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Johann Baptist Joseph Maximilian Reger was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, a musical director at the Leipzig University Church, a professor at the Royal Conservatory in Leipzig, and a music director at the court of George II, Duke of Saxe-Meiningen.
Arthur Emil Helmut Walcha was a German organist, harpsichordist, music teacher and composer who specialized in the works of the Dutch and German baroque masters.
The organ repertoire is considered to be the largest and oldest repertory of all musical instruments. Because of the organ's prominence in worship in Western Europe from the Middle Ages on, a significant portion of organ repertoire is sacred in nature. The organ's suitability for improvisation by a single performer is well adapted to this liturgical role and has allowed many blind organists to achieve fame; it also accounts for the relatively late emergence of written compositions for the instrument in the Renaissance. Although instruments are still disallowed in most Eastern churches, organs have found their way into a few synagogues as well as secular venues where organ recitals take place.
Pierre Eugène Charles Cochereau was a French organist, improviser, composer, and pedagogue.
Wolfgang Friedrich Rübsam is a German-American organist, pianist, composer and pedagogue.
George C. Baker is an American organist, composer, pedagogue, and dermatologist.
Prelude and Fugue in A minor, BWV 543 is a piece of organ music written by Johann Sebastian Bach sometime around his years as court organist to the Duke of Saxe-Weimar (1708–1713).
Karl Höller was a German composer of the late Romantic tradition.
"Wer nur den lieben Gott läßt walten" is a 1641 hymn by Georg Neumark, who also composed the melody for it. It has seven verses and deals with the Christian putting their trust in God. Its author referred to it as a "Trostlied" or song of consolation and it first appeared in his Fortgepflantzer musikalisch-poetischer Lustwald. It also appeared in Johann Crüger's 1672 Praxis pietatis melica and in the first part of Johann Anastasius Freylinghausen's 1704 Geistreiches Gesangbuch. It has inspired musical settings, and is part of current German hymnals, both Protestant and Catholic.
Gabriel Dessauer is a German cantor, concert organist, and academic teacher. After studies with Diethard Hellmann and Franz Lehrndorfer, he was responsible for the church music at St. Bonifatius, Wiesbaden from 1981 to 2021, conducting the Chor von St. Bonifatius until 2018. Besides normal church services, he conducted them in regular masses with soloists and orchestra for Christmas and Easter and a yearly concert. In 1995 he prepared the choir for a memorial concert commemorating the 50th anniversary of the end of World War II, performing Britten's War Requiem with choirs from countries involved in the war, and concerts in Wiesbaden and Macon, Georgia. Programs of choral concerts included Hermann Suter's Le Laudi in 1998, the German premiere of Rutter's Mass of the Children in 2004, and the world premiere of Colin Mawby's Bonifatiusmess in 2012 which he had commissioned for the choir's 150th anniversary. The concert of 2008, Vivaldi's Gloria and Haydn's Nelson Mass, was also performed at San Paolo dentro le Mura in Rome.
Der 100. Psalm, Op. 106, is a composition in four movements by Max Reger in D major for mixed choir and orchestra, a late Romantic setting of Psalm 100. Reger began composing the work in 1908 for the 350th anniversary of Jena University. The occasion was celebrated that year with the premiere of Part I, conducted by Fritz Stein on 31 July. Reger completed the composition in 1909. It was published that year and premiered simultaneously on 23 February 1910 in Chemnitz, conducted by the composer, and in Breslau, conducted by Georg Dohrn.
Three chorale fantasias, Op. 52, are chorale fantasias for organ by Max Reger. He composed the fantasias on three chorales in September 1900: Phantasie über den Choral "Alle Menschen müssen sterben", Phantasie über den Choral "Wachet auf, ruft uns die Stimme" and Phantasie über den Choral "Halleluja! Gott zu loben bleibe meine Seelenfreud". They were all first performed individually by Reger's friend Karl Straube, and were first published by Breitkopf & Härtel.
Zwölf Stücke, Op. 80, is a group of twelve pieces for organ by Max Reger. He composed them in Munich in 1902 and 1904. They were published by C. F. Peters in Leipzig in September 1904.
Ein' feste Burg ist unser Gott, Op. 27, is a chorale fantasia for organ by Max Reger. He composed it in 1898 on Luther's hymn "Ein feste Burg ist unser Gott". The full title is Phantasie über den Choral "Ein' feste Burg ist unser Gott".
Bernhard Haas is a German organist, music theorist and academic.
Sieben Stücke für Orgel, Op. 145, is a collection of seven compositions for organ by Max Reger. He composed the work in three groups in 1915 and 1916. The titles of seven individual character pieces reflect aspects of World War I and Christian feasts. The compositions are based on traditional German hymns, sometimes combining several in one piece. Reger's last work for organ, it was published, again in three installments, in 1915 and 1916.
52 chorale preludes, Op. 67, is a collection of 52 settings of popular Protestant hymns for organ by Max Reger, composed between 1900 and 1902. Originally published in three volumes between 1900 and 1903 with the cover title "52 Choralvorspiele für Orgel", the full title of the collection was "Zweiundfünfzig leicht ausführbare Vorspiele zu den gebräuchlichsten evangelischen Chorälen".
Introduction, Passacaglia and Fugue in E minor, Op. 127, is an extended composition for organ by Max Reger, composed in 1913 and dedicated to Karl Straube who played the premiere in Breslau on 24 September. It was published in November that year in Berlin by Bote & Bock.
Kristin Merscher is a German classical pianist and professor at the Hochschule für Musik Saar in Saarbrücken, Germany.
Gereon Krahforst is a German composer, concert organist, pianist, harpsichordist, and church musician.
References
- ↑ Vita on www.martinwelzel.com. Accessed October 2, 2024.
- ↑ Vita on www.muenchner-dommusik.de. Accessed October 2, 2024.
- ↑ Vita on www.martinwelzel.com. Accessed October 2, 2024.
- ↑ Artist bio and list of recordings on the Naxos Website. Accessed October 2, 2024.
- ↑ "Herzlich Willkommen, Martin Welzel" (article in German), in Pfarrblatt Impuls Juli/August 2023 of the Katholische Kirchgemeinde Wil, p. 16. Accessed October 2, 2024.
- ↑ "Sommerorgel mit Wechsel in der Leitung," online article (in German) on www.wil24.ch from August 20, 2023. Accessed October 2, 2024.
- ↑ Diözesane Kirchenmusikschule St. Gallen (dkms, in German). Accessed October 2, 2024.
