![]() | This article may require cleanup to meet Wikipedia's quality standards. The specific problem is: Mostly fluff with no coherent narrative, incorrect citations, and generally requires the attention of an editor who knows the subject matter.(December 2024) |
Martin Puchner is a literary critic and philosopher. He now is the Byron and Anita Wien Chair of Drama and of English and Comparative Literature at Harvard University. [1] He is the founding director of the Mellon School of Theater and Performance Research at Harvard University.
His early work as a literary critic focused on modernism, especially such genres as the closet drama, [2] the literary manifesto, [3] and modern drama. [4] His philosophical work concerns the philosophical dialogue and the intersections of theater and philosophy. [5] His recent work focuses on large-scale projects in literature,[ clarification needed ] technology, and cultural history. He is the general editor of the Norton Anthology of World Literature and lectures on world literature. [6]
He studied at Konstanz University, the University of Bologna, and the University of California, Santa Barbara, before receiving his Ph.D. at Harvard University.[ when? ]
Until 2009 he held the H. Gordon Garbedian Chair at Columbia University, where he also served as co-chair of the Theater Ph.D. program. [7]
In 2017, he published The Written World: The Power of Stories to Shape People, History, Civilization. [8] The book won advance praise from Margaret Atwood. [9] The book was widely reviewed and translated into twenty languages. [10]
On October 13, 2020, W. W. Norton & Company published his book, The Language of Thieves: My Family's Obsession with a Secret Code the Nazis Tried to Eliminate. [11] [12] The book provides a familial account of the Germanic cant called Rotwelsch. It was long-listed for the Wingate Prize. [13] Writing for The Guardian Michael Rosen called it "A book about history, language and culture wrapped up in a detective story... It feels as if the writer is peeling back the skin to reveal Germany. I found it fascinating." [14]
In 2022 he published Literature for a Changing Language, based on the inaugural Lectures in European History at Oxford University. [15] It calls for a new approach to storytelling in an era of climate change. [16] Publisher's Weekly described the book as "a stirring manifesto." [17] [ dubious – discuss ]
In 2023, he published Culture: The Story of Us, from Cave Art to K-pop, [18] which provides a global introduction to the arts and humanities. It was shortlisted for Phi Beta Kappa's 2024 Ralph Waldo Emerson Award. [19]
In 2017, he won a Guggenheim Fellowship. [20] He currently is a Cullman Fellow at the New York Public Library. [21]
{{cite web}}
: CS1 maint: url-status (link){{cite book}}
: |website=
ignored (help)