter Hook and drummer Stephen Morris.
New Order are an English band whose integration of post-punk with electronic and dance music made them one of the most acclaimed and influential bands of the 1980s. The band was formed in 1980 by vocalist and guitarist Bernard Sumner, bassist Peter Hook, and drummer Stephen Morris. The members regrouped after the disbandment of their previous band Joy Division due to the suicide of lead singer Ian Curtis. They were joined by Gillian Gilbert on keyboards later that year. They were the flagship band for Manchester-based independent record label Factory Records and its nightclub The Haçienda, and they worked in long-term collaboration with graphic designer Peter Saville.
Closer is the second and final studio album by the English post-punk band Joy Division, released on 18 July 1980 by Factory Records. Produced by Martin Hannett, it was released two months after the suicide of the band's lead singer and lyricist Ian Curtis. The album reached No. 6 on the UK Albums Chart and peaked at No. 3 in New Zealand in September 1981. Closer was also named NME Album of the Year. It was remastered and re-released in 2007.
Factory Records was a Manchester-based British independent record label founded in 1978 by Tony Wilson and Alan Erasmus.
James Martin Hannett was a British record producer, musician and an original partner/director at Tony Wilson's Factory Records. Hannett produced music by artists including Joy Division, the Durutti Column, A Certain Ratio, Magazine, John Cooper Clarke, New Order, Orchestral Manoeuvres in the Dark and Happy Mondays. His distinctive production style embraced atmospheric sounds and electronics.
Unknown Pleasures is the debut studio album by the English post-punk band Joy Division, released on 15 June 1979, by Factory Records. The album was recorded and mixed over three successive weekends at Stockport's Strawberry Studios in April 1979, with producer Martin Hannett contributing a number of unconventional recording techniques to the group's sound. The cover artwork was designed by artist Peter Saville, using a data plot of signals from a radio pulsar. It is the only Joy Division album released during lead singer Ian Curtis's lifetime.
Bummed is the second studio album by English rock band Happy Mondays, released on 21 November 1988 on Factory Records. During 1987 and early 1988, the band discovered house music and the rave drug ecstasy. Factory producer Martin Hannett was subsequently enlisted to produce the band's next album. Sessions were held at The Slaughterhouse recording studio in Driffield over three weeks. The period was noted for heavy drug use by the band and Hannett, with their manager later calling it the first "ecstasy-fuelled" album. Hannett moved recording to Strawberry Studios, where extra instrumentation was added. Bummed is a Madchester-style psychedelic funk album, where much of the lyrical content was influenced by the 1970 film Performance, with dialogue from the film sampled throughout.
"Ceremony" is a song written by Joy Division, and first released as New Order's debut single in 1981. The track and its B-side, "In a Lonely Place", were recorded as Joy Division prior to the death of Ian Curtis. Both were re-recorded and carried over to Joy Division's re-formation as New Order.
"Everything's Gone Green" is the third single by the English rock band New Order, released in December 1981.
Movement is the debut studio album by English group New Order, released on 13 November 1981 by Factory Records. Recorded in the wake of Joy Division frontman Ian Curtis' suicide the previous year, the album is a continuation of the dark post-punk sound of Joy Division's material, increasing the use of synthesizers while still being predominantly rooted in rock. At the time of its release, the album was not particularly well received by critics or audiences, only peaking at number thirty on the UK Albums Chart; the band would gradually shift to a more electronic sound over the course of the next year.
"Love Will Tear Us Apart" is a song by English rock band Joy Division, released in June 1980 as a non-album single. Its lyrics were inspired by lead singer Ian Curtis's marital problems and struggles with epilepsy. The single was released the month after his suicide.
"Nazi Punks Fuck Off" is a song by American punk rock band Dead Kennedys. It was released in November 1981 through Alternative Tentacles as a 7-inch single with "Moral Majority" as the B-side. Both are from the In God We Trust, Inc. EP, although the EP version is a different recording from the single version. The single included a free armband with a crossed-out swastika. The design was later adopted as a symbol for the anti-racist punk movement Anti-Racist Action.
"She's Lost Control" is a song by British post-punk band Joy Division. Released on their 1979 debut album, Unknown Pleasures, "She's Lost Control" was first performed live by the band in June 1978 and draws primary lyrical inspiration from a young woman experiencing a violent epileptic seizure.
"11 O'Clock Tick Tock" is a song by Irish rock band U2. It was released as a single on 16 May 1980, and was produced by Martin Hannett. It followed their debut EP Three and the single "Another Day." It was the group's first release for Island Records. The song's lyrics were written by lead vocalist Bono based on his experience at a Cramps concert in London, where he watched a "lifeless, goth-style" crowd from the balcony.
"Electricity" is the 1979 debut single by English electronic band Orchestral Manoeuvres in the Dark (OMD), featured on their eponymous debut album the following year. Andy McCluskey and Paul Humphreys sing the lead vocals on the track together in unison. Recognised as one of the most influential singles of its era, "Electricity" was integral to the rise of the UK's synth-pop movement. It has garnered praise from music journalists and other recording artists.
"Atmosphere" is a song by the English post-punk band Joy Division. It was originally released in March 1980 by the Sordide Sentimental label as the "Licht und Blindheit" package, a France-only limited edition single featuring the track "Dead Souls" as the B-side. Following Ian Curtis's death in May, it was re-released as a 12" single by Factory Records in August with "She's Lost Control" as the B-side.
1981–1982, also often known by its catalog number "Factus 8", or "1981-Factus 8-1982", is a five-track EP released by British band New Order in November 1982 by Factory.
The discography of English post-punk band Joy Division consists of two studio albums, four live albums, twelve compilation albums, three extended plays, and five singles. The list does not include material performed by former members of Joy Division that was recorded as New Order or related side projects.
"Atrocity Exhibition" is a song by the English post-punk band Joy Division. It is the opening track on their second and final album Closer. The song was produced by Martin Hannett and Joy Division. It was recorded at Pink Floyd's Britannia Row Studios in London.
"Disorder" is a song by English rock band Joy Division, released as the opening track of their 1979 debut album Unknown Pleasures. It was co-written by band members Ian Curtis, Peter Hook, Bernard Sumner (guitar) and Stephen Morris (drums). The music for the track emerged through their usual method of jamming through long practice sessions, and had been played live a number of times before its studio recording. It was produced and engineered by Martin Hannett, who was also a partner at the band's label Factory Records.