Theatine Church | |
---|---|
German: Theatinerkirche St. Kajetan | |
48°08′31″N11°34′35″E / 48.14194°N 11.57639°E | |
Location | Salvatorplatz 2a Munich, Bavaria |
Country | Germany |
Denomination | Roman Catholic |
Website | www |
History | |
Status | Parish church |
Dedication | Saint Cajetan |
Architecture | |
Functional status | Active |
Style | Baroque |
Years built | 1663–1688 1676–1690 (towers) 1765–1768 (façade) |
Specifications | |
Capacity | 400 [1] |
Width | 15.5 metres (51 ft) [1] |
Number of domes | 1 |
Dome diameter (outer) | 17.7 metres (58 ft) |
Number of towers | 2 |
Tower height | 64.6 metres (212 ft) [1] |
Administration | |
Archdiocese | Munich and Freising |
Clergy | |
Pastor(s) | P. Dr. Robert Mehlhart OP |
Laity | |
Director of music | Dr. Robert Mehlhart OP, since 2012 |
Organist(s) | Riccardo Ricci (since 2023) |
The Theatine Church of St. Cajetan and Adelaide (German: Theatinerkirche St. Kajetan und Adelheid) [2] is a Catholic church in Munich, southern Germany. Built from 1663 to 1690, it was founded by Elector Ferdinand Maria and his wife, Henriette Adelaide of Savoy, as a gesture of thanks for the birth of the long-awaited heir to the Bavarian crown, Prince Max Emanuel, in 1662. Now administered by the Dominican Friars, it is also known as the Dominican Priory of St. Cajetan.
The church was built in Italian high-Baroque style, inspired by Sant'Andrea della Valle in Rome, designed by the Italian architect Agostino Barelli. His successor, Enrico Zuccalli, added two 66 meters high towers, originally not planned, and then finished the 71-metre-high (233 ft) dome in 1690. The church is 72 metres (236 ft) long and 15.5 metres (51 ft) wide. The facade in Rococo style was completed only in 1768 by François de Cuvilliés. Its Mediterranean appearance and yellow coloring became a well known symbol for the city and had much influence on Southern German Baroque architecture.
After the crown prince and later elector Max Emanuel had been born on 11 July 1662, Agostino Barelli from Bologna received the draught order. As a construction site for church and cloister the north-east corner of the cross quarter was selected directly by the town wall and Schwabinger Gate which lies opposite to the Residence. Already on 29 April 1663 the laying of the foundation stone occurred. Barelli took as a model the mother's church of the Theatines, Sant'Andrea della Valle in Rome. During the shell works it came to violent discussions between Barelli and his site manager Antonio Spinelli, even Theatine and father confessor of Henriette which finally led to Barelli's dismissal. Agostino Barelli still completed the shell till 1674 and then left Munich. In the same year Enrico Zuccalli took over the artistic management. Main focus of his activity was the outside creation. Zuccalli determined the form of the dome and the very unconventional towers.
At the same time he also co-operated in the decorative arrangement of the church interior decisively. Also in 1674 Giovanni Nicolò Perti and Antonio Viscardi as well as Abraham Leuthner began with the stucco works. The interior has a rich stucco decoration, executed by Nicolò Petri (1685–1688), Wolfgang Leutner being responsible for the stucco figures. The great black pulpit is a work of Andreas Faistenberger (1686). The altars house paintings of Caspar de Crayer, Carlo Cignani, Georg Desmarées and Joachim von Sandrart. For the altar from 1722 Balthasar Ableithner created the larger-than-life statues of four evangelists, the statues of Saint Marcus and Saint John have survived the destruction of World War II.
On 11 June 1675 the church was consecrated – it was extensive at that time still in the shell state. Long discussions about the final facade creation delayed the completion; a final result was not found. Thus Zuccalli established first between 1684 and 1692 after his plans the towers, in 1688 the interior equipment was completed. From 1692 up to the completion Viscardi took over the site management. Henriette of Savoy did not experience the completion of the Theatinerkirche, as she died in 1676.
The outside facade of the Theatinerkirche still remained furthermore incomplete, because in spite of long discussions no arrangement could be achieved. Only about 100 years after the inauguration in 1765 the old François de Cuvilliés made a draft for the facade in the style of the rococo with only light changes which were completed by his son François de Cuvilliés the Younger.
The cloister construction was carried out in line with the manuscript of Zuccalli under whose management the master builder Lorenzo Perti created the buildings. Church and cloister formed a large quadrangle.
When the Schwabinger Gate was broken down in 1817 the Theatinerkirche became a major visual point with the construction of the Ludwigstrasse. The facade of the Ludwigskirche with two steeples was later constructed as balance to the Theatinerkirche, which stands diagonally opposite.
The Theatines gained a good reputation as pastors and scholars, until the late 18th Century when an increasing decline of religious discipline and the monastery finances became noticeable. Therefore, Elector Max IV Joseph, later King Max I Joseph, closed the monastery on 26 October 1801, i.e., before the secularization. The Theatinerkirche remained Collegiate Church, Court Church, and the convent attracted the remaining three electoral departments (ministries) a (Finance, Justice and Spiritual Affairs). Already in 1799 i.e., before dissolution of the monastery, the Department of Foreign Affairs had moved into the Theatine monastery.
During the Second World War, particularly in the years 1944/45, the church was bombed, and the west wing of the monastery was destroyed. The altarpiece of the foundation of the Theatine Church (Antonio Zanchi, 1675), a donation of the electoral couple, was also destroyed. The restoration began in 1946, and was largely completed by 1955. Since 1954, the Dominicans have ministered at St. Cajetan. The reconstruction of the monastery was completed in 1973. Since 2001, a comprehensive overhaul has been in progress, in which the Theatinerkirche will also get a new sanctuary design.
The church has three organs: the main organ from 1960/2009, located in the choir behind the altar (49 stops/68 ranks), the antiphonal organ on the right side (across the pulpit), built in 1950 (17 stops/23 ranks; playable from a two-manual console and the five-manual main console), and a positive organ from 2018 (4 stops). Another organ predates both and was built in 1686 when the church was first constructed. [3]
The antiphonal organ was built by Anton Bayr (de) in 1782. The organ, like much of Munich, suffered damage during the Allied bombings of World War II and was rebuilt by local organ builder Carl Schuster in 1950. [3]
A small chapel contains the tombs of King Maximilian II (reg. 1848-1864) and his consort Queen Marie. The crypt also contains the Prince’s Tomb, where among others these members of the Bavarian Royal Family were buried:
Charles VII was Prince-Elector of Bavaria from 26 February 1726 and Holy Roman Emperor from 24 January 1742 to his death. He was also King of Bohemia from 1741 to 1743. Charles was a member of the House of Wittelsbach, and his reign as Holy Roman Emperor thus marked the end of three centuries of uninterrupted Habsburg imperial rule, although he was related to the Habsburgs by both blood and marriage.
Maximilian II, also known as Max Emanuel or Maximilian Emanuel, was a Wittelsbach ruler of Bavaria and a prince-elector of the Holy Roman Empire. He was also the last governor of the Spanish Netherlands and Duke of Luxembourg. An able soldier, his ambition led to conflicts that limited his ultimate dynastic achievements.
Maximilian I Joseph was Duke of Zweibrücken from 1795 to 1799, prince-elector of Bavaria from 1799 to 1806, then King of Bavaria from 1806 to 1825. He was a member of the House of Palatinate-Birkenfeld-Zweibrücken, a branch of the House of Wittelsbach.
Maximilian I, occasionally called the Great, a member of the House of Wittelsbach, ruled as Duke of Bavaria from 1597. His reign was marked by the Thirty Years' War during which he obtained the title of a prince-elector of the Holy Roman Empire at the 1623 Diet of Regensburg.
Charles Theodore was a German nobleman of the Sulzbach branch of the House of Wittelsbach. He became Count Palatine of Sulzbach from his father Johann Christian in 1733, at the age of six. With the death of his cousin, Charles III Philip, he became Prince-elector and Count Palatine of the Rhine in 1742, being eighteen. In his fifties, he became Prince-Elector of Bavaria at the death of another cousin, Maximilian III Joseph, in 1777.
Ferdinand Maria was a Wittelsbach ruler of Bavaria and a prince-elector of the Holy Roman Empire from 1651 to 1679. The Elector modernized the army and introduced Bavaria's first government code. Besides encouraging agriculture and industry, he also improved building and restoration works on churches and monasteries since the damage caused during the Thirty Years' War.
The Nymphenburg Palace is a Baroque palace situated in Munich's western district Neuhausen-Nymphenburg, in Bavaria, southern Germany. The Nymphenburg served as the main summer residence for the former rulers of Bavaria of the House of Wittelsbach. Combined with the adjacent Nymphenburg Palace Park it constitutes one of the premier royal palaces of Europe. Its frontal width of 632 m (2,073 ft) even surpasses Versailles.
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Henriette Adelaide of Savoy, was Electress of Bavaria by marriage to Ferdinand Maria, Elector of Bavaria. She had much political influence in her adopted country and with her husband did much to improve the welfare of the Electorate of Bavaria.
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Agostino Barelli was an Italian architect of the Baroque.
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