Mary, Queen of Scots | |
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Opera by Thea Musgrave | |
Librettist | Thea Musgrave |
Language | English |
Premiere |
Mary, Queen of Scots is an opera in three acts composed by Thea Musgrave. Musgrave also wrote the libretto based on Peruvian writer Amalia Elguera's play Moray. It focuses on events in the life of Mary, Queen of Scots, from her return to Scotland in 1561 until 1568 when she was forced to flee to England. The opera premiered on 6 September 1977 at the King's Theatre in Edinburgh performed by Scottish Opera. It has subsequently had multiple performances in the UK, US, and Germany. [1] A chamber version, produced by Musgrave in 2016, also exists.
Mary, Queen of Scots was the first of four operas on historical figures which Musgrave has composed. The others are Harriet, the Woman Called Moses (1985), Simón Bolívar (1995), and Pontalba (2003). It was also the first for which she wrote her own libretto, a practice which she continued with all her later operas. Musgrave's starting point for the libretto was Moray, an unpublished play by Amalia Elguera who had written the libretto for Musgrave's 1973 opera The Voice of Ariadne. According to Musgrave, she was re-writing the libretto right up to the time she finished composing the music. The opera's primary focus is on Mary's troubled relationships with her half-brother James Stewart, Earl of Moray; her husband Lord Darnley; and her seducer the Earl of Bothwell. These relationships are foreshadowed in her Act 1 aria "The Three Stars of my Firmament". The libretto takes some liberties with the actual historical facts. The character Lord Gordon is fictitious although partly based on Lord Huntly. The real Earl of Moray was murdered two years later than depicted in the opera. Another character in the opera, Cardinal Beaton, was already dead before the opera's action begins in 1561. [2] [3] [4] [5]
A commission from Scottish Opera, Mary, Queen of Scots was given its world premiere by the company at the Edinburgh Festival on 6 September 1977. The premiere production was directed by Colin Graham and conducted by Musgrave herself. Over the next two and a half years Scottish Opera took their production on tour to multiple UK cities and gave one performance in Germany at the Staatsoper Stuttgart in May 1980. The US premiere was performed by Virginia Opera on 29 March 1978 in a new production directed by David Farrar and conducted by Peter Mark. Mark was also the conductor at the opera's New York premiere in 1981 when it was performed by New York City Opera. [3] [6] [2] [7]
Other significant later performances have included its first performance in German in a new production at the Städtische Bühnen Oper in Bielefeld (1984) and performances conducted by Musgrave at the Curran Theatre in San Francisco performed by San Francisco Spring Opera (1979). Mary's arias also appear in Musgrave's 40-minute triptych, Three Women: Queen, Mistress, Slave, a narrated assemblage of scenes for the leading female characters from Mary, Queen of Scots and Musgrave's later operas, Simon Bolivar , and Harriet, the Woman Called Moses . The triptych had its world premiere in January 1999 at the Herbst Theatre in San Francisco with Amy Johnson singing all three heroines. [8] [9] [10]
A live recording of Virginia Opera's performance of the US premiere with Ashley Putnam in the title role was released on CD by Novello Records in 1989. [11]
Role | Voice type | Premiere cast, 6 September 1977 [3] [12] (Conductor: Thea Musgrave) |
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soprano | Catherine Wilson | |
James Stewart, Earl of Moray, Mary's half-brother | baritone | Jake Gardner |
Lord Darnley, Mary's husband from 1565 | tenor | David Hillman |
Earl of Bothwell | tenor | Gregory Dempsey |
David Riccio, Mary's private secretary and advisor | bass | Stafford Dean |
Cardinal Beaton | bass | Stafford Dean |
Lord Gordon, an enemy of the Earl of Moray and supporter of Mary | bass | William McCue |
Earl of Ruthven | tenor | John Robertson |
Earl of Morton | bass | Ian Comboy |
Mary Seton, Mary's lady-in-waiting | mezzo-soprano | Linda Ormiston |
Mary Beaton, Mary's lady-in-waiting | soprano | Eryl Royle |
Mary Livingston, Mary's lady-in-waiting | soprano | Una Buchanan |
Mary Fleming, Mary's lady-in-waiting | mezzo-soprano | Barbara Barnes |
Courtiers, Scottish lords, people of Scotland |
Setting: Scotland from 1561 to 1568 [13]
Act 1
The opera opens in 1561 with the arrival at the Port of Leith of Mary, the recently widowed Queen of France. The Lords of Scotland have invited her to assume the Scottish crown. Meanwhile, her half-brother James, Earl of Moray is scheming to take the throne himself. Enraged that Cardinal Beaton has exposed his ambitions and written to Mary telling her to place her trust not in James but in the Earl of Bothwell, James has the cardinal imprisoned and killed. A year passes. Scotland is following the Protestant faith but ruled by the Catholic Mary with James as her advisor. At a court ball organized by David Riccio, Mary first encounters her cousin Lord Darnley and is fascinated by him. Although they violently disagree with each other, both James and Bothwell mistrust Darnley's seeming influence on the young queen, especially Bothwell who is likewise attracted to Mary. She soliloquizes on the rivalry between the three men in her life—"The Three Stars of my Firmament". After an incident at the ball which Bothwell seeks to disrupt by insulting Darnley, Mary banishes Bothwell. James also leaves the court in disgust.
Act 2
It is now 1565 and Mary has married Lord Darnley. Darnley's friend David Riccio has been appointed as the Queen's secretary and has become her friend and advisor. The Lords of the Council strongly criticise the drunken Darnley's suitability as her consort while Mary, now pregnant, feels growing unease at Darnley's pressure for her to name him as her co-sovereign. Mary recalls James to the court to help her deal with the situation and appease the lords. Determined to assume even greater power over Mary, James again earns her mistrust and ultimate estrangement, made worse when she discovers that he was behind the murder of Cardinal Beaton. She decides that henceforth she will rely on her own strength, free of Darnley, Bothwell, and James—"Alone, Alone, I stand Alone". James then instigates a plot to goad Darnley into murdering Riccio by convincing him that he is the real father of Mary's child. In Mary's rooms, Riccio and her four ladies-in-waiting entertain her with music. Darnley, bursts into the room and murders Riccio before her eyes. As the council ponders whether to make James the Regent, they hear that Mary has fled the castle and that James is stirring up the Scottish people by accusing Mary of deserting them and conspiring with Darnley to murder Riccio. At one of his harangues, James is challenged by Mary's faithful supporter Lord Gordon. Mary appears in the crowd and accuses James of perfidy, including arranging Riccio's murder to discredit her. The crowd supports her, and she banishes James for life.
Act 3
Exhausted and ill after the birth of her son and with her resolve to "stand alone" now weakening, Mary hears from Lord Gordon that James has raised an army and is turning the people against her. Gordon urges Mary to take refuge in Stirling Castle. She refuses and instead sends for Bothwell asking him to protect her and her infant son, the future king James VI. Gordon is disturbed by this and urges her not to trust Bothwell. Mary and her lady-in-waiting Mary Seton sing a lullaby to Mary's son. When Bothwell eventually returns, he seduces Mary in exchange for his protection. Gordon arrives with the news that Darnley has been murdered and learns that Mary as now been hopelessly compromised by Bothwell's actions. Accompanied by their men, James and Bothwell confront each other. Bothwell is wounded and defeated. By now James has convinced the people of Scotland to demand Mary's abdication in favour of her son. She appeals to the people for support but to no avail. They are now accusing her of having murdered Darnley in addition to everything else. Gordon has sent her infant son to safety and Mary is tricked into fleeing to England alone. Her final soliloquy begins "Alas, alas! Oh dark treacherous night, what calamity awaits me?" As the city gates close behind her, Gordon murders James. Mary's son is proclaimed King of Scotland.
Mary, Queen of Scots, also known as Mary Stuart or Mary I of Scotland, was Queen of Scotland from 14 December 1542 until her forced abdication in 1567.
David Rizzio or Riccio was an Italian courtier, born in Pancalieri close to Turin, a descendant of an ancient and noble family still living in Piedmont, the Riccio Counts di San Paolo e Solbrito, who rose to become the private secretary of Mary, Queen of Scots. Mary's husband, Lord Darnley, is said to have been jealous of their friendship because of rumours that Rizzio had impregnated Mary, and he joined in a conspiracy of Protestant nobles to murder him, led by Patrick Ruthven, 3rd Lord Ruthven. Mary was having dinner with Rizzio and a few ladies-in-waiting when Darnley joined them, accused his wife of adultery and then had a group murder Rizzio, who was hiding behind Mary. Mary was held at gunpoint and Rizzio was stabbed numerous times. His body took 57 dagger wounds. The murder was the catalyst of the downfall of Darnley, and had serious consequences for Mary's subsequent reign.
James Balfour, Lord Pittendreich (c. 1525–1583) was a Scottish legal writer, judge and politician.
Mary, Queen of Scots is a 1971 biographical film based on the life of Mary Stuart, Queen of Scotland, written by John Hale and directed by Charles Jarrott. The cast was led by Vanessa Redgrave as the title character and Glenda Jackson as Elizabeth I. Jackson had previously played the part of Elizabeth in the BBC TV drama Elizabeth R, screened in February and March 1971, the first episode of which was also written by Hale.
James Stewart, 1st Earl of Moray was a member of the House of Stewart as the illegitimate son of King James V of Scotland. At times a supporter of his half-sister Mary, Queen of Scots, he was the regent of Scotland for his half-nephew, the infant King James VI, from 1567 until his assassination in 1570. He was the first head of government to be assassinated with a firearm.
Mary of Scotland is a 1936 American historical drama film starring Katharine Hepburn as the 16th-century ruler Mary, Queen of Scots. Directed by John Ford, it is an adaptation of the 1933 Maxwell Anderson play, with Fredric March reprising the role of Bothwell, which he also performed on stage during the run of play. The screenplay was written by Dudley Nichols. Ginger Rogers wanted to play this role and made a screen test, but RKO rejected her request to be cast in the part feeling that the role was not suitable to her image.
George Gordon, 5th Earl of Huntly, was Lord Chancellor of Scotland and major conspirator of his time.
The Casket letters were eight letters and some sonnets said to have been written by Mary, Queen of Scots, to the Earl of Bothwell, between January and April 1567. They were produced as evidence against Queen Mary by the Scottish lords who opposed her rule. In particular, the text of the letters was taken to imply that Queen Mary colluded with Bothwell in the murder of her husband, Lord Darnley. Mary's contemporary supporters, including Adam Blackwood, dismissed them as complete forgeries or letters written by the Queen's servant Mary Beaton. The authenticity of the letters, now known only by copies, continues to be debated. Some historians argue that they were forgeries concocted in order to discredit Queen Mary and ensure that Queen Elizabeth I supported the kingship of the infant James VI of Scotland, rather than his mother. The historian John Hungerford Pollen, in 1901, by comparing two genuine letters drafted by Mary, presented a subtle argument that the various surviving copies and translations of the casket letters could not be used as evidence of their original authorship by Mary.
The murder of Henry Stuart, Lord Darnley, second husband of Mary, Queen of Scots, took place on 10 February 1567 in Edinburgh, Scotland. Darnley's lodgings were destroyed by gunpowder; his body and that of his servant were found nearby, apparently having been strangled rather than killed in the explosion. Suspicion was placed upon Queen Mary and the Earl of Bothwell, whom Mary went on to marry three months after Darnley's murder. Bothwell was indicted for treason and acquitted, but six of his servants and acquaintances were subsequently arrested, tried, and executed for the crime.
The Battle of Carberry Hill took place on 15 June 1567, near Musselburgh, East Lothian, a few miles east of Edinburgh, Scotland. A number of Scottish lords objected to the rule of Mary, Queen of Scots, after she had married the Earl of Bothwell, who was widely believed to have murdered her previous husband Lord Darnley. The Lords were intent to avenge Darnley's death. However, Bothwell escaped from the stand-off at Carberry while Queen Mary surrendered. Mary abdicated, escaped from prison, and was defeated at the battle of Langside. She went to exile in England while her supporters continued a civil war in Scotland.
Elizabeth Keith, Countess of Huntly, was a Scottish noblewoman and the wife of George Gordon, 4th Earl of Huntly, Scotland's leading Catholic magnate during the reign of Mary, Queen of Scots. In 1562, Elizabeth encouraged her husband to raise forces against Queen Mary which led to his being outlawed, and after his death, his titles forfeited to the Crown. Elizabeth's son Sir John Gordon was executed for having taken part in his father's rebellion.
Janet Beaton, Lady of Branxholme and Buccleugh (1519–1569) was an aristocratic Scottish woman and a mistress of James Hepburn, Earl of Bothwell. She had a total of five husbands. One of her nieces was Mary Beaton, one of the four ladies-in-waiting of Mary, Queen of Scots, known in history as the four Marys. In her lifetime, she was accused of having been a witch. Janet was immortalised as Sir Walter Scott's Wizard Lady of Branxholm in his celebrated narrative poem "Lay of the Last Minstrel".
Anne Hamilton, Countess of Huntly, was a Scottish noblewoman and a member of the powerful Hamilton family which had a strong claim to the Scottish crown. Her father James Hamilton, Duke of Châtellerault, 2nd Earl of Arran was heir presumptive to the throne of Scotland after Mary, Queen of Scots prior to the birth of the latter's son Prince James in 1566. Anne was the wife of George Gordon, 5th Earl of Huntly, Lord Chancellor of Scotland and a chief conspirator during the reign of Queen Mary.
Jean Hepburn, Lady Darnley, Mistress of Caithness, Lady Morham was a Scottish noblewoman and a member of the Border clan of Hepburn. Her brother was James Hepburn, Earl of Bothwell, the third husband of Mary, Queen of Scots. Jean's first husband was John Stewart, 1st Lord Darnley, an illegitimate half-brother of Queen Mary, which made Jean a double sister-in-law of the queen. Jean married three times. She was also Lady of Morham, having received in 1573 the barony of Morham and lands which had belonged to her mother, Lady Agnes Sinclair and was forfeited to the Crown subsequent to her brother, the Earl of Bothwell's attainder for treason.
Das Herz der Königin is a 1940 German historical film, making selective use of the life story of Mary, Queen of Scots, and her execution by Queen Elizabeth I for anti-English and pro-Scottish propaganda, in the context of the Second World War going on at the time.
The Ainslie Tavern Bond was a document signed on about 20 April 1567 by a number of Scottish bishops and nobles. The bond approved the Earl of Bothwell's acquittal on 12 April of implication in the murder of Lord Darnley, recommended him as an appropriate husband for Mary, Queen of Scots, and pledged to assist in defending such a marriage.
Mary Queen of Scots is a 2013 Swiss period drama directed and co-written by Thomas Imbach. It is his first film in the English and French languages, starring the bilingual French actress Camille Rutherford. The film portrays the inner life of Mary, the Queen of Scotland. The film is based on the Austrian novelist Stefan Zweig's 1935 biography, Mary Stuart, a long-term bestseller in Germany and France but out of print in the UK and the US for decades until 2010. The film was first screened at the 2013 International Film Festival Locarno and was later shown at the 2013 Toronto International Film Festival.
Mary Queen of Scots is a 2018 historical drama film directed by Josie Rourke and with a screenplay by Beau Willimon based on John Guy's 2004 biography Queen of Scots: The True Life of Mary Stuart. The film stars Saoirse Ronan as Mary, Queen of Scots, and Margot Robbie as her cousin Queen Elizabeth I. Jack Lowden, Joe Alwyn, David Tennant, and Guy Pearce also star in supporting roles.
Margaret Beaton, Lady Reres was a Scottish courtier and companion of Mary of Guise and Mary, Queen of Scots. She was blamed by the enemies of Mary, Queen of Scots, for her involvement in alleged immorality at court.
Arthur Erskine of Blackgrange was a Scottish courtier.